著者

西村 幸夫

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.340, pp.101-110, 1984-06-30 (Released:2017-08-22)

被引用文献数

2

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There are two ways of approach to make clear the generation process of the concept of 'historic environment' in Japan. One is to trace back the administrative movements on conservation of cultural properties, the other to make clear the process how the concept of 'environment' got the historical point of view. In this first part, it is intended to clarify how the theory of conservation reached the architectual perservation by the end of the 19th century from the former point of view. Here in this paper, the conflict between the conservetion of 'constitution' of old shrines and temples and the conservation of 'entity' of their properties is related, so as to enable to understand the back ground of the concept of 'historic environment'.

著者

加藤 邦男

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.103, pp.463, 1964-10-15 (Released:2017-08-30)

著者

鈴木 亘

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.337, pp.124-131, 1984-03-30 (Released:2017-08-22)

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On this paper, Part 6, we have investigated Daigoku-den, Chodo and Zen-den in Nagaoka-kyu and Heiankyu. Main contents of this paper are as follows : 1) Both Daigoku-den of Nagaoka-kyu and Heian-kyu are supposed respectively to have been the halls of state at Gaicho, or Chodoin, located in the central precinct of the Palace grounds separated from the imperial residential area, Kinsho. 2) Both the supreme halls of Nagaoka and Heian Dairi are described as Zen-den in the texts prepared in the early Heian period. It makes a striking contrast to the fact that the supreme hall of Heijo Dairi is described as Naian-den in the Shoku-nihongi. Judging from the functions of the supreme halls of Nagaoka and Heian Dairi in Kinsho, it is presumed that these supreme halls had a close resemblance in character to Daian-den of Heijo-kyu, the state chamber of Kinsho, in the reign of the Emperor Shomu.

著者

伊藤 誠 河口 豊 中山 茂樹

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.309, pp.137-147, 1981

被引用文献数

3 2

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(1)病院全体の面積についての最近数年間における水準向上は極めて目ざましく, 今や公的な病院では1床当り50〜60m^2が一般的な値となった。(2)病棟の病院全体に占める面積比率の低下はいちじるしく, 大半が30%台になった。1床当りで見ると大体が20m^2前後である。(3)外来部はほとんどが10〜15%の中に入っている。このうち救急部は, 大部分が1%以下である。(4)診療部門には明らかな比率の増大が認められ, 総体で15%から25%近くになっている。各部別の分布は次の通りである。(1)検体検査室 3.5〜5.0% (2)生理検査室 1.0〜2.3% (3)X線診断室 3.0〜4.5% (4)放射線治療室 0.6〜1.2%(比較的大きな病院のみ)(5)核医学検査室 0.6〜1.8%(中規模以上の病院のみ)(6)手術部 2.6〜6.6% (7)分娩部 0.5〜1.0% (8)リハビリテーション部 1.0〜2.5% (5)供給部門の割合は15%弱から25%近くになっている。その内訳は以下の通りである。(1)薬局 2.0〜3.0% (2)中央材料室 1.0〜1.7% (3)輸血部(部門をおいていない例が多い)(4)給食部 2.0〜4.0% (5)洗濯室 0.2〜1.4% (6)中央倉庫 高々1%強 (7)機械室 大略7〜11% (6)管理部門の割合は, 運営関係が7.0〜12.0%, 厚生関係が2.5〜5.0%であった。最後に, この分析のために図面や資料を提供して下さった各設計者の方々, ならびに面積計算にご協力いただいた宝田昌秀氏に対し厚く感謝の意を表する次第である。なお, この論文の一部は本学会近畿大会において発表した。

著者

遠藤 明久

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.179, pp.79-85,99, 1971-01-30 (Released:2017-08-22)

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This report as the continuation of the last one gives a description of a wainscoting, a parquet floor, a stair, fittings, a curtain box, a furniture and a luminaire in the interior decoration of the Sale and Reception Room of the KAITAKUSHI. Similarly to the previous papers in this paper the designer, J. CONDER'S view for the interior decoration and his connection with the architects on the part of the KAITAKUSHI are studied concretly.

