47 0 0 0 OA 『週刊少年ジャンプ』という時代経験^[○!R] : 解釈枠組みとしてのマスター・ナラティブ
- 著者
- 池上 賢
- 出版者
- 日本マス・コミュニケーション学会
- 雑誌
- マス・コミュニケーション研究 (ISSN:13411306)
- 巻号頁・発行日
- no.75, pp.149-167, 2009-07-31
The purpose of this study is to analyze how audiences tells and give meanings to experiences of manga including "Weekly Shonen Jump", which was the most famous manga magazine in Japan in the 1980s through the early 1990s. I focused on the master narrative which would become the frame of experience. For the method I was analyzed life-story interview data of five informants and their manga experiences. As a result, it was revealed that the reflexivity in which social discourses about media play an important roll in relationship between audience and media.
10 0 0 0 OA 日本社会「劣化」の言説分析:言説の布置・展開およびその特徴と背景に関する研究
10 0 0 0 OA 社会学におけるマンガ研究の体系化に向けて : データベースによる先行研究の整理・検討から
- 著者
- 池上 賢 イケガミ サトル Satoru Ikegami
- 雑誌
- 応用社会学研究 = The journal of applied sociology
- 巻号頁・発行日
- vol.55, pp.155-173, 2013
9 0 0 0 OA ワイドショー番組の内容分析 : 「情報ツウ」「とくダネ」「スーパーモーニング」の比較から
- 著者
- 酒井 信一郎 池上 賢
- 出版者
- 立教大学
- 雑誌
- 応用社会学研究 (ISSN:03876756)
- 巻号頁・発行日
- vol.49, pp.85-101, 2007-03-25
6 0 0 0 OA メディアの表現構成における社会的規範を通じた理解の実践に関する研究
6 0 0 0 OA マンガ経験とナラティブ・アイデンティティ
- 著者
- 池上 賢
- 出版者
- 日本マス・コミュニケーション学会
- 雑誌
- マス・コミュニケーション研究 (ISSN:13411306)
- 巻号頁・発行日
- vol.91, pp.103-121, 2017-07-31 (Released:2017-11-07)
- 参考文献数
- 15
In this paper, we discuss the relationship between the identity of audiencesand their experiences of manga. Firstly, from a theoretical perspective, we discussthe outcomes and problems of the constructivist view of audience research.Secondly, we point out that the notion of narrative identity and the idea ofmedia as a resource is effective. In addition, we argue that the process of positioningmanga experiences as an element of audience’s narratives while theytalk about their life stories is effective. We analyzed the data by using the lifestory method of dialogical constructionism. As a result of our analysis, we foundfollowing findings: first, in the narration of manga experience related to identity,manga experience was positioned in a certain role in an individual’s life story.Secondly, the construction of the identity using the manga experience as aresource was not done by an individual alone, but was carried out in participationwith others. Thirdly, the characteristics of manga as media were involvedin the construction of the narratives, specifically the fact that characters inshonen manga are often shown in their growth into adults, that shojo mangaoften includes transgender characters and that manga is made up of“ picturesand words” so that it is easy to share and has a high level of communicability.In contemporary society, media such as comics occupy an important position asa resource for audience’s identities, and an accumulation of research on the subjectis required in the future.
3 0 0 0 OA マンガに関する人文・社会科学研究の国際的・学際的データベースの構築
- 著者
- 家島 明彦 玉田 圭作 金澤 宏明 柊 和佑 秦 美香子 池上 賢 西原 麻里 石川 優 岡部 拓哉 雑賀 忠宏 足立 加勇 想田 充 ALISON Brent YANAGIDA Takuya TOGNONI Nubia SARPA Bernard POON Man Wai Carol SOWON Kim BARAGLIA Jimmy
- 出版者
- 大阪大学
- 雑誌
- 挑戦的萌芽研究
- 巻号頁・発行日
- 2011-04-28
人文・社会科学の主要な学会誌等55誌4698冊分を調査し,従来の論文検索では見つけられなかったマンガに関する研究を399本「発掘」した。また,マンガに関する人文・社会科学研究の国際的・学際的データベースを構築した。結果,①各学問領域に散在するマンガに関する研究知見の集約と体系的整理,②国や学問領域を超えた人的交流や情報交換,③当該分野における日本の主導権確立,という成果が得られた。
2 0 0 0 OA 『週刊少年ジャンプ』という時代経験: 解釈枠組みとしてのマスター・ナラティブ
- 著者
- 池上 賢
- 出版者
- 日本マス・コミュニケーション学会
- 雑誌
- マス・コミュニケーション研究 (ISSN:13411306)
- 巻号頁・発行日
- vol.75, pp.149-167, 2009-07-31 (Released:2017-10-06)
- 参考文献数
- 19
The purpose of this study is to analyze how audiences tells and give meanings to experiences of manga including "Weekly Shonen Jump", which was the most famous manga magazine in Japan in the 1980s through the early 1990s. I focused on the master narrative which would become the frame of experience. For the method I was analyzed life-story interview data of five informants and their manga experiences. As a result, it was revealed that the reflexivity in which social discourses about media play an important roll in relationship between audience and media.
