文献一覧: 池上健 (著者)

3 0 0 0 OA インタビューで知る研究最前線第7回第43回アジア経済研究所発展途上国研究奨励賞受賞記念インタビュー「論文から単著をつくるまで」

著者: 堀内義隆下條尚志川上桃子青木(岡部) まき池上健慈
出版者: 独立行政法人日本貿易振興機構アジア経済研究所
雑誌: アジア経済 (ISSN:00022942)
巻号頁・発行日: vol.63, no.4, pp.61-80, 2022-12-15 (Released:2022-12-26)
参考文献数: 3

2023-01-15 08:31:38
3 + 2 Twitter

2 0 0 0 IR 「二重の存在」としてのブルックナー : 《交響曲第9番》第3楽章(アダージョ)における自律性と標題性をめぐって (特集論集美学・芸術学 : 美・芸術・感性をめぐる知のスパイラル(旋回))

著者: 池上健一郎
出版者: 三田哲學會
雑誌: 哲学 (ISSN:05632099)
巻号頁・発行日: vol.132, pp.309-341, 2014-03

特集 : 論集美学・芸術学 : 美・芸術・感性をめぐる知のスパイラル(旋回)The symphonies of Anton Bruckner (1824‒1896) were evaluated both during his lifetime and subsequent to his death in terms of two opposing criteria : "absolute music" and "program music", terms that actually reflect aesthetic polemics. Especially since the 1980s, Bruckner scholarship has connected this dichotomy to methodological discussions of autonomic analysis and semantic interpretation. However, the methodological purism being undeniably at stake in both positions comes with the risk of misconceiving the multiple layers of Bruckner's symphonies.Hence my paper aims at demonstrating that both dimensions—the "purely musical" and the semantic—make up an inseparable unit in Bruckner's music. The third movement of his Ninth Symphony seems particularly suitable for this purpose, since Bruckner himself commented on its "content" on various occasions.By means of analysis, I seek to demonstrate how thematic ideas being integrated into a broader motivic network throughout the symphony are interlinked semantically. Remarkably, such "semantic networks" are strengthened through thematisch-motivische Arbeit, the technique which is commonly regarded as the "autonomous" principle. Along those lines, the culmination of the movement (mm.187ff.) gains a multidimensional character. In order to understand the related nature of Bruckner's "Doppeldasein"(Korte), the methodological purism ought to be overcome.