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1 0 0 0 OA 哀歌「アディュ・フラール,アディュ・マドラス」とフレンチ・カリビアン・ディアスポラの誕生

著者: 尾立要子
出版者: 日本島嶼学会
雑誌: 島嶼研究 (ISSN:18847013)
巻号頁・発行日: vol.2013, no.14, pp.21-53, 2013-09-05 (Released:2020-09-16)
参考文献数: 74

“Adieu foulard, adieu madras” is an old air of French West Indies. The farewell love song of Antilles in the days of steamers attracted islands visitors as well. In Metropolis, it has been spread through tremendous adaptations brought by for example Henri Salvador. That the histories of the Antilleans have inscribed and been implemented on the air. They had sung it to bid farewell for over a half century. However, rare Antilleans living both side of Atlantic Ocean break hush its exact notion up. Guadeloupe and Martinique were taken as possession of France in 1635, were colonized for the use of Sugar cane plantation. It had been maintained by slave trade and slavery under Black Code. By the second decision of abolition of slavery on 27 April 1848, status of full-fledged French citizen was brought to the enslaved people. Guadeloupe and Martinique, with Guyana and Reunion as “vieilles colonies”, become Overseas department by the law of 19 March 1946. In 1962 when French Government had come up with a new policy, Antilleans were called to immigrate to Hexagon-Metropolitan France-in response to the recruitments of cheap labor. The issue of the slavery system in the past and the responsibility of the state over the system as popular interrogations have their root in the political movements of Caribbean African in Diaspora. Why has such a conscience been crystallized in the dawn of 21st Century? This paper aims to explore the relation of contemporary Antillean with their histories through the song Adieu foulard, adieu Madras. Why today after 400 years ago, they don’t stop talking about slavery and their ascendants? To what extent was making of their identity correlated with evolution of an institutional framework “département d’outre-mer”? Finally this paper gives views to the decisive moment of the birth of Antillean community, constructing both sides of Atlantic Ocean, in relation to the political presence of those who move to metropolis.

2021-05-06 04:57:41
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1 0 0 0 OA 軍歌:第六潜水鑑の遭難(佐久間隊長)

著者: 大和田建樹[作詞]
出版者: コロムビア(戦前)
巻号頁・発行日: 1943-06

2021-05-06 04:39:44
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https://dl.ndl.go.jp/info:ndljp/pid/8269064

1 0 0 0 OA 我が国における子どもの歌の多様性について : 明治時代からの変遷(1)

著者: 有道惇津上崇
出版者: 中国学園大学/中国短期大学
雑誌: 中国学園紀要 = Journal of Chugokugakuen (ISSN:13479350)
巻号頁・発行日: vol.6, pp.183-193, 2007-06-16

今日,我が国の子どもたちが歌っている歌は非常に多様である。それらは,ポップス調,民謡調,わらべうた,唱歌,童謡そしてアニメソング等と,歌の種類は非常に幅が広く,全国各地に広まっている。これには,昭和24年に始まった「歌のおばさん」1)等のマスメディアの力による影響が大きく,このような傾向は今日まで継続している。一方,これら多様な「子どもの歌」は,明治以降における西洋化の影響と,これに沿って取り組まれた,西洋的な歌を作るという国の方針とが相俟って,多数の唱歌や童謡が誕生してきた。ところが,この国の方針にも関わらず,誕生してきた歌は,日本語の抑揚にも起因して,伝統的な「わらべうた」,「子守歌」,「民謡」等にみられる「ヨナ抜き音階」の側面が今日まで尾を引いているものも少なくない。そこで,明治以降の「子どもの歌」を分析検討することで,いわゆる西洋音楽(以下,洋楽と略)の受容がどのように行われて,伝統的な音楽(以下,和楽と略)が「子どもの歌」にどのような影響を及ぼし,両者がどのように融合してきたかを検討する。

2021-05-06 03:26:56
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http://id.nii.ac.jp/1640/00000774/

1 0 0 0 OA 日本の大衆が愛した音楽の歴史―明治時代から一世紀を辿る―

著者: 長岡壽男
出版者: 大阪青山大学『大阪青山大学紀要』編集委員会
雑誌: 大阪青山大学紀要 = Journal of Osaka Aoyama University (ISSN:18833543)
巻号頁・発行日: vol.10, pp.23-46, 2018-03-31

In this paper, the author discusses development processes of popular music (including foreign numbers) in Japan over the period of nearly one century after the end of Meiji Era. He tried to include in his study materials as many songs as possible, which represent respective periods of time.During the Pacifi c War, the style of popular music in Japan was severely restricted under militarism. Therefore,the political environment entirely changed from the prewar days. As a result, popular music in Japan has also completely changed. People can fully enjoy all kinds of popular music now.He makes clear that, in the history of popular music, there are relationships closely influenced by political environment, economic fluctuation, internationalization, change in people’s interest, and progress in the media world of the time.