2 0 0 0 IR 東日本大震災後のストーリー分析の可能性 : マンガ作品を事例として
- 著者
- 池上 賢 イケガミ サトル Satoru Ikegami
- 出版者
- 立教大学社会学部
- 雑誌
- 応用社会学研究 = The journal of applied sociology : 立教大学社会学部研究紀要 (ISSN:03876756)
- 巻号頁・発行日
- no.59, pp.73-87, 2017
- 著者
- 池上 賢
- 出版者
- 日本マス・コミュニケーション学会
- 雑誌
- マス・コミュニケーション研究 (ISSN:13411306)
- 巻号頁・発行日
- vol.84, pp.109-127, 2014
This paper examines perspectives for studying audiences in the complex media environment in contemporary society. First, I point out the following three changes in the media environment: transition to a ubiquitous society, diversification of information, and the use of two-way communication in the media. Next, based on the review of past audience studies, I point out the importance of audience identity. In past audience studies, audience identities were studied as identities of specific social groups. In this paper, however, I argue that such a perspective is inadequate for understanding the relationship between the media and audience identity in contemporary society; in order to analyze multi-faceted identities in contemporary society, it is necessary to adopt an alternative perspective. For this reason, I propose a perspective that focuses on narratives about audiences' media experience and studies how identities are constructed in such narratives. Then, based on the proposal, I review the following two analysis perspectives: First, I present a spectacle/performance paradigm. This paradigm assumes that individuals present their identities through their media experience. Identities are analyzed as narratives that are created for other individuals. Secondly, I present the perspective of ethnomethodology as an approach for analyzing narrations that cannot function as narratives. This perspective analyzes methods used by individuals to achieve actions. In this perspective, identities are resources presented by narrators to achieve interaction. These two perspectives study identities not as characteristics assigned by researchers to audiences, but as characteristics constructed by audiences themselves. In conclusion, I argue that the use of these two perspectives makes it possible to study complex and diversified audience identities in the media environment in contemporary society.
- 著者
- 池上 賢
- 出版者
- 日本マス・コミュニケーション学会
- 雑誌
- マス・コミュニケーション研究 (ISSN:13411306)
- 巻号頁・発行日
- vol.84, pp.109-127, 2014-01-31 (Released:2017-10-06)
- 参考文献数
- 27
This paper examines perspectives for studying audiences in the complex media environment in contemporary society. First, I point out the following three changes in the media environment: transition to a ubiquitous society, diversification of information, and the use of two-way communication in the media. Next, based on the review of past audience studies, I point out the importance of audience identity. In past audience studies, audience identities were studied as identities of specific social groups. In this paper, however, I argue that such a perspective is inadequate for understanding the relationship between the media and audience identity in contemporary society; in order to analyze multi-faceted identities in contemporary society, it is necessary to adopt an alternative perspective. For this reason, I propose a perspective that focuses on narratives about audiences' media experience and studies how identities are constructed in such narratives. Then, based on the proposal, I review the following two analysis perspectives: First, I present a spectacle/performance paradigm. This paradigm assumes that individuals present their identities through their media experience. Identities are analyzed as narratives that are created for other individuals. Secondly, I present the perspective of ethnomethodology as an approach for analyzing narrations that cannot function as narratives. This perspective analyzes methods used by individuals to achieve actions. In this perspective, identities are resources presented by narrators to achieve interaction. These two perspectives study identities not as characteristics assigned by researchers to audiences, but as characteristics constructed by audiences themselves. In conclusion, I argue that the use of these two perspectives makes it possible to study complex and diversified audience identities in the media environment in contemporary society.
1 0 0 0 OA 東日本大震災後のストーリー分析の可能性 : マンガ作品を事例として
- 著者
- 池上 賢 イケガミ サトル Satoru Ikegami
- 雑誌
- 応用社会学研究 = The journal of applied sociology
- 巻号頁・発行日
- vol.59, pp.73-87, 2017-03-24