著者

井上 善友

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

vol.51, pp.122-137,263, 1997-07-31 (Released:2017-10-06)

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In this age of the Internet, it is important to take notice of personal-computer communication, which is better than the Internet for two-way communication. This thesis mainly deals with the following three points:1. It has been said that personal-computer communication has made anonymous communication possible. However, if users want to enjoy all of its advantages, actual anonymity is difficult to maintain. 2. Since users issue information in personal-computer communication with no intent to gain profits, the information tends to be true. 3. Many aspects of personal-computer communication impose overload on users.

著者

石川 弘義

出版者

日本マス・コミュニケーション学会

雑誌

新聞学評論 (ISSN:04886550)

巻号頁・発行日

no.35, pp.142-155, 288-286, 1986-04-30

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Japanese radio programs have long been in a trial and error situation in their struggle to compete with TV programs. In this process the "midnight broadcasting" programs are one of the most radio-like in nature and nowadays a set format has been established for them. Nevertheless, various experiments still are being tried by each of the radio stations concerning what content should be broadcast at night and during the midnight hours. For example, the audience rating chart shows us that JOJF(Nippon Hoso) is widely listened to by the so-called "young" generation, and that JOKRS(Tokyo Hoso) focuses on the "young adult" generation. These experiments, however, have not necessarily offered a steady barometer for success. Among the current hot programs is "Young Paradise, " a talk show broadcast at midnight during the week whose DJ (called 'personality' in Japan) is actor Yuji Miyake. This program presently is receiving a high audience rating. According to Mr.Akinori Inaba, the organizing director of Nippon Hoso, the secret of "Young Paradise's" success is "to permit the DJ to talk freely and 'play' in the program and to show various points of view about the kind of information that young listeners wanted to know." In short, an all-out playful spirit seems to make "Young Paradise" successful. But in fact, it's success is due to the elaborated efforts in planning by the professionals of radio program organization and production. Here we can find the characteristics of modern radio journalism for young listeners. About ten years or so ago the style of radio programs was quite different from what it is today. A good example is JOKR's "Puck in Music." This too was a talk show featuring DJ's, but many of the topics treated on the program were serious ones such as, "war experience", "worries about school life and exams", "love" and "lust", and so on. But programs of this nature ended with the new way of life which began around 1982 and which shows a preference for keihaku-tansho, the "not heavy, the light." And the older type of program was taken over by omoshiro-syugi, the "happy-go-lucky" orientation outlined above. In order to consider the characteristics of modern radio journalism it is unrealistic to deny this "happy-go-lucky" line. But in the author's opinion, it also may be a chance to show the ability of radio journalism to produce some programs that treat in some way the young listener's views of the world, their dissatisfactions and hopes, etc., which can be found in the depth of their minds or their social psychology.

著者

里見 脩

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

no.66, pp.37-54, 2005-01-31

著者

神田 敏晶 小田原 敏 石田 佐恵子

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

no.58, pp.207-209, 2001-01-31

著者

高瀬 淳一

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究

巻号頁・発行日

vol.61, pp.239-240, 2002

著者

伊藤 高史

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

vol.50, pp.140-154,230, 1997-01-31 (Released:2017-10-06)

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This paper puts forward a republican view on freedom of expression to discuss the legitimacy of the media's self-regulation of so-called hate speech in Japan. The issues concerning such self-regulation make it evident that the idea of free speech has lost its real meaning and I argue that going back to the idea of republican freedom is indispensable to reconstruct the idea of free expression. By discussing the republican view, I suggest that the problem with the current way of settling the arguments of hate speech is that a third party is eliminated from negotiation processes between the media and complaints.

著者

牛山 佳菜代 石黒 公 川又 実 岩佐 淳一

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究

巻号頁・発行日

vol.71, pp.135-136, 2007

著者

山腰 修三

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

no.64, pp.150-163, 2004-01-31

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This article reconsiders critical communication theory with reference to the theoretical turn of Stuart Hall's communication model. The focus is on three aspects: social and political change in post-war UK; neo-Marxist concept of "discourse" and "ideology": Hall's political project as New Left. During the late 70's to early 80's, Hall had changed his communication theory dramatically in order to stand against the political project of Thatcherism. I examine that Hall's perspective had changed from "encoding/decoding" model, which leads to "semiotic democracy," to "struggle over meaning," which can be connected with new theoretical trends.

著者

田村 千穂

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

vol.74, pp.115-132, 2009-01-31 (Released:2017-10-06)

参考文献数

13

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In the early 1910s, when stage actresses emerged, the so-called “Katsudō-Actresses” appeared i n the cinema scene. I examine how they differed fromcontemporary film actresses and how they were received by audiences backthen. I analyzed the earliest film magazine of Katsudōshashinkai from 1909 to1912. The activities of Katsudō-Actresses were not limited to acting on screen.They also performed on stage as actors of chain-dramas, and dancers of sideshows played i n movie theaters. Katsudō-Actresses appealed to the audiencethrough both presentation and representation. Such uniqueness was sustainedby the circumstance of the early Japanese cinema.

