文献一覧: 吉田一 (著者)

Four Englishwomen established for themselves a well-grounded fame astravelers―Mrs. Bishop (Isabella L. Bird, 1831-1904), Miss North (MarianneNorth, 1830-90), Miss Kingsley (Mary Kingsley, 1862-1900), and MissGordon-Cumming (Constance Frederica Gordon-Cumming, 1837-1924).Each of these four ladies had her own special characteristics, literary and artistic; each in her own way showed what English Ladies could do, and pen andpencil aroused the interest and admiration of the reading pubic.Many readers have been strongly attracted by the books of travel byIsabella L. Bird, and her capacity for accurate observation, her retentive memory,and her power of vivid portrayal, have enabled multitudes to share her experiencesand adventures in those lands beyond the pale which drew her everwith magnetic force.Unbeaten Tracks in Japan (1880) shows how accurate Isabella's representationof Japan is. It represents not only daily lives of Japanese people but alsotheir confrontations with Western culture. Isabella seems to be interested especiallyin the missionary works of the Meiji Era. She ardently desired thespread of the kingdom of Christ Jesus in the world, but was not herself concernedto advocate any special rites or dogmas.Most Japanese think of Britain as a Christian country. In one sense, ofcourse, they are quite right. Historically, Britain has been Christian since atleast the 7th century, when the Church of Rome first sent missionaries to thecountry. The various churches and sects of Christianity which have developedover the country's long history, such as the Anglicans, Baptists, Quakers andMethodists, have spread out throughout the world, having a great effect oncountless lives. Moreover, England is one of very few countries in the worldto have a state church, the Church of England.Isabella was born on 15 October 1831 at Boroughbridge Hall, Yorkshire.Her father served as a curate at Boroughbridge. After that he was appointedcurate in Maidenhead. The Church of England as her background and thetrend of Christianity in England, seemed to have a great influence on her.When she visited Irimachi, Nikko, she saw those who worshippedDaikokuten, the god of wealth. She could not accept them because theyprayed God for wealth and was steeped in materialism. She could not acceptAinu people who were given to drinking as a part of worship. This reminds usthe temperance movement of Victorian England. Many Christian organizationssupported the temperance movement because drinking habits lead people tocollapse of families, crimes, and numerous absences from work.While Isabella set great hopes on the effect of Christianity, she representedthe missionary works of the Meiji Era in Unbeaten Tracks in Japan. Sheshowed that missionaries contributed to Japanese medical treatment and education,and how Japanese people were converted to Christianity. UnbeatenTracks in Japan gives her impression not only of Japanese culture and habitsbut also of the missionary works.

2021-09-10 17:30:06
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https://ci.nii.ac.jp/naid/120006460997

1 0 0 0 頬骨骨折におけるフェイスガードの製作経験

著者: 吉田一男
雑誌: POアカデミージャーナル
巻号頁・発行日: vol.14, pp.150-151, 2006
被引用文献数: 3

2021-08-16 08:48:47
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https://ci.nii.ac.jp/naid/50006086856

1 0 0 0 OA The Old Curiosty Shopにおけるクウィルプのサディスティックな側面

著者: 吉田一穂
出版者: 桃山学院大学
雑誌: 英米評論 (ISSN:09170200)
巻号頁・発行日: no.20, pp.129-153, 2006-03-20

