著者

渡辺 守邦

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.14, pp.63-123, 1988-03-30

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泉州信田の葛の葉狐の子が、母と生き別れて、天文博士に出世する安倍の童子の物語は、源を『簠簋抄』に発する。この話は、むしろ浄瑠璃、歌舞伎に入って以降おもしろみを倍増するのであるが、本稿は、反対に、この話を育んだ、暦数書の仮名注の世界を俳徊してみようとするものである。本題に入る前に、断っておかなければならないことがある。それは書名の読み。「簠簋」と書いて、〈ホキ〉と読む。『論語』公冶長篇に「瑚璉」の語があって、朱子の注に、宗廟に供える黍稷を盛る器、夏に〈瑚〉、商に〈璉〉、周に〈簠簋〉と称した、とする。本来は祭器である。が、貴重品を運んだり、納めておく器具とも考えられたらしく、次のような言い伝えもある。すなわち、釈迦如来像が百済から海を渡って本朝に運ばれたとき、簠簋に入れられて来た、それゆえ、釈迦をホトケと呼ぶ、ホトケはホキの転である―と。『法華経直談鈔』に載る名義譚。早くも話が中世説話の世界に入ってしまったようだ。 A story of Abe no doji who is a child of Kuzunoha (a name of white fox in legend) in Shinoda of Senshu, succeeded as a master of astrology after separating from mother came from "Hokisho"(簠簋抄). This story rather became twice as much as interesting after being taken up as a theme of Joruri and Kabuki, this article tries to wonder around the world of the kanchu (written in kana) of the Rekisusho (the number of years book) that created this story. Before getting to the main point, it is enough for me to say about the reading of the title of a book. "簠簋"is pronounced as "Hoki". There is a word "Koren"(瑚璉)in "The Analects of Confucius" edited by Koyacho, and it was explained: a container to pile millet to offer in the ancestral mausoleum, "Ko" for Hsia, "Ren" for Shang, "Hoki" for Zhou in a note of Shushi. It is originally ceremonial implement. However it seemed to be thought as an appliance which carry and put the valuables, there is the following legend, that is to say, when statue of Shaka Nyorai was put in "Hoki" and carried to our country across the sea from Kudara,that is why we refer to "Shaka" as "Hotoke". "Hotoke" is derivative of "Hoki". This is a "Myogitan" (名義譚)appears in "Hokkekyojikidansho" (法華経直談鈔). The story seems to have already entered the world of the narration in the Middle Ages.

著者

伊井 春樹

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin Of The National Institute of Japanese Literature

巻号頁・発行日

no.01, pp.1-65, 1975-03-25

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兼良は『花鳥余情』(文明四年十二月)を著作するにあたって、数多くの資料を利用したであろうが、その一つに文明二年三月に相伝した二条家伝来の、為家撰とする「紫明抄」ほかいく種かの秘説集があった。彼はこれらの説から、必要と思われる注記を『花鳥余情』に摂取していくとともに、相伝した中にすでに存在していた「三ケ条口伝」と「十ケ条口伝」を併せて、十三ケ条からなる「花鳥口伝抄」を文明三年三月に編纂し、伝授の形式を確立した。『花鳥余情』完成後は、それをさらに整理して、十五ケ条の『源語秘訣』を生み出したのである。今川範政も兼良以前にこの秘説集を『源氏物語提要』に用いたらしく、引用された内容から推定すると、現存本は部分でしかないと思われる。これらのことから、兼良の源氏学の形成には、二条家の学説が大きく関与していたことが知られるのである。 It appears that Kanera used a lot of materials on writing “Kachoyojo”(花鳥余情)(December, 1472), there are “Shimeisho”(紫明抄) which was inherited on March in 1470 by Nijo family selected by Tameie and some kinds of the secret stories as one of materials. He adopted an explanatory note that are considered to be necessary from these theories in “Kachoyojo” and also “Kacho Kuden sho”(花鳥口伝抄)which consisted of 13 articles collectively included “Sankajo Kuden”(三ヶ条口伝)and “Jukkajo Kuden”(十ヶ条口伝)that have been already existed in materials handed down was compiled on Mar,1471 and the form of transmission was established. After completing “Kachoyojo”, it was arranged more and produced 15 articles of “Gengo hiketsu”(源語秘訣). Imagawa Norimasa also seemed to use this secret stories for “Genji monogatari teiyo”(源氏物語提要)before Kanera did, the existence book is thought to be only a part when it is estimated from quoted contents. For these reasons, it is known that the Nijo family’s theory was greatly related to the formation of Genji studies of Kanera.