著者

大田 昌秀

出版者

日本マス・コミュニケーション学会

雑誌

新聞学評論 (ISSN:04886550)

巻号頁・発行日

no.14, pp.53-69, 1965-03-01

著者

大久保 遼

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

vol.78, pp.209-230, 2011

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This article analyzes the page layouts of photography magazines during the Russo-Japanese War, and it thus reveals the emergence of the "photographic construction of vision" in photography magazines, or the mutual referencing and montage between the photographs and the text on the same page. The page layouts of photography magazines are visually constructed not only by the photographs themselves but also by the relationship between the photographs and the text such as articles or captions. Such "photographic construction of vision" in these magazines is a historic phenomenon. Through an examination of the Records of the Russo-Japanese War (Nichiro senso jikki) and its special issue Photographic Pictorial of Russo-Japanese War (Nichiro senso shashin gaho), a study of the photography correspondents dispatched by these magazines, and a comparative analysis of the page layouts and the moving pictures of that time, this article reveals that the concept of photographic construction emerged in photography magazines around 1900. This finding can be confirmed by the following observations: (1) the editor's reflective consideration of photo editing, (2) mutual referencing between the photographs and the text, and (3) the photographic style of the montages used in the magazine. Finally, this article concludes that such photographic construction became more complicated and established in later periods, and that it came to be a precursor of the modernist movement in the 1930s and the war propaganda by means of photographs in the 1940s. Moreover, it caused distraction and lead to readers cursorily examining the relationship between the text and photographs without deconstructing this relationship.

著者

村松 泰子

出版者

日本マス・コミュニケーション学会

雑誌

新聞学評論 (ISSN:04886550)

巻号頁・発行日

no.40, pp.193-211, 1991-04-30

著者

山田 晴通

出版者

日本マス・コミュニケーション学会

雑誌

新聞学評論 (ISSN:04886550)

巻号頁・発行日

no.33, pp.215-229, 1984-06-01

被引用文献数

3

著者

寺田 輝介 野村 彰男 植田 康夫

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

no.48, pp.260-261, 1996-01-31

著者

浜田 純一 大森 幸男 岡村 黎明

出版者

日本マス・コミュニケーション学会

雑誌

新聞学評論 (ISSN:04886550)

巻号頁・発行日

no.40, pp.332-333, 1991-04-30

著者

小林 直毅 上丸 洋一 ファクラー マーティン 遠藤 薫 谷原 和憲

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

no.81, pp.41-64, 2012-07-31

著者

河津 孝宏

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

vol.72, pp.59-77, 2008

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This article aims to describe the viewing experiences that white-collar women living in Tokyo go through when watching the American TV series "Sex and the City". The ethnographic approach used in cultural studies in the 80's has been adopted to analyze the subject. The audiences extract a realism from the textual world, and adopt a viewing position that aligns with their own life stage. Furthermore, the experience of viewing is linked to their life history and reflexively updates their self-identity. This article presents an alternative approach which discusses TV viewing in terms of diachronic experience of audience.

著者

新藤 雄介

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

vol.80, pp.133-152, 2012

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This paper aims to examine local cooperative action with regard to books during the third and fourth decades of the Meiji Period (1897-1912). It hopes to reveal the changes in the modes of cooperation concerning books and the effect these had on community-based organizations. The paper will focus primarily on cooperative action and local associations within Saitama Prefecture, using the example of reading rooms and traveling libraries with elementary schools, teachers, and youth groups (seinen-kai). Before the introduction of the traveling library in the third decade of the Meiji Period (1897-1906), elementary schools were utilized as the primary function hall for all local community events. Reading rooms for youth groups were set up in these elementary schools. However, the establishment of such communal reading rooms required many resources, from finding or even building new rooms, gathering books to staffing them. Consequently, reading rooms were largely managed by teaching staff and were used exclusively for educational purposes. The fourth decade of the Meiji Period (1907-1912) saw a proliferation in interest from local people in cooperative action concerning books. The central prefectural administration introduced traveling libraries, and held various events in elementary schools throughout Saitama Prefecture. While the initial impetus was the aim to provide schools with books for youth groups, the traveling libraries soon also targeted the community at large. This change to the function of traveling libraries represented a move away from cooperative action concerning itself exclusively with educational purposes, and towards everyday matters, including amusement. In order to fulfill these duties, the traveling library needed day-to-day bases to work from. In the case of Saitama Prefecture, new youth groups were established or old ones revitalized to support these endeavors. As such, the traveling library played a vital role in the rebuilding of local communities throughout the entire prefecture.

著者

後藤 文康 天野 勝文

出版者

日本マス・コミュニケーション学会

雑誌

新聞学評論 (ISSN:04886550)

巻号頁・発行日

no.40, pp.319-320, 1991-04-30

著者

永田 大輔

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

no.88, pp.137-155, 2016-01-31

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This paper discusses the Video Tape Recorder (VTR) spread process in the 1960s and 1970s. Previous studies on videos have mainly focused on two aspects: (1) sexual media and (2) leisure communities' unique consumption. This paper examines how functions such as slow motion, which were usually used by the leisure communities only were prepared in the first process of family spread. This paper researches the industry paper Video Journal in the period 1968-1978. This industrial magazine has a different focus than that of leisure magazines. This magazine discusses multiple markets in the spread process. This paper will examine each market's demands, according to the industry magazine. From the 1960s to the 1970s the video market was supported by an educational demand. Video was a revolutionary media in audio-visual education. Education has diverse functional needs and feedback regarding these needs can reach the market through study groups. These unique functional demands of leisure groups later spread to family use. In the mid -1970s, Video Journal was conscious of the family market, but its development in this market had been late. First, this may be due to a lack of good content on video. But the true reason is the cost of video recording. Thus, the market could not identify families' needs for a long time, and could not predict the time of family spread. Furthermore, educational needs continued and their demand is left. Both family and educational needs continued and their demand is left. Both family and educational needs did not utilize video functions such as slow motion, which were only used by leisure groups.