著者

小山 太郎

出版者

日本感性工学会

雑誌

感性工学 (ISSN:18828930)

巻号頁・発行日

vol.20, no.2, pp.71-75, 2022-06-30 (Released:2022-06-30)

参考文献数

16

著者

佐藤 那央

出版者

日本感性工学会

雑誌

感性工学 (ISSN:18828930)

巻号頁・発行日

vol.19, no.2, pp.74-78, 2021-06-30 (Released:2021-06-30)

参考文献数

10

著者

姜 京日

出版者

日本感性工学会

雑誌

感性工学 (ISSN:18828930)

巻号頁・発行日

vol.19, no.2, pp.87, 2021-06-30 (Released:2021-06-30)

著者

橋田 規子 大久保 優希

出版者

日本感性工学会

雑誌

感性工学 (ISSN:18828930)

巻号頁・発行日

vol.18, no.3, pp.134-139, 2020 (Released:2020-10-01)

参考文献数

8

著者

大谷 尚

出版者

日本感性工学会

雑誌

感性工学 : 日本感性工学会論文誌 (ISSN:18828930)

巻号頁・発行日

vol.10, no.3, pp.155-160, 2011-06-10

著者

藤森 誠 伊藤 一成 DÜRST Martin J. 橋田 浩一

出版者

日本感性工学会

雑誌

日本感性工学会論文誌 (ISSN:18828930)

巻号頁・発行日

vol.8, no.3, pp.575-583, 2009

被引用文献数

1

---

Pictograms are graphic symbols also called picture symbols. They are widely used, mainly in public accommodations. However, it is hard to say that meaning can be grasped quickly from a single pictogram. In most cases, pictograms are accompanied by some explanatory written text. In this paper, we propose a new method of displaying pictograms, displaying two slightly different pictograms successively, using the difference between the two frames to promote understanding. We limit ourselves to two frames because a higher number of pictograms makes it difficult to clearly express difference information and risks to confuse viewers more than help understanding. We experimentally evaluated the recognition properties of our new method. We showed one-frame and two-frame versions expressing the same content to 165 subjects and measured action time, percentage of correct answers, and semantic transparency. Using a Mann-Whitney U test, we found that in some problems, the semantic transparency was significantly (p < 0.05) higher for two-frame pictograms than for one-frame pictograms. Also, two-frame pictograms generally showed a better percentage of correct answers. We conclude that two-frame pictograms making use of difference information may contribute significantly to increasing pictogram recognition.

著者

藤森 誠 伊藤 一成 DÜRST Martin J. 橋田 浩一

出版者

日本感性工学会

雑誌

日本感性工学会論文誌 (ISSN:18828930)

巻号頁・発行日

vol.8, no.1, pp.113-118, 2008

被引用文献数

1

---

Recently, t here is a lot of attentiona nd researcho n using pictogramsa sa communicationm ethod. In ordert o express sentence-levelc onceptsw ith pictograms, i t is necessaryt o combine several pictograms. Traditionally, t his is done using a linear layout. However, this requires guessing of the overall meaning from the meaning of the individual pictograms. Therefore, we have proposedt w o-dimensionapl ictograma rrangements(called Picture Text), w hich we expectt o easier to understand. In this paper, we report on an experimenitn vestigatingw hethert his is indeedt he case.<BR>The experiment used pairwise comparison of five methods of expression: written text, illustrations, photographs, linear pictogram layouts, and Picture Text. Besides the rate of correct answers, we also obtained an estimate for the degree of intuition directly from the subjects. Using a t-test, we found that the degree of intuition differeds ignificantly(p<0.05)betweenl inear pictograml ayouts and other methodso f expression. The more than one hundred subjectsr anged from childrent o people in their seventies. Children from a school for the disable formed a separate group of subjects. We discuss the effect of variables such as age.<BR>In conclusionw, e can say that Picture Text is clearlys uperiort o linear pictograml ayouts, a nd is on par with writtent ext, i llustrations, and photographsw hen communicatingse ntence-levecl oncepts. Picture Text is therefores uitablea s a new mediumo f expressiona nd communication.

著者

村松 慶一 松居 辰則

出版者

日本感性工学会

雑誌

日本感性工学会論文誌 (ISSN:18828930)

巻号頁・発行日

vol.8, no.3, pp.819-828, 2009-02-28 (Released:2016-01-25)

参考文献数

17

---

This study is to constitute a framework for understanding aesthetic sensibility by introducing a mental model called the content space which is defined as a set of all possible contents of consciousness. An aesthetic sensation is a conscious process, thus it belongs to the content space. On the other hand, all mental process must be realized by neural activities which were initially evolved in human ancestors. Because aesthetic sensation is a content of consciousness appeared only in human, it is highly probable that its origin can be explained by a correlating process of biological evolution and cultural development. As the bridge between mental and physiological processes, the emotion and mood relating aesthetic sensation are also considered in the proposed model.

