著者
鈴木 博之 四郎翁姆
出版者
言語記述研究会
雑誌
言語記述論集 = JOURNAL OF KIJUTSUKEN(Descriptive Linguistics Study Group) (ISSN:2432244X)
巻号頁・発行日
no.9, pp.23-42, 2017-04-30

This article presents a story named Origin of highland barley’s seeds narrated in the Lhagang dialect of Minyag Rabgang Khams Tibetan with linguistic glossing, translation, and annotation. This story is not transmitted in the speech community of Lhagang Tibetan, but well known as one of the Tibetan traditional oral stories in Chinese, circulated as a part of books as well as online articles. The present version is artificially composed: after memorising several Chinese versions, the second author, native speaker of Lhagang Tibetan, narrated without referring to the Chinese text. Therefore, it is of an experimental nature as a linguistic material and we will examine how the narrative style has been influenced by the translation process other than a general analysis of a narrative.The analysis shows that:● this narrative version lacks a hearsay marker, probably because it is not orally transmitted;● aorist is a default TAM marker in the narrative; and,● irregular use of the ergative marker is attested.
著者
鈴木 博之
出版者
バイオメカニズム学会
雑誌
バイオメカニズム学会誌 = Journal of the Society of Biomechanisms (ISSN:02850885)
巻号頁・発行日
vol.29, no.4, pp.199-204, 2005-11-01
参考文献数
26
被引用文献数
2

夢が睡眠中のいつ起こっているかという疑問に対し,REM睡眠中に起こるという解答が既に得られていると一般的には考えられている.しかし,NREM睡眠時の夢の存在を主張する研究者も多く,夢発生のメカニズムに関しては未だ議論が続いている.従来の夢研究には,報告された夢が目覚める以前のいつ起こった体験か確認することが出来ないという方法論的問題点があった.そのため,夢とREM・NREM睡眠の明確な対応関係は検討されてこなかった.この問題点を解決するために,我々は20分間の睡眠区間を40分間の間隔をおいて78時間連続して繰り返し,各睡眠区間後に得られた夢と20分間の睡眠状態の関係を検討した.その結果得られたREM・NREM睡眠時それぞれの夢の特徴と,今回初めて明らかになった夢発生の概日変動について解説する.
著者
内山 真 鈴木 博之
出版者
日本大学医学会
雑誌
日大医学雑誌 (ISSN:00290424)
巻号頁・発行日
vol.70, no.3, pp.155-161, 2011-06-01 (Released:2012-03-28)
参考文献数
32

Origin of night dream has been an enigma through whole history of human race. Descriptions in the Bible have shown that the ancients regarded dream experiences as a consequence of the supernatural power outside. Since the early twentieth century, progresses of psychology have proposed that night dream comes from the unconscious mind inside. Finally in 1953, Aserinsky and Kleiteman discovered human REM sleep and demonstrated that dream reports were obtained most frequently when subjects were awakened from REM sleep. Thereafter, many scientists conducted studies on dream and REM sleep, and found a robust association between electrophysiologic phenomena and subjective experiences during REM sleep. Here we reviewed articles on psychophysiological aspects of dream and REM sleep. To document mnemonic functions of REM sleep was of our particular interest. The authors expect that studying dream and REM sleep gives clues to an understanding on the mind-body relationship.
著者
鈴木 博之
出版者
一般社団法人 日本建築学会
雑誌
日本建築学会論文報告集 (ISSN:03871185)
巻号頁・発行日
vol.226, pp.85-94,105, 1974-12-30 (Released:2017-08-22)

Christopher Dresser (1834-1904) was an unique designer in the history of modern design. Many art historians, for example, Sir Nikolaus Pevsner in his "Pioneers of Modern Design" and Robert Schmutzler in his "Art Nouveau-Jugendstil", highly appreciated him as a revolutional designer. Dresser's design seems very functional and "modern". But it was not only the result of functional study but also the result of looking into fundamental form. It is true that he studied function of the shape of the pot, but it was only one of his interests. At the same time, he was deeply interested in the study of natural form and of an artistic arrangement of decorative forms. In 1873, he published "the Principles of Decorative Design", which had close relation to Owen Jones' "The Grammer of Ornament" and even to A.W.N. Pugin's "The True Principles of Pointed or Christian Architecture" in 1841. These authors were inquiring into fundamental form and arrangement of decoration. Pugin's principles were based on the Catholic religion, Owen Jones' principles were based on the natural forms. And Dresser found the Energy and the Force as his basic principles for design. Dresser's principles, however, were not completely abstruct ones. He, then, caught a chance to visit Japan. His travelling through Japan from 1877 to 1878 shows characteristics of the principles of his design. He visited Yokohama, Kobe, Osaka, Nara, Kyoto, Nikko, Tokyo and many other places. He was interested in many of Japanese designs, especially, in such decorative designs as mausolea at Nikko and Shiba. It seems that the decorative arrangement in Japanese Art greatly inspired him, and that he had confidence that his principles were true. After returning to Britain, he created many revolutional designs. In these designs, however, we could not find any Japanese motives. But he must have been greatly inspired by Japanese Art. He was inspired not by forms but by the method of convention and arrangement of them. Contents of the thesis are as follows. I. Introduction II. Chronology III. Dresser and Cole's Circle and the South Kensington IV. Travelling to Japan in 1877 V. Controversies on "Japanese Village" and against J. Conder VI. Dresser's Principles
著者
鈴木 博之
出版者
バイオメカニズム学会
雑誌
バイオメカニズム学会誌 (ISSN:02850885)
巻号頁・発行日
vol.29, no.4, pp.199-204, 2005 (Released:2007-10-23)
参考文献数
26