In The Old Curiosity Shop (1841), Charles Dickens (1812_70) used the same method as he had used in Oliver Twist (1838). He gave a strong impression of goodness to readers by showing the contrast between goodness and evil until the end of the story ; Nell's innocence, purity, beauty, and goodness, became more striking by the grotesqueness of Quilp, the evil.Quilp could scarcely be said to be of any particular trade or calling, though his pursuits are diversified and his occupations numerous. He collects the rents of whole colonies of filthy streets and alleys by the water-side, advances money to the seamen and petty officers of merchant vessels, has a share in the ventures of divers mates of East Indiamen, smokes his smuggled cigars under the very nose of the Custom House, and makes appointments on Change with men in glazed hats and round jackets pretty well every day.Quilp is also a malevolent dwarf who lends money to Nell's grandfather, takes over the Old Curiosity Shop in payment, and then pursues Little Nell and her grandfather when they flee from him. Dickens represented Quilp's appearance: `His head and face were large enough for the body of a giant. His black eyes were restless, sly, and cunning. What added most to the grotesque expression of his face, was a ghastly smile, which revealed the few discoloured fangs that were yet scattered in his mouth, and gave him the aspect of a panting dog.' One can safely state that Dickens created the sadistic Quilp by Punch and Richard III. First, the source of Quilp is, as Paul Schlicke supposes, Punch in Punch and Judy. Quilp who gives a lot of blows to Kit and Tom Scott with hiscudgel and says, `I'll beat you to a pulp, you dogs' in Chapter 6, reminds readers of the destructive power and the sadistic aspect of Punch who hits the characters with his stick and kills Toby, his child, Judy, the doctor, and the Devil. The feature of Punch can be seen in Quilp in his relationship with his wife. The words of Quilp to his wife in Chapter 4 (`Oh you precious darling! Oh you de-licious charmer!') are similar to the words of Punch to his wife (`What a pretty creature! Isn't she a beauty?). Not only the relationship between Quilp and his wife but also the relationship between Quilp and Nell is similar to the relationship between Punch and Judy. Dickens seems to intend to represent a male chauvinis and an obedient woman in the relationship between Quilp and his wife and the relationship between Quilp and Nell. The difference between Judy and Nell is that Judy is killed by Punch while Nell escapes from the menace of Quilp. Richard III is thought to be the other model of Quilp. As Philip Collins describes Quilp as an exultant bourgeois Richard III, there are some common points. The appearance of Richard III overlaps with the appearance of Quilp. Richard III tells us about his appearance, `I, that am curtailed this fain proportion, heated of feature by dissembling Nature, Deform'd, unfinish'd sent before my time Into this breathing world scarce half made up-And that so lamely and unfashionable That dogs bark at me, as I halt by them-', while Dickens represented Quilp as `a dwarf whose head and face are large enough for the body of a giant, whose black eyes are restless, sly, and cunning, and whose finger-nails are crooked, long, and yellow'.Quilp, the hideous dwarf, terrifies and dominates all who come into contact with him. His power of sexual invasion reminds us of Richard's power of sexual invasion. Ann is urged to make a definite decision by Richard III : `Take up the sword again, or take up me'. His persistence wears her down, and she gives in. Quilp admires the sexual attraction of Nell and says, `To be Mrs. Quilp the second, when Mrs. Quilp the first is dead, sweet Nell'. In The Old Curiosity Shop, the bird symbolizes Nell who has escaped from Quilp and dies at the ending ofthe story. Quilp's words, `Wring its neck', show his sadistic aspect. Dickens created the sadistic aspects of Quilp, dexterously making use of the sadistic aspects of Punch and Richard III. The sadistic aspects of Quilp contribute to the emphasis on Nell's femininity. What has to be noticed is that Quilp's death presents a contrast to Nell's death. Quilp's shout in the water is equivalent to Richard's shout, `My kingdom for a horse'. Richard notices that he is trifling before his death, and Quilp's death gives the impression of his pettiness. Nell's death presents a contrast to Quilp's death. The little bird, `the poor slight thing the pressure of a finger would have crushed', symbolizes Nell. It reminds us of the words of Quilp, `Wring its neck'. We can say that Dickens represented the condition of Nell who has been released from the sadistic Quilp by the little bird as a symbol.

2021-07-14 01:30:47
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https://ci.nii.ac.jp/naid/110004323584

1 0 0 0 強制された自発性--奉仕活動をめぐる中教審答申について

著者: 吉田一郎
出版者: 部落問題研究所
雑誌: 人権と部落問題 (ISSN:13474014)
巻号頁・発行日: vol.54, no.13, pp.39-46, 2002-12

2021-06-11 10:26:22
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https://ci.nii.ac.jp/naid/40005605223

1 0 0 0 空圧駆動海洋探査クラゲ型ロボットの作製

著者: 滝島勇希吉田一也齊藤梓川上勝古川英光
出版者: 一般社団法人日本機械学会
雑誌: 機械材料・材料加工技術講演会講演論文集 2018.26 (ISSN:2424287X)
巻号頁・発行日: pp.403, 2018 (Released:2019-05-25)

Various kinds of underwater exploration techniques have been developed. For instance, submersible research vehicles and autonomous underwater vehicle (AUV) have been used for observation of underwater conditions, in addition to the technique of fixed-point observation. However, such research vehicles and conventional AUV are difficult to control, are expensive, and are usually made with non-biodegradable materials such as metals. In contrast, jellyfish is the most efficient swimmers, traveling for long distance with saving energy by drifting in the ocean, its body can be decomposed after death, and safe for surrounding creatures. Therefore, we are developing the jellyfish-mimic AUV using a hydrogel. For designing a Jellyfish-mimic AUV robot, it is preferable to introduce a soft actuator driven by water pressure, as it requires low electric power and it is eco-friendly. In this study, we prototyped a Jellyfish-AUV robot using a soft material and a soft actuator. While it is ideal to make a robot body with hydrogel it is difficult to make the actuator with hydrogel.

