著者

江崎 治(立崎)

出版者

光葉会

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.881, pp.62-67, 2014-03-01

著者

秋山 久美子 Kumiko Akiyama

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.778, pp.29-42, 2005-08-01

著者

関本 美貴 島田 淳子 Sekimoto Miki Shimada Atsuko

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.863, pp.22-23, 2012-09-01

著者

永岡 都 Nagaoka Miyako

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.848, pp.78-90, 2011-06-01

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Abstract The development of contemporary music reached its peak and a turning point at Expo 70 in Osaka. However, not enough attention has been paid to the composers then working, and how their works influenced succeeding generations. In this study I focus on Karlheinz Stockhausen, who produced the Auditorium of the German Pavilion, and examine his theories and practice of space music, or Raummusik. My conclusions are as follows:1 Stockhausen's Raummusik is synonymous with the concept of Lokalisationsraum(the idea that listeners recognize space through sound)presented by Herbert Eimert.2 For Stockhausen, the serialization of distance and direction in space implied the completion of the total-serialism.3 The performances in the Auditorium at Expo 70 were the first perfect realization of Raummusik, but the space-design as a closed system was very different from Japanese composers' attempts at acoustic design.

著者

フフバートル

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.898, pp.(22)-(40), 2015-08-01

著者

大橋 きょう子 Kyoko Ohashi

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.803, pp.84-93, 2007-09-01

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食用油脂が,日常の食生活に普及し始めたと考えられる明治期後半における,食用油脂の種類および油料理の特徴を,『食道楽』全9巻を資料として調査した。『食道楽』の著者である村井弦齋が提唱した油脂の摂取の奨めにより,種々の油脂を用いた西洋料理が掲載され,調理方法もかなり詳細に述べられていた。とりわけバターの使用頻度が高く,調理法も多彩であった。しかし,使用する油脂および食材は一般の家庭では容易に入手できないものもあり,実際に調理され食された料理は限られていたと推察された。明治期後半に出版された『食道楽』に著された調理法は,当時としては時期尚早の感は否定できないが,バターをはじめとする種々の食用油脂を数多く紹介し,食用油脂の摂取を様々な調理法を用いて具体的に示したことは意義あることと考えられた。明治以降の近代において,西洋料理の調理法および食べ方が西洋料理書および婦人雑誌を通じて知識層に伝えられたことにより,以後,油脂調理が広く一般に普及し大衆化した。その一因として,『食道楽』が果たした役割は大きいものであったと言える。西洋料理の手法を用いた油脂調理の啓蒙は時代と共に進化し,油脂調理が今日の多様化した食生活に不可欠なものとなる先駆けをつくったことが分かった。

著者

秋山 智久

出版者

昭和女子大学近代文化研究所

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.844, pp.45-59, 2011-02-01

著者

荻野 太司 高橋 学 Hiroshi OGINO Manabu TAKAHASHI

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.892, pp.70-82, 2015-02-01

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In Japan, certified social workers are obliged to keep their clients' confidentiality under provisions of the Certified Social Workers and Certified Care Workers Act. Social worker-client privilege is not, however, stipulated in any statute laws or case laws. In this first part of the study, the authors give an overview of Japanese laws regarding confidentiality and introduce some discussions concerning social worker-client privilege, pointing out issues from both social welfare and juristic standpoints. The authors suggest that in Japan social worker-client privilege will possibly be more acknowledged in civil trials than in criminal trials. USA is far more experienced and rich in judicial precedents in this field. For instance, the US Supreme Court has ruled that clinical social workers have the right to privileged communication in federal courts. Part(2)will further examine these American case laws concerning social welfare and examine the differences from Japan, which will lead to the final part(3)in which the authors will clarify in which case the social-worker-client privilege should be respected in Japan and in which case it should not.

著者

佐藤 喜之

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.811, pp.54-62, 2008-05-01

著者

加藤 澄江 Sumie Kato

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.827, pp.37-96, 2009-09-01

著者

早川 陽 Yo Hayakawa

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.896, pp.2-18, 2015-06-01

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In the field of Japanese art education, the pigments employed in traditional Japanese paintings are rarely used, though using them in an educational context could be very valuable in imparting an understanding of Bijutsu Bunka(art culture)currently required in curriculum guidelines. In an attempt to explore how they can be adopted in today's art education, this paper explores two Japanese traditional painting technique books from the Taisho Period and highlights the common characteristics of the pigments described in the books and compares them with pigments that have survived from those times, or have been more recently developed for use in traditional-style paintings. The origins of various Japanese pigments are organized in such a way that they can be used as educational material. In order to provide background for this research, the first chapter considers how Japanese traditional paintings are created, displayed and enjoyed today. Also the significance of Bijutsu Bunka, which was newly specified in curriculum guidelines, is discussed. The second chapter, focusing on the refinement and elutriation of pigments used in Japanese traditional paintings, categorizes and organizes the features of the pigments used. The third chapter refers to the above two books and considers the changes made since then in the types of the pigment. The final chapter summarizes the characteristics of the pigments and gives a general view of how they were traditionally used and concludes that the pigments, many of which have been refined by elutriation, can be utilized effectively in the field of art education today. The author believes that intercourse between the past and present, and understanding and appreciating traditional art, offer new possibilities in the future of art education.