著者

渡辺 守邦

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.15, pp.135-165, 1989-03-25

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むかし、祖母の語った安倍の童子の咄は、歳月のベールに隔てられて、記憶もおぼろげである。それゆえであろうか、かすかな太棹の三味の音を伴って甦ってくる。この一話の世上への伝搬に『蘆屋道満大内鑑』のはたした功績の大きかったことは疑いないが、それだけではなかった。江戸時代を通じて、演劇とは双子の関係にあった小説の分野にあっても取り上げられ、数々の作品の刊行をみている。また、明治の御代にいたるまで盛んに行われた、仏教講釈の演目の内にも含まれていた、という。暦数書の注釈に発した清明伝承が、さまざまなジャンルに文芸化されたありさまと、作品相互の間の関りについて調べてみることは、われわれの持つ清明像の依ってきたる所以を明らかにすることにもなるはずである。 A memory of a story of Abe-no-doji (childhood name of Abe no Seimei) which my grandmother told me long time ago is vague separated by a veil of time. That may be why it is associated in my memory with the faint sounds of Futozao (broad-neck) shamisen. There is no doubt about the great achievements that "Ashiya Doman Oouchikagami"(蘆屋道満大内鑑)produced as for propagation of this story to a public, however this was not all. It was taken up for the field of novels which had a twin-like relation with field of the Dramatic Arts, many works were published. In addition, it is said to be included on the program of a Buddhism lecture carried out actively up to the reign of the Emperor Meiji. To investigate the state that a legend of Seimei which had its beginnings in explanatory notes of the Rekisusho (the number of years book) was changed into literary arts in various genres and to try to investigate about the mutual relation with each work should be going to clarify the reason of the image of Seimei that we have.

著者

浅田 徹

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.27, pp.47-93, 2001-03-29

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藤原定家の下官集について、その内容を検討する。本書は草子の書き方を中心とした伝書で、文学の内容そのものとは直接関わらないため、和歌研究者からのまとまった考察がない。しかしその記述を考証していくことで、顕註密勘・三代集之間事・僻案抄といった歌学書群、あるいは定家本三代集の校訂作業などと同じ基盤を有していることを指摘できるのではないかと考える。従来の研究(国語学の分野からのもの)は仮名遣い規定に集中し、それ以外の部分は詳しい注釈も行われずにきているので、本稿ではまず全文を改めて検討することから始める。同時にそこに一貫する定家の姿勢を「他者と自分との差異を提示して、それを一つずつ根拠付けていく」ものと捉え、最終的にそれを歌道家当主としての自己定位の営みを象徴するものとして読むことを試みる。また、他者としての六条家の存在はここでも作品形成の一つの契機となっていただろう事を示す。 This is consideration of contents regarding Gekanshu by Fujiwarano Teika . This is a book called densho(伝書)mainly about how to write Soshi. There is no definite consideration of waka researchers, because it did not associate directly with the very contents of literature. However to study its description, it seems that it is possible to point out that it has the same substrate as “Kagaku-sho” group such as “Kenchumikkan”(顕註密勘), ”Sandaishu-no-aida-no-koto”(三代集之間事), “Hekian-sho”(僻案抄) or the textual collation of Teikabon-sandai-shu. At first the whole sentence was reviewed in this paper because the conventional study ( from field of the Japanese literature) concentrate Japanese grammar and others had not be written an extended comment. At the same time, it was considered that the consistent attitude of Teika as -Show a difference with others and oneself and based on it one by one-. An attempt was made to read it symbolizing his position as the head of the art of Waka poetry in the end. Then it was shown that the existence of Rokujo-ke as others would be one opportunity of the work formation here.