2021-05-17 21:42:30
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1 0 0 0 PS-014-5 DCISにおける造影MRI dynamic patternの解析

著者: 押田恵子長嶋健矢形寛三階貴史田辺直人中野茂治吉田一也橋本秀行宮崎勝
出版者: 一般社団法人日本外科学会
雑誌: 日本外科学会雑誌 (ISSN:03014894)
巻号頁・発行日: vol.105, 2004-03-15

2021-03-25 02:45:05
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https://ci.nii.ac.jp/naid/110003961638

1 0 0 0 OA Oliver Twist における天に召される子供のイメージ

著者: 吉田一穂 Kazuho Yoshida
雑誌: 英米評論 = ENGLISH REVIEW (ISSN:09170200)
巻号頁・発行日: no.17, pp.127-142, 2002-12-20

Many literatures, pictures, photographs of the Victorian age show that the contemporaries were interested in childhood, and the novels of Charles Dickens also show that he was interested in it. Dickens’s interest in childhood, was related to his experience in his own childhood ; John Dickens, Charles's father, was a cheerful person but he had no sense of economy. He was imprisoned in the Marshalsea prison, and Charles had to work at Warren’s Blacking warehouse, which gave him an agony and despair. Dickens's childhood experience in the Warren's Blacking warehouse made him feel that his own childhood had come to an abrupt end, and that he had been prematurely exposed to adult responsibilities and independence. Dickens had suffered from the trauma and expressed his view of childhood in his novels. Dickens represented the ill treatment of workhouse to children in Oliver Twist. The children suffered from the hunger. The poor relief and the New Poor Law of 1834 were the highly topical subjects when Dickens took them up in Oliver Twist, and his related sense of outrage at the misery of pauper children brought up in baby farms and adults living in workhouses remained strong right through to the end of his life. Oliver who says, “Please, sir, I want some more”, is treated like a criminal. Oliver barely escapes being apprenticed to a chimney sweeper. Dickens showed that the children of chimney sweeper were ill treated and connects such children to “the image of child coming home to heaven”, as William Blake (1757-1827) did in “The Chimney Sweeper”. Dickens expressed his feeling toward the children as victims of his age by ‘the image of children coming home to heaven’, relating Oliver's destiny to a workhouse, a chimney sweeper, an undertaker, and a criminal.

2021-02-11 20:33:30
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http://id.nii.ac.jp/1420/00008469/

1 0 0 0 OA 『日本書紀』仏教伝来記事と末法思想(その五)[完]

著者: 吉田一彦
雑誌: 人間文化研究 (ISSN:13480308)
巻号頁・発行日: vol.13, pp.190-167, 2010-06-30

2021-01-12 10:22:37
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http://id.nii.ac.jp/1124/00000296/

1 0 0 0 舌背正中部に発生した扁平上皮癌の1例

著者: 吉冨泉川崎五郎柳本惣市吉田一水野明夫藤田修一
出版者: Japanese Society of Oral and Maxillofacial Surgeons
雑誌: 日本口腔外科学会雑誌 (ISSN:00215163)
巻号頁・発行日: vol.51, no.5, pp.244-247, 2005-05-20
被引用文献数: 2 1

Primary carcinoma arising in the dorsum of the tongue is very rare and may be erroneously diagnosed as a benign lesion.<BR>We present a case of squamous cell carcinoma of the dorsum of the tongue in a 49-year-old man. Intraoral examination revealed a tumor measuring 41×30×7 mm in the midline of the dorsum of the tongue. A biopsy was performed, and the diagnosis was squamous cell carcinoma. After preoperative chemotherapy, total resection of the tumor was performed. During about 1 year of follow-up, there has been no sign of recurrence or metastasis.

2020-10-16 04:52:39
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1 0 0 0 OA 稲縞葉枯病抵抗性同質遺伝子系統「ハツシモ岐阜SL」の育成と栽培法について

著者: 荒井輝博山田隆史吉田一昭
出版者: 岐阜県農業技術センター
巻号頁・発行日: no.11, pp.1-6, 2011 (Released:2015-04-17)

水稲品種「ハツシモ」に戻し交雑により縞葉枯病抵抗性遺伝子を導入し縞葉枯病抵抗性同質遺伝子系統「ハツシモ岐阜SL」を育成した。縞葉枯病抵抗性を有する「岐系164号」を一回親、「ハツシモ」を反復親とし、5回の戻し交雑を行った。「ハツシモ岐阜SL」の品種特性は「ハツシモ」と比較して、出穂、成熟期はほぼ同等、稈長は2~3cm短く、穂長は同等、穂数および収量は多くなった。千粒重は約1g小さくなった。また、「Modan」由来の縞葉枯病抵抗性遺伝子Stvb-iを有するため、縞葉枯病の発病は認められなかった。栽培特性を把握するために、緩効性肥料を用いた栽培試験を行ったところ、基肥: 被覆尿素肥料30日タイプ(N4kg/10a)+穂肥: 緩効性肥料(N4kg/10a)区で最も多収であり、千粒重も確保できることが分かった。