著者

田中 マユミ Mayumi Tanaka

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.776, pp.2-15, 2005-06-01

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This research is to investigate how we can practically support children with Learning Disabilities (LD). The concept of LD is used differently in such fields as education, medicine, and the actual functions of life. This paper first examines these conceptual differences. Then, to assess LD, the paper discusses different cognitive processes and mental abilities based on psychological assessment batteries such as WISC-III and K-ABC. Finally, some case studies of LD children are presented and, based on the results of the assessment, some practical support methods which use their strengths in cognitive processes are proposed.

著者

吉田 昌志

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.845, pp.53-64, 2011-03-01

著者

富本 靖 Tomimoto Yasushi

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.872, pp.14-26, 2013-06-01

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The author reviews the history and the status quo of European and American physical education and explains that Japanese modern physical education has its origin in Herbert Spencer's Education; Intellectual, Moral, and Physical(1860). The author also discusses several problems in Japanese physical education that contradict the stated goals of the program, and explores measures teachers should take to resolve these contradictions. The problems are as follows. First, children have very few opportunities to learn the rules and histories of sports, though schools introduce a variety of sports into their curriculums. They put too much emphasis on moving the body. Second, since physical education is driven by competitive, results-oriented curriculums in which children do not have many chances to receive individualized instruction that matches each child's ability, physically less able children fall behind and give up, and therefore they are alienated from their teammates. This is not conducive to building team spirit. There have been attempts to address this by deemphasizing rankings and prizes, but this can nullify feelings of achievement. The author concludes that European and American styles of physical education which allow children more freedom to enjoy sports are more effective for nourishing children's all-round personality, and also strongly suggests that adopting "sport pedagogy," a comprehensive science born in recent years, will solve these problems.

著者

中津川 研一 NAKATSUGAWA Kenichi

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.866, pp.38-41, 2012-12-01

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Excessive active oxygens in the body can cause aging and various diseases. Antioxidant enzymes present in the body clear the excessive active oxygens. However, these enzymes become weaker with age. Antioxidants are expected to eliminate the active oxygens that remain after the actions of antioxidant enzymes. Vitamin C contained in juice is a well-known antioxidant, as are catechins in teas and polyphenols in red wines. The purpose of this study is to evaluate the antioxidants in our everyday beverages. The evaluation of the antioxidants in various beverages was performed by FREE(Free Radical Elective Evaluator)(Diacron International Ltd.)and BAP(Biological Anti-oxidant Potential)kit(Diacron International Ltd.). BAP uses the reactions below:1. FeCl3+AT(colorless)→[FeCl3-AT(coloring)] 2. [FeCl3-AT(coloring)]+BP(e-)→FeCl2+AT(colorless)+BP (AT: thiocyanate, BP: antioxidant) The antioxidant capacities in various kinds of soft drinks, teas and wines were evaluated by measuring the changes in absorbance. High antioxidant capacities were found in beverages containing a lot of vitamin C, catechins and polyphenols.

著者

河東 義之 Yoshiyuki Kawahigashi

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.827, pp.143-161, 2009-09-01

著者

久下 裕利

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.805, pp.2-20, 2007-11-01

著者

光藤 俊夫

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

no.773, pp.A69-A72, 2005-03-01

著者

永岡 都 Nagaoka Miyako

出版者

昭和女子大学近代文化研究所

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.848, pp.78-90, 2011-06-01

---

Abstract The development of contemporary music reached its peak and a turning point at Expo 70 in Osaka. However, not enough attention has been paid to the composers then working, and how their works influenced succeeding generations. In this study I focus on Karlheinz Stockhausen, who produced the Auditorium of the German Pavilion, and examine his theories and practice of space music, or Raummusik. My conclusions are as follows:1 Stockhausen's Raummusik is synonymous with the concept of Lokalisationsraum(the idea that listeners recognize space through sound)presented by Herbert Eimert.2 For Stockhausen, the serialization of distance and direction in space implied the completion of the total-serialism.3 The performances in the Auditorium at Expo 70 were the first perfect realization of Raummusik, but the space-design as a closed system was very different from Japanese composers' attempts at acoustic design.

著者

吉田 弥生

雑誌

學苑 = GAKUEN (ISSN:13480103)

巻号頁・発行日

vol.831, pp.61-70, 2010-01-01