著者

渡辺 守邦

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.14, pp.63-123, 1988-03-30

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泉州信田の葛の葉狐の子が、母と生き別れて、天文博士に出世する安倍の童子の物語は、源を『簠簋抄』に発する。この話は、むしろ浄瑠璃、歌舞伎に入って以降おもしろみを倍増するのであるが、本稿は、反対に、この話を育んだ、暦数書の仮名注の世界を俳徊してみようとするものである。本題に入る前に、断っておかなければならないことがある。それは書名の読み。「簠簋」と書いて、〈ホキ〉と読む。『論語』公冶長篇に「瑚璉」の語があって、朱子の注に、宗廟に供える黍稷を盛る器、夏に〈瑚〉、商に〈璉〉、周に〈簠簋〉と称した、とする。本来は祭器である。が、貴重品を運んだり、納めておく器具とも考えられたらしく、次のような言い伝えもある。すなわち、釈迦如来像が百済から海を渡って本朝に運ばれたとき、簠簋に入れられて来た、それゆえ、釈迦をホトケと呼ぶ、ホトケはホキの転である―と。『法華経直談鈔』に載る名義譚。早くも話が中世説話の世界に入ってしまったようだ。 A story of Abe no doji who is a child of Kuzunoha (a name of white fox in legend) in Shinoda of Senshu, succeeded as a master of astrology after separating from mother came from “Hokisho”(簠簋抄). This story rather became twice as much as interesting after being taken up as a theme of Joruri and Kabuki, this article tries to wonder around the world of the kanchu (written in kana) of the Rekisusho (the number of years book) that created this story. Before getting to the main point, it is enough for me to say about the reading of the title of a book. “簠簋”is pronounced as “Hoki”. There is a word “Koren”(瑚璉)in “The Analects of Confucius” edited by Koyacho, and it was explained: a container to pile millet to offer in the ancestral mausoleum, “Ko” for Hsia, “Ren” for Shang, “Hoki” for Zhou in a note of Shushi. It is originally ceremonial implement. However it seemed to be thought as an appliance which carry and put the valuables, there is the following legend, that is to say, when statue of Shaka Nyorai was put in “Hoki” and carried to our country across the sea from Kudara,that is why we refer to “Shaka” as “Hotoke”. “Hotoke” is derivative of “Hoki”. This is a “Myogitan” (名義譚)appears in “Hokkekyojikidansho” (法華経直談鈔). The story seems to have already entered the world of the narration in the Middle Ages.

著者

小川 剛生

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.30, pp.53-94, 2004-02-28

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艶書文例集とは、さまざまな恋の状況における懸想文を掲げ筆法を解説した書札礼の故実書であるが、その包摂する範囲は広きに及んで、艶書文学というべきジャンルを形成している。たとえば『堀河院艶書合』も艶書や艶書歌の手引きとして読まれたし、室町物語や仮名草子には登場人物の艶書のやりとりによって筋が展開するものがある。東山御文庫に蔵される『思露』は中世に成立した艶書文例集である。やはり艶書の「書様」と「文例」からなり、艶書をしるし相手に贈る際の、さまざまな知識を解説した書物であるが、その成立・作者については、これまではっきりしたことは知られていなかった。本稿において、本書は南北朝末期、二条良基が著したもので、公武の間で広く読まれていたことを述べた。さらにその内容は文学的にも見るべきものがあり、当時の『源氏物語』をはじめ王朝物語への理解を示し、また仮名文をいかに書くべきかを初めて具体的に説いた書物として注目に値することを指摘した。続いて、代表的な艶書文例集として知られる『詞花懸露集』はこの『思露』を後人が改編した本であること、また『堀河院艶書合』の伝本の一部にも『思露』を吸収したものがあることなどを述べ、中世の艶書文学作品に『思露』が与えた影響が甚だ大きいことを明らかにした。附録として東山御文庫蔵本の全文を翻刻した。 A collection of love letter examples is an ancient customs book that was printed love letters written under various situations of love and it was commented on style of writing Kojitusyo (the protocol or events in the imperial court and Bu-ke) of Shosatsurei. It was widely subsumed and formed a genre called the love letter literature. For example,”Horikawain-ensho-awase”(堀河院艶書合)was also read as a guide book of Enshouta in Muromachi-monogatari(室町物語) or in Kana-zoshi(仮名草子), the plot was developed by exchanging love letters of the characters. “Shiro”(思露) which belongs to the Higashiyama Library is a collection of love letter examples formed in the middle ages. Though this is also a book composed with the way of writing and examples about various knowledge for people who wrote love letters to their lovers. Regarding to the time of establishment or about the author have been uncertain so far. In this paper, it is mentioned that this book was written by Nijo Yoshimoto and read by the imperial court and the shogunate. In addition, the content contains the specific character in literary terms showing to appreciate Japanese imperial tales including “Genji-monogatari”(源氏物語) in those days. It also pointed out that it is worthy of notice as the book explained specifically how should the kana texts were written for the first time. Then “Shika Kenro Shu”(詞花懸露集) known as a representative of a collection of love letter examples is a book which was revised by later hands, there is also something which absorbed “Shiro” in the part of handed-down manuscript of Horikawain-ensho-awase were mentioned. It was shown that “Shiro” greatly influenced the medieval love letter literary works. The whole text in Higashiyama Library reprinted as an appendix.

