著者

日向 進 矢ケ崎 善太郎 松本 康隆

出版者

一般財団法人 住総研

雑誌

住宅総合研究財団研究年報 (ISSN:09161864)

巻号頁・発行日

vol.30, pp.239-250, 2004 (Released:2018-05-01)

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本研究は西洋建築技術が流入しはじめた近代という時代,その対極に位置したと思われる茶室建築をつくり続けた木津宗詮と笛吹嘉一郎の建築活動を考察したものである。二人は自らも新しい技術を体得しながら近世とは趣きの異なる茶室を造っていた。また,二人の作風には違いが見られたが,それは時期的な違いからきたものであると理解することができた。二人の建築活動は,近世から続く茶道という文化を近代の新しい社会において活かし続けていく,一つの流れによって捉えることができた。

著者

村松 伸 鄭 昶源 後藤 淳 矢原 奈欧 速水 清孝 田村 景子 松本 康隆 藤森 照信

出版者

日本建築学会

雑誌

学術講演梗概集. 計画系 (ISSN:13414542)

巻号頁・発行日

no.2, pp.405-406, 2002-06

著者

田鶴 寿弥子 松本 康隆 中山 利恵 杉山 淳司

出版者

一般社団法人 日本木材学会

雑誌

木材学会誌 (ISSN:00214795)

巻号頁・発行日

vol.65, no.2, pp.110-116, 2019

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<p>従来の茶室建築研究は,様式,構造,意匠,変遷などに重きを置いたものが多く,使用されている部材の樹種については数寄屋大工や建築家の目視に頼ったものや伝承によるものを主としていた。近年,樹種識別の重要性が周知され,茶室における科学的な樹種調査がようやく行われつつある。本研究では,数寄屋大工笛吹嘉一郎による三重県伊賀市に位置する芭蕉翁故郷塚「瓢竹庵」に注目した。瓢竹庵では,嘉一郎自筆と考えられる茶室見積書が現存しており,柱や構造材,天井や床など,計画段階での部材ごとの樹種や数量などが74点について記されている。本研究ではそのうち32部材について樹種調査を行い,当時の用材観ならびに材料変更について明らかとすることができた。</p>

著者

李 百浩 Li Baihao 松本 康隆 Matsumoto Yasutaka

出版者

神奈川大学日本常民文化研究所 非文字資料研究センター

雑誌

非文字資料研究 = The study of nonwritten cultural materials (ISSN:24325481)

巻号頁・発行日

vol.13, pp.63-80, 2016-09-30

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This paper will outline the history of the former Nanjing Shrine―parts of whose hallof worship and shrine office still remain―from the perspective of the architectural history of Nanjing City, and discuss reasons why parts of the shrine have been preserved. Before the shrine was erected, Mount Wutai, or Qingliang Shan, was an educational district where construction of a stadium and a conference hall was planned. In 1939, after Japan occupied the region, it was decided that a shrine be built in the area. Land was acquired for this purpose in 1941, and construction started in 1942, followed by a ceremony to summon the spirit of a deity called Chinza-sai in November 1943. The construction was completed in 1944. Gokoku Shrine was built next to Nanjing Shrine around the same time. After Japan's surrender, Nanjing Shrine was turned into a memorial hall for heroes of national resistance, and Gokoku Shrine became a pillage exhibition center. The Mount Wutai area came to serve its original function as an educational district ; consequently, the plan to build a stadiumwas revisited, leading to its construction after the People's Republic of China was founded. The former Nanjing Shrine came under the management of the Sport Bureau of Jiangsu Province, causing it to be used as a facility for table tennis, the bureau's senior activities and meetings. Later, the shrine faced the danger of possible demolition due to the need to collect cypress bark for paper production in 1958 and housing construction in 1985. Nevertheless, university professors called for its preservation. It is unknown until when its inner shrine remained intact and when Gokoku Shrine was torn down. Of all of Nanjing Shrine's structures, only its hall of worship and office remain. Four reasons why they have not been destroyed are in chronological order as follows : they are of high quality in terms of structure and space ; the inner shrine started to be used as a war memorial hall because shrines and such memorial halls both enshrine holy spirits ; the shrine lost its original function upon the foundation of People's Republic of China but maintained its value as a usable structure ; and a plan in 1985 to tear down the shrine arose from a decrease in the value of onestory structures in response to accelerated urban congestion after China's reform and opening up. Conversely, the shrine started to be viewed as a historical heritage.論文

著者

松本 康隆

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.71, no.602, pp.191-198, 2006

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Sosen KIZU is a designer of modern tea rooms, and the one he designed for the Imperial family in 1930 is one of his most famous work. But, up to know, there has been no study about the whole life work of Sosen Kizu. The purpose of this paper is to settle the fundamental basements for the futures studies about him. In this study, by first piecing out the plans and texts, that is all the historical documents about KIZU and his contemporaries, we want to make a synthesis of his skill as a Tea-Master. By listing up his architecture, we understood where it spread in the different regions, and the approximate proportion of the tea rooms in his all work.