著者

笠原 一人

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.88, no.807, pp.1734-1745, 2023-05-01 (Released:2023-05-01)

参考文献数

17

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The magazine “Design” was published from September 1927 to October 1935 by Sousei-sha in Osaka, led by Kouichi Emura. It introduced some architectural organizations such as International Architectural Association of Japan, Souu-sha, Teppi-sha, and Rokka Crafts Association. The works and articles were published range from eclecticism to modernism, and were various specialists in architecture, design, landscaping, furniture, etc.. The editorial policies of “Design” were “open magazine”, “magazine for unknown writers”, “not to stick to styles and principles”, and “independence and freedom”. “Design” reformed itself sometimes, such as lowering the price and opening call for participants works and articles.

著者

舒 健碩 田路 貴浩

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.88, no.806, pp.1410-1421, 2023-04-01 (Released:2023-04-01)

参考文献数

27

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In this study, the conceptions of reinforced concrete can be configured in five clusters, i.e., of simplicity, of decoration, of freedom, structural form and prototype, as structural form is the most discussed realm, toward which the students have a clear technical understanding. Amidst various ideas, elastic arch, which signifies rigid frame and denies simply supported frame, i.e., curtain wall system, and dealing of surface for the lack of beauty in concrete are the two poles assimilated under the thoughts of truth of structure and rational structure. Particularly, elastic arch is deemed as a mechanical concept which derived from German.

著者

増田 泰良 藤岡 洋保 山崎 鯛介 瀧口 克己

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.71, no.607, pp.163-169, 2006-09-30 (Released:2017-02-17)

被引用文献数

1 1

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This paper tries to show the significance of the material the architect Keiji GOTO(1883-1919) left. According to our research, this collection is made up of 7,150 items, whose dates cover almost all of his life. Most of this collection is visual documents. These documents would be the base of his knowledge of architecture. This collection includes the information to show the processes of his designs of his works. And the documents of the structural engineering in this collection include the information on his interest and the sources of his knowledge. And it indicates that he was interested in the ferro-concrete and the statically indeterminate structure and that he studied structural theories and tried to diffuse these new methods. It could trigger a reevaluation of him and could be an example of the introduction of new technology in Japan.

著者

駒木 定正

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.65, no.538, pp.219-225, 2000-12-30 (Released:2017-02-03)

参考文献数

6

被引用文献数

2 2

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This paper is intended as a study of the buildings of the Horonai Public Railway in Otaru for the period from 1884 to 1885. Since the removal of the Head Office to Temiya had been a great undertaking for three years, preparations for the establishment of the colliery and railway office and the transport of coal were considered. The process of the introduction of brick into the construction of buildings of the Horonai Public Colliery and the Railway were examined. The Temiya Locomotive Shed (1885) is an important building as the oldest brick locomotive shed in Japan. Survey research reveal the distinctive feature of the standard measure of the design , the brick masonry and the roof trusses. In the final chapter, the historical characteristics for the entire buildings are summarized.

著者

平山 育男

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.75, no.652, pp.1599-1604, 2010-06-30 (Released:2010-08-26)

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It is the following points to become clear about the machine sawing by Glover.The advertisement of the machine sawing by Glover was carried at first by English newspapers, next, translated into Japanese newspaper and reprinted. There were already errors when the article carried by "The Japan Times" was reprinted in Japanese newspaper. It is June 30 from February 26, 1866 issue at least that an advertisement of Glover was carried by English newspapers. The power was steam by coal and a vertical saw, a circular saw and a plane, a gimlet were put in the lumber mill.

著者

平山 育男

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.87, no.797, pp.1316-1326, 2022-07-01 (Released:2022-07-01)

参考文献数

9

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This article examines and considered previous studies on the spread of mechanical sawmills in the prewar period. The following points are clarified. It can be confirmed that the band saw had been installed since the latter half of the Meiji era, but the regional bias was remarkable, and the spread of band saws were remarkable nationwide after the Great Kanto Earthquake. The background to the spread was the spread of electrical facilities as a power source, the introduction of a large amount of foreign materials, and the commercialization of cheap domestic models.

