著者
早川 由紀夫 小山 真人
出版者
特定非営利活動法人日本火山学会
雑誌
火山 (ISSN:04534360)
巻号頁・発行日
vol.37, no.4, pp.167-181, 1992-10-01
被引用文献数
4

The eruptive history of the Higashi Izu monogenetic volcano field for the past 32,000 years is revealed by tephrochronology and loess-chronometry. Morphology, color, and size of basaltic tephra grains are widely variable depending on the mode of the eruption; e.g., spinose red scoria are fallout from a strombolian eruption column when a scoria cone is established around the crater; yellowish green lapilli and hard tuff (kata) are products from phreatomagmatic explosions, the former being more magmatic than the latter. In the field, these discriminations are useful not only for identification of each tephra bed, but also for understanding the transition of eruptive styles during one eruptive event. Because vents are closed or sealed at the end of an eruption, an absolutely quiescence occurs between eruptive events in a monogenetic volcano field. This proves the validity of loess-chronometry. Some of the NW-SE or NE-SW trending alignments of volcanoes proved to be created by eruptive fissures; i.e., they are erupted simultaneously. Among them, the 11 km-long Iwanoyama-Iyuzan volcanic chain is the most conspicuous, which was active about 2,000 years ago. Eruptive events more than 10^9 kg of magma discharge are recognized 13 times during the past 32,000 years, so that the average frequency of eruption in this field is calculated one every 2,500 years. The last is the Iwanoyama-Iyuzan eruption. The discharge rate of magma is 100×l0^9 kg/ky for the past 32,000 years or 330×10^9 kg/ky for the past 5,000 years. The rate seems to be accelerated recently, however, it is still an order of magnitude lower than that of a polygenetic volcano such as Izu Oshima. The Kawagodaira eruption of 3,000 years ago is remarkable for two reasons: the largest with 765×10^9 kg of magma and the first appearance of rhyolite in the field.
著者
市山 雅美
出版者
湘南工科大学
雑誌
湘南工科大学紀要 (ISSN:09192549)
巻号頁・発行日
vol.50, no.1, pp.97-107, 2016-03

道徳教育の資料として、スポーツを題材としたものは多い。スポーツと道徳との結びつきは、すでに明治年間に見られ、旧制中学校の生徒自身もスポーツが精神の向上に資するという主張を行っていた。日清戦争後の時期は、国家を担う人物の身体の養成という観点で精神的側面は希薄であったが、日露戦争前後には、文弱・奢侈といった青年批判論に呼応し、運動の精神的な意義を主張するようになった。さらに1910年代の野球害毒論に対する反論として、野球を修養の手段として論じるものも現れた。このように、時代状況や外部からの批判に応じ、運動の精神性や道徳的意義を主張する論が生徒の側からも生まれたといえるだろう。
著者
熊谷 知子
出版者
日本演劇学会
雑誌
演劇学論集 日本演劇学会紀要 (ISSN:13482815)
巻号頁・発行日
vol.62, pp.51-66, 2016

In my previous research note "OSANAI Kaorus religious faith and that time" (2015), I argued that OSANAI had followed several religions in his life. Around 1900, he briefly became a Christian. Thereafter, he was closely involved with new religions: Shiseiden around 1916 and Omoto-kyo around 1920. Whereas he held these faiths temporarily, OSANAI was interested in spiritualism throughout his life. It is necessary to consider this tendency in his theatrical work. This paper discusses OSANAI Kaorus play Daiichi no Sekai (The First World), focusing on his religious faith and spiritualism. This play was written for a Kabuki actor, ICHIKAWA Sadanji II, performed by the Sadanji troupe in 1921. Until now, Daiichi no Sekai has been explored only in terms of its mysticism or symbolism, however this paper focuses on its connection to an autobiographical novel by a devout Christian: Shisen wo Koete (Before the Dawn) by KAGAWA Toyohiko. It is important to note that OSANAI had directed Shisen wo Koete, dramatized by the Shimpa (the new school), in the month prior to the opening performance of Daiichi no Sekai. Specifically, this paper focuses on the reflection of OSANAIs feelings in the characters of Yamanaka, the man of the house, and Shimamura, the orphan houseboy.
著者
大道 晴香
出版者
蓮花寺佛教研究所
雑誌
紀要 (ISSN:18828175)
巻号頁・発行日
no.9, pp.237-271, 2016
著者
石井 康夫
出版者
麻布大学
雑誌
麻布大学雑誌 (ISSN:13465880)
巻号頁・発行日
vol.19, pp.5-21, 2009

