著者

平野 晶子

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.760, pp.96-105, 2004-01-01

著者

関口 靜雄 宮本 花恵

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.857, pp.67-137, 2012-03-01

著者

関口 靜雄 宮本 花恵

出版者

昭和女子大学

雑誌

学苑 (ISSN:13480103)

巻号頁・発行日

no.852, pp.15-75, 2011-10

著者

友田 博通 斎藤 英俊 福川 裕一 山田 幸正

出版者

昭和女子大学

雑誌

基盤研究(A)

巻号頁・発行日

1999

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ベトナムの伝統住居は、最近の経済発展と生活近代化の影響で消滅の危機に瀕している。ベトナム文化情報省と共同し、年2省、省内全域を対象に民家を体系的に探索整理した。第一次調査では村落単位に1~2件を抽出して悉皆調査を行い、第二次調査ではこの約1割を抽出し詳細調査を実施している。また、ベトナムの民家史に不可欠の中国の概略調査を併せて実施している。平成11年度はナムディン省・ゲアン省、平成12年度はティエンザン省・カンガイ省、平成13年度はタインホア省・カンナム省を対象に調査した。ハノイ周辺の中国の影響が強い住居形式から、フエに見られるベトナム独自の住居形式がどのような形で変遷し成立したかを確認できた。さらにフエ省より南に位置するティエンザン省カンガイ省では、フエ省以北に見られない棟木を支える中柱形式が見られ、これは南部に土着的にあった形式か、中部山岳部に居住する少数民族の影響かなど、新たなベトナム民家史上の謎が議論された。また、中国南部からハノイまで概略調査を実施、広東省広州市の漢民族住居・広東省広西省の北部のトン族住居・広西省沿海部に居住するベトナム人と先祖を同じくする欽族住居、ベトナムに入ってランソン省タイ族・トゥー族住居を調査した。中国南部の伝統的住居はベトナム中部の形式に近く、バクニン省等のハノイ圏の住居との類似性は福建省の伝統住居との類似性が高かった。これらの結果から、3年間でベトナム民家史上重要と考えられる中心的省を取り上げた概ねベトナムの民家史の大筋は明確になった。また、毎年3月実施した意見交換会ではベトナム側からも熱心な議論がでて、民家研究者が広範に育ってきたと実感している。さらに、2000年にJICA開発パートナーに採用され、この調査結果を受け、年2省、各省1件の修復と5件の文化財指定を実施することになった。調査研究が実際に行政によって実施される貴重な事例にもなった。

著者

森本 真一

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.763, pp.84-94, 2004-04-01

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William Faulkner told two different stories alternately in The Wild Palms. In one of them an intern falls in love with a married woman who becomes pregnant and asks him to perform an abortion. After she dies because of the operation, he is determined to serve his fifty-year sentence remembering her. The End of the World and Hard-boiled Wonderland by Murakami Haruki is similar to The Wild Palms structurally and thematically. An engineer in "Hard-boiled Wonderland" has a specific circuit installed in his brain by a scientist. The data is stolen and the engineer's consciousness is about to be extinguished. Then the scientist's granddaughter declares that he will remain in her heart as long as she lives. The protagonist of "The End of the World" lives in a town separated from his shadow. Though he has lost his memory, he is presumably in the situation imagined by the engineer. He plans to escape, but finally lets the shadow go alone, saying that he cannot abandon a world he created. Both Faulkner and Murakami cherish or rely upon the memories of what has vanished. In "The Bear" Faulkner dramatically depicts the wilderness as the hunters' utopia that is being destroyed by civilization. Murakami's "Firefly" deals with a young man's longing for a girl who leaves him after their intercourse. Murakami makes a character of Dance, Dance, Dance warn the narrator to go on dancing without doubting how foolish it is. This may be the author's critical view of mechanized and high-speed society in which people are deprived of profound thinking. Sheep Expert in his Adventuring after a Sheep observes that Japan was destined to be defeated in World War II because there have been no thoughts based on life. Faulkner wrote an essay, "To the Youth of Japan." He mentioned his belief that in Japan out of the disaster and despair after World War II there would appear writers who would speak not a Japanese truth but a universal truth. Murakami is certainly among such writers. Readers should notice his pursuit of human ego in the midst of complicated circumstances.

