著者
市原 攝子
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.22, pp.19-35, 2016-03-25

In Japan, two cervical cancer vaccines were approved and implemented in 2009. The severe adverse drug reaction (ADR) of these vaccines, however, was later recognized, and consequently Japanese Ministry of Health, Labour and Welfare stopped recommending them in 2013. Using the concept of Ulrich Beck’s ‘sub-politics’, this paper argues that in promoting the vaccines the pharmaceutical industry as sub-political power, failed to provide the health benefit of reducing the risk of cervical cancer, but succeeded in achieving an economic benefit for itself. Due to its highly academic nature, the sub-politics of pharmaceutical industry has constructed a power that affects the government’s decisions on new drugs. Moreover, the pharmaceutical sub-politics evaded any responsibility for the ADR of cervical cancer vaccines because of the risk-free environment that it had created for itself. Overall this paper contends that the pharmaceutical sub-political power is unaccountable and profit-oriented.
著者
山村 高淑
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.7, pp.145-164, 2008-11-28

This paper is a survey of how the town of Washimiya became the "sacred place" for anime fans ever since fans from all around the country rushed to visit the town after it was used as a setting for the animation "Lucky Star", leading also to the town successfully holding two events for these fans. The following three points were discussed. 1)The process leading up to the town becoming a "sacred place". 2)The process leading up to the town welcoming tourists. 3)The roles of tourist related corporations outside the town. As a result, it was found that in each process the local commerce and industry association played a central role. It was also found that with the town's commerce and industry association at the core, a local shrine, local shops, fans, and corporations from outside the region (copyright owners and a tourist agency) were able to build a relationship of mutual benefit as a backdrop to the current success.
著者
市原 攝子
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
no.22, pp.19-35, 2016

In Japan, two cervical cancer vaccines were approved and implemented in 2009. The severe adverse drug reaction (ADR) of these vaccines, however, was later recognized, and consequently Japanese Ministry of Health, Labour and Welfare stopped recommending them in 2013. Using the concept of Ulrich Beck's 'sub-politics', this paper argues that in promoting the vaccines the pharmaceutical industry as sub-political power, failed to provide the health benefit of reducing the risk of cervical cancer, but succeeded in achieving an economic benefit for itself. Due to its highly academic nature, the sub-politics of pharmaceutical industry has constructed a power that affects the government's decisions on new drugs. Moreover, the pharmaceutical sub-politics evaded any responsibility for the ADR of cervical cancer vaccines because of the risk-free environment that it had created for itself. Overall this paper contends that the pharmaceutical sub-political power is unaccountable and profit-oriented.
著者
斉藤 巧弥
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.24, pp.21-38, 2017-03-24

This paper aims to analyze reports on keikan in the Yomiuri Shimbun and the Asahi Shimbun, and shed light on how the discourse of keikan changed from the 1870s to the 1910s. Keikan means anal sex primarily between males and was illegal in Japan from 1872 to 1881. The word first appeared in the two newspapers in the 1870s and disappeared in the 1910s. In these forty years, two periods are identified through the distinct patterns that the newspapers showed: 1875-1901 and 1905-1914. In the first period, keikan was associated with violence, crime, and intimate relationships. In the second period, keikan was described as “a problem of delinquent students”, and was counted as one of their wrongdoings. The change of discourse is explained by the characteristics of the newspapers, and the multilayered nature of discourse.
著者
平 侑子
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.21, pp.3-20, 2015-09-15

This research will demonstrate how animals were seen as spectacles in the Edo period and continue to influence today's modern zoos. Zoos have four main purposes: conservation, education, science and recreation. Interestingly, little attention has been given to the function of zoos as places of ‘recreation.’ The recent, growing trend has been concerned with the effects of education on visitors. In order to thoroughly understand the aspects of ‘recreation,’ this paper will focus on the spectacle side of animal attraction. This investigation considers that even before the establishment of the first Japanese zoo, people have enjoyed animal recreation. Accordingly, I hope to present fundamental ideas in support of how these recreational elements remain embedded in modern Japanese zoos. I will do this by referring to academic articles, newspapers and magazines.
著者
玄 武岩 張 慶在 金 春玉
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
no.15, pp.57-77, 2012

