著者

児島 由美子

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.71, no.603, pp.183-189, 2006

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A large number of researches have tried to solve the mysteries of the Akasaka Imperial Villa, but the interior decoration of the Akasaka Imperial Villa still has a lot of mysteries. The furniture and the decoration reflect the times, so it is very important to have a lot of information about the interior decoration to understand the Akasaka Imperial Villa in those days. This study found out the procurement process of the interior decoration of the Akasaka Imperial Villa. It relied on many imports to complete the western classic style room, but some products made in Japan were found in the room.

著者

河東 義之

出版者

日本建築学会

雑誌

大会学術講演梗概集. 計画系

巻号頁・発行日

no.47, pp.1383-1384, 1972-10

著者

平賀 あまな 野口 沢子

出版者

日本建築学会

雑誌

建築歴史・意匠 (ISSN:18839363)

巻号頁・発行日

no.2015, pp.701-702, 2015-09-04

著者

堀 賀貴

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.77, no.671, pp.173-181, 2012

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Ancient mosaics, which could be designed to take account of the form and function of the space, where they laid, captures the interest of a number of researchers as an example of luxury and power. But others noted that the elaborate process of fitting together the tesserae to make an image. On a mosaic in the House of the Dioscuri at Ostia, an outline was probably not applied on the wet underlying mortar to guide the hand of the mosaicists. Fortunately, the asymmetry of the design in the frame provides the means of exposing any minor errors introduced in the course of fitting the tesseraeto reconstruct mosaic production process. And the emblema depicting Venus was precisely worked directly on the bedding plaster mosaic without any guidelines. Since the four panels of the pictorial type were set in floors, the discontinuity has occurred between panels.

著者

奥田 紫乃 福本 陽子 原 直也 岩井 彌

出版者

日本建築学会

雑誌

日本建築学会環境系論文集 (ISSN:13480685)

巻号頁・発行日

vol.75, no.649, pp.255-260, 2010

被引用文献数

2 1

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This study finally aims to clear the appropriate lighting conditions for kitchen work. In this report, we conducted the experiment on the subjective evaluation for cutting and peeling, under a variety of conditions of light source, illuminance, light color, and light direction. Subjects evaluated &ldquo;Brightness&rdquo;, &ldquo;Visibility&rdquo;, &ldquo;Task Performance&rdquo; and &ldquo;Satisfaction&rdquo;.<br>As the results, it was cleared that the evaluation for &ldquo;Task Performance&rdquo; is high, under conditions that task light is diffused light and high color temperature light, and that the evaluation of&lsquo;the satisfaction of lighting environment for kitchen work&rsquo;was different by the light direction under the same conditions of illuminance on the work table.

著者

AHMED Sadik ツツミ ジュンイチロウ アラカワ リョウキ ナカマツ リョウ ヤスイ フミオ

出版者

日本建築学会

雑誌

学術講演梗概集. D-1, 環境工学I, 室内音響・音環境, 騒音・固体音, 環境振動, 光・色, 給排水・水環境, 都市設備・環境管理, 環境心理生理, 環境設計, 電磁環境 (ISSN:13414496)

巻号頁・発行日

no.2001, pp.557-558, 2001-07-31

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An analytical approach has been made based on Gumbel's extreme-value distribution for frequency analysis to compare the different agreements between India and Bangladesh regarding the water flow in the dry season through the river Ganges at Farakka in West Bengal of India. Flow lines of the 1^<st> agreement year of different agreements have been compared with the calculated shared value.

著者

MOIN Uddin Mohammad ツツミ ジュンイチロウ アラカワ リョウキ ナカマツ リョウ フクダ マコト ヤマモト ヒロユキ

出版者

日本建築学会

雑誌

日本建築学会研究報告. 九州支部. 2, 環境系

巻号頁・発行日

no.43, pp.437-440, 2004-03

著者

當間 明日香 橋本 雅好 早川 亜希 鵜飼 昭年 生田 京子

出版者

日本建築学会

雑誌

建築計画 (ISSN:18839363)

巻号頁・発行日

no.2015, pp.253-254, 2015-09-04

著者

田束 優 奥崎 智道 藤澤 彰

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

no.768, pp.405-412, 2020-02

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<p> This subject discussed reconstruction of the main shrine of "KATORI-Shrine" in Hananoi Kashiwa-city Chiba. The purpose of this subject is explaing about the professional ability of the master carpenter ''MASATOSHI MIMURA'' and the carver ''TSUNEHACHI ISHIHARA'' in construction of shrine and temple architecture used many decorations of building.</p><p> The main shrine of "KATORI-Shrine" was reconstructed in the fifth year of KAEI. It was needed a vast sum of money for the reconstruction and accomplished it forty year later including the years for fund-raising.</p><p> "MASATOSHI MIMURA" took the master carpenter and "TSUNEHACHI ISHIHARA" took the master carver, they participated in the construction with their clan. They decided the extent of contract work and worked in cooperation with each other. "MASATOSHI MIMURA" contracted to construct until the foundation of roof and the ground pattern of carving. "TSUNEHACHI ISHIHARA" contracted to carve lumber and make the carving for decorate wall board.</p>