著者

山崎 美樹 伊藤 裕久

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.88, no.806, pp.1493-1504, 2023-04-01 (Released:2023-04-01)

参考文献数

5

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Kichijoji has been established by the emigration with the urban renewal of Edo after the Great Fire of Meireki in1657 and planed as Shinden settlement with the similar strip-shaped allotment of land . This paper compares the land allotments and composition of Michi (streets and alleys) in detail with the typical maps (cadastral map at the beginning of the Meiji era, lot number map at the end of the Taiso era, fire insurance map revised in 1949) and seeks to comprehensively the formative process of Kichijoji and Nishikubo area from the Meiji era to the early Showa era.

著者

池上 重康 越野 武 角 幸博

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.66, no.541, pp.213-219, 2001-03-30 (Released:2017-02-04)

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We ascertain the history and the staffs of the architectural section of Hokkaido Imperial University between 1918 and 1940, and tried defining it as a part of the official architectural organizations. There was an aspect of the control by the Education Ministry, that only the men who had had some experience in the architectural section of the Education Ministry were appointed to the engineers or the assistant engineers in the period from 1918 to 1921. With the enactment of 'Law of University' and 'Law of Higher School' in 19.18, however, we can say that, the improvements of the facilities and the cultivation of the architects along with the progress of higher education enabled the architectural section of the University to employ its staffs and design it's facilities independently.

著者

白 孝卿

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.77, no.671, pp.227-234, 2012-01-30 (Released:2012-03-05)

被引用文献数

4

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This study is to clear the demolition process of Japanese general government building in Korea which had been in Seoul from 1926 to 1997. Considering the usages of the building by American army and Korean government after the colonial period had eneded, it was not only the negative heritage but also it stood for the Korean government itself. Also it could be revealed in the demolition discussion which had done in the process of demolition by Korean government. Analyzing the discussions about the demolition in several sections of Korean society, this study reveals that what the that building stood for in Korean society and what kind of conservation value which the building had. And it concludes that what kind of meaning the demolition of the building has Korean society and how impact the demolition on the conservation of other colonial heritages in Korea.

著者

青山 栄昭 岡田 義治 小西 敏正

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.66, no.549, pp.177-183, 2001-11-30 (Released:2017-02-04)

参考文献数

11

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The fabricated house imported from America privately in late Taisho Era by an artist GADOU KOTATOwho was from Tochigi was decided to remove and reconstruct in 1999.This paper collected documents and arranged them in order to contribute for restoration and practical use. Career of GADOU, details to completion, the social background and buiding system of this house are become clear. Itwas inspected that this house was the valuable building remnants of three generation lives of KOTATO family in the history of imported house of Utsunomiya City. At the present time the work for recon-struction is completed.

著者

谷川 大輔 奥山 信一

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.66, no.550, pp.157-164, 2001-12-30 (Released:2017-02-04)

参考文献数

3

被引用文献数

1 1

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By means of studying articles published by contemporary Japanese architects, this report aims to illustrate their ideas on public architecture. At first, the content of each article was studied, and some comments were extracted from each theory. Then, they were abstracted into two different levels: the level of the subject and the level of the representation. Next, the meaning of these comments was analyzed by applying the method created by Jiro Kawakita. Those theories were then distracted on the basis of certain ideas. The subject was correlated with the representation, and their relationship was studied. Consequently, a definite meaning was found. In this particular study, we have pointed out the design ideas of contemporary Japanese architects about public architecture after the Second World War.

著者

駒木 定正

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.60, no.471, pp.139-146, 1995-05-30 (Released:2017-01-27)

参考文献数

18

被引用文献数

3

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The purpose of this research is to clarify the structure and specifications of theOtaru Branch of the Bank of Japan which was built in 1912.The structure of this building.the sixth branch of the Bank of Japan built in the Meiji era.is made of masonry.! compared this building with the other Bank of Japan buildings regarding specifications of the foundations,walls,floors,roof trusses and roofs. The research made it clear that this building made use not only of established techniques but of the most advanced techiniques of that time.

著者

堀江 亨

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.71, no.604, pp.39-46, 2006-06-30 (Released:2017-02-17)

被引用文献数

4 5

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This paper deals with the frame of Japanese premodern farmhouses and considers which roof frame they adopted, post-framing or sasu (similar to principal rafter) framing. Analyzing the transitional forms of the roof frame between post-framing and sasu-framing, the process of transformation of the framework is clarified including the frame with ridge-supporting posts which was undifferentiated roof frame from main frame. It's revealed that post-framing systems were superior in the western Japan, and that the several forms consisted of both a ridge-supporting post and slanting members such as sasu or nobori-bari were appeared in the eastern Japan in the beginning of premodern times.