夢が睡眠中のいつ起こっているかという疑問に対し,REM睡眠中に起こるという解答が既に得られていると一般的には考えられている.しかし,NREM睡眠時の夢の存在を主張する研究者も多く,夢発生のメカニズムに関しては未だ議論が続いている.従来の夢研究には,報告された夢が目覚める以前のいつ起こった体験か確認することが出来ないという方法論的問題点があった.そのため,夢とREM・NREM睡眠の明確な対応関係は検討されてこなかった.この問題点を解決するために,我々は20分間の睡眠区間を40分間の間隔をおいて78時間連続して繰り返し,各睡眠区間後に得られた夢と20分間の睡眠状態の関係を検討した.その結果得られたREM・NREM睡眠時それぞれの夢の特徴と,今回初めて明らかになった夢発生の概日変動について解説する.
著者
鈴木 孝明 寺尾 京平 鈴木 博之 新田 祐幹 高尾 英邦 下川 房男 大平 文和 平丸 大介 小寺 秀俊
出版者
一般社団法人 電気学会
雑誌
電気学会論文誌E(センサ・マイクロマシン部門誌) (ISSN:13418939)
巻号頁・発行日
vol.133, no.5, pp.139-146, 2013-05-01 (Released:2013-05-01)
参考文献数
20

In this study, we propose a simple observation method of the shape and molecular orientation of the chromosomes extracted from cells for a sample-to-analysis system in clinical diagnosis. The proposed technique is composed of total preparation technique such as cell immobilization, chromosomes extraction, stretching, suspension and analysis using a disposable microchip controlled by centrifugal force only. It is experimentally confirmed that the chip having two kinds of microstructures arranged concentrically on a chip immobilizes cells and stretches chromosomes extracted from the immobilized cells.

1 0 0 0 都市へ

著者
鈴木博之著
出版者
中央公論新社
巻号頁・発行日
1999
著者
木内 幸浩 位地 正年 鈴木 博之 大須賀 浩規
出版者
公益社団法人 高分子学会
雑誌
高分子 (ISSN:04541138)
巻号頁・発行日
vol.54, no.3, pp.117-119, 2005-03-01 (Released:2011-10-14)
参考文献数
7

環境負荷の大きいハロゲン系などの難燃剤を一切添加せずに,自己消火機能をもつ難燃性エポキシ樹脂組成物を開発し,ICモールド材やプリント基板用絶縁材に適用した。この自己消火性エポキシ樹脂組成物は主として,ノボラック構造中に芳香族化合物をもつフェノールアラルキル型のエポキシ樹脂と硬化剤からなり,着火時に樹脂表面が発泡することで高度な難燃性を実現している。
著者
鈴木博之著
出版者
晶文社
巻号頁・発行日
1977
著者
鈴木 博之
出版者
一般社団法人 日本建築学会
雑誌
日本建築学会論文報告集 (ISSN:03871185)
巻号頁・発行日
vol.271, pp.121-129, 1978

There were several architectural works which had certain "Queen Anne" motives before 1870s. Here were examined such demestic works by Philip Webb and George Devey. The house at 1, Palace Green, London, designed in 1868 by Webb seems "Queen Anne" for its sash-windows and segmental arches in red brick wall. In the course of designing this house, there were some trouble between Webb and J. Pennethorne, the architect of the Commissioners of Woods and Forests, over the style of the house. But it was a battle of style between Classical architect and Gothic one, and not the revolt of the 'Queen Anne' architects against the Gothicists. In Webb's work, there is another interesting forerunner; 14, Holland Park Road, London, designed in 1864. This house was enlarged twice in 1877 and in 1892. The enlargement shows how the original Gothic-like house which was similar to the Red House in Bexleyheath, Kent, grew into the "Queen Anne" style. At the same time the process shows the Gothic elements in the "Queen Anne" style. Concerning Devey, views among scholars differ on his importance. British scholars usually regard him as the impotant pioneer creating the new style, whereas foreign scholares do not place him such a high position. In Devey's work, especially country house Betteshanger in 1861, we find the first revival of Dutch-gable and other non-Gothic features. Although their uniqueness and novelty in detail and composition, both Webb and Devey remained within their own architectural world and they did not publish their works. That was the reason why their influence did not spread rapidly among younger architects who were anxious to creat new style. In that sence, Webb and Devey were not the creater of the "Queen Anne" fashion, but isolated forerunners.
著者
鈴木 博之
出版者
一般社団法人 日本建築学会
雑誌
日本建築学会論文報告集 (ISSN:03871185)
巻号頁・発行日
vol.281, pp.163-171, 1979

It has been pointed out that W.E. Nesfield was a great figure in forming the Queen Anne Revival in the nineteenth century. But he was often regarded as a worse half of Nesfield-Shaw combination. So, as a first step, he must be discussed separately from Shaw. His major works were all country houses. Here was examined below four works. Coombe Abbey, 1861 Cloverley Hall, 1864 Kew Garden's Lodge, 1867 Kimmel Park, 1868 Characteristics of his composition in planning and manner of expression were summarized as follows; 1. Characteristic symmetry in exterior composition. 2. Influence of French style. 3. Influence of Japanese decorative motives. His work was quite unite unique and original, but his career as an architect was rather traditional in comparison with that of R.N. Shaw. Nesfield's originality in form and Shaw's modernity in career were both indespensable to make the "Queen Anne" powerful.