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Recently, nineteenth-century art photography distinctive for its "pictorialism" has been re-evaluated in the discourses of the history of photography. However, mainstream scholarship, which emphasizes the affinity between photography and other art forms such as painting or literature, has generally ignored the "photographic-ness" of pictorial photography. This paper examines how the work of English photographer Henry Peach Robinson, a representative figure in nineteenth-century art photography, embodied the medium-specificity of photography. It will do so by paying special attention to his works that deal with the themes of sleep and death, such as Fading Away (1858), The Lady of Shalott (1860), and Sleep (1867). In nineteenth-century Western culture, it was not unusual for people to commission professional photographers to take photographs of their dead family members before burials took place. In those postmortem photographs the corpse was typically depicted as if he or she were just "sleeping." It is important to realize that such a disguise was made possible by the power of photography, in which the states of being dead or asleep are often indistinguishable from one another. For Robinson, who tried to produce his photographic works strictly as he intended, such an instability of meaning was nothing but an obstacle to his creation. Indeed, Robinson finally stopped tackling the themes of death and sleep in his work and instead turned to more lively subject matter.

2013-05-20 15:32:58
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http://hdl.handle.net/2261/51548

1 0 0 0 OA 転がり軸受用ころの転動面および端面の最適形状設計に関する研究

著者: 藤原宏樹フジワラヒロキ

24189

2013-05-20 15:11:00
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http://hdl.handle.net/11094/784

1 0 0 0 OA マスメディアと会話分析 ―CNN Larry King Live Show の視覚的考察(Visual Analysis)―

著者: 池田佳子 Ikeda Keiko
出版者: 名古屋大学大学院国際言語文化研究科
雑誌: 言語文化研究叢書 (ISSN:13471600)
巻号頁・発行日: vol.8, pp.1-15, 2009-03 (Released:2009-05-21)

2013-05-20 11:20:00
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1 0 0 0 OA 虚構の語りと言語行為論

著者: 田村均 TAMURA Hitoshi
出版者: 名古屋大学文学部
雑誌: 名古屋大学文学部研究論集 (ISSN:04694716)
巻号頁・発行日: vol.58, pp.1-29, 2012-03-31 (Released:2012-09-06)

John Searle argues in his seminal paper of fictional discourse that the author of a work of fiction pretends to perform a series of illocutionary acts. He does not make it very clear, however, how one could make a pretended performance of an illocutionary act, e.g. an assertion: he does not tell us what else should be done in order to make a pretended assertion in addition to uttering an assertive sentence. The analysis of truth in fiction put forward by David Lewis may seem to give a plausible account of the meaning of fictional discourse; but his theory also contains the concept of pretence as a primitive notion of its explanatory components. Gregory Currie criticizes the Searlean pretence theory of fiction and advocates a communicative approach to the problem of fictional utterance. He introduces the idea of make-believe instead: the author of a fiction intends that the audience make believe her story. In his communicative approach it seems to be taken for granted that we know what it is to induce someone to make believe something and how it can be carried out by a speaker. Pretence or its equivalent, makebelieve, appears in these theories as a fundamental but unexplained frame of mind that constitutes the essence of fictional discourse. It is suggested that pretence or make-believe may be a primitive equipment of human mind like belief or truth inasmuch as storytelling and playacting can be seen everywhere in human life.

2013-05-20 05:52:00
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1 0 0 0 OA 私的な視線によるエロティシズム : 荒木経惟の作品を中心とした写真に関する考察

著者: 秦野真衣
出版者: 東京大学大学院人文社会系研究科・文学部美学芸術学研究室
雑誌: 美学藝術学研究 (ISSN:13426095)
巻号頁・発行日: vol.22, pp.247-302, 2004-03-29

2013-05-19 23:08:01
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http://hdl.handle.net/2261/6917