著者

渡邊 洋子

出版者

京都大学大学院教育学研究科生涯教育学講座生涯教育フィールド研究編集委員会

雑誌

京都大学生涯教育フィールド研究 = Journal of lifelong education field studies (ISSN:21877475)

巻号頁・発行日

vol.1, pp.3-12, 2013-03

著者

渡邊 洋子

出版者

日本教育政策学会

雑誌

日本教育政策学会年報

巻号頁・発行日

vol.3, pp.196-220, 1996

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Until recently, the studies in history of education have mainly focused on the formal education in schools. It resulted that the educational opportunities and learning styles of majority of women in countryside have almost been ignored in the academic research fields. This paper focuses on the process, backgrounds and intentions of organizing the local female youth into some supervised groups in the villages, from 1910s to 1920s in Japan. The popular name given to such groups was "SHOJOKAI", literally 'the club of virgin, or unmarried young women'. There are roughly three patterns in the organizing process of "SHOJOKAI": (a) Female of elementary school graduates or members of dress-making groups, organizing themselves by the leadership of schoolmasters or so; (b) younger members of local women's groups becoming independent from the body and setting up new groups or divisions; and (c) newly organized on the purpose of compensatory education, campaign for improving lifestyles, and women's moral education. The number of such groups nationally increased just after the Russo-Japanese War (especially in 1908), and also around the period of setting up the Central Office of "SHOJOKAI" in 1918. As the Ministry of Education was not interested in the national organization of female youth at that time, the Ministry of Domestic Affairs went ahead. However, it should be kept in mind that what we call Shojokai Policy was not clarified in the official paper until 1926. Instead, they gave chance and some responsibility to the Guest Officer, Fujio Amano to utilize his ability and energy to report on the local Shojokai situations and to set up the leading organization. Amano himself was a teacher and leader of youth groups in his home village, and at the age of 25, had been invited to work for the Ministry. He insisted that "SHOJOKAI" should be organized in each villages, in order to prevent the young women from suffering from the influence of the city culture and lead them to be 'Good Working Wives and Healty Sound Mothers of the Country'. He wrote three books and many articles on magazines to announce his ideas and the practical plans to start up "SHOJOKAI"'s activities. In his educational intention and practice, the existence of other sex youth groups itself was found to be very effective. And the slogan 'Work toughly, gently and honestly' was clear in expressing what was expected to Japanese young women after the World War I. He also put much emphasis on how the young lived and felt in their everyday s lives. "SHOJOKAI"s were later reorganized into "JOSHISEINENDAN" (Local Youth Groups for Females), which led Japanese young women to work for their community and also for the pursuit of Japanese national policy (especially the one for invasion of China).

著者

渡邊 洋子

出版者

日本教育政策学会

雑誌

日本教育政策学会年報 (ISSN:24241474)

巻号頁・発行日

vol.3, pp.196-220, 1996-06-25 (Released:2017-12-29)

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Until recently, the studies in history of education have mainly focused on the formal education in schools. It resulted that the educational opportunities and learning styles of majority of women in countryside have almost been ignored in the academic research fields. This paper focuses on the process, backgrounds and intentions of organizing the local female youth into some supervised groups in the villages, from 1910s to 1920s in Japan. The popular name given to such groups was "SHOJOKAI", literally 'the club of virgin, or unmarried young women'. There are roughly three patterns in the organizing process of "SHOJOKAI": (a) Female of elementary school graduates or members of dress-making groups, organizing themselves by the leadership of schoolmasters or so; (b) younger members of local women's groups becoming independent from the body and setting up new groups or divisions; and (c) newly organized on the purpose of compensatory education, campaign for improving lifestyles, and women's moral education. The number of such groups nationally increased just after the Russo-Japanese War (especially in 1908), and also around the period of setting up the Central Office of "SHOJOKAI" in 1918. As the Ministry of Education was not interested in the national organization of female youth at that time, the Ministry of Domestic Affairs went ahead. However, it should be kept in mind that what we call Shojokai Policy was not clarified in the official paper until 1926. Instead, they gave chance and some responsibility to the Guest Officer, Fujio Amano to utilize his ability and energy to report on the local Shojokai situations and to set up the leading organization. Amano himself was a teacher and leader of youth groups in his home village, and at the age of 25, had been invited to work for the Ministry. He insisted that "SHOJOKAI" should be organized in each villages, in order to prevent the young women from suffering from the influence of the city culture and lead them to be 'Good Working Wives and Healty Sound Mothers of the Country'. He wrote three books and many articles on magazines to announce his ideas and the practical plans to start up "SHOJOKAI"'s activities. In his educational intention and practice, the existence of other sex youth groups itself was found to be very effective. And the slogan 'Work toughly, gently and honestly' was clear in expressing what was expected to Japanese young women after the World War I. He also put much emphasis on how the young lived and felt in their everyday s lives. "SHOJOKAI"s were later reorganized into "JOSHISEINENDAN" (Local Youth Groups for Females), which led Japanese young women to work for their community and also for the pursuit of Japanese national policy (especially the one for invasion of China).