著者

遠藤 明久

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.175, pp.91-97,105, 1970-09-30 (Released:2017-08-22)

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It is well-known that the interior decoration of the Sale and Reception Room tof the KAITAKUSHI was designed in a Japanesque style by J. Conder. But the concrete figures remain unexplained. This report as the part of the Study of the Sale and Reception Room of the KAITAKUSHI gives a description of the Japanized taste for textile goods in the interior decoration of the building from materials owned by Hokkaido prefectual Government.

著者

室谷 誠一

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.69.2, pp.773-776, 1961-10-10 (Released:2017-08-30)

著者

市川 清志

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.60, pp.389-392, 1958

著者

丸山 純

出版者

一般社団法人日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

no.342, pp.122-131, 1984-08-30

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Andreae, a priest in the dukedom of Wurttemberg, Germany, wrote a Utopia "Christianopolis" (Strassburg, 1619). It is said that this story, as one of the traditional European utopias since ancient times, shows a new concept of the Christian communities and has many factors of modern city planning. In this essay, I pointed out Andreae's intention and analyzed the city form, the distribution of urban-functions, the systems of scale and city life. Finally I compared these features of Christianopolis with those of contemporary cities in Europe.

著者

日笠 端 入沢 恒 紺野 昭 杉山 煕

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.66, pp.393-396, 1960

著者

内藤 昌 大野 耕嗣 中村 利則

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.180, pp.61-71,76, 1971-02-28 (Released:2017-08-22)

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On this part of the paper, the Jurakutei-Castle has been studied from the viewpoint of the history of Japanese architecture by the use of the Folding-Screen Picture of the Jurakutei-Castle and the Rakuchu-Ezu (A.D. 1637, the oldest measured map of Kyoto) that has been discovered recently. And the contents are the following : Chap. 1 A short history of the Jurakutei-Castle from the construction to the ruin; Chap. 2 The planning on the Jurakutei-Castle; Chap. 3 The buildings in the Jurakutei-Castle; that is, Tenshu-kaku (donjon), Hiroma (main hall), Ohte-mon (main gate), and Buke-yashiki (Samurai's residence). As the result of this study, on the one hand the Shoin-style had been completed in this Jurakutei-Castle, and on the other hand the planning of this Jurakutei-Castle built on flat land seems to have been the model of another castle-town. The Jurakutei-Castle was exactly the symbol of the age.

著者

外山 知徳 門内 輝行

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.275, pp.119-129, 1979-01-30 (Released:2017-08-22)

被引用文献数

2

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Design semiotics is a science whose object is design and whose language is semiotics. In this context semiotics serves to extract the essence of design. Modern semiotics, Charles S. Peirce's semiotics in particular, made the concept of sign universal. Peirce's semiotics is universally applicable because of its way to define a Sign. According to Peirce's definition of Sign, anything can be a Sign as long as it forms a Triadic Relation-i. e. as long as it stands for something (its Object) and creates a new Sign (its Interpretant). Such universality of Peirce's semiotics is of great advantage in the explanation of design, its processes and systems. For this reason we think that semiotics is well suited to extract a model of design thinking. We will find that the usefulness of semiotics to design science consists in its function to shedlight on the process of human thinking and to correlate the conceptual aspects of design. Fundamentally it can be said that Peirce's Triadic Relation of a Sign is a module of design thinking. The approach of design semiotics will be decided upon in detail by what is regarded as Sign. Any design phenomenon can be a Sign and can be described as a sign system and its transformation. The finding of Signs in design phenomena will represent method, logic and technique of design. A remarkable feature in the description of sign systems is the fact that a Sign mediates between man who conceives and acts and the object of his conceptions and actions. This feature constitutes a new science of design which takes into account the Triadic Relation of a Sign. Traditional design theories are all monadic, diadic, or quassi-triadic. Design information, which correlates between design activity and its object, develops into a Sign through its performance. This aspect is represented only in the Triadic Relation of a Sign. The Triadic Relation of a Sign is too general a theory to analyse design phenomena. Differentiation of designing is described in sign sequences-sequential description of Triadic Relation in semiosis. We can find in design phenomena various kinds of sign sequences : a sign sequence consists of, e. g., designing, production, and usage; thinking process of design objects; a sign sequence in the evaluation of alternative designs; function of design tools. A sign sequences adequately represents the fact that designing is generation and degeneration of a Sign. Studies of design semiotics are undertaken in order to extend the ability of science to describe and explain its objects. The necessity of these studies becomes obvious when they are applied to design activities. The present study has been accompanied by the development of an Information System for Design and by an examination of user participation work in a redevelopment project at the Kiba districtof Tokyo.