Ernst Barlach was a German sculptor who lived his life in Germany when the country was controlled by the government of Nazis. The persecution of his art was due to the characteristics of the sculpture's forms and ideas that did not correspond to Western aesthetic ideas which are based on Greek, or Renaissance art. That was the reason why the Nazis denied his works. Most representative works, the monuments for the World War I, which were for the cities of Magdeburg, Güstrow, and Hamburg, were criticized by the establishment and people who considered the works unsuitable monuments for each city, because the faces of the figures appealed eminently to the pacifistic public. The characteristic factors which constitute Barlach's sculptures are ascribed to his experiences of a journey to Russia. The Mother Nature of Russia and Russian people affected him significantly. The encounter with the landscapes of Russia and her people were such a stimulating experience for him that this experience remained in his mind and fueld his art. Also, Asian ideas that are based on religious images of Buddhism and the thoughts of Chuang-tzu can be noticed in his works. As he admired the sculptures of the Japanese Buddhism arts, his works and Buddhist art have a common spiritual essence. The philosophy of Chuang-tzu, "all things are equal," seems to have influenced Barlarch's creative ideas. They are converted to concrete forms as mercy and tolerance which are immanent in Barlach's sculptures. These tolerant and merciful ideas are realized in slender bodies with few wasted expression. The simple body lines and facial expressions are sophisticated and include sacred and religious images. The slenderness and tolerant expression are common to those of the Budhisattva. It is necessary to realize that Barlach's works are affected not only by Russia and Buddhism, but by his fundamental German tradition. Sculptures of Romanesque and Gothic art ornament the walls and capitals of cathedrals in Germany as peripheral decorations that create a religiously solemn world. It is thought that these sculptures which include people, animals, birds, monsters, and plants expressed in abstraction affected Barlach. He himself recognized that he was a successor of masters who made European traditional art in Medieval age. Barlach created modern sophisticated sculptures through unsophisticated people's figures in which he found essential humanism. He carved the modern saints in the figure of beggars, and offered resistance to Nazism.
著者
星 座 四ツ柳 隆夫 青村 和夫
出版者
公益社団法人日本分析化学会
雑誌
分析化学 (ISSN:05251931)
巻号頁・発行日
vol.26, no.9, pp.592-597, 1977-09-05
被引用文献数
1 4

ジメチルホルムアミド(DMF)及び60%(v/v)DMF-水混合溶媒中におけるグリオキサールジチオセミカルバゾン(GDS)のニッケル,銅,亜鉛,カドミウム及びパラジウム錯体について,その組成(M:GDS=1:1),吸収スペクトル及び錯形成pH条件などを明らかにし,GDSの吸光分析試薬としての可能性を論じた.更に,これらの検討に基づき,極めて選択的なパラジウムの吸光光度法を提案した.
著者
ジョ ヨンイル 高井 修
出版者
文藝春秋
雑誌
文學界 (ISSN:05251877)
巻号頁・発行日
vol.70, no.7, pp.166-203, 2016-07
著者
樋口 範雄
出版者
有斐閣
雑誌
ジュリスト (ISSN:04480791)
巻号頁・発行日
no.1248, pp.2-5, 2003-07-01
著者
小林 秀嗣 内野 滋彦 遠藤 新大 岩井 健一 齋藤 敬太 讃井 將満 瀧浪 將典
出版者
The Japanese Society of Intensive Care Medicine
雑誌
日本集中治療医学会雑誌 (ISSN:13407988)
巻号頁・発行日
vol.19, no.4, pp.609-615, 2012

【目的】急性肺傷害に対するシベレスタット投与は,欧米での研究で長期予後の悪化が示された。当施設は2007年より使用を原則中止し,今回この治療方針の変更が敗血症性急性肺傷害の予後に影響していないかを検証した。【方法】2007年1月前後21カ月間に,敗血症性急性肺傷害の診断で24時間以内に人工呼吸を要した成人ICU症例を前期群64例,後期群36例で比較した。【結果】両群の患者背景に差はなかった。シベレスタットは前期群54例(84.4%),後期群4例(11.1%)に使用された。28日ventilator free days,ICU滞在および入院期間,院内死亡率に有意差はなかったが,人工呼吸期間は後期群で有意に短かった。院内死亡率に対する多変量解析では,前期群に比べ後期群のodds ratioが0.269(<I>P</I>=0.028)であった。【結論】シベレスタット使用中止で敗血症性急性肺傷害の予後は悪化しなかった。