著者

森本 尚之 和気 尚美

雑誌

情報処理学会論文誌教育とコンピュータ(TCE) (ISSN:21884234)

巻号頁・発行日

vol.6, no.1, pp.16-27, 2020-02-21

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三重大学では2018年度に学部入学生を対象にしたノートパソコン必携制度(一種のBring Your Own Device, BYOD)を導入した.本実践論文では,三重大学のノートパソコン必携化にあたってのインフラ整備やノートパソコンの初期セットアップなどにおける課題を整理し,それらへの対応を実例を交えて報告する.また,入学生アンケートの結果や制度導入に合わせて開設した相談窓口「ICTサポートデスク」の活動状況などを基にして制度開始の状況を分析し,学生間のさまざまなピア・サポート(同じ立場・似た立場の人同士の助け合い)が重要な役割を果たしたことと,スムーズな必携制度導入のための組織間連携の重要性を述べる.

著者

草野 篤子 石橋 ふさ子 クサノ アツコ イシバシ フサコ

雑誌

研究年報

巻号頁・発行日

vol.16, pp.70-76, 2011-09-30

著者

今関 敏子

出版者

国文学研究資料館

雑誌

国際日本文学研究集会会議録 = PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE (ISSN:03877280)

巻号頁・発行日

no.26, pp.17-34, 2003-03-01

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I would like to discuss how travel was viewed and discussed in the Heian and Kamakura periods through examining the themes of the culture and literature of travel.Travel has been a reoccurring theme in literature throughout history and throughout the world. By travel one can mean that for business or errands, enjoyment or sightseeing: all indicating very different purposes. In any event, for us in the modem world, travel means getting away from our daily existence and, for a period of time, entering an environment different from our normal one. For us, travel sets our heart alight with anticipation, and offers an opportunity to renew ourselves.However, how travel is viewed differs greatly from culture to culture and era to era. For example, in Japan's classical and medieval period, travel was seen basically as leaving one's home, and traveler's rest (tabine) could be had staying the night even at a location relatively near to home. Also, a journey to a far off location was not necessarily a cause for joy.It goes without saying that how travel is viewed is reflected in how it is illustrated in words. In the Kamakura period, traffic and trade between the capitol and the East grow beyond what they were previously. In what ways does the depiction of travel change? Most of the authors of travel literature of this period are men. Women left memoirs detailing not individual journeys, but rather a broader scale of their lives including their travels. Women in Japan have from times of old traveled a great deal indeed, but what brought about this difference in expression?Also, H. E. Plutschow wrote “Tabi suru Nihonjin” (1983, Musashino Shoin), while discussing how different Japanese and Western travel logs are, that in Japan, even if one does not leave on an actual journey, if he makes his way down a series of Utamakura, he may write a travel diary from within his own home. I would also like to look at the unique culture of travel within Japan as seen through the use of typified expression.

著者

フィリップ ヴァルテール

出版者

中央大学仏語仏文学研究会

雑誌

仏語仏文学研究 (ISSN:02865920)

巻号頁・発行日

vol.50, pp.139-163, 2018-02-20

著者

橋本 和也 Kazuya HASHIMOTO 京都文教大学人間学部文化人類学科 KYOTO BUNKYO UNIVERSITY Department of Cultural Anthropology

雑誌

人間学部研究報告 = Reports from the Faculty of Human Studies, Kyoto Bunkyo University

巻号頁・発行日

vol.11, pp.1-15, 2009-03-31

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In this paper I will review the two meanings of authenticity (namely, objective and constructive authenticity): I will propose that we need further investigation into today's tourist experiences and clarify an alternative notion of authenticity for tourists from an "existential approach". In the notion of "staged authenticity", MacCanell supposed "objective authenticity," which involves a museum-linked usage of the authenticity of the originals that are also the toured objects to be perceived by tourists. By "constructive authenticity" is meant the result of social construction. Therefore things appear authentic not because they are inherently authentic, but because they are constructed. This notion is thus relative, negotiable, contextually determined, and even ideological. It can be the projection of one's dreams, stereotyped images, and expectations imposed on toured objects. As E. Cohen said, "Authenticity is an eminently modern value" [Cohen 1988:374]. Its emergence is closely related to the impact of modernity upon the unity of social existence. And "Modern man is seen, from the perspective of a contemporary existential philosophical anthropology, as being in quest of authenticity." Since modern society is inauthentic, the alienated modern tourist in quest of authenticity looks elsewhere for the pristine, the primitive, the natural life which is as yet untouched by modernity. He hopes to find it in other times and other places, since it is absent from his own world [Cohen 1988:374]. From the existential point of view, we can clarify the meaning of the experiences for the tourists. The tourists themselves think they have gained authentic experiences. This can, however, still be judged as inauthentic, if the toured objects are in fact false, contrived, or what MacCanell calls "staged authenticity". Here we need an "existential approach" for the analysis of this kind of touristic experience of today. "The issue of whether the toured objects are authentic is irrelevant or less relevant. What tourists seek are their own authentic selves and inter-subjective authenticity" [Wang 1999:366]. Therefore the notion of sincerity becomes important. For example, marae visit (in New Zealand Maori tours), a so-called staged back-region approach, is taken by local operators in which the point of contact is made to revolve around issues of sincerity as well as authenticity. The notion of sincerity implies an interactive sharing of experience between participants within a given tourism encounter [Taylor 2001:16]. The notion of sincerity is significantly different from that of authenticity in that it occurs in the zone of contact among participating groups or individuals, rather than appearing as an internal quality of a thing, self, or Other. An existentially "authentic" encounter could be available only in an ideal traditional society. Today we cannot expect the ideal communitas which would be observed in the liminality. For us in a touristic experience it must be a kind of pseudo-communitas which can be found in the "liminoid" circumstance which Turner named instead of a liminal one. Since the existential approach can explain a wider spectrum of tourist phenomena than the conventional approach, it therefore opens up broad prospects for tourist experiences.