The aim of this paper is to examine the 'ideal image of family' of Japan, Korea and China through analyzing Japanese animation Chibi Maruko-chan. Recently, various genres of Japanese animations are popular worldwide. Especially, so called Home Anime which describes everyday life in Japan is widely accepted in East Asia. Although their stories are based on Japanese settings, which are often unfamiliar to the foreign audience, Home Animes such as Sazae-san, Crayon Shin-chan and Chibi Maruko-chan enjoy great popularity in Asia, especially in China and South Korea. The paper clarifies the reason behind the popularity of this kind of animations, focusing on the image of family through literature review, text analyzing and questionnaire survey of Chibi Maruko-chan.
著者
岩﨑 昌子
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.6, pp.91-111, 2008-03-21

Since 1990s, the EU countries which have accepted many immigrants from the third-countries force the immigrants to acquire their national language. Norway, which is not the member of the EU, also approved the legislation which virtually obliges immigrants to learn Norwegian in 2006. This paper analyzes the reason why Norway, which has been considered one of the most liberal states towards immigrants, shifted her language policy towards immigrants by utilizing Esping-Andersen's concept, ‘the Welfare Regimes’. I conclude that the “Social Democratic Regime” itself required the transition of the policy. This is because language is a vital means to integrate immigrants into the labour market without their commodification and stratification.
著者
玄 武岩 張 慶在 金 春玉 丁 暁婷 李 亜妤 王 瑩珞
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.15, pp.57-77, 2012-09-20

The aim of this paper is to examine the 'ideal image of family' of Japan, Korea and China through analyzing Japanese animation Chibi Maruko-chan. Recently, various genres of Japanese animations are popular worldwide. Especially, so called Home Anime which describes everyday life in Japan is widely accepted in East Asia. Although their stories are based on Japanese settings, which are often unfamiliar to the foreign audience, Home Animes such as Sazae-san, Crayon Shin-chan and Chibi Maruko-chan enjoy great popularity in Asia, especially in China and South Korea. The paper clarifies the reason behind the popularity of this kind of animations, focusing on the image of family through literature review, text analyzing and questionnaire survey of Chibi Maruko-chan.
著者
山村 高淑
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
no.7, pp.145-164, 2008
被引用文献数
1

This paper is a survey of how the town of Washimiya became the "sacred place" for anime fans ever since fans from all around the country rushed to visit the town after it was used as a setting for the animation "Lucky Star", leading also to the town successfully holding two events for these fans. The following three points were discussed. 1)The process leading up to the town becoming a "sacred place". 2)The process leading up to the town welcoming tourists. 3)The roles of tourist related corporations outside the town. As a result, it was found that in each process the local commerce and industry association played a central role. It was also found that withthe town's commerce and industry association at the core, a local shrine, local shops, fans, and corporations from outside the region (copyright owners and a tourist agency) were able to build a relationship of mutual benefit as a backdrop to the current success.
著者
平 侑子 張 慶在
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
no.18, pp.49-68, 2014

The aim of this paper is to clarify mechanisms of TV programs' "Cross-border" by classifying patterns of "modification". Recently, Japanese Comics, games and TV dramas are crossing the border to different countries. When programs are cross-border, various factors are modified because of political, religion and cultural reasons. To understand such changes would be meaningful not only to understand exchanging TV programs but also to understand mechanisms of cross-border culture. This paper focuses on adoption process of Japanese TV series of "Super-sentai series" in Korea. First, significances and limitations of concept around cross-border of TV programs were reviewed. Then, this paper analyzes the characteristics of Super-sentai series to extract significant elements of it. And then, this paper summarizes brief history of adopting "Super-sentai series" in Korea. Finally, the paper clarifies mechanisms of "cross-border" by various model of adoption including "Power ranger Captain Force show"
著者
敷田 麻実
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.9, pp.79-100, 2009-09-01

