1 0 0 0 OA MaaSの現状と今後のサービス開発の展望
1 0 0 0 OA 上海激戦十日間
- 著者
- 海軍省記者倶楽部 編
- 出版者
- 揚子江社
- 巻号頁・発行日
- 1939
1 0 0 0 OA 大日本校訂大蔵経
- 著者
- 縮刷大蔵経刊行会 編
- 出版者
- 縮刷大蔵経刊行会
- 巻号頁・発行日
- vol.閏13, 1939
1 0 0 0 OA 九州に於けるヤマメとアマゴの分布
As the results of the extensive collections made by the writer in the year 1949 and 1950, assisted by his student Mr. Sadahiko Imai, assistant professor of the Faculty of Fisheries of Kagoshima University, in order to compilate complete list of freshwater fishes inhabit in the streams of south werstern part of Kiushiu, it was affirmed that there exist two species of freshwater salmons in the head waters of main streams, treated under the same vernacular name 'Enoha''. One of which is evidently the river form of Oncorhynchus masou (Brevoort), while the other is the same of Oncorhynchus rhodurus Jordan & McGregor. Distributional area of the two is quite distinct, the former inhabiting in the headwaters of mam rivers which flow down to Pacific while the latter's habitats are limited to the upper streams of long rivers which enter into the Inland Sea. Oncorhynchus masou is the salmon of northern element, its distributional center being Hokkaido, instead of Oncorhynchus rodurus which is the form originated in Lake Biwa in the remote past. This facts show that the Pacific coasts of Kiushiu had been washed by the cold current coming down from Japan Sea in the prehistoric time, enabling southward migration of anadromous Salmonoid fishes like Oncorhynchus masou and Oncorhynchus keta as well. Occasional occurence of the former at the offshore of Kumamoto district and usual autumn run of the latter into several rivers in northern Kiushiu supports this supposition very strongly.
1 0 0 0 OA ゲオルゲ・グロッス : 無産階級の画家
1 0 0 0 OA 自牧宗湛(下)
- 著者
- 綿田 稔
- 雑誌
- 美術研究 = The bijutsu kenkiu : the journal of art studies
- 巻号頁・発行日
- no.395, pp.20-56, 2008-08-28
For résumé, see Bijutsu Kenkyu No. 393
1 0 0 0 OA 自牧宗湛(上)
- 著者
- 綿田 稔
- 雑誌
- 美術研究 = The bijutsu kenkiu : the journal of art studies
- 巻号頁・発行日
- no.393, pp.30-60, 2008-01-28
Sôtan (1420-1481) was a Daiô school Zen monk of the Rinzai sect, and he was a Kyoto-based painter during the mid Muromachi period. While it is known that his secular family name was Oguri, his birthplace and family's social standing are not known. Sôtan is known to have studied Zen under Yôsô Sôi of Daitoku-ji, and it is believed that he studied painting from the monk-painter Shûbun of Shôkoku-ji. He created a landscape painting with inscriptions by four Zen priests from the Chinese poetry salon of Reisen-in, Ken'nin-ji, in 1459. In 1462, he painted the Eight Views of the Xiao and Xiang on shôji sliding doors at Shôsen-ken, a building in the Untaku-ken of the Unchô-in subtemple of Shôkoku-ji temple. By that time Sôtan had already been highly praised for his genius at painting by Ashikaga Yoshimasa, the 8th shogun of the Muromachi shogunate. That same year (1462), Sôtan became a monk under Shunpo Sôki at Daitoku-ji and was dubbed Kan’ô Sôtan. Around the end of the same year he built a hermitage at Aneyakôji-Nishinotoin in the market district of Kyoto, and his new home was named Jiboku-an by Kikei Shinzui, a priest who lived at Inryô-ken in the Rokuon-in subtemple of Shokoku-ji. The following year Sôtan was appointed painter to the shogun, a position that, like that of Shûbun, the previous generation of official painter to the shogunal family, entailed the receipt of a monthly stipend and year-end bonus. In 1466 Sôtan participated in the trip to Arima (present-day part of Kobe city) for recuperative bathing taken by Kikei Shinzui, Taga Takatada, and other high-ranking members of the shogunate. Sôtan painted a view of the hot springs village as seen from in front of the Amida-dô Hall in the town. This is important as a record of an outdoor sketch of a specific landscape in Japan. During the Ônin Civil War, Sôtan evacuated to the Muromachi Palace, where the emperor and the shogun were temporarily both residing. There is one incident known from this time, when Sôtan had trouble with his hand and the shogun ordered the official doctors to heal him. Such incidents indicate the importance of Sôtan to the shogun. Records show that in addition to his work on the Shôsen-ken sliding door paintings, Sôtan also created sliding door paintings for the Takakura Palace (the later incarnation of the Karasuma Palace, which would eventually become the Imadegawa Palace), the Untaku-ken, the New Izumidono Building of the Muromachi Palace, the residence of Ino'o Yukitane, and Yôtoku-in subtemple of Daitoku-ji. The paintings for the New