著者

西本 一志 渡邊 洋 馬田一郎 間瀬 健二 中津 良平

出版者

情報処理学会

雑誌

情報処理学会論文誌 (ISSN:18827764)

巻号頁・発行日

vol.39, no.5, pp.1556-1567, 1998-05-15

参考文献数

13

被引用文献数

7

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音楽との能動的な接し方の特徴は,自分なりの音楽表現という創造性の発揮にある.しかし現実には音楽理論や楽器操作技術の困難により,多くの人は能動的な音楽との接触を諦めている.筆者らは,これらの困難を計算機で支援することにより,だれでも容易に創造的音楽表現に取り組める楽器の実現を目指している.本論文では,そのための一手段として,音機能固定マッピング手法を提案する.従来の楽器は音高を演奏インターフェース上の固定ポジションにマッピングする音高固定マッピング型の楽器であった.しかし,音には音高以外の属性があり,その1つとして,音楽的環境に応じて個々の音が人に様々な情動的作用を与える,機能という属性がある.音機能固定マッピングとは,常時一定の演奏ポジションに一定の機能を持つ音をマッピングする手法である.ある音の機能の判定には音楽理論に基づく解析が必要であるが,この手法によれば,演奏者は必要な機能を持つ音を理論的解析を行うことなく直接取り出せ,さらにそれらを自由に組み合わせることにより,容易に自分なりの創造的音楽表現を実現できるようになる.本論文では,特に音の機能の考え方が重要となるジャズの即興演奏を対象として作成した試作器と,それを用いた被験者実験について説明し,本手法の可能性について検討する.Many people cannot help but give up to play music bacause of difficultyof a musical theory or a manipulation of a musical instrument.The authors aim todevelop a musical instrument with whcih anyone can enjoycreating of music with the support of a computer.In this paper,we propose a concept called the "fixed mapping of note-funcitons".With an ordianary musical instrument,a specific pitch is always mapped on a specific position of the instrument;this is a "fixed mapping of pitch" instrument.However,a note has other attributes.A note-function,i.e.,theemotional effect of a note depending on the temporal musical situation,is one of them.The mapping of a specific note-function on a specific position is the basis of the "fixed mapping of note-funcitons" concept.In order to determine the note-function,a theoretical analysis is usually necessary.Using the proposed method,however,it becomes possible to directly extract notes with the required functions without any theoretical considerations and to exhibit creativity by combining the notes.In this paper,we show a prototype of an instrument for improvisational jazz,provide several subjective experimental results and dsicuss the possibilities of the method.

著者

渡邊洋次郎著

出版者

現代書館

巻号頁・発行日

2019

著者

鶴岡 浩志 渡邊 洋平 朝長 啓造

出版者

動物臨床医学会

雑誌

動物臨床医学 (ISSN:13446991)

巻号頁・発行日

vol.14, no.3, pp.105-108, 2005 (Released:2007-11-13)

参考文献数

14

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2歳齢,雌の雑種猫が左後肢の破行を主訴として来院した。消炎鎮痛剤の投与を行うものの,病状は進行した。初来院から3日後,食欲不振,左前肢挙上で再来院した。この時点での血液検査では特に異常は認められなかった。脳炎を疑い,プレドニゾロン,抗生剤の投与を始めたが,7日後には起立不能,採食不能となった。経鼻カテーテルを設置し,強制給餌により維持していたが,全身の麻痺は進行し,10日後には自力排尿も困難となり,11日目に全身麻痺のため死亡した。病理検査では大脳の表面に非化膿性の髄膜炎が認められた。抗体検査ではボルナウイルス抗体が検出された。大脳組織を用いたRT-PCRによりボルナウイルス遺伝子が検出された。このことから本症例はボルナ病ウイルス感染症であることが強く示唆された。

著者

渡邊 洋子

出版者

日本医学教育学会

雑誌

医学教育 (ISSN:03869644)

巻号頁・発行日

vol.38, no.3, pp.151-160, 2007-06-25 (Released:2011-02-07)