著者

難波江 和英 Kazuhide NABAE

雑誌

神戸女学院大学論集 = KOBE COLLEGE STUDIES

巻号頁・発行日

vol.59, no.2, pp.75-91, 2012-12-20

著者

徐 惠君

出版者

拓殖大学

巻号頁・発行日

2020-03-16

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2019

著者

細江 光

出版者

甲南女子大学

雑誌

甲南女子大学研究紀要 = Konan Women's University researches (ISSN:03864405)

巻号頁・発行日

no.29, pp.15-63, 1993-03-18

著者

井上 さつき

出版者

愛知県立芸術大学

雑誌

愛知県立芸術大学紀要 = The bulletin of the Aichi Prefectural University of Fine Arts and Music (ISSN:03898369)

巻号頁・発行日

vol.35, pp.3-22, 2006-03-31

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Though the 1889 Paris Universal Exposition is famous for Javanese gamelans and annamite dancers, which attracted many French musicians, the official musical events of great size, Auditions musicales, were also mounted during the Exposition. This paper discusses the process of the programming of the Auditions musicales through documents that the author discovered at the Archives Nationales de France. There was friction between the organizers of the Exposition and the committee of the events concerning the content of the events. Georges Berger, one of the general directors of the Exposition, reduced the budget for the official grand orchestral concerts and planned a competition of musique pittoresque, i. e. French and European folk music, according to the proposal of a republican deputy for Bouches-du-Rhone with a view to curry favor with the constituency. (Berger was himself elected as a republican deputy shortly afterward.) Although it seems to be irrelevant to politics, the official musical events of the 1889 Exposition were influenced by the republican's power.

著者

井上 さつき

出版者

愛知県立芸術大学

雑誌

愛知県立芸術大学紀要 = The bulletin of the Aichi Prefectural University of Fine Arts and Music (ISSN:03898369)

巻号頁・発行日

vol.30, pp.3-30, 2000

著者

網野 房子

出版者

専修大学人文科学研究所

雑誌

専修大学人文科学研究所月報 = Senshu University Institute of Humanities Monthly Bulletin (ISSN:03878694)

巻号頁・発行日

vol.262, pp.1-16, 2013-02-28

著者

吉田 達司 古川 宏

雑誌

第82回全国大会講演論文集

巻号頁・発行日

vol.2020, no.1, pp.443-444, 2020-02-20

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モバイルアプリケーション(アプリ)はユーザが同意することで,端末内の様々な情報を取得している.アプリの多くは,ユーザが同意(アクセス許可)する際に詳細な情報を提示していない.そのため,ユーザがアクセス許可の意思決定をするためには,アプリについて調べた上で,許可するか否かを決定しなければならない. 本研究では,アクセス許可の意思決定前にユーザの個人状況に合わせた支援情報を提供するツールの検討を行っている.本稿では,ユーザの個人状況とアクセス許可時にユーザが求める情報について中高生を対象として調査を実施し,収集した情報の相関関係から,ユーザの個人状況を考慮した支援情報を決定する手法の検討を行った.

著者

箭内 亙

出版者

東洋文庫

雑誌

東洋学報 = The Toyo Gakuho

巻号頁・発行日

vol.1, no.2, pp.79-81, 1911-06

著者

箭内 亙

出版者

東洋文庫

雑誌

東洋学報 = The Toyo Gakuho

巻号頁・発行日

vol.1, no.3, pp.389-395, 1911-10

著者

箭内 亙

出版者

東洋文庫

雑誌

東洋学報 = The Toyo Gakuho

巻号頁・発行日

vol.4, no.1, pp.77-99, 1914-03

著者

箭内 亙

出版者

東洋文庫

雑誌

東洋学報 = The Toyo Gakuho

巻号頁・発行日

vol.4, no.2, pp.197-210, 1914-07

著者

箭内 亙

出版者

東洋文庫

雑誌

東洋学報 = The Toyo Gakuho

巻号頁・発行日

vol.5, no.2, pp.282-292, 1915-06

著者

箭内 亙

出版者

東洋文庫

雑誌

東洋学報 = The Toyo Gakuho

巻号頁・発行日

vol.6, no.3, pp.368-412, 1916-10

著者

箭内 亙

出版者

東洋文庫

雑誌

東洋学報 = The Toyo Gakuho

巻号頁・発行日

vol.8, no.2, pp.274-284, 1918-05

著者

箭内 亙

出版者

東洋文庫

雑誌

東洋学報 = The Toyo Gakuho

巻号頁・発行日

vol.8, no.3, pp.477, 1918-09