著者

神津 武男

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.29, pp.189-275, 2003-02-28

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本稿は、国文学研究資料館が所蔵する、『古今操便覧』をはじめとした、竹本摂津大橡旧蔵の人形浄瑠璃番付集の、資料紹介である。同資料は、書誌的形態や成立年の異なる、三種から成る。各種それぞれの、成立年や旧蔵者について、報告する。なお同資料群は、『近世邦楽年表』の原資料の、中心をなす部分であった。『近世邦楽年表』原資料発見の意義についても、述べたい。また収録内容を一覧することを目的として、個々の番付のリストを付した。特に、新出の番付については、翻刻を付した。 This is an article to introduce the documents such as “Kokon- ayatsuri –binran”(古今操便覧) owned by National Institution of Japanese literature and Ningyo-joruri lists formerly stored in Takemoto-settsu- no- taijo. This documents consists of three kinds which were written by different form of the biography at various times and reported the year of creation of documents and former owners for each. In addition, the group of documents were the main part of a source document of “Kinsei-hogaku nenpyo”(近世邦楽年表). Also it is necessary to remarks regarding the meanings of its discovery. The list of each program for the purpose of glancing through the contents was attached. A reprinting was added especially for the new one.

著者

福田 秀一

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature

巻号頁・発行日

no.02, pp.115-164, 1976-03-25

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鎌倉中期に関東の好士後藤壱岐守基政が撰んだ「東撰和歌六帖」といふ私撰類題和歌集があり、実朝や北条氏一門をはじめ関東武士の詠も多く見えるため、早くから一部では注目されてゐる。しかるに従来知られてゐた「東撰和歌六帖」の諸本は、続類従本以下すべて、題目録は六帖分を有しながら、本文は第一帖(春部)のみであった。ところが表記の中川文庫本は、抄出本ながら第四帖(冬部)の途中までを有し、例へば新出の実朝の歌を含むなど注目されるので、ここに祐徳稲荷神社および所蔵者鍋島家の許可を得て同本の本文を翻刻し、索引および略解題を付した。 There is Shisen ruidai wakashu (Personal collection of a thematic grouping of Japanese poems) called “Tosen-Wakarokujo” (東撰和歌六帖)which was selected by a person of refined in the Kanto region, Goto Ikinokami Motomasa in the mid Kamakura period, since many poetries of Sanetomo and the Hojo clan including the Kanto samurai were selected, it attracts attention in certain part from an early period. As for the transcription of “Tosen-Wakarokujo” including all Zoku- ruiju, there was only the first chapter (Spring) in the text while having six quires of title records. However the mentioned Nakagawa Bunkobon has it to the middle of the fourth chapter (Winter) in spite of being an excerpting book, for example, it attracts attention because it includes newly found Sanetomo’s waka, the text of the book with permission of Yutoku Inari-jinja and owner Nabeshima family was reprinted here and referred an index and a brief bibliography.

著者

古川 清彦

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.7, pp.33-44, 1981-03-30

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飯田武郷は『日本書紀通釈』の著者として有名であるが、幕末期の国学者としての地位は必らずしも明らかではなく、地味な存在である。しかし国学の実践活動においては権田直助・落合直亮・相楽総三らと結んで多面的であり、岩倉具視との関係も興味深いものがある。そして権田・落合・相楽と異なる学者としての道を歩んで、明治維新後の時代に身を処した点に特色があるが、詩歌の道にも優れていた。最近、幕末の志士における詩歌の重要性が説かれるが、武郷はそうした面で志士としての活動とともに詩歌文章によって歴史の変革期の記録を行った文人としての面も備えている。本稿においては、家系・学統・国学活動などを周辺の情況・人物などに触れながら考察した。そして文人としての意味からは『蓬室集』に注目したのである。 Ida Takesato was famous as an author of "Nihonshoki-tsushaku" (the explanation of the oldest chronicles of Japan), however the position as a Japanese classical scholar of the end of the Edo period was not necessarily clear and had a simple existence. In the practice activity of the study of Japanese classical literature, he multilaterally allied with Gonda Naosuke, Ochiai Naoaki and Sagara Sozo, the relations with Iwakura Tomomi is also interesting. There is characteristic at the point that he followed a different paths as a scholar from Gonda, Ochiai, Sagara and behaved in the times of the Meiji Restoration. He was also superior in the way of the poetry. Importance of the poetry written by Shishi (a historical term describing a commoner in the late Edo period who actively contributed to the country) was explained recently. In such a behavioral aspect, he possessed a side as a literati who recorded the revolutionary period of the history by a poetry sentence with the activity as Shishi. In this article, family lineage, academic lineage, activity of a study of Japanese classical literature were considered while mentioning neighboring situation and people. From the meaning as a literati "Hoshitsu-shu"(蓬室集) was noteworthy.

