著者
服部 良久
出版者
京都大學大學院文學研究科・文學部
雑誌
京都大學文學部研究紀要 = Memoirs of the Faculty of Letters, Kyoto University (ISSN:04529774)
巻号頁・発行日
vol.46, pp.157-266, 2007-03-31

この論文は国立情報学研究所の学術雑誌公開支援事業により電子化されました。
著者
平田 重和
出版者
關西大學文學會
雑誌
關西大學文學論集 (ISSN:04214706)
巻号頁・発行日
vol.55, no.3, pp.9-32, 2005-12-20
著者
溝口 侑
出版者
京都大学大学院教育学研究科
雑誌
京都大学大学院教育学研究科紀要
巻号頁・発行日
vol.67, pp.375-388, 2021-03-25

本稿の目的は、ロールモデルについて、様々な支援関係、特にメンターと対比させて概念整理を行い、キャリア教育におけるロールモデルの可能性と有効性について検討することである。現代においてロールモデルは従来的な役割行動を示すだけではなく、模倣する対象であると同時に、行動や意思決定に対して様々な影響を与える人物である。また個人との関係性においてロールモデルはメンターと異なる存在である。メンターが個人と支援者の双方向的・互恵的な関係であるのに対して、ロールモデルは個人から対象への一方向的な関係である。したがって、キャリア教育におけるロールモデルは効果的であると同時に効率的であるといえる。しかし、適切なロールモデル候補を選び、学生がその人物に対して共感的な態度で触れように促す必要がある。
著者
荒井 政治
出版者
關西大学經済學會
雑誌
關西大學經済論集 (ISSN:04497554)
巻号頁・発行日
vol.38, no.3, pp.293-329, 1988-10-30
著者
Hirano Manabu Shinagawa Takahiro Eiraku Hideki Hasegawa Shoichi Omote Kazumasa Tanimoto Kouichi Horie Takashi Mune Seiji Kato Kazuhiko Okuda Takeshi Kawai Eiji Yamaguchi Suguru
出版者
Institute of Electrical and Electronics Engineers (IEEE)
雑誌
2009 Third International Conference on Emerging Security Information, Systems and Technologies
巻号頁・発行日
pp.129-135, 2009-06
被引用文献数
1

Virtual Machine Monitors (VMMs), also called hypervisors,can be used to construct a trusted computing base (TCB) enhancing the security of existing operating systems. The complexity of a VMM-based TCB causes the high risk of security vulnerabilities. Therefore, this paper proposesa two-step execution mechanism to reduce the complexityof a VMM-based TCB. We propose a method to separate aconventional VMM-based TCB into the following two parts:(1) A thin hypervisor with security services and (2) A special guest OS for security preprocessing. A special guestOS performing security tasks can be executed in advance.After shutting down the special guest OS, a hypervisor obtains preprocessing security data and next boots a targetguest OS to be protected. Thus, the proposed two-step execution mechanism can reduce run-time codes of a hypervisor. This paper shows a design, a prototype implementation and measurement results of lines of code using BitVisor, a VMM-based TCB we have developed.
著者
五十殿 利治 滝沢 恭司 鈴木 貴宇 喜夛 孝臣 江口 みなみ
雑誌
服飾文化共同研究最終報告
巻号頁・発行日
vol.2012, pp.[1]-[9], 2013-03

The purpose of this joint research is to examine the image of “Artist” in modern Japan, an image which was different from traditional literati and imported from West just like the Art itself. Late Meiji and early Taisho period saw a surge of modernism in art and literature in Japan and special attention is paid to the significance of artists’ fashion including “nude”. Major modernists in the 1920s and the 1930s such as Ryusei Kishida, Kaita Murayama, Kyojiro Hagiwara, Tomoyoshi Murayama and so on were multi-talented and transcended traditional boundaries of genres of arts and some of them attracted public attention for their fashion and thus were widely publicized as a fashion leader. These no doubt contributed to the formation of the general image of “Artist”. Our purpose is to investigate modern fashion in terms of general art(s) history, taking into consideration western original models and its transformations in modern Japan, its reception of general public and so on. Though not every aim of this joint research set initially up has attained, our researches for them have been steadily done. It is noteworthy that taking up as a subject of joint research work “separate” phenomena hitherto seen in histories of art and literature, each member of this research group and participants in its seminar as well came to grasp social and historical significances of close relations between fashion and creative activities of artists and literary figures. The most important and common view we shared as a conclusive understanding in our researches should be summarized: as Prof. Toby Slade pointed out at one of our seminars, fashion in modern Japan was as an aesthetic and social phenomenon or cultural institution rather than a practical utilitarian tool of life. That is the reason why we have discussed clothes of Artist (among others) as a way of artistic expression with social significance. The other aspect we should like to emphasize in our joint research is that we have considered the fashion in modern Japan in terms of viewpoints from within and without, that is, on and/or from Europe and America and pre-war Asian colonies. Here are our main subjects that members of this joint research have taken up respectively: 1) Tomoyoshi Murayama in “Bubikopf” (okappa or bobbed hair style) wore a knit cap and a Rubashka or Russian blouse and these made Murayama famous as an artist and a fashion leader. 2) Women moved in the society with bobbed hair and in western clothes when female writers in the early Showa era such as Chiyo Uno and Fusa Sasaki were cutting-edge professional women. 3) Leftist painters in 1920s painted workers in so-called “Nappa-fuku” or blue work clothe and they themselves wore after factory workers and around 1930 young people such as “Marx Boy” and “Engels Girl” in blue-color clothe.