Izumidono Building of the Muromachi Palace were created on a commission from Ashikaga Yoshimasa to commemorate Retired Emperor GoHanazono's visit. Sporadic records of paintings by Sôtan remain until 1473, and it can be surmised that he also received a considerable stipend for his main work commissioned by Ashikaga Yoshimasa for the Kokawa Palace and the reconstructed Muromachi Palace. It is difficult to imagine that Sôtan would not have been active in the renovation of temple buildings at Daitoku-ji. Sôtan died in 1481 at the age of 69, just before Ashikaga Yoshimasa began work on the Higashiyama Palace. Sôtan had a son named Kei Gessen (also known as Kitabô) who was also a monk-painter. However, Sôtan's position as shogunal painter was not inherited by his son, he was succeeded by Kanô Masanobu in his role of official painter to the shogunal family. Kanô Masanobu was immediately put to work the wall paintings for the new Higashiyama Palace. In later years, what would become the Kanô school of painting hastened Japanese painting along the path to the premodern era. Sôtan was not only an intermediary between Shûbun and the Kanô school, he was also the central painter of Ashikaga Yoshimasa's reign as shogun. Regardless of whether or not original works remain by Sôtan, his importance in art history cannot be overemphasized. The study of Sôtan, not only the study of Shûbun, is essential for a detailed understanding of the culture that matured and flourished during Ashikaga Yoshimasa's shogunate. To understand that culture, one also must go beyond a consideration of the wasteful public cultural projects initiated by Yoshimasa, a political failure who turned his back on the world in his search for pleasure, to consider a culture not in tandem with the political failure and also not encompassed by a prejudiced term “Higashiyama Culture.” Thus this article aims to organize available research materials and examine them in detail in order to create a basis for future study on Sôtan.
1 0 0 0 OA 自牧宗湛(中)
- 著者
- 綿田 稔
- 雑誌
- 美術研究 = The bijutsu kenkiu : the journal of art studies
- 巻号頁・発行日
- no.394, pp.1-40, 2008-03-28
For résumé, see Bijutsu Kenkyu No. 393
1 0 0 0 OA 非定型下痢原性大腸菌について 1
- 著者
- 涌嶋 三津子 王 麗麗 日高 あゆみ 藤原 佐美 中島 涼 石 娟娟 西川 禎一
- 出版者
- Osaka Urban Living and Health Association
- 雑誌
- 生活衛生 (ISSN:05824176)
- 巻号頁・発行日
- vol.54, no.4, pp.271-284, 2010-10-30 (Released:2010-11-10)
- 参考文献数
- 57
Escherichia coli is a normal inhabitant of the intestinal tract in humans and warm-blooded animals; however, certain strains cause enteric disease in their hosts and are referred to as diarrheagenic E. coli (DEC). Based on distinct epidemiological and clinical features, specific virulence determinants, and other characteristic markers such as enterotoxins and adherence phenotype, DEC strains have been classified into the following six pathotypes: enteropathogenic E. coli; Shiga toxin-producing E. coli; enterotoxigenic E. coli (ETEC); enteroinvasive E. coli; enteroaggregative E. coli (EAEC); and diffusely adhering E. coli. E. coli that does not have any diarrheagenic characteristics other than the EAEC heat-stable toxin 1 (EAST1) gene is defined as EASTEC. Although EAST1 has not been widely accepted as a virulence factor, we focused our attention on EASTEC because outbreaks due to EASTEC O166:H15 have occurred in several cities since the first incident in Osaka, Japan, in 1996. In the present review, we discuss EASTEC as a possible seventh group of DEC. Guanylin is secreted in the colon and acts physiologically as an agonist of the guanylyl cyclase receptor to regulate electrolyte and water transport in the epithelia. EAST1, like the heat-stable enterotoxins of ETEC, may mimic guanylin and cause diarrhea. However, epidemiological studies show that the EAST1 gene (astA) is very prevalent not only among EASTEC strains from diarrheal patients but also in healthy people, domestic animals, and meat products. The presence of astA itself may therefore not necessarily indicate that the strain will be diarrheagenic in the intestine. Production of active EAST1 should be checked since astA seems to have numerous variants. The development of a convenient assay for EAST1 is essential. Further epidemiological studies are also required to elucidate whether EASTEC forms a seventh group of DEC; such studies would also identify additional virulence traits such as colonization factor.
1 0 0 0 OA 官報
- 著者
- 大蔵省印刷局 [編]
- 出版者
- 日本マイクロ写真
- 巻号頁・発行日
- vol.1946年03月14日, 1946-03-14
1 0 0 0 OA 官報
- 著者
- 大蔵省印刷局 [編]
- 出版者
- 日本マイクロ写真
- 巻号頁・発行日
- vol.1949年04月20日, 1949-04-20