著者
長門 裕介
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
vol.133, pp.149-165, 2014-03

投稿論文
著者
松尾 茜
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
vol.119, pp.373-427, 2008-03

序章第1章. 先行研究 : 「開発」と「観光」をめぐる議論 第1節. 開発と人類学 (1) 開発の人類学 (2) 開発人類学 第2節. 観光と人類学 (1) 学問的研究対象としての観光 (2) 開発政策としての観光 (3) オールタナティブ・ツーリズム第2章. 事例研究 : インドネシア・ビンタン島 第1節. ビンタン島の地理と歴史 第2節. ビンタン島の社会と産業第3章. 北部のリゾート開発と非自発的住民移転,そして紛争 第1節. 「ビンタン・リゾート」の開発 (1) 「成長の三角地帯」構想 (2) 「ビンタン・リゾート」の概要 第2節. 非自発的な住民移転と紛争の経緯 第3節. 非自発的住民移転問題に対する社会学・人類学の役割第4章. 南部タンジュンピナン観光の発展 第1節. タンジュンピナン概要 第2節. 地元ツーリストオフィスの取り組み 第3節. 内発的発展論の視点第5章. 観光「開発」/「発展」のあり方 第1節. ビンタン・リゾートの社会貢献活動 第2節. エコ・ツーリズム事業の考察 第3節. ヘリテージ・ツアーを通じたリゾート開発と地域発展の協調終章第2部 民俗宗教から観光研究まで投稿論文
著者
芝原 隆
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
no.80, pp.p57-84, 1985-05

I. デカルトにおける自然と経験 1. 自然的傾向による心身合一 2. 経験による心身合一の認識II. マルブランシュにおける自然的判断の変貌 1. 内的感覚 2. 自然的判断III. コンディヤックにおける全面的経験論の挫折 1. 外的経験からの出発 2. 本性の出現と全面的経験論の挫折IV. ロックにおける感覚の単純観念 1. 単純感覚か複合感覚か 2. 感覚の観念の単純性と「直接的覚知」V. カバニスにおける内的感覚VI. デストゥット・ド・トラシーにおける運動感覚 1. 運動感覚 2. 意志と本能
著者
石田 京子
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
vol.131, pp.129-152, 2013-03

This article examines the reason why the relation between subjectsand objects is understood to have a double meaning in ImmanuelKant's deduction of private rights. To this end, I focus on Kant'sargument of the theory of private rights §1–7 in Metaphysics of Morals. The theme of this particular section is the justification of anouter "mine" and "yours."Drawing from his own transcendental philosophy, Kant indicatesin the theory of private rights that the notion of possession can beunderstood in two ways; physical (sensible) possession and merelyrightful (intelligible) possession. What Kant denotes here is how theideas concerning law are understood independently of empirical elements.Kant thereby criticizes empirical justifications of privaterights in general and attempts to prove that only intelligible possessionmakes possible the distinction between an outer "mine" and"yours."However, it is impossible for a human being as finite and rationalto grasp this intelligible relation between subjects and objects empirically,as Kant indicates repeatedly in his Rechtslehre. The notion ofintelligible possession has practical meaning only when all personssubmit to the universal principle of Right which binds them to re-spect others' possessions ("his" and "hers"). The legal relation betweensubjects and objects is converted into a reciprocal relation betweenpersons who exclude one another's interference with outerobjects when the idea of intelligible possession is applied to an empiricalobject.投稿論文
著者
青木 巖
出版者
三田哲學會
雑誌
哲學 (ISSN:05632099)
巻号頁・発行日
no.1, pp.139-188, 1926-10

序1. プラトーンと美学2. 美に就て3. 芸術に就て
著者
東 敏徳
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
vol.124, pp.139-156, 2010-03

投稿論文
著者
星野 重顯
出版者
三田哲學會
雑誌
哲學 (ISSN:05632099)
巻号頁・発行日
no.17, pp.29-86, 1937-03

一. 徳の本質(70A-79E)二. 学一般の可能性、想起説(80A-86C)三. 徳の可教性(86C-89B)四. 徳の不可教性、アニトスとの会話(89E-94E)五. 智識と正しき考えとの研究、神賦(95A-100C)六. 結論七. 諸学者のメノン篇観(ルトスワスキー、ウイラモーウツツ、ナトルプ)八. άρετήの語義
著者
青木 巖
出版者
三田哲學會
雑誌
哲學 (ISSN:05632099)
巻号頁・発行日
no.6, pp.59-145, 1930-03
著者
大石 学
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
vol.109, pp.1-22, 2003-03

