著者
下村 久美子 谷井 淑子 猪又 美栄子 小原 奈津子 ファン ハイ・リン
出版者
昭和女子大学近代文化研究所
雑誌
学苑 = Gakuen (ISSN:13480103)
巻号頁・発行日
no.909, pp.52-61, 2016-07-01

For the purpose of preserving traditional clothing and recording its history of Vietnam, the authors visited Hoi An and Tan Chau Village in 2014 and in 2015. This paper offers a brief history of Hoi An and reports the result of interviews with 25 Hoi An residents including experienced elderly ex-tailors; the paper also details figures and describes traditional clothing such as the ao ba ba(jackets)and the quan(bottoms)and formal traditional clothing for funeral attendants and the dead; the paper also discusses ritual practices found mainly in Hoi An. In addition, the report looks at the process of traditional manufacturing of a silk dye work using mac nua(ebony fruits)and other materials. This includes chemical analysis and explanation of the dying handicrafts.
著者
早川 陽 Yo HAYAKAWA
出版者
昭和女子大学近代文化研究所
雑誌
学苑 = Gakuen (ISSN:13480103)
巻号頁・発行日
no.964, pp.38-62, 2021-02-01

This paper explores descriptions of natural planting as a hobby in the book, Shumi Taikan published in 1935, focusing on bonsai. The study explains how the number of cultural pundits who enjoyed hobbies and built relationships with each other increased in early Showa Japan.Chapter 1 describes the community and context surrounding bonsai and explains its importance. Earlier studies on the history of bonsai are also examined. Chapter 2 summarizes hobbies related to natural planting that are described in Shumi Taikan. Chapter 3 classifies bonsai pundits by experience and describes their characteristics. Chapter 4 summarizes the construction of hobby organizations by area and name of organization and also appraises a large-scale exhibition held at Hibiya Park.This study verifies that an increasing number of publications by bonsai pundits and of botanical centers on natural planting as a hobby in early Showa Japan resulted in widespread recognition of bonsai. Bonsai was initially recognized as a new type of culture that was considered harmonious with sencha and suitable as ornaments for tokonoma. Thereafter, hobby groups were systematically formed and small- to large-scale exhibitions were held. Bonsai was favorably received by the public, leading to an increase in exhibitions. Bonsai developed into an art form from the time it came to be considered unique to Japan, rather than as part of Asian culture in general.
著者
池上 真平
出版者
昭和女子大学近代文化研究所
雑誌
学苑 = Gakuen (ISSN:13480103)
巻号頁・発行日
no.960, pp.(41)-(45), 2020-10-01
著者
天笠 邦一 Kunikazu AMAGASA
出版者
昭和女子大学近代文化研究所
雑誌
学苑 = Gakuen (ISSN:13480103)
巻号頁・発行日
no.916, pp.12-23, 2017-02-01

Social Media, such as LINE, Facebook, Twitter and Instagram, are getting more and more popular and becoming an indispensable part of everyday life. We select and use these ubiquitous social infrastructures, which have different characters. This research tries to show the relationship between such selective utilization of social media and Bourdieu’s concept, “habitus.” The results of our internet survey suggest that users’ leisure activities correlate with their favored form of social media. The style of leisure activity is related to users’ choice of social media, and can be considered a form of habitus.
著者
中西 裕 Yutaka NAKANISHI
出版者
昭和女子大学近代文化研究所
雑誌
学苑 (ISSN:13480103)
巻号頁・発行日
no.964, pp.1-11, 2021-02

Arthur Conan Doyle abandoned Catholicism early on and later devoted himself to spiritualism. Looking at the composers mentioned in the Sherlock Holmes stories, many are Protestants, four of whom, Mendelssohn, Meyerbeer, Offenbach, and Wagner, wrote music using Martin Luther's Ein' feste Burg ist unser Gott. He also portrays the Huguenots who, after being chased out of France, resettled in the United States in The Refugees: A Tale of Two Continents. Doyle had a favorable view of Protestantism, especially the Lutheran and Huguenot varieties.
著者
後藤 淑
出版者
昭和女子大学近代文化研究所
雑誌
学苑 (ISSN:04331052)
巻号頁・発行日
no.576, pp.p10-21, 1987-12
著者
歌川 光一
出版者
昭和女子大学近代文化研究所
雑誌
学苑 = Gakuen (ISSN:13480103)
巻号頁・発行日
no.928, pp.75-86, 2018-02-01

This paper introduces and analyzes accounts of young women’s skill at playing koto, shamisen, and piano that appeared in the women’s magazine Fujingaho between 1926 to 1940. The analysis suggests that, whereas in the Taisho period, young ladies (reijo [令嬢])were encouraged to develop their taste in a number of kinds of Japanese traditional and Western music rather than focusing on just a few kinds and attaining a deeper understanding of the few they had chosen, in the early Showa period, modern Western culture was increasingly accepted as prestigious, and young Japanese women’s taste in music came to be seen as a part of their training to be good brides, but at the same time Japanese nationalism that emphasized “Japanese-ness” also came to the fore. The author concludes that, though further research is needed to confirm this, by the time people began to think that acquiring skills through hobbies was a useful component of bridal training, a new prototype of what young women should be had emerged.