著者

柳沢 究 布野 修司

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.73, no.623, pp.153-160, 2008-01-30 (Released:2008-10-31)

参考文献数

21

被引用文献数

2 1

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This paper focuses upon the spatial formation of mohalla in Varanasi city. Mohalla is traditional neighborhood unit common in North Indian cities, and it was the elemental component of the city in Mughal period as an administrative tax unit as well as an autonomous organization. Nowadays, however, it has lost the administrative meaning and its geographical extent and boundary are becoming unclear.Based on our field survey, this paper clarifies the spatial formation of mohalla such as allocation, size, boundary form, distribution of facilities and street structure, and links them to the historical formation process of the city. The mohallas of Varanasi can be classified broadly into two types. One has linear or tree shape formed along streets, and the other has broad territorial shape. The spatial features of those two types are different in various aspects, in reflection of the degree of urbanization at the time the mohallas were established.

著者

沼田 麻美子

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.88, no.805, pp.996-1007, 2023-03-01 (Released:2023-03-01)

参考文献数

40

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The purpose of this study is to gain knowledge on the spread of Photovoltaic in Germany. There are major differences between Japan and Germany in zoning, including building permits for PV installations and land use restrictions. Based on these, we will show the direction toward the spread of PV in Japan. The first point, Considering making all PV installation a registration system; The second point, Mandatory environmental impact assessment for ground-based PV in rural areas; The third point, Correspondence of cityscape conservation area of urban area utilizing landscape law; The fourth point, Ensuring high quality PV panels.

著者

水谷 誠 北川 啓介 内藤 拓也 森川 祐喜

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.75, no.656, pp.2335-2342, 2010-10-30 (Released:2011-02-16)

参考文献数

27

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Architectural space is composed by the interrelationship of three elements; relationship between interior space and exterior space which created the space by putting the wall, relationship between interior space and interior space which is based on arrangement and expanse of room and wall and human being who enjoy two relationships and move in it. So to speak, the architectural design is pursuit of the interrelationship of three elements, and what were created by the behavior are the outline, zone, and path. On this research, we define three kind of factor, outline which expanse to exterior space, zone, which means continuity of rooms and path which means positioning of various buildings. Furthermore, we analyze by comparison of those factors and consider the interrelationship of three elements.

著者

中村 優花 岡﨑 甚幸

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.83, no.754, pp.2441-2451, 2018 (Released:2018-12-30)

参考文献数

88

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This study is to analyze the types of spatial composition within Buddhist shrines. The focus was on the spatial composition, the plan forms and the arrangement of worship objects (stupas and Buddhist statues). This research is based on 55 documented Buddhist temples in Central Asia. The shrine architectures have been divided into 4 types based on spatial compositions. The meanings of spatial composition also have been discussed by conjecturing how worship acts were performed in shrine architectures. For the purpose of this study, Central Asia is defined as: northern Pakistan, Afghanistan, Uzbekistan, Tajikistan, Kyrgyzstan, Turkmenistan and Xinjiang Uyghur (Fig. 1). The plan forms were divided into the following types: single chamber, two-celled chamber which has main chamber and ante-chamber (having wing walls and without wing walls type), and the corridor type (a main chamber enclosed by a single wall/ two-celled chamber enclosed by a single wall) (Fig. 2). According to the classification of plan forms, the arrangement of worship objects was classified as I, II, III, and IV. The spatial compositions were analyzed based on the schemas. The shrine architectures have been divided into 4 types as the follows (Fig. 3): I. Worshippers face worship object inside or outside the chamber: Worshippers do not enter inside, and face to the worship object directly; Worshippers enter inside directly without wing walls, judging from its large scale; Worshippers enter inside through wing walls, judging from its large scale and the spatial composition. II. Shrine with axiality: the worship object is located at the further end of the shrine (in some cases, center of the shrine). There is the symbolic direction to the worship object. Worshippers face the worship object. III. Shrine with circumambulatory: the worship object is housed in the center of the main chamber. Accordingly, pradak?i?a (Buddhist devotional practice) is performed. IV. Shrine with centrality: the worship objects are placed on three sides or four sides of the main chamber. The plan forms of shrines are centralized plan such as a square and a cruciform. Axiality is a common characteristic in many shrine architectures. Axiality is necessarily component in the case of the two-celled chamber type shrines. In addition, it became clear that there is the shrine architecture includes some characteristics of spatial composition: axiality + circumambulatory, and axiality + circumambulatory + centrality. Over a long period of time, circumambulatory design was adopted for wide areas because it indicated the circumambulation ritual from left to right of the worship object. On the other hand, there were few examples of shrine architectures with centrality. It has been conjectured that centrality was a determinate factor judging from the aspect of geographical distribution. Based on the analysis, the meaning of the spatial compositions was considered. The conclusions are as follows: - Shrines with axiality means that the Buddhist world continues forward. - Shrines with circumambulatory were held for service of the cosmological Buddha. - Shrines with centrality had worshippers enclosed by the Buddhist world. It could be considered that “circumambulatory” and “centrality” is contrasting characteristics of spatial composition and suggests a change of meaning in the shrine architecture.