1. 時代の課題としての哲学史的思索2. 生動性・対立性・火 : 存在は仮象である3. 力の伝達としての歴史 : ヨルクによる「歴史性」探究の光と影4. 結語 : 宗教なき時代の歴史性・宗教性の行方投稿論文
著者
青木 巖
出版者
三田哲學會
雑誌
哲學 (ISSN:05632099)
巻号頁・発行日
no.8, pp.169-187, 1931-08
著者
浜 日出夫
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
vol.117, pp.1-11, 2007-03

特集記憶の社会学投稿論文
著者
小林 等
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
no.85, pp.p27-48, 1987-12

Studying the Japanese view of nature, we must take attention to the fact that the Japanese didn't distinguish nature from human being. "Shizen" (自然, that is to say, nature) meant all things and facts that seemed to be natural, so that history was also regarded as "Shizen". In the Edo era, the school of the teachings of Chu-tzu insisted that the order of universe pierced through both nature and society. It functioned as legitimation of the Tokugawa Government, especially of its hierarchy. Ninomiya Sontoku emphasised that "Jin-do" (人道), human ways of actions, was different from "Ten-do" (天道), "Shizen", and we had to try hard to accomplish our own purposes. Yet "Jin-do" isn't totally but partly opposed to "Ten-do", because "Ten-do" is the very base of "Jin-do". The public order as "Jin-do" had its natural foundation, the affection between parents and children. It based the feudal morals, consequently Sontoku never had a will to break up the hierarchy. But within the limit of feudalism, he tried to change the situation, that is, the desoration of farm villages and financial difficulties, and criticized severely feudal lords and samurais, higher in social standing than he, requiring them to deliver farmers from poverty. One of the faults of Sontoku was that he legitimated the public order by unchangeable nature. In this point of view, he resembled Ogyu sorai who is famous as a turning point of the view of order. Sorai reproached the school of the teachings of Chu-tzu for regarding the public order as "Shizen" and insisted it was made by "Sei-jin" (聖人), the Emperors of ancient China. But he legitimated it by "Ten" (天), supernatural beings and considered it universal. We should rate high their merits that they distinguished the public order from "Shizen" and attached much importance to human activities. But, at the same time, we have to learn from their faults as above and to be always critical about the existing systems and our own views on it.一. 序ニ. 尊徳の秩序観三. 改革としての仕法四. 徂徠と尊徳五. 結
著者
衛藤 駿
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
no.53, pp.53-63, 1968-09

守屋謙二先生古稀記念論文集
著者
加藤 有希子
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
vol.132, pp.281-307, 2014-03

Daily life interests, such as the desire for health and happiness, have been excluded from major avant-garde art since the 18th century. As Peter Bürger properly stated, if art is identified with daily life practices, the sanctity of art would be spoiled; however, if art completely avoids life's interests, art can be suffocating. After World War II, some movements in deconstructing art—the 1960s counterculture, Art Therapy beginning in the mid-1940s and actually flourishing from the 1990s onwards, and De-Art in the 2000s led by Kumakura Takaaki—have tried to fuse art and life, although their attempts have not always been successful. In a sense, such a synthesis of art and life is one of the main themes of post-War art history.As one pioneer in avant-gardes, Neo-Impressionists have tried to synthesize art and life. This article focuses on Neo-Impressionism in the late 19th century. Having detailed the fact that Neo-Impressionists practiced color therapy, homeopathy, and hydro therapy, the study clarifies that their hygienic practices were firmly related to their theory of painting. Themetizing the concept of "equilibrium"and the divergent character of color as a medium, I reveal how the Neo-Impressionists were exceptionally able to integrate art and life.特集 : 論集 美学・芸術学 : 美・芸術・感性をめぐる知のスパイラル(旋回)
著者
石黒 ひで
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
no.100, pp.1-3, 1996-03

100集記念号
著者
伊東 裕司 高山 博 日比谷 潤子 渡辺 茂
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
no.98, pp.p123-139, 1995-01
被引用文献数
1