著者

鈴木 淳

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:18802230)

巻号頁・発行日

no.21, pp.213-255, 1995-03-25

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本稿は、前稿を引継いで、好古の学芸家謙亭小宮山昌世の後半生すなわち代官罷免後から死没までを年譜形式で考察したもの。その間、師太宰春台と交際を深め、賀茂真淵の弟子でもあった河津長夫の碑銘を撰し、関鳳岡門下の『篆書唐詩選』の刊行のために周旋、さらには自著『発蒙書柬式』を出版するなど、漢学に傾注した。またその前後、甲斐の加賀美光章に慕われ、その文庫設立に助力、ついで『名賢和歌秘説』など歌書の繕写に親んだ頃には、後の山手連の狂歌師山手白人との交際も推知される。晩年は居を小石川隆慶橋畔に卜して、昌世の真骨頂とも言うべき雑史『竜渓小説』を編み、さらにその別巻として、英一蝶らの流刑事件に生々しく迫った『民蝶半記事伝』を共謀の仏師民部からの聞書としてまとめるが、当該書は山東京山の『英一蝶流論考』による紹介を経て、今日まで一蝶伝の第一級資料としての価値を失わない。 This article was succeeded a previous one to consider the latter life of Kentei Komiyama Masayo who was an antiquarian and a man of arts and sciences in a chronological history form from after his dismissal of Daikan to his death. During those years, he became intimate with his master Dazai Shundai, selected inscription of Kawazu Nagao who was a pupil of Kamono Mabuchi, procured for publishing “Tensho To-shisen”(篆書唐詩選)by disciples of Seki Shikyo, also he concentrated the Chinese classics and published his book “Hatsumoshokanshiki”(発蒙書柬式). Before and after that, since he endeared himself to Kagami Mitsuaki of Kai, he helped the establishment of library for Kagami Mitsuaki. When he got close to a repaired book “Meikenwakahisetsu”(名賢和歌秘説), it was inferred that he was also an acquaintance with a writer of comic tanka of Yamate-ren(山手連) Yamateno Shirohito. He edited a miscellaneous facts “Ryukei-shosetsu”(竜渓小説)which should be called the true worth of Masayo’s works living at the ridge of Ryukei bridge in Koishikawa in his later years. Moreover as an extra issue, he gathered “Minchohankijiden”(民蝶半記事伝)which was vividly described banishment of Hanabusa Icho and others as Kikigaki(聞書)from accomplice Minbe who was a sculptor of Buddhist statues . This book has been of value as the primary document until today after an introduction of “Hanabusa Iccho-ryu Ronko”(英一蝶流論考)by Santo Kyozan.

著者

渡辺 守邦

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.15, pp.135-165, 1989-03-25

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むかし、祖母の語った安倍の童子の咄は、歳月のベールに隔てられて、記憶もおぼろげである。それゆえであろうか、かすかな太棹の三味の音を伴って甦ってくる。この一話の世上への伝搬に『蘆屋道満大内鑑』のはたした功績の大きかったことは疑いないが、それだけではなかった。江戸時代を通じて、演劇とは双子の関係にあった小説の分野にあっても取り上げられ、数々の作品の刊行をみている。また、明治の御代にいたるまで盛んに行われた、仏教講釈の演目の内にも含まれていた、という。暦数書の注釈に発した清明伝承が、さまざまなジャンルに文芸化されたありさまと、作品相互の間の関りについて調べてみることは、われわれの持つ清明像の依ってきたる所以を明らかにすることにもなるはずである。 A memory of a story of Abe-no-doji (childhood name of Abe no Seimei) which my grandmother told me long time ago is vague separated by a veil of time. That may be why it is associated in my memory with the faint sounds of Futozao (broad-neck) shamisen. There is no doubt about the great achievements that “Ashiya Doman Oouchikagami”(蘆屋道満大内鑑)produced as for propagation of this story to a public, however this was not all. It was taken up for the field of novels which had a twin-like relation with field of the Dramatic Arts, many works were published. In addition, it is said to be included on the program of a Buddhism lecture carried out actively up to the reign of the Emperor Meiji. To investigate the state that a legend of Seimei which had its beginnings in explanatory notes of the Rekisusho (the number of years book) was changed into literary arts in various genres and to try to investigate about the mutual relation with each work should be going to clarify the reason of the image of Seimei that we have.

