1 0 0 0 蛇形装飾

著者
塚本 靖
出版者
日本建築学会
雑誌
建築雑誌 (ISSN:00038555)
巻号頁・発行日
no.361, pp.33-42, 1917-01
著者
佐藤 正彦
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.60, no.470, pp.227-234, 1995
参考文献数
7
被引用文献数
2 2

I have examined in this wish documents and sutra,petitioners and masters on munafuda(dedication board) of Shinto shrines and Buddhist temples in the northern part of Kyushu and adjacent area. Briefly speaking, wish documents are nothing more than the records of diverse desires and yearnings of human beings.They are either social or personal.The former is the wishes for a victory in battle of the lord,a peaceful social condition and an abundant crop.The latter, long life,many children,and health. At the temples of the Nichiren sect, the beginning of quotations of the sutra on munafuda is "Nanmyouho-rengekyo" (meaning T 11 convert to Saddharma-pundarika. ). At other sects of Buddhist temples and Shinto shrines, mostly "Hokkekyo" (Saddharma-pundarika)is quoted. "Daimuryojyukyo" (Suhhavati-sutra) is also quoted. Gods and goddesses of the defense, the chief priest of Shinto shrines and Buddhist temples, or people under the protection of the same community deity etc. are written on munafuda as petitioners and masters.
著者
佐藤 正彦
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.62, no.498, pp.177-182, 1997
参考文献数
6

Not a few munafudas (dedication boards) of Shinto shrines and Buddhist temples have except the main clause a name of god and Buddha. Most of the gods on the munafudas are either a guardian deity of architecture or the ancestral god of craft, or Mizuhanomenomikoto (the goddess of water); all are connected with carpentry or craftmanship. Buddhas on the munafudas we usually Indras, Brahmas, or Devas of the four directions. And A few munafudas have a mythical Amonofutodamanomikoto. Quite understandably, no Buddhas appear on the munafudas after the Meiji era, when the separation of Shintoism and Buddhism was proclaimed and enforced by the government. The most common names on munafudas after the Meiji era are Yafunekukunochinomikoto and Yafunetoyoukehimenomikoto (the god and the goddess of carpentry) and Taokihooinomikoto and Hikosashirinomikoto (both the guardian deities of craftmen). Buddhas appear up to the Edo period from the middle century.
著者
佐藤 正彦
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.61, no.484, pp.213-219, 1996
被引用文献数
1 1

Since a fire is the most dreaded disaster for a wooden building, signs and symbols of fire prevention are commonly used on "munafuda" (dedication board). These sings are, for instance "[figure]" symbolizing water, or ones which stand for the sun, the moon and stars. Especially, stars of 28 hotels are popular, such as "△" representing the star of the triangular seat, that is, the north heaven. The Chinese character 'seal' is used as a magical sign of 'cutting of a seal' and also of 'enclosing something inside' ; sometimes the mere symbol "[figure]" is applied in the same occasions."[figure]" occasionally symbolizes four kings. The sign "[figure]", meaning 'nine characters are cut' in Yin and Yang theory, is used. Again, in Buddhist temples, munafuda registers "卍" symbols.
著者
深石 圭子 木下 庸子 大内田 史郎
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.84, no.763, pp.2005-2015, 2019 (Released:2019-09-30)

Nobuko Nakahara is one of the prominent architects who led the postwar housing design and established Hayashi-Yamada-Nakahara, Architects and Preservation in 1958. In this paper, it is aimed at comprehensively clarifying the design process and the background of “Chogakuin temple (1962)” with the HP shell roof which was completed just 4 years after her office was founded. She entered the Ikebe Laboratory of the Institute of Industrial Science, The University of Tokyo as a technical research student, and in the midst of the Controversies on Japanese tradition that involved Kiyoshi Ikebe, she was in charge of designing works “Number 20” and “Number 28.” In addition, the Ikebe Laboratory was actively working on a shell structure which was a new technology at that time. And, Nakahara closely related herself to “Numazu City Public Hall(1953)” designed by Ikebe Laboratory, and became close to Hoji Nukushina who was indirectly involved in structural design and Takumi Orimoto, a structural designer of “Number 38 (1958)”. Buildings adopting HP shell in Japan were built from around 1952. The number of shingles of the HP shell accounts for mostly one which constitutes one unit by one sheet and one which constitutes one unit by four sheets. As a new construction of reinforced concrete construction, “Chogakuin temple” is a work that Nobuko Nakahara first worked on after the establishment of the office and was published in a magazine titled “Integration of HP Shell and Tradition.” Chief priest and Parishioners wanted a warm and soft atmosphere. Therefore, Nakahara responded to the demand by adopting "Disconnected HP shell, " for example, by curving the edge beam of the shell. At the time, there were no roofs of exactly the same shape as this. The roof of the main “Chogakuin temple” is a combination of 4 HP shells, and its roof is supported by 4 pillars. The beams and pillars have an equilateral triangular cross-sectional shape, and they handle rainwater with grooves in them. Works that used “Disconnected HP shell” in times when structural expressionism is popular, “Chogakuin temple” is the only example, other than the saddle shell. The reason why Nobuko Nakahara was able to complete the design of “Chogakuin temple” to integrate HP shell and the Japanese tradition in 1962, the following could be noted. 1. She learned about modern architectural thinking from Kiyoshi Ikebe so she could understand Japanese traditional design and structural expressionism. 2. She experienced the Controversies on Japanese tradition in Ikebe Laboratory and others, and established a basic way of thinking against this problem. She accepted positively the desire of Chief priest and Parishioners while designing this temple. 3. In the Ikebe Laboratory which was motivated to apply the new technology, she learned about HP shell, gained network with structural designer Hoji Nukushina and others, and completed the “Chogakuin temple” design under the support of them. The way of thinking of Kiyoshi Ikebe about tradition simply did not adopt the Japanese element as it was. On the Contrary, it was going beyond tradition using new materials, construction methods, and techniques. As a disciple of Kiyoshi Ikebe, Nobuko Nakahara followed his idea with the cooperation of others and applied them to “Chogakuin temple” in its realization.
著者
森井 健介
出版者
日本建築学会
雑誌
建築雑誌 (ISSN:00038555)
巻号頁・発行日
no.1031, pp.A34-A35, 1970-12
著者
高松 由子 土居 義岳
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.66, no.546, pp.275-282, 2001
参考文献数
5
被引用文献数
3 3

From the second half of the 18th century to the early part of the 19th century, "the Aryan theory" was established. The first Governor-General of Bengal, W. Hastings applied this theory in his India administration. After he retired from his part for the Governor-General, he was impeached by the House of Commons. In 1800, "The Hindoo Temple at.Melchet Park" was built to tell future Hastings's administration and the retrieval of his lost honor for the Governor-General. Hastings had the Aryan theory, which was reflected the inscriptions, the architecture, and the landscape at Melchet Park by the designer T. Daniell.