著者
藤田 祐
出版者
日本イギリス哲学会
雑誌
イギリス哲学研究 (ISSN:03877450)
巻号頁・発行日
vol.27, pp.39-54, 2004-03-20 (Released:2018-04-25)

In his ‘Evolution and Ethics’ T. H. Huxley formulates the antagonism between nature and art. In this formulation, human beings and society have in themselves both natural and artificial aspects, to which he attaches ambiguous values. This view is closely connected with his political argument in ‘The Struggle for Existence in Human Society’, which seeks the middle course between ‘Anarchic Individualism’ and ‘Regimental Socialism’. In his formulation, the antagonism between individualism and socialism is parallel to that between nature and art. It can be argued, therefore, that his middle-of-the-road politics is based on his ambiguous attitudes to nature and art.
著者
藤田 祐史 FUJITA YUJI
出版者
名古屋大学大学院人文学研究科図書・編集委員会
雑誌
名古屋大学人文学フォーラム (ISSN:24332321)
巻号頁・発行日
vol.1, pp.107-120, 2018-03-31

This article examines how to use three Haikus in "Gokumon-tou(Gokumon Island)", one of Yokomizo Seishi's mystery novels. In this mystery, a detective, Kindaichi Kosuke finds the truth of the serial murders. In those cases, each of the victims are compared to Haiku. For example, Yukie, she is the middle of three sisters, is compared to Basho's Haiku "Muzan yana Kabuto no Shita no Kirigirisu (How pitiful! Under a soldier's empty helmet, a cricket sings)". Specifically, Yukie is compared to an old cricket related to white color because Basho's cricket is compared to an old soldier. Then, a big temple bell is compared to a soldier's helmet. What is this criminal doing? The criminal rediscovers the beauty of Haiku. In other words, the criminal plays with Mitate. As I have explained, Mitate is a kind of comparison, and in this paper I solve three mysteries with Kindaichi, and clarify the motive for crime. As a whole, this thesis offers a close reading "Gokumon-tou" focusing on three Haikus and the role of characters. In addition, I show the position of "Gokomon-tou" in the Japanese mystery or Japanese modern literature containing Haiku. "Gokomon-tou" is groundbreaking in these special tricks using Haiku. After this novel we find a lot of mystery writers using Haiku. Especially, Matsumoto Seicho utilize Haiku as a trick or the key to solving the mystery. Seicho knows the characteristics of modern Haiku in comparison with Seishi. He use the characteristics, namely Shasei(sketching)theory, going to famous sightseeing spots, literary coterie magazines, Haiku gathering and so on, in his novels. Then, Yokomitsu Riichi who is a contemporary of Seishi connects Basho's Haiku and Japanese fate. In contract, Seishi's Basho is released from the oppression. Seishi makes free use of Basho's Haiku, and accordingly "Gokumon-tou" becomes a watershed of Basho's Haiku for use in novels.
著者
山崎 真治 藤田 祐樹 片桐 千亜紀 黒住 耐二 海部 陽介
出版者
日本人類学会
雑誌
Anthropological Science (Japanese Series) (ISSN:13443992)
巻号頁・発行日
vol.122, no.1, pp.9-27, 2014
被引用文献数
2

2012~2013年に沖縄県南城市サキタリ洞遺跡調査区IのII層(約16400~19300 BP[未較正])を発掘し,人骨2点(臼歯1点と舟状骨1点)とともに39点の断片化した海産貝類を検出した。先に報告したI層出土のものと合わせ,計47点にのぼる海産貝類は,人為的に遺跡近辺に運搬され,埋没したものと考えられる。II層由来のマルスダレガイ科(マツヤマワスレ[<i>Callista </i><i>chinensis</i>]・ハマグリ類[<i>Meretrix</i> sp. cf. <i>lusoria</i>]),クジャクガイ[<i>Septifer bilocularis</i>],ツノガイ類["<i>Dentalium</i>" spp.]について組成や形状,割れ方について記載するとともに,微細な線条痕および摩滅・光沢を観察したところ,マルスダレガイ科の破片には定型性が認められ,二次加工と考えられる小剥離痕が高い頻度で見られた。また,特定の部位に使用痕や加工痕と推定できる摩滅・光沢や線条痕が観察できることから,少なくともその一部は利器として使用されたと考えられる。また,クジャクガイの一部にも,使用痕と見られる線条痕や損耗が観察できた。ツノガイ類は,産状から装飾品(ビーズ)として用いられた可能性が高く,その一部には人為的な線条痕が観察できた。以上のことから,II層出土の海産貝類の少なくとも一部は,利器・装飾品を含む道具(貝器)として使用されたものと考えられる。II層出土の人骨と合わせて,こうした貝器の存在は,サキタリ洞での人類の活動痕跡が,少なくとも16400~19300 BP にまで遡ることを示している。
著者
藤田 祐介
出版者
日本教育行政学会
雑誌
日本教育行政学会年報 (ISSN:09198393)
巻号頁・発行日
vol.27, pp.126-138, 2001-11-02 (Released:2018-01-09)