参考文献数

6

被引用文献数

17

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1) 成人教育においては, 学習者と教育者には「学ぶ/おしえる」関係が成立しており, 両者は「最も望ましい効果的な学習の実現」に向けて, 学ぶ主体・学習援助の主体として協働する.2) 成人学習者は, 「自己概念」「学習の経験」「学習へのレディネス」「学習への指向性」「学習への動機付け」のおのおのにおいて子どもとは異なる特徴を有する.3) 自己主導型学習は, アンドラゴジー (「成人の学習援助の技術と科学」) にもとづく学習モデルであり, 学習者は, 自らの学習プランを能動的・相互的に作成し自ら実践することを期待される.4) 日本の生涯学習はおおむね, 「他者決定型学習」「自己主導型学習」「自己決定・相互変革型学習」の3つのタイプ (段階) に大別でき, おのおのにおいて異なる複数の教育者の役割が求められる.5) 専門職の現場や養成のプロセスにおいては, 学習者と教育者の間に「対等性」「共感性」「協同性」「相互性」「啓発性」などの価値が, 自覚的に共有される必要があると考えられる.

著者

渡邊 洋之

出版者

日本科学史学会

雑誌

科学史研究 (ISSN:21887535)

巻号頁・発行日

vol.53, no.270, pp.169, 2014 (Released:2020-12-09)

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This paper discusses some facts that were pivotal in the process of the introduction of Bluegill Sunfish, Lepomis macrochirus, into various places in Japan, however have not been considered in the existing literature. This paper points out that L.macrochirus escaped, and also was stocked, to the open water in Osaka as a result of experiments by a fisheries experimental station in the 1960s and early 1970s. In Shiga Prefecture too, the fish escaped into Lake Biwa as a result of experiments by a fisheries experimental station in about 1969. Neither Osaka nor Shiga are mentioned, by previous studies based on questionnaire research, as the prefectures in which L.macrochirus inhabited in the years between 1960, when the fish was first introduced into Japan, and 1979. In addition, anglers, who considered L.macrochirus an ideal game fish, stocked ponds and lakes in some prefectures with L.macrochirus in around 1970 on purpose to multiply the species. During this process, a network among not only local governments, fisheries experimental stations, and fish farmers, but also industries targeting anglers, such as fishing tackle makers and a magazine for anglers, was being formed, which however did not get established after all. These findings will contribute to enrich the basis of today's genetic research on the distribution of L.macrochirus in Japan.

著者

渡邊 洋之

出版者

日本科学史学会

雑誌

科学史研究 (ISSN:21887535)

巻号頁・発行日

vol.42, no.227, pp.129-139, 2003 (Released:2021-08-12)

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This paper is to explain the process of the introduction of nutrias in Japan and the thoughts of various people who were related to it. Since nutrias was regarded as furred animals suitable for the wartime system and attracted the interest of the military, breeding of them was spread rapidly. However, the demand for nutrias furs was vanished by the defeat of WWII, then nutrias were ejected in the open air. At a later time, around 1950, breeding of nutrias became popular once again. But this boom was declined after several years and nutrias were ejected outdoors again because the boom did not expand beyond the stage of speculative business. This fact shows that in the historical context, the introduction and expansion of nutrias was not seen as a problem but even recommended, which is different from today's principle that any introduced species should be expelled. On the other hand, this paper can not confirm any fact showing the argument about the introduction of nutrias had some influence on the argument about what human society ought to be like. However, it shows that biologists have attempted to speak figuratively about nutrias by giving them various names, for example, shouri (this is a homonym of the word that means victory in Japanese) or rumin (this word means immigrants who are forced to wander in Japanese). This fact means that any discourse about the introduction of living things should become not only scientific but social.

著者

渡邊 洋子 河井 亨 原田 直樹 黒野 詩織 小野 加奈子 牧浦 寛 柴原 真知子 辻 喜代司

出版者

京都大学大学院教育学研究科生涯教育学講座

雑誌

京都大学生涯教育学・図書館情報学研究 (ISSN:13471562)

巻号頁・発行日

vol.8, pp.157-180, 2009-03

著者

渡邊 洋之

出版者

日本科学史学会

雑誌

科学史研究. [第Ⅲ期] = Journal of history of science, Japan. 日本科学史学会 編 (ISSN:21887535)