Community development, one of critical elements of the sustainable community management, has been increasing its importance in local communities in Japan in recent years. A gradual shift toward decentralization, since in 2003, has been forcing communities to adopt more self-sustaining development policies. At the same time, along with the enactment of the NPO Act in 1998, a variety of actors, including those outside from the communities, have entered grass-rooted activities in local communities. Such an increased involvement of outsiders in the community development process means that they also play an ever-more significant role in the empowerment of the local community. Although most articles discuss the controversial points of outsiders, there have been only a few studies evaluating the positive perspectives. This paper examines the role of outsiders in the community development process by discussing the relations between the working process and outsiders. The result of this study implies that more openly the community is managed, more significantly outsiders can contribute to the community development.
著者
王 梓安
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.22, pp.75-93, 2016-03-25

China has made a series of cultural policies after 2000 as a result of the ever-increasing popularity of overseas cartoons in order to boost domestic cultural industrialization development. Therefore, revitalizing domestic cartoon industry has become national culture strategy. The dissertation, through real cases, analyses the decisionmaking process of The Central Committee of the Communist Party, State Council and the Ministry of Culture. It is found out that the cartoon policies are subject to the Chinese political authority mechanism and they are closely related to each other. The dissertation points out that the Chinese authority mechanism not only stabilizes the release of cartoon policy but also limits it.
著者
芳賀 恵 玄 武岩
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.26, pp.3-19, 2018-03-20

This article examines the narrow path to de-nationalisation in South Korean films dealing with the Japanese colonial period since the 2000s that we call 'colonial pieces'. Based on Ryu Seung-wan's "Battleship Island" (Gunhamdo, 2017) situated during Korean mobilization under colonial rule, we argue that it is possible to clarify the style and strategy of visual representation used to replace the dichotomy of victimizers (Japan) and victims (Korea) in recent 'colonial piece' films. By focusing on the representation and its stylistic aspects of "Battleship Island" in relation to the empire of Japan through the periodical transition of political, social and cultural meaning, this article explores the way in which these films act on the process of reproducing colonial memories in Korean society and the historical issue between Japan and Korea, as a postcolonial problem of cultural and social politics.
著者
敷田 麻実
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
no.9, pp.79-100, 2009

Community development, one of critical elements of the sustainable community management, has been increasing its importance in local communities in Japan in recent years. A gradual shift toward decentralization, since in 2003, has been forcing communities to adopt more self-sustaining development policies. At the same time, along with the enactment of the NPO Act in 1998, a variety of actors, including those outside from the communities, have entered grass-rooted activities in local communities. Such an increased involvement of outsiders in the community development process means that they also play an ever-more significant role in the empowerment of the local community. Although most articles discuss the controversial points of outsiders, there have been only a few studies evaluating the positive perspectives. This paper examines the role of outsiders in the community development process by discussing the relations between the working process and outsiders. The result of this study implies that more openly the community is managed, more significantly outsiders can contribute to the community development.
著者
邱 慧鳴
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.16, pp.47-64, 2013-03-20

Chuan Yue Xiao Shuo appeared in Chinesewebsite in the late of 1990's as a popular fun fiction on the internet, which described how modern women go back to the ancient times and search for their truelove. When Chuan Yue Xiao Shuo began to attract a wider readership, it also attracted the attention of literary critics. But it turned out that it is difficult to define even the concept of Chuan Yue Xiao Shuo. By focusing on the function and the structure of Chuan Yue Xiao Shuo, we may make clear the nature of Chuan Yue Xiao Shuo as narrative today.
著者
北村 倫夫 石田 宰 渡辺 謙仁 李 在栄
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.15, pp.99-118, 2012-09-20