著者

斉藤 雄一 堀内 三郎

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.283, pp.150-159, 1979

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We made a research on the fire spreading speed of wooden houses in the downwind eddy behind a fire-resistant building. This report runs as follows : -(1) Eddy areas were observed carefully, and a reattachment point were obtained in connection with the aspect ratio of the building. The reattachment point is the downwind limit of the eddy. (2) Distributions of the wind velocity in the eddy were searched. Its maximum value appears in the middle point between the building front and the reattachment point. (3) The relations between V_∞ and V_i were investigated in the wind tunnel. V_∞ means the velocity of wind which blows in the sky higher than the building and is free from the influence of it. V_i is that of the inverse flow in the downwind eddy behind the building. A formula combining V_∞ and V_i was obtained. (4) The buring tests were made in following two ways A & B. A : fire spreading speed from the ignited crib to the adjacent downwind crib. B : fire spreading speed from the adjacent crib to the further adjacent crib. Each case of A & B was done with 3 scaled cribs (i.e. 1/200, 1/100, 1/80 of full scale). (5) The relationships of experimental fire spreading speed in regard to above mentioned 3 scales were obtained by the method of least square. (6) The relationships of (5) were extended to scale 1/1 (full size) by exrtrapolation. Comparing the results gotten by extrapolation wite those by an actual fire spreading speed formula (for instance, Hamada's formula) using V_i instead of V_∞, the former proved to be about 50% of the latter. (7) The fire spreading formula obtained from the above results was applied to actual fires, and the obtained values were compared with the actual values of the fire data. They proved to be approximately equal. Conclusion : The fire spreading speed of wooden houses in the downwind eddy behind a fire-resistant building are scarcely about 50% of ones by another fire spreading formula, using inverse wind velocity V_i instead of fair wind V_∞.

著者

孫 章烈 磯田 憲生 松井 昌幸 小林 陽太郎

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.299, pp.83-93, 1981

被引用文献数

1

著者

高野 公男

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.277, pp.107-116, 1979

被引用文献数

1 1

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以上このシミュレーションによって充分とは言えないまでも, 市街地の地震時の状況像を得ることが出来た。このスタディによる地区防災計画上の総括的認識は以下のものである。地区にはそれぞれ「安全のストック」があり, この安全のストックをどう育て活かすかが計画上の要点である。安全のストックは, 物的側面だけでなく, 人的側面, 社会的側面も重視さるべき要件であり, 地区防災計画はこれらに着目してすすめれねばならない。この地区は, 他地区に較べて比較的条件に恵まれている。が, このような地区特性をより具体的に認識し, 災害像や災害対応像を明らかにした上で, この特性を活用した。より積極的, 即地的, 総合的な地区防災計画の立案が望まれる。安全のストッフや計画の方法については, 更に研究する余地があるが, これらはこのシミュレーションで発見, 検討された内容を進展させる中で, 明確化していくことが出来る。

著者

北野 隆

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.210, pp.73-80,85, 1973-08-30 (Released:2017-08-22)

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This paper deals with the Higo clan's Samurai-Residence and the Sado-Gata in Middle Edo period from Hosokawa Archives. The contents are as follows. I. On the Higo clan's Samurai Residence 1. Hanabata-Residence in Higo 2. Shirogane-Residence in Edo 3. Togoshi-Residence in Edo 4. Suizenji-Garden in Higo II. On the organization of the Sado-Gata And in short, The large garden was made in the Samurai-Residence in the Miedle Edo period by the Sado-Gata. The Sado-Gata was formed in the about 1660 and was treated well. The Sado-Gata held oa advantageous position than Sakuji-Gata on the construction of the Sumurai-Residence in the about 1660.