巻号頁・発行日

no.270, pp.169-181, 2014-07

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This paper discusses some facts that were pivotal in the process of the introduction of Bluegill Sunfish, Lepomis macrochirus, into various places in Japan, however have not been considered in the existing literature. This paper points out that L.macrochirus escaped, and also was stocked, to the open water in Osaka as a result of experiments by a fisheries experimental station in the 1960s and early 1970s. In Shiga Prefecture too, the fish escaped into Lake Biwa as a result of experiments by a fisheries experimental station in about 1969. Neither Osaka nor Shiga are mentioned, by previous studies based on questionnaire research, as the prefectures in which L.macrochirus inhabited in the years between 1960, when the fish was first introduced into Japan, and 1979. In addition, anglers, who considered L.macrochirus an ideal game fish, stocked ponds and lakes in some prefectures with L.macrochirus in around 1970 on purpose to multiply the species. During this process, a network among not only local governments, fisheries experimental stations, and fish farmers, but also industries targeting anglers, such as fishing tackle makers and a magazine for anglers, was being formed, which however did not get established after all. These findings will contribute to enrich the basis of today's genetic research on the distribution of L.macrochirus in Japan.

著者

山本 佳織 小野 尭生 宮川 成人 金井 康 小山 知弘 谷奥 正巳 牛場 翔太 品川 歩 井上 恒一 渡邊 洋平 中北 愼一 河原 敏男 鈴木 康夫 木村 雅彦 千葉 大地 松本 和彦

雑誌

2019年第80回応用物理学会秋季学術講演会

巻号頁・発行日

2019-07-10

著者

伊藤 理絵 本多 薫 渡邊 洋一

出版者

山形大学人文学部

雑誌

山形大学人文学部研究年報 = Faculty of Literature & Social Sciences, Yamagata University annual research report

巻号頁・発行日

vol.8, pp.215-227, 2011-03-23

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要旨:攻撃的ユーモアを笑うということを優越感から生まれる快の笑いとは異なる観点から検討した。攻撃的ユーモアを含む4 コマ漫画と非攻撃的ユーモアを含む4 コマ漫画をユーモア刺激とし, 大学生および大学院生142 名を対象に質問紙調査を行った。それぞれのユーモア刺激について, 対象者をユーモア高評価群とユーモア低評価群に分類し, 与えられたユーモア刺激を笑ったり, おもしろいと感じたりする場合の笑いについて比較検討した。その結果, 攻撃的ユーモアを笑うためには, 感覚的不適合とともに論理的不適合も必要である可能性が示唆された。日常生活におけるコミュニケーションの手段として笑いを重視していることがユーモア評価に影響していることも示された。

著者

氏家 弘裕 渡邊 洋

出版者

一般社団法人 映像情報メディア学会

雑誌

映像情報メディア学会技術報告 40.39 情報ディスプレイ/映像表現&コンピュータグラフィックス/立体映像技術 (ISSN:13426893)

巻号頁・発行日

pp.21-22, 2016 (Released:2019-09-20)

参考文献数

5

被引用文献数

1

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映像技術の発展とともに、超高解像( UHD)映像や 3D映像が身近なものになるとともに、バーチャルリアリティ( VR)型のヘッドマウントディスプレイ( HMD)が一般市場に流通し始めるなど、これまでに無く臨場感の高い映像を利用することができるようになってきた。ただし、こうした新たな技術に基づく製品を安心して快適に利用できるためには、場合によって生じ得る好ましくない生体影響に対しての配慮を欠くことはできない。本稿ではこの生体影響として、 3D視覚疲労及び映像酔いに焦点を当てるとともに、さらに VR型の HMDにおける VR酔いにも触れた上で、これらを軽減するための対策として進められている人間工学的指針の国際標準化動向について概説する。

著者

阿子島 功 坂井 正人 渡邊 洋一 本多 薫 坂井 正人 渡邊 洋一 本多 薫 PAZOS Miguel OLAECHEA Mario

出版者

山形大学

雑誌

基盤研究(B)

巻号頁・発行日

2006

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ペルー中南部海岸沙漠のナスカ台地とその周辺の地上絵は、B.C.1~A.D.8世紀頃のナスカ期の文化遺産であり、1994年に世界遺産に指定されたが、詳細な測量図が作成されているのは動植物図像が集中しているナスカ台地の一部のみであり、ナスカ台地全域にわたる地上絵の分布の全体像については必ずしも明らかではなかった。地上絵の成り立ちの解明や今後の保全計画の基礎となる資料を整備する目的で、高精度人工衛星画像解析や現地調査によって分布図作成を行い、自然地理学、考古学、認知心理学などの観点から考察した。ナスカ台地全域の地上絵の分布図が作成されたことにより、自然地形との関係や、地上絵が制作された文化的背景、また現在進行している地上絵の破壊状況などを明らかにすることができる。