著者

小峯 和明

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.14, pp.31-62, 1988-03-30

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安居院流の唱導書の一である国文学研究資料館蔵『澄印草等』(鎌倉写)の紹介と翻刻。内容は安芸前司義盛逆修表白と養和二年二月の仁和寺宮五部大乗経供養(法会次第・表白)とからなる。前者は転法輪鈔(十二)密教上の一部に合致。台密の教義にもとづき、法華経と大日如来・両界曼陀羅との顕密不二を説く。後者は後白河院と守覚法親王が覚性法親王の菩提供養を仁和寺大聖院で行ったもの。吉記・玉葉によれば、講師は澄憲であり、この表白が彼の手になることが証明される。表白は対句の修辞を駆使した力作であり、院政期の法会文学として貴重であるばかりでなく、中世の文体形成の礎としても注目される資料である。 This is an introduction and a reprint of “Choin soto”(澄印草等)(reprinted in the Kamakura period) which is one of books of Agui school sermon stored in National Institute of Japanese literature. The contents consists of Hyobyaku (supplications) of gyakushu (holding a memorial service prior to one’s death) of Yoshimori, the former official of Aki Province and five teachings of Mahayana Buddhism memorial service in Ninnajinomiya (programs for the Buddhist mass・hyobyaku) in February, 1182. The former is equal to a part of “Tenborinsho”(転法輪鈔)(12) in esoteric Buddhism. Based on a doctrine of the esoteric Buddhism of the Tendai sect, it preached the nonduality of Kenmitsu between the Lotus Sutra and Dainichi Nyorai・Ryokai Mandara. Contents of the latter one is that Goshirakawa-in and Shukaku houshinno held a memorial service for Kakushohoushinno in Ninna-ji sanctuary. According to Kikki(吉記)・Gyokuyo(玉葉), a lecturer was Choken. It is proved that he wrote this hyobyaku. It is the masterpiece which made full use of the rhetoric of the couplet, and it is not only valuables as Buddhist ceremony literature of the Insei period, but also is the material which attracts attention as a foundation of the writing style formation of the Middle Ages.

著者

小川 剛生

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.29, pp.53-169, 2003-02-28

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『百寮訓要抄』は、二条良基(一三二○~一三八八)が著した朝廷官職制度の解説書で、二官八省以下の大小の官衙とその職員を列挙し、沿革・職掌・任官の慣例等を仮名書きで説明したものである。同じく南北朝時代に著された北畠親房の『職原抄』とならんで、官職制度理解のためのよき手引きとされている。しかし本文批判は殆どといって良いほど行われておらず、そのまま利用するには問題が多い。本稿では五十本ほどの伝本を調査し、大別して二類六種に分類される諸本の性格と本文の形成について、ほぼその見通しを立てることが出来た。そうして得られた本文をもとにして、室町期を中心とした流布の様相を述べつつ、その官職制度書としての特質について考えた。附録として陽明文庫蔵慶長三年(一五九八)写本を底本に、簡略な校本を作成した。 “Hyakuryoukunyosho”(百寮訓要抄)is the manual of the system in the imperial Court government officials written by Nijyo Yoshimoto which enumerated the big and small Kanga(官衙) less than the Two Departments and eight Ministries, explained the history, duties, customs of investiture written in Kana. It is regarded as a good guide book along with “Shokugensho”(職原抄) written by Kitabatake Chikafusa. However, as the text was hardly criticized, there are so many problems to just use it. In this paper, as about 50 biography books were investigated, it was almost possible to make the prospect about the character of books which categorized as group2 type6(2類6種)and the formation of the text. Based on that, while stating an aspect of circulation mainly on Muromachi period, regarding the specific character as a manual of the system of the Imperial Court government officials was considered. As an appendix, a simple variorum based on the manuscript in 1598 owned by Youmeibunnko was created.