The purpose of this paper is to examine the process leading to the revival of calligraphy education in elementary schools during the Occupation period by focusing on activities of an interest group that obviously played an important role in the revival. Through this analysis, I hope to find clues to reveal the ways in which educational policy-making proceeded under the Occupation. Calligraphy education in elementary schools was discontinued through the establishment of the new Course of Studies in 1947, but in 1951 it made a revival through a revision of the Course of Studies. In the particular situation of the Occupation, what made this policy change possible? What political dynamics existed in the background for this policy change? My research shows that a series of interest group activities by the calligraphers' association, led by Shunkai Bundo, exerted a great impact on the revival of calligraphy education. This interest group tried to accomplish the revival of calligraphy education by taking energetic actions such as making petitions to the Diet and the Ministry of Education, and getting in touch with the Civil Information and Education (CIE) of GHQ/SCAP. Initially, the Ministry of Education was not favorable to the movement, but its negative attitude gradually turned into an affirmative one as the revival movement increased its momentum. Under the pressure of the revival movement, the Ministry of Education undertook a nationwide survey investigating public opinion about calligraphy education. The fact that Shinzan Kamijyo, one of the leaders of the calligraphers' association, was also a member of the Council of the Course of Studies (Kyoiku Katei Shingikai), helped the calligraphers' association make an effective appeal to the Council. His activities influenced the Council, which fundamentally opposed the revival, to become favorable to the revival of calligraphy education. It is certain that mainly owing to Bundo's own initiative to promote the movement, the group mentioned above played a significant role in bringing about a policy change, from elimination to "revival". Takeshi Ishida, a political scientist, has maintained that any interest group could have only limited impact on the policy-making process under the Occupation because the Occupation Forces had a dominant and overwhelming authority. However, historical facts make clear this policy impact by the calligraphers' association, which demonstrates that interest groups, even under the Occupation, could manage to affect policy. It may be because of CIE's low commitment to this issue of the revival of calligraphy education that the calligraphers' association attained their goal. Some CIE officials were reluctant to authorize the revival, but CIE, as a result, allowed the Ministry of Education to take its own initiative in a decision on the issue.
著者
藤田 祐一 栗栖 源嗣
出版者
一般社団法人 日本生物物理学会
雑誌
生物物理 (ISSN:05824052)
巻号頁・発行日
vol.51, no.2, pp.066-071, 2011 (Released:2011-03-30)
参考文献数
25
被引用文献数
1

Protochlorophyllide (Pchlide) reduction is the final step to make up the spectroscopic properties of chlorophyll a in biosynthesis of chlorophyll. During evolution, photosynthetic organisms have invented two structurally unrelated Pchlide reductases; light-dependent Pchlide reductase (LPOR) and light-independent (dark-operative) Pchlide reductase (DPOR). LPOR is an NADPH-dependent enzyme operating as a key enzyme for the light-dependent greening in angiosperms, and DPOR is a nitrogenase-like enzyme that allows gymnosperms, algae, cyanobacteria and photosynthetic bacteria to produce (bacterio)chlorophylls even in the dark. We will review recent major research progresses on Pchlide reductases, especially, crystallographic structure and proposed reaction mechanism of DPOR. Differential operation and evolutionary implications of these enzymes are also discussed.