This study was aimed at proposing a strategy for promoting Science and Technology Tourism (STT) in Hokkaido, and was based on the case study for about thirty examples in Japan and foreign countries. By definition, STT is "the tourism aiming at learning about science and technology by seeing, hearing and experiencing." Although STT has been recognized as an important domain of tourism in foreign countries, it has not been right in Japan. However, as people's concern about science and technology is increasing in recent years, STT is playing a more important role in Japan and also in Hokkaido. The conditions for a success of STT in Hokkaido are having fundamentally three functions which consist of an exhibition function, a knowledge exchange function, and a participating experience function. Moreover, realization of the "economies of scale in tourism," effective use of unique natural resources, use of advanced science institutions, organizing of science tours, training of science communicators, cooperation with school education, etc. are also desirable conditions to make STT successful.
著者
王 梓安
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
no.22, pp.75-93, 2016

China has made a series of cultural policies after 2000 as a result of the ever-increasing popularity of overseas cartoons in order to boost domestic cultural industrialization development. Therefore, revitalizing domestic cartoon industry has become national culture strategy. The dissertation, through real cases, analyses the decisionmaking process of The Central Committee of the Communist Party, State Council and the Ministry of Culture. It is found out that the cartoon policies are subject to the Chinese politicalauthority mechanism and they are closely related to each other. The dissertation points out that the Chinese authority mechanism not only stabilizes the release of cartoon policy but also limits it.
著者
斉藤 巧弥
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル = The journal of international media, communication, and tourism studies : JIMCTS
巻号頁・発行日
no.24, pp.21-38, 2017

This paper aims to analyze reports on keikan in the Yomiuri Shimbun and the Asahi Shimbun, and shed light on how the discourse of keikan changed from the 1870s to the 1910s. Keikan means anal sex primarily between males and was illegal in Japan from 1872 to 1881. The word first appeared in the two newspapers in the 1870s and disappeared in the 1910s. In these forty years, two periods are identified through the distinct patterns that the newspapers showed: 1875-1901 and 1905-1914. In the first period, keikan was associated with violence, crime, and intimate relationships. In the second period, keikan was described as "a problem of delinquent students", and was counted as one of their wrongdoings. The change of discourse is explained by the characteristics of the newspapers, and the multilayered nature of discourse.
著者
長島 美織
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.9, pp.45-60, 2009-09-01

The central topic of this paper concerns the possibility of a different kind of scientific knowledge which, on the basis of Mannheim's certain vocabulary, is termed in this paper as "voluntaristic science". I have specifically demonstrated that voluntaristic science is an approach which is applied in the areas where knowledge and real action cannot be separated. Mannheim described this domain as, "the areas where there is a room for activity which is beyond the scope of rational behavior". When we focus on changing and differing perspectives on knowledge in these areas, three elements, social group, situation, and action, are extracted as crucial factors from Mannheim's analysis. Although voluntaristic science is conceptually opposed to intellectualistic science -- an approach which is mainly employed in natural sciences to capture quantitative and formal aspects of phenomenon, I have argued that both kinds of knowledge should be employed complementarily to give a better understanding and firmer grounds for those who make political or humanistic "decisions" in the world without a unique worldview.
著者
山田 吉二郎
出版者
北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
no.7, pp.69-97, 2008

This paper aims at discussing Max Weber's methodology, specifically based on his essay "Objectivity in Social Science and Social policy". It is well known that Max Weber made continuous efforts to construct modern social science; his Gesammelte Aufsätze zur Wissenschaftslehre are full of highly suggestive ideas and concepts for students who are interested in methodology generally. If media studies is also expected to be one of genuine social and cultural sciences, every piece of Weber's thought will be important. Every social reality is unique, concrete and infinitely rich; we cannot grasp it without constructing "ideal type" which is not real image of reality, but its edited one. It will be shown that Weber's "ideal type" is composed of three ingredients, that is, economy, value and history.