著者

堀内 正昭

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.777, pp.92-106, 2005-07-01

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The Museum Island mainly goes back to the vision of Frederick William IV of Prussia, who wanted to reorganize this island in the Spree River for "a shelter of art and science". The five museums built between 1830 and 1930 reflected stylistic tendencies of classicism, historicism and neoclassicism. From a viewpoint of architectural planning they illustrated the evolution of museum design over a period of a century. In the Altesmuseum designed by Schinkel one could appreciate classical sculptures at a glance in the rotunda. In the Neuesmuseum the exhibit rooms were decorated so that the interior matched historical styles of the collection. The Alte Nationalgalerie was designed as a monumental temple which symbolized the German Empire. In the Bodemuseum the exhibits were displayed with the collection of several contemporary genre. In addition, for the first time the Pergamonmuseum had special rooms for ancient architecture and the exhibits were classified into many groups according to age and country.

著者

ロブソン ゴードン 緑川 日出子 杉橋 朝子 若林 茂則 グリフィス トム マッカーシー ジョン

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.802, pp.A47-A60, 2007-08

著者

島田 太郎

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.763, pp.100-106, 2004-04-01

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Poe sometimes chooses for his characters sets of names that suggest they are closely related and yet often antagonistic to each other, such as Dupin and Minister D- ("The Purloined Letter"), Fortunato and Montresor ("The Cask of Amontillado"), two William Wilsons, and Bedloe and Oldeb ("A Tale of the Ragged Mountains"), though the last set mentioned is exceptionally unantagonistic. The choice betrays Poe's uneasiness about his own identity. He is always haunted by the dissociation of his own personality because he is, just like August Dupin in his stories, conscious of the coexistence in his own self of "creative Poe" who creates esoteric worlds of poetry and mystery, and "resolvent Poe" who destructs the former worlds by means of his own ratiocination. It is suggestive that he uses a very rare word "Bi-part soul" twice, no example of which can be found in The Oxford English Dictionary. My argument is, I believe, supported by the fact that Poe is at once attracted to and repelled by mirrors. Though he allows only one mirror in his ideal room ("The Philosophy of Furniture"), the use of the word "mirror(s)" in his stories count as many as twenty-seven.

著者

中山 栄子 高野 美夢

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.861, pp.50-54, 2012-07-01

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The concept of third-hand smoke(exposure to the poisonous substances in cigarette smoke that remain after a cigarette has been extinguished)is still little known, and certainly not as well known as second-hand smoke. In this study, the status of third-hand smoke awareness was first established by conducting a questionnaire survey. The survey results showed that many people are familiar with neither the term nor the concept "third-hand smoke." To help people understand that, though third-hand smoke can't be seen, it is still harmful, a clear airtight container of the type which can be obtained anywhere was employed as a pseudo-smoking area, and using this with a gas detection tube, a smell monitor, and a color sensor we were able to make the existence and effects of third-hand smoke clear. This study proposes that the pseudo-smoking area which makes clear the existence of third-hand smoke can be used as a learning material because it allows learners to experience the harm with all five of their senses.

著者

笛木 美佳 石井 直人 笛木 美佳

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.879, pp.15-24, 2014-01-01

著者

赤堀 志子

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.900, pp.(41)-(57), 2015-10-01

著者

渡辺 睦行/坂尾 眞理 坂尾 眞理

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.902, pp.55-58, 2015-12-01

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Intravital lipid peroxidation is associated with the onset of diseases including atherosclerosis and cancer. Antioxidants such as polyphenols and peptides have been reported to prevent peroxidation. Our laboratory previously found that soybean tempeh, a traditional fermented soy food from Indonesia, possesses stronger antioxidant activity than unfermented soybeans. The aim of the present study is to establish whether chickpea tempeh also demonstrates elevated antioxidant properties compared with unfermented chickpeas using DPPH radical scavenging activity and β-carotene bleaching assays. Our results showed that total polyphenol content in chickpeas increased by up to 40% during fermentation. In addition, the DPPH assay revealed that the antioxidant activity of the chickpeas tempeh was stronger than that of unfermented chickpeas.

著者

吉田 昌志

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.903, pp.82-104, 2016-01-01

著者

秋山 智久

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.832, pp.66-77, 2010-02-01

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What relationship is there between social welfare and the religion? How has religious social welfare been understood? Where is religious social welfare placed in the context of modern Japanese social welfare handled by administrative systems, governed by the law, and supported by fiscal resources from the state? With these questions in mind, the author explores how social welfare has been practiced in the world under the three major religions. The author argues that social welfare originates from various religious traditions and that religion has been essential in motivating practitioners of social welfare. The author also points out that in Japan, the value of religion for social welfare is apt to be underestimated.