著者

石原 茂和

出版者

日本感性工学会

雑誌

感性工学 (ISSN:18828930)

巻号頁・発行日

vol.8, no.1, pp.17-23, 2008-12

被引用文献数

1

著者

熊王 康宏 神宮 英夫

出版者

Japan Society of Kansei Engineering

雑誌

日本感性工学会論文誌 (ISSN:18828930)

巻号頁・発行日

vol.8, no.1, pp.99-104, 2008

---

Thec omplexin teractiown ithe valuationosn Eating Q ualityis causedb y externailn formatio. Tn V and W eba dvertisings aret hee xternailn formatiotnh atc anb e operateda s experimentcaol ndition. s Thep urposeo f thisr esearchis to makec leart herole of externali nformationo n the structureo f the complexi nteractionb y analyzingth e resultso f Kinseye valuatio.n The S amplei sa commercialize Sdp areribo n brandedf ood.B ecauset he complexin teractionw ith evaluationosn Eating Q ualityi s influencedb y externailn formationit, is necessaryto analyzeth e interactiown ith G raphica Ml odeling. Althoughth e commone valuatioint em on Eating Q uality is exist, the complexin teractiown ithe valuationis differenitn eache xperimentaclo ndition. Ther esultss uggestth at the structuraaln alysiws ith G raphica Ml odelinigs usefu.

著者

菅原 徹

出版者

日本感性工学会

雑誌

感性工学 (ISSN:18828930)

巻号頁・発行日

vol.10, no.2, pp.96-98, 2011-03

著者

合志 和洋 盛多 亮 田崎 新二 清田 公保 古賀 広昭

出版者

日本感性工学会

雑誌

日本感性工学会論文誌 (ISSN:18828930)

巻号頁・発行日

vol.8, no.4, pp.1121-1127, 2009-03-31 (Released:2016-01-25)

参考文献数

11

被引用文献数

1

---

This paper describes effect for human feelings by using a swing chair synchronized with moving pictures. The relations between human KANSEI and swing angles, pitching and rolling, were examined by using the swing chair and the moving pictures. The 12 KANSEI factors were measured under the conditions of various swing parameters: swing frequency, swing angle of swing chair, and swing angle of screen image. Feelings of powerful and interest were increased as the swing angle and the swing frequency of the swing chair become higher. Furthermore, by adding smaller swing angle of the swing chair, the powerful and the interest feelings were increased.

著者

石川 智治 三井 実 熊谷 隆富 日比野 靖 宮原 誠

出版者

日本感性工学会

雑誌

日本感性工学会論文誌 (ISSN:18828930)

巻号頁・発行日

vol.8, no.4, pp.1021-1024, 2009-03-31 (Released:2016-01-25)

参考文献数

7

---

We have found that the sense of brilliant observed from an image is deteriorated by a digital processing of granular noise reduction. By seven grade subjective assessment tests about “sense of brilliant” removing and adding isolated impulsive dots, “sense of brilliant” was deteriorated “-2”(reduction) and improved “+1”(addition). We have found the more than 5.4% isolated impulsive dots of total pixel greatly generated “sense of brilliant”.

著者

大谷 尚

出版者

日本感性工学会

雑誌

感性工学 : 日本感性工学会論文誌 (ISSN:18828930)

巻号頁・発行日

vol.10, no.3, pp.155-160, 2011-06-10 (Released:2011-07-15)

著者

中嶋 優 一川 誠

出版者

日本感性工学会

雑誌

日本感性工学会論文誌 (ISSN:18828930)

巻号頁・発行日

vol.8, no.1, pp.137-143, 2008-12-20 (Released:2010-06-28)

参考文献数

17

被引用文献数

1

---

Although previous studies have examined what kind of object arrangement could give observer beautiful impression, they have not achieved agreement. While some studies found observers' preference for the arrangements whose centroids were congruent with the center of the picture frame, the other studies found the observers' preference for the arrangement whose centroids were in the right side in the frame. The main purpose of this study is to solve this disagreement among previous studies. We conducted three experiments in which concreteness of the picture was manipulated, and observers rated their impression for the pictures with different centroid position. We used black circles (Experiment 1), concrete objects on white background (Experiment 2), and concrete objects on backgrounds of natural scenes (Experiment 3). Only in Experiment 3, we found that observers consistently preferred for the pictures whose centroid of the arrangement was in right side. Our results indicate that concreteness of the pictures caused the biased preferencefor the right side of the pictures.

著者

藤井 聡

出版者

日本感性工学会

雑誌

感性工学 (ISSN:18828930)

巻号頁・発行日

vol.9, no.4, pp.217-225, 2010-09

著者

中嶋 智史 椎塚 久雄

出版者

日本感性工学会

雑誌

感性工学 (ISSN:18828930)

巻号頁・発行日

vol.8, no.1, pp.81-88, 2008-12