著者

西本 一志 渡邊 洋 馬田 一郎 間瀬 健二 中津 良平

出版者

情報処理学会

雑誌

情報処理学会論文誌 (ISSN:03875806)

巻号頁・発行日

vol.39, no.5, pp.1556-1567, 1998-05-15

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音楽との能動的な接し方の特徴は, 自分なりの音楽表現という創造性の発揮にある.しかし現実には音楽理論や楽器操作技術の困難により, 多くの人は能動的な音楽との接触を諦めている.筆者らは, これらの困難を計算機で支援することにより, だれでも容易に創造的音楽表現に取り組める楽器の実現を目指している.本論文では, そのための手段として, 音機能固定マッピング手法を提案する.従来の楽器は音高を演奏インタフェース上の固定ポジションにマッピングする音高固定マッピング型の楽器であった.しかし, 音には音高以外の属性があり, その1つとして, 音楽的環境に応じて個々の音が人に様々な情動的作用を与える, 機能という属性がある.音機能固定マッピングとは, 常時一定の演奏ポジションに一定の機能を持つ音をマッピングする手法である.ある音の機能の判定には音楽理論に基づく解析が必要であるが, この手法によれば, 演奏者は必要な機能を持つ音を理論的解析を行うことなく直接取り出せ, さらにそれらを自由に組み合わせるとこにより, 容易に自分なりの創造的音楽表現を実現できるようになる.本論文では, 特に音の機能の考え方が重要となるジャズの即興演奏を対象として作成した試作器と, それを用いた被験者実験について説明し, 本手法の可能性について検討する. : Many people cannot help but give up to play music because of difficulty of a musical theory or a manipulation of a musical instrument. The authors aim to develop a musical instrument with which anyone can enjoy creating of music with the support of a computer. In this paper, we propose a concept called the"fixed mapping of note-functions". With an ordinary musical instrument, a specific pitch is always mapped on a specific position of the instrument; this is a"fixed mapping of pitch"instrument. However, a note has other attributes. A note-function, i.e., the emotional effect of a note depending on the temporal musical situation, is one of them. The mapping of a specific note-function on a specific position is the basis of the"fixed mapping of note-functions"concept. In order to determine the note-function, a theoretical analysis is usually necessary. Using the proposed method, however, it becomes possible to directly extract notes with the required functions without any theoretical considerations and to exhibit creativity by combining the notes. In this paper, we show a prototype of an instrument for improvisational jazz, provide several subjective experimental results and dsicuss the possibilities of the method.

著者

渡邊 洋之

出版者

日本科学史学会

雑誌

科学史研究 (ISSN:21887535)

巻号頁・発行日

vol.39, no.213, pp.1-10, 2000 (Released:2021-08-23)

被引用文献数

1

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This paper attempts to explain a part of history related to the protection of wildlife and biological diversity by analyzing a certain person's view of nature. It picks out a zoologist,Shozaburo WATASE (1862-1929). WATASE's two activities, namely to enthusiastically introduce living things and to protect wildlife by establishing and designating natural monuments, seem to us to be a contradiction now. But by analyzing WATASE's discourse, I think they are not. WATASE's arguments for his two activities had trust in the "power of human work" in common. And they commonly set human beings in the absolute position in which he believed they could control nature. Moreover, it has become obvious that both of WATASE's arguments for his two activities were connected with Japanese colonial rules at that time. This fact suggests that to intend to conquer nature or to have trust in exercising the "power of human work" over nature is related to colonial rules, which are the intention and action to expand one's own sphere and rule others. And I think this fact also raises a question for reflective work on the way science should be, because we can regard biology, a part of science, as a form of exercising of the "power of human work".

著者

渡邊 洋

出版者

一般社団法人 映像情報メディア学会

雑誌

映像情報メディア学会技術報告 36.12 (ISSN:13426893)

巻号頁・発行日

pp.45-48, 2012-02-27 (Released:2017-09-21)

参考文献数

9

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筆者がこれまでに行って来きた没入型VR装置を用いた心理物理学的研究を紹介し、広視野角映像が空間認知と歩行動作に与える影響について議論する。

著者

渡邊 洋一

出版者

東北文化学園大学総合政策学部

雑誌

総合政策論集 = Policy management studies : 東北文化学園大学総合政策学部紀要 (ISSN:13468561)

巻号頁・発行日

vol.19, no.1, pp.83-113, 2020-03

著者

渡邊 洋平

雑誌

北星学園大学大学院論集 = Hokusei Gakuen University Graduate School Review (ISSN:18845428)

巻号頁・発行日

no.7, pp.131-139, 2016-03