著者

早川 陽

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.896, pp.2-18, 2015-06-01

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In the field of Japanese art education, the pigments employed in traditional Japanese paintings are rarely used, though using them in an educational context could be very valuable in imparting an understanding of Bijutsu Bunka(art culture)currently required in curriculum guidelines. In an attempt to explore how they can be adopted in today's art education, this paper explores two Japanese traditional painting technique books from the Taisho Period and highlights the common characteristics of the pigments described in the books and compares them with pigments that have survived from those times, or have been more recently developed for use in traditional-style paintings. The origins of various Japanese pigments are organized in such a way that they can be used as educational material. In order to provide background for this research, the first chapter considers how Japanese traditional paintings are created, displayed and enjoyed today. Also the significance of Bijutsu Bunka, which was newly specified in curriculum guidelines, is discussed. The second chapter, focusing on the refinement and elutriation of pigments used in Japanese traditional paintings, categorizes and organizes the features of the pigments used. The third chapter refers to the above two books and considers the changes made since then in the types of the pigment. The final chapter summarizes the characteristics of the pigments and gives a general view of how they were traditionally used and concludes that the pigments, many of which have been refined by elutriation, can be utilized effectively in the field of art education today. The author believes that intercourse between the past and present, and understanding and appreciating traditional art, offer new possibilities in the future of art education.

著者

辛 恩英

出版者

昭和女子大学

雑誌

昭和女子大学大学院日本文学紀要 (ISSN:09171037)

巻号頁・発行日

no.11, pp.1-10, 2000

著者

久下 裕利

出版者

昭和女子大学

雑誌

学苑 (ISSN:13480103)

巻号頁・発行日

no.805, pp.2-20, 2007-11

著者

平野 晶子

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.875, pp.11-19, 2013-09-01

著者

小口 孝司

出版者

昭和女子大学

雑誌

奨励研究(A)

巻号頁・発行日

1993

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本研究では、怒りと自己開示が攻撃に及ぼす効果、すなわち怒りが攻撃を促進する要因となり、自己開示が攻撃を抑制する要因となることを、状況要因(研究1)と特性要因(研究2)の両側面から検討した。被験者は男女大学生であり、研究1では287名、研究2では187名であった。研究1では、怒りの有無と自己開示の程度を操作した場面を想定し、被験者がその場面ではどのような行動をとるか、またどのように感じるか質問紙を用いて回答を求めた。結果、怒りは攻撃を促進し、表面的な開示では攻撃に対し効果が得られなかったが、親密な開示は攻撃を抑制する要因となったことが示された。それは自己開示が相手に好意を抱かせ、相手に理解された結果であることが示された。理解よりも好意の方が攻撃の抑制の効果が大きかった。研究2では、Buss(1958)による攻撃性尺度と短気尺度、さらにMiller et al.(1983)によるオープナ-・スケールを使用し、この3スケールの関連性をみることにより特性要因の効果を検討した。結果、攻撃性と短気は有意な正の相関があり、両者はオープナ-とは有意な負の相関があった。さらに、攻撃性の中では、言語的な攻撃が最もなされやすいことが示された。また、短気尺度で抽出された2因子は、オープナ-との関連性から、異なる特性を持っていることが示唆された。すなわち、男性では、オープナ-は「挑発的苛立ち」因子と有意な正の相関の傾向が見られたのに対し、「内面的苛立ち」因子とは、有意な負の相関が見られた。以上から、状況要因と特性要因の両方で、怒りが攻撃を促進し、自己開示が攻撃を抑制することが示されたと言えよう。

著者

海野 裕子 三浦 香苗

出版者

昭和女子大学

雑誌

昭和女子大学生活心理研究所紀要 (ISSN:18800548)

巻号頁・発行日

vol.9, pp.53-62, 2007-03-31

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Feelings of undergraduate students about being alone were clarified by comparing feelings about being alone actively and passively. Undergraduate student participants (N=315) completed a questionnaire consisting of rating scales and free descriptions. The results indicated the following. (1) A Majority of participants indicated that they were "quite often, " "often" or "sometimes, " actively alone. However, most participants also indicated that they were "sometimes," "rarely" or "never" passively alone. (2) Most free descriptions indicated that feelings about being alone passively, were negative, whereas descriptions about being alone actively included a variety of feelings, such as negative feelings, ambivalent feelings, and neutral feelings. (3) Results suggest that feelings about being alone were closely related to instability and difficulties that are peculiar to adolescence.