著者

中西 大輔

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

no.777, pp.2419-2425, 2020-11

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<p> The aim of this paper is to follow the tile craftsmen's relocation in Kyoto by researching documents in order to acquire historical data, track the technological lineage and reveal the contemporary social circumstances. This paper concentrates on a tile craftsman 'Fukuda Kaga' describing what his relocation in 1739 meant for the provision of roof tiles in Kyoto.</p><p> Several generations called Fukuda Kaga worked in the Daibutsu district, which was known as a major production area of roof tiles for temples and shrines. The term 'the tile craftsman in the Daibutsu district' can be found on many roof tiles and ridge tags.</p><p> It is known that the Fukuda Kaga were active from 1590 to 1735. They worked in Myoshinji-temple, Kyoougokoku1i-temple, Daitokuji-temple, and Kiyomizudera-temple. After 1735, their activities decreased significantly, and their course is unknown except for the last work in 1775.</p><p> Investigating <i>Hinamiki</i>, the diaries kept at Kamowakeikazuchi Shrine, I found records about his working activities m the Hiiragibara district in 1739. Being part of the Kamigamo district, t he Hiiragibara district was under the control of Kamowakeikazuchi Shrine. Therefore, Fukuda Kaga had to apply to the shrine for his work, and the shrine recorded his application in <i>Hinamiki</i>.</p><p> The following three points were revealed as a conclusion by deciphering:</p><p> 1. Fukuda Kaga moved to the Hiiragibara district in 1739, after he surveyed the geology of the area and selected a site for his workshop in 1738. Mentioning of Fukuda Kaga's name could be found before 1731 at Myoshinji-temple, and before 1735 at Daitokuji-temple. At Myoshinji-temple, a new tile craftsman applied to the temple for permission to open business in 1739, which was the same year Fukuda Kaga applied to Kamowakeikazuchi Shrine. At Daitokuji-temple, the name of a different new tile craftsman from another district could be found in 1780.</p><p> 2. A merchant named Yorozuya Kan'uemon at the Daitokuji-temple town mediated between Fukuda Kaga and Kamowakeikazuchi Shrine. At first, Yorozuya Kan'uemon applied for permission to open a tile shop to the shrine. After the permission was granted, Fukuda Kaga became the applicant, and Yorozuya Kan'uemon stood as a guarantor for Fukuda Kaga. It has to be noted that the application forms were prepared by Kamowakeikazuchi Shrine.</p><p> 3. The relocation of Fukuda Kaga was due to an agreement between himself and Kamowakeikazuchi Shrine. The main motivation for Fukuda Kaga to work in the Hiiragibara district was the great demand for a tile craftsman in the area, and the little competition. Contrary to this, the Daibutsu district was abundant in tile craftsmen in the same period consuming a great amount of the local clay. Furthermore, Kamowakeikazuchi Shrine needed him in order to overcome financial difficulties, because at the time, the shrine was indebted, and some of the priests were too poor to fix their own houses. They expected the tax revenues from Fukuda Kaga to solve these problems, and also to stabilize the lives of local farmers by giving them work.</p><p> In conclusion, Fukuda Kaga didn't close his workshop by An'ei era. Fukuda Kaga moved to the Hiiragibara district legally and based on his own intentions. After his relocation, new tile craftsmen started to work at the temples, where Fukuda Kaga had worked before. His move indicated the end of an epoch in the provision of roof tiles for temples and shrines in Kyoto.</p>

著者

伊藤 裕久 濱 定史 小見山 慧子 山崎 美樹

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

no.774, pp.1829-1839, 2020-08

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<p> This paper seeks to clarify the transition of the townscape and the dwelling pattern of Shake-machi (Shinto priest town) of the Kasuga Taisha Shinto Shrine in the pre-modern times through the analyses of the Toma family's house which was built in the late 18th century and the existent archival materials from Toma family archives. We especially examined the formative process of the dwelling pattern of Negi (the lower-class Shinto priest) in Shake-machi during the Edo era, while paying attention to the difference before and after the Great Fire of Takabatake in 1717. The contents are as follows.</p><p> Introduction.</p><p> 1. Spatial composition and the dwelling pattern of Shake-machi at the beginning of the Meiji era.</p><p> The organization of the Kasuga Taisha Shinto shrine was constructed by the two hierarchies of the Shinto priest called Shake (the upper-class) and Negi(the lower-class). They lived in the north and south settlements separately. The north (Noda) declined, and the south (Takabatake) developed in the Edo era and 21 Shake and 93 Negi families lived in Takabatake in 1872. The houses of Negi were aligned along both sides of the main street there. Their dwelling lots of Tanzakugata-jiwari (Strip shaped land allotment) were divided into three types of the frontage dimensions (Narrow3ken/Middle5ken /Wide7-10ken). Middle and wide types accounted for most of their dwelling lots.</p><p> 2. Changing process of Shake-machi in the pre-modern times and its dwelling pattern.</p><p> In 1698, 30 Shake and 205 Negi families (double in 1872) lived in Takabatake and more over there were many Negi families which did not own their dwellings but were the tenants. Negi families did not only conduct exclusively religious services but also worked as actors, craftsmen and merchants like common people of the city. Therefore, the dwelling pattern of Negi was similar to Machiya (traditional town house of common people) style. Half of the Shake-machi was burned down in the Great Fire of Takabatake in 1717. Small Negi families without possessions or wealth were overwhelmed, and it was estimated that the new dwelling lots of a large frontage size increased by integrating their narrow dwelling lots after the Great Fire in 1717 and the new townscape with the dignity as Shake-machi was reconstructed by the sequence of the large frontage of mud walls and front gates along the street.</p><p> 3. Architectural characteristics of the house of Toma Family who was the Negi and its reconstructive study.</p><p> Toma family's house is surrounded by Tsuijibei (mud wall with a roof) with Yakui-mon Gate on its north side, and the main building has the large gable roof and Shikidai (the formal entrance). These features show the high formality of an influential Negi family. According to the reconstructive study, it was revealed that Toma family's house had been built in the late 18th century and the 2rows×3rooms plan with the earthen floor passage was originally the1row×3rooms plan connecting the lower ridge style Zashiki (2rooms). It resembles to the old Machiya of Nara-machi in the late 18th century. In this way, it is worthy of notice that Negi family's house had been developed from Machiya style by the reduction of small Negi families and the integration of their dwelling lots after the Great Fire of Takabatake in 1717.</p><p> Conclusion.</p>