著者

北野 隆

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.200, pp.95-102,106, 1972-10-30 (Released:2017-08-22)

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This paper deals with the vicissitudes of the Samurai Edo Residence in the early modern era by Hosokawa Archives. The contents are as follows. 1. Tatsunoguchi main-residence. 2. Hosokawa Sansai's residence. 3. Shiba secondary-residence. And in short, Hosokawa Edo residence was only Tatsunoguchi residence in 1622, and three residence existed in the site of this residence. So residence for the formal Shogunate visit could not be made. The residence for the formal Shogunate visit can be traced to the time of Kanei period. The center of Edo residences changed secondary-residence which was broad site from main residence which was narrow site in Kanei period. Also Sukiya residence can be traced time of Genna period.

著者

鈴木 博之

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.271, pp.121-129, 1978

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There were several architectural works which had certain "Queen Anne" motives before 1870s. Here were examined such demestic works by Philip Webb and George Devey. The house at 1, Palace Green, London, designed in 1868 by Webb seems "Queen Anne" for its sash-windows and segmental arches in red brick wall. In the course of designing this house, there were some trouble between Webb and J. Pennethorne, the architect of the Commissioners of Woods and Forests, over the style of the house. But it was a battle of style between Classical architect and Gothic one, and not the revolt of the 'Queen Anne' architects against the Gothicists. In Webb's work, there is another interesting forerunner; 14, Holland Park Road, London, designed in 1864. This house was enlarged twice in 1877 and in 1892. The enlargement shows how the original Gothic-like house which was similar to the Red House in Bexleyheath, Kent, grew into the "Queen Anne" style. At the same time the process shows the Gothic elements in the "Queen Anne" style. Concerning Devey, views among scholars differ on his importance. British scholars usually regard him as the impotant pioneer creating the new style, whereas foreign scholares do not place him such a high position. In Devey's work, especially country house Betteshanger in 1861, we find the first revival of Dutch-gable and other non-Gothic features. Although their uniqueness and novelty in detail and composition, both Webb and Devey remained within their own architectural world and they did not publish their works. That was the reason why their influence did not spread rapidly among younger architects who were anxious to creat new style. In that sence, Webb and Devey were not the creater of the "Queen Anne" fashion, but isolated forerunners.

著者

鈴木 博之

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.281, pp.163-171, 1979

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It has been pointed out that W.E. Nesfield was a great figure in forming the Queen Anne Revival in the nineteenth century. But he was often regarded as a worse half of Nesfield-Shaw combination. So, as a first step, he must be discussed separately from Shaw. His major works were all country houses. Here was examined below four works. Coombe Abbey, 1861 Cloverley Hall, 1864 Kew Garden's Lodge, 1867 Kimmel Park, 1868 Characteristics of his composition in planning and manner of expression were summarized as follows; 1. Characteristic symmetry in exterior composition. 2. Influence of French style. 3. Influence of Japanese decorative motives. His work was quite unite unique and original, but his career as an architect was rather traditional in comparison with that of R.N. Shaw. Nesfield's originality in form and Shaw's modernity in career were both indespensable to make the "Queen Anne" powerful.

著者

渡辺 義郎 山本 康弘

出版者

一般社団法人日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

no.89, 1963-09

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この研究は、異形三角鉄筋を引張主筋として用いる場合の、重ね継手の長さと耐力および変形の関係を明らかにすることを目的として行ったもので、ここに報告するものはスパン長き約2mの梁を作成し、その引張主筋に16mmの異形三角鉄筋を使用し、中央部に設けた重ね継手の長さを種々変化し継手のないものと比較しながら亀裂の状況および鉄筋内部の応力状態などを調べた。