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1 0 0 0 日本学校衛生

出版者: 大日本学校衛生協会
巻号頁・発行日: vol.15, no.3, 1927-03

2015-11-29 00:30:00
1 レファ協

http://dl.ndl.go.jp/info:ndljp/pid/1597541

1 0 0 0 婦人衛生雑誌

出版者: 私立大日本婦人衛生会事務所
巻号頁・発行日: no.380, 1926-03

2015-11-29 00:30:00
1 レファ協

http://dl.ndl.go.jp/info:ndljp/pid/1522709

1 0 0 0 日本学校衛生

出版者: 大日本学校衛生協会
巻号頁・発行日: vol.13, no.2, 1925-02

2015-11-29 00:30:00
1 レファ協

http://dl.ndl.go.jp/info:ndljp/pid/1597516

1 0 0 0 OA 明治期を中心にみた日本の人口統計資料について(経済統計特集)

著者: 高橋益代
出版者: 経済資料協議会
雑誌: 経済資料研究 (ISSN:03853586)
巻号頁・発行日: vol.14, pp.14-31, 1980-06-25

2015-11-29 00:30:00
1 レファ協

http://hdl.handle.net/2433/79731

1 0 0 0 OA 三州船舶通覧

著者: 原田翁甫編
出版者: 原田翁甫
巻号頁・発行日: 1915

2015-11-29 00:30:00
1 レファ協

http://dl.ndl.go.jp/info:ndljp/pid/953903

1 0 0 0 OA 生きるジャック/死ぬマーティン : Jack LondonのMartin Edenにおける「作者」の位置

著者: 小島尚人
出版者: 東京大学大学院総合文化研究科附属アメリカ太平洋地域研究センター
雑誌: アメリカ太平洋研究 (ISSN:13462989)
巻号頁・発行日: vol.10, pp.67-80, 2010-03

This essay is an attempt to read Martin Eden, Jack Londonʼs autobiographical novel, in terms of the inextricable relationship between the author and the protagonist. Critics have often taken the unbalanced plot and the lack of ironic distance between narrator and character in Martin Eden as the technical weakness of London, but this paper argues that the achievement of this novel owes a great deal to the attachment of London to Martin. The unbalanced structure is a necessary product of the severe struggle of the author to kill his romantic alter ego. // Martin, who aspires to win Ruth Morse, tries to cross class boundaries by making a career of a writer. Even after realizing the emptiness of Ruth, who turns out to be nothing but a typical figure of the bourgeoisie, he somehow persists in loving her. The notion underlying here is that, for Martin, love, career and art are fundamentally inseparable. He objects to the aestheteʼs view of Brissenden on account of his separation of art from career. Martinʼs identity and life consist only in the triunity of love/career/art; the alternative is the repudiation of life. Thus, the unnatural delay of his disappointment in love can be regarded as Londonʼs strategy to set the suicide of Martin as the necessary consequence of the story. // By finishing the story and killing Martin, London finally detaches himself from Martin, reconstructs his self, and, unlike Martin, survives as a professional writer. In this sense, Martin Eden is a story about “writerʼs self-reconstruction.”