著者

浅田 徹

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.26, pp.81-136, 2000-03-29

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藤原定家の下官集は定家仮名遣の基本資料として多くの研究があるが、書誌的な検討がまだ進んでいないように思われる。また、仮名遣史研究と和歌研究との二つの領域の情報交流も十分ではない。本稿は研究史を整理・評価しつつ、下官集諸本として知り得たものを書誌的に記述していくことで、二つの領域の相互交流のための基盤を整備する。また、善本の翻刻を付載して今後の研究に役立てることとする。 There are many studies of Gekanshu by Fujiwarano Teika as a standard document of Teika’s Kana orthography. However the bibliographic investigation does not seem to have yet advanced. Information exchange of the history of use of Kana study and Waka study are also not enough. In this article, while arranging and evaluating the History of Research, the base for mutual interchange between these two ereas was maintained by describing what was able to know as a variant manuscripts of Gekanshu. In addition, a reprinted Zenpon (well-preserved state of manuscripts or printed books) was attached to use for a future study.

著者

本田 康雄

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.14, pp.269-295, 1988-03-30

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江戸時代以来、草双紙合巻の作成に従事した作者(戯作者)や画工(浮世絵師)は明治七年、難解な新聞記事の中から特に一般庶民に興味のありそうな雑報記事を選び浮世絵師・落合芳幾などを中心として分り易すぐ絵解きして新聞錦絵(木版)を刊行した。その経験を生かして芳幾、高畠藍泉(三世柳亭種彦)は翌明治八年、平仮名絵入新聞を工夫し雑報欄の中央に木版の挿絵(事件の現場のスケッチ)を組みこみ、鉛活字の報道文と組合せて草双紙風の紙面を構成して多くの読者(江戸時代以来の草双紙の読者層)を獲得した。この欄において所謂、三面記事の連載、続報が生じ、これを続き物と称した。この様な小新聞(タブロイド版の大衆紙)の流行をみて新聞ニュースを直ちに草双紙合巻にまとめた『鳥追阿松海上新話』『東京奇聞』『高橋阿伝夜刃物語』が刊行され、末期草双紙界に最期の火花を揚げたが、間もなく新聞の(絵入り)続き物の人気に吸収され、江戸以来の草双紙合巻は明治二十年頃、途絶えた。しかし、この間、戯作者、高畠藍泉、染崎延房(二世為永春水)等は小新聞の続き物の記者として草双紙の文章に基づき報道のための新しい文体を工夫して庶民の読者に読み物を提供し、また浮世絵師はこの三面記事の中央部に事件の挿絵を描いて絵画による情報提供に努めた。この様にして、戯作者と浮世絵師の新聞を媒体とする協力によって続き物は盛行し、続き物の延長上に新聞小説が成立した。国際的に珍らしい日本の新聞小説の形態(絵入り続き物語)は明治のはじめから昭和の今日まで変っていない。 Since the Edo era, the author who engaged in the making of the illustrate “Kusazoshi Gokan(草双紙合巻)and painters (Ukiyoe artists) chose the difficult newspaper articles which seemed to be popular especially for common people in 1874, mainly Ochiai Yoshiiku who was an Ukiyoe artist made explanation by pictures clearly and published Shinbun-Nishikie (xylograph). Using that experience, Yoshiiku, Takabatake Ransen (Ryutei Tanehiko the third) devised the Hiragana-e-iri Shinbun and incorporated illustrations of the xylograph in the center of the general news column in 1875 (sketch of the crime scenes). By constituting the space after Kusazoshi in combination with news sentences printed by lead type, they won many audiences (Audiences of the Kusazoshi since the Edo era). In this column, serialization of so-called local news, further news occurred and named this ‘serial story’. Because such a minor newspaper (a tabloid) was popular, “Torioiomatsukaijoshinwa”(鳥追阿松海上新話), “Tokyokibun” (東京奇聞), “Takahashiodenyashamonogatari”(高橋阿伝夜刃物語)which were collected newspaper news to Kusazoshi Gokan were published promptly and set of the last spark in the closing days of Kusazoshi world. Kusazoshi Gokan since the Edo period was discontinued in about 1887 soon after being absorbed in the popularity of the serial stories. However during those times, the fiction writers such as Takabatake Ransen, Somezaki Nobufusa (Tamenaga Shunsui the second) devised new sentences for the news to offer reading materials to the common people based on the sentence of the Kusazoshi and also Ukiyoe artists drew the illustration of the case on the central part of this local news and tried reporting with pictures. In this way, serial stories became popular with the effort of fiction writers and Ukiyoe artists by means of newspaper. A serial story was established on the extension line of the story in newspaper. Internationally unique form of Japanese serial story in a newspaper (an illustrated serial stories) which does not change from the beginning of the Meiji era up to the present of the Showa.