実験1 方法 材料 手続き 被験者 結果および考察実験2 方法 材料 手続 被験者 結果および考察実験3 方法 材料 手続 被験者 結果および考察総合考察In this study, we examined intersubject agreement of the judgment whether a face and a voice were of the same person or not. In Experiment 1, we presented subjects photographs of six male models and their voices, and asked to make six pairs of a face and a voice that they thought as the same person's. In Experiment 2, subjects judged whether each of the 36 pairs of a face and a voice was obtained from the same person or not on sevenpoint scales. These two experiments revealed that the subjects judgments agreed considerably although some idiosyncrasy was suggested. In Experiment 3, subjects judged 12, traits such as masculinity and soberness, of each of the six faces and the six voices. Results of Experiments 2 and 3 showed that differences in the trait judgment correlate with judgment of face-voice matching. Common mechanisms underlying both judgment, are suggested.
著者
藤野 陽平
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
vol.119, pp.295-336, 2008-03

第2部 民俗宗教から観光研究まで投稿論文1. はじめに 台湾のキリスト教の略史と問題設定 (1) 日本における台湾のキリスト教研究とその問題点 (2) 台湾におけるキリスト教研究とその問題の所在 (3) 対象の選出と記述の方法 (4) 台湾における言語 (5) 台湾における宗教内のキリスト教の位置づけ2. 台湾基督長老教会(THE PRESBYTERIAN CHURCH IN TAIWAN) (1) 南部長老教会 (2) 北部長老教会 (3) その後の長老教会の歴史と政治的スタンス3. 台湾聖教会(荷里寧斯,ホーリネス,TAIWAN HOLINESS CHURCH)4. 真耶蘇教会(真イエス教会,True Jesus Church)5. 召会(教会集会所,小群,LITTLE FLOCK,地元にあって合一である立場に立つ教会)6. 分析8. おわりにA study of Christianity that is understood not only from doctrine or theory but also from a social context is needed today. Many studies are being conducted from this point of view as part of a project carried out by the Japanese Association for the Study of Religion and Society. However, most of these studies pertain to Japanese or Korean Christianity. From the East Asian study perspective, there is presently a need for studies on the Chinese people. Therefore, I take Christianity in Taiwan as an example. In 2005, there were some 903,451 Christians in Taiwan. Christianity is secondary to Daoism (about 7,600,000) and Buddhism (about 5,486,000). As of 2007, the population of Taiwan is 22,900,000; therefore, the percentage of Christianity is approximately 4%. The churches that have over 10,000 members are The Presbyterian Church in Taiwan (台灣基督長老教會222,381), Little Flock (召會99,374), True Jesus Church (真耶〓教会70,618), Bread of Life Christian Church in Taipei (台北靈糧堂33,132), Chinese Baptist Convention (中華基督教浸信會聯會26,205), Taiwan Lutheran Church (台灣信義會13,732), and Taiwan Holiness Church (台灣聖教會11,582). So I analyze Christianity in Taiwan, using the Presbyterian Church in Taiwan, Taiwan Holiness Church, True Jesus Church, and Little Flock as examples. I present Christianity for a conclusion that is being constructed in a relation between Taiwanese folk religion and Christianity under the trend of globalization. Moreover, I present a new perspective on the study of religion in Taiwan.
著者
西木 政統
出版者
三田哲學會
雑誌
哲学 (ISSN:05632099)
巻号頁・発行日
vol.132, pp.221-253, 2014-03

特集 : 論集 美学・芸術学 : 美・芸術・感性をめぐる知のスパイラル(旋回)#挿表Unique life-size Yakushi Nyorai sculptures characterized by wavelike hair, the left elbow bent at a right angle with the forearm thrust forward, as well as abbreviated forms of expression in the hair and the pleats of the robe, may be found around the Kamakura area. However, because these types of Yakushi images are highly unusual, we may assume the existence of other images that served as models for them. In this paper, I will examine the iconography of such images while arguing that their wavelike hair was originally derived from the Shaka Nyorai at Seiryō-ji Temple, and the characteristic left arm, from the Yakushi Nyorai image at the Konponchū-dō at Enryaku-ji Temple. In addition, by comparing these images to records found in Azuma kagami, I will suggest the possibility that they were created as Ichinichi-zōryūbutsu—images made in response to urgent requests and thus characterized by abbreviated forms of expression—and clarify the importance of these unique Yakushi sculptures which were created around Kamakura during the Kamakura period.