著者

本間 健太郎 今井 公太郎

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.84, no.759, pp.1113-1122, 2019 (Released:2019-05-30)

参考文献数

6

被引用文献数

1

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The objective of this paper is to quantify the room shape in terms of visibility of a visual target within the room, thus finally to obtain the optimal room shape. A wide variety of visual targets are envisaged, such as a blackboard within a classroom, a stage in a theater, or a painting in a gallery. Their common point is that they are so important that their visibility impacts the room shape. In order to obtain planning guidelines of various rooms with various visual targets, the visibility theory is developed in both a unified and a deductive way. In concrete terms, (i) A reasonable function for expressing “point-visibility” is proposed from an arbitrary viewpoint. The proposed formula not only is understandable intuitively and operational, but represents generalization of approximation equation for the solid angle of the visual target. (ii) Next, a reasonable method of aggregating point-visibility is proposed. Therefore “area-visibility” as a value for evaluating the space as a whole is derived, doubly integrating the p-th power of point-visibility. Area-visibility can be used to evaluate both classrooms that need equality among students by focusing bad view areas, and galleries where the visitor can determine the viewing position by focusing good view areas. (iii) Finally, the optimal room shape is derived in which area-visibility is maximized. Here, we obtain the optimal aspect ratio of a rectangular plan room where the visual target is on one wall. Through the process described above, this paper is successful in clearly describing area-visibility as the formula containing three parameters and obtaining the relationship between these values and optimal room shapes. These three consist of the two parameters derived from the point-visibility function(negative impact α when viewing the target at an angle, and negative impact β when viewing the target far away), and one parameter introduced when aggregating point-visibility (degree of inequality p in the visibility distribution). This means that “α and β representing human eyesight” and “p depending on rooms’ usage” can be directly linked to an “evaluation value of room shape known as area-visibility”, and thus the “optimal shape of the room”. In other words, once the preconditions are determined, we can obtain information immediately that is useful for planning and design. In consequence, this is considered to be valid knowledge that allows the visibility evaluation that previously was carried out based on experience to be performed objectively.

著者

市川 紘司

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.88, no.805, pp.1103-1112, 2023-03-01 (Released:2023-03-01)

参考文献数

11

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By focusing on Uzo Nishiyama's exchange activities with China prior to 1972, this study reveals two things.1. Nishiyama, an architectural scholar influenced by Marxism, had his first opportunity to visit China in 1956, but was not realized because the government did not issue him a passport. However, in 1960, he could stay China for a month, inspecting new buildings and having a relationship with architects such as Liang Sicheng.2. After returning to Japan, Nishiyama published his experiences in many journals, and also established the Japan-China Center for Architectural Exchange, exchanging magazines and sending reporter to Beijing Conference.

著者

小沢 直 本杉 省三

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.67, no.558, pp.121-128, 2002-08-30 (Released:2017-02-04)

被引用文献数

1

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This paper investigates the singularity of the amount of work and a work schedule of a drama performance in a temporary theater. making the stage and audience seating including technical fascilities in itrequires a big amount of work and long production schedule. It brings also positive activity for all member of drama company.