著者

田嶋 一夫

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature

巻号頁・発行日

no.3, pp.187-196, 1977-03-25

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織田信長の比叡山焼討を、比叡山に近いと思われる立場から描いた『猿鹿懺悔物語』について、教林文庫本(早稲田大学図書館蔵)を翻刻し、簡単に書誌を記したもの。 Regarding "Sarushika Sange Monogatari"(猿鹿懺悔物語)which was described fire attack against Mt. Hiei by Oda Nobunaga from the position that was thought to be the close relationship with Mt. Hiei, Kyorin bunkobon (owned by the Library of Waseda University) was reprinted and the brief bibliography was written down in this paper.

著者

堀川 貴司

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.29, pp.37-52, 2003-02-28

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平安鎌倉期の漢詩作品を取り巻く状況を考察する一環として、詩懐紙について、その作法、特に詩本文の書様を概観する。鎌倉前中期に次第に六行三字に統一されていくこと、南北朝期を境に七言律詩から七言絶句に変わり、三行三字に書かれることを、懐紙の遺例や記録に書き留められた例、作詩作法書などに基づいて確認し、「文書」としての機能についても考える。 As a part to consider the situation surrounding Chinese poetries in Heian-Kamakura period, A survey of the system of versification, especially the way of writing of the text about Shi-kaishi was made. The way have been united to 6 lines and 3 characters during the early to middle Kamakura period and it was changed from Shichigon-risshi(七言律詩) to Shichigon-zekku(七言絶句) with 3 lines and 3 characters were confirmed based on the example which was written down in historic evidence and record or words courtesy books, then the function as ‘Documents’ is also considered.

著者

大久保 正

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin Of The National Institute of Japanese Literature

巻号頁・発行日

no.01, pp.233-249, 1975-03-25

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まだ公刊されていない本居宣長の書簡中から、七月三日付門人荒木田尚賢宛の一通と、日付・宛名を欠くが、門人小篠敏宛と推定される一通の計二通を選び、本文を翻刻すると共に、その年次を考証し、あわせてその宣長研究上に有する意義を考察した。 From some letters of Motoori Norinaga which has not been yet published , a letter addressed to a disciple Arakida Hisakata dated July 3rd and the one with no address and date to a disciple Ozasa Minu, 2 letters in total were chosen, the text was reprinted and studied the year of historical evidence. In addition,the meaning in a study of Norinaga was considered.

著者

高田 信敬

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:18802230)

巻号頁・発行日

no.10, pp.1-20, 1984-03-30

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従来二葉のみ知られていた伝後光厳院筆竹取物語に、今回さらに二葉の新出資料を追加、物語断簡の投げかける諸問題についてその一端を明らかにしたい。なお鎌倉後期l南北朝写と思われる延べ書き「富士山記」もあわせ紹介。 Two more sheets of paper of newly found materials were added to “Den Gokogonin hitsu Taketori monogatari”(伝後光厳院筆竹取物語)which only two sheets of paper were known conventionally. I would like to clarify one end about the issues that dankan (fragments) of the story raised. In addition, nobegaki (Classical Chinese texts forms rewritten in Japanese) ”Fuji san ki”(富士山記)that is thought to be copied from the late Kamakura period to the period of the Northern and Southern Courts was also introduced.

著者

小林 健二

出版者

国文学研究資料館

雑誌

国文学研究資料館紀要 = The Bulletin of The National Institute of Japanese Literature (ISSN:03873447)

巻号頁・発行日

no.08, pp.141-183, 1982-03-30

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「名取熊野縁起」が形成された過程を、本縁起を構成するモチーフを吟味することにより、「道とをし」の熊野神詠譚が、梛の葉や虫喰いの神詠等の諸要素を取り込みながら、陸奥在地の名取老女の熊野勧請説話と結びついて作り出されたこと、また、その成立に紀州熊野三山の先達組織が関与していたであろうことを考察する。 The process when “Natori Kumano Engi”(名取熊野縁起)was formed by examining a motif constituting this Engi (writing about the history) closely, followings were considered that while Kumano Shineitan of ”Michitooshi”(道とをし)taking in elements of a leaf of Nagi and the worm-eaten state Shinei (waka which God wrote), it was created to be tied to the Kanjin-setsuwa of an old woman in Natori in the local area of Mutsu Province and Sendatsu group of Kumano Sanzan (three major shrines, Kumano-Hongu-Taisha, Kumano-Hayatama-Taisha and Kumano-Nachi-Taisha) would participate in the establishment.