著者

丸山 奈巳

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

no.772, pp.1275-1285, 2020-06

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<p> The Sarugaku, similar to the Noh performance, was popular among the ordinary people. As a result of personal love of the Third Shogun Yoshimitsu Ashikaga, gained the position of the entertainment to the nobility. From the age of six Shogun Yoshinori Ashikaga, the Noh stage was become to build temporarily in the Government Office and the Daimyo's mansions to entertain the important guests for the political uses. At last the Noh stage was permanently established as one of the architectural elements constituting the Edo Castle Honmaru Great Hall where the most important ritual of the Edo shogunate would be held. This paper is trying to elucidate the reason why the Noh stage was built in the ceremonial space of the government agency and the circumstances leading up to its formation. This paper sturdy about the 6th Shogun Yoshinori Ashikaga period.</p><p> Yoshinori Ashikaga was chosen as the 6th Muromachi Shogun when he was 36 years old who loved the Kanze's Sarugaku. Immediately Yoshinori moved to Sanjobomon-dono, built a Noh stage in the southern courtyard in front of the Shinden. He held Sarugaku performances intended to make opportunities to gather political dignities, and to confirm the feudal relationships with the guests. Yoshinori not only loved Sarugaku, used the event of Sarugaku politically. And he used the Noh for one of the public events of Shogunate with Kanze as the Sarugaku-Tayu. In 1431, Yoshinori moved to Muromachi-dono, and until 1441 he held the Sarugaku for various reasons as follows.</p><p> New Year's comfort for Mrs. as Annual events of the shogunate</p><p> Entertainment for a special guest of the Shogunate</p><p> An event to make opportunities to gather political dignities</p><p> Comfort to vassal</p><p> Kanjin-Sarugaku</p><p> A victory celebration</p><p> Entertainment for Shogun in the Residences of Daimyo.</p><p> Entertainment for Shogun by the temples</p><p> Entertainment in the Ex-Emperor palace.</p><p> For these needs, Kanze had been employed to perform for such events. And the government had become to held the Sarugaku for official use.</p><p> The Noh stage had get place in the courtyard of Government agency, Imperial Palace, The Temples and the Residences of Daimyo. And the architectural style of Noh stage had been formed and the manners to enforce the events gradually. But the style of Noh stage was still temporary construction.</p>

著者

若山 滋 張 奕文 渡辺 孝一

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.60, no.476, pp.101-109, 1995-10-30 (Released:2017-01-27)

参考文献数

30

被引用文献数

4 1

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In the present paper, we studied the architectural space in the literary works of Souseki NATSUME who is expected as a representative writer of modern Japan. All wordings related to the urban and architecture were extracted from 12 of his works and the space of stage was specifically analyzed. We found that extremely various architectural wordings were appeared in his works, which indicates sort of "compound aspects" of cultural situation in Japan in that time. According to the distinction in the change of stage-space in his works written in different time, his works could be classified into four patterns. In his earlier works (until "Sanshirou", 1908) the change of stage-space was "active" and "extensive", whereas in his latter works (since "Sorekara", 1909) it was "uneasy" and "circulated".

著者

下川 紘子 斎尾 直子

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.84, no.760, pp.1361-1370, 2019 (Released:2019-06-30)

参考文献数

16

被引用文献数

2 3

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As the number of younger generation is decreasing, the number of the closed public high schools is increasing in Japan. In fact, Kanagawa prefecture has closed twenty-four prefectural high schools since 2000. Therefore, knowledge about how to use closed high schools is increasingly important. As a step to gain the knowledge, this paper clarify both of (1) state of utilization of closed high schools by a prefecture rather than municipalities and (2) specific issues of utilizing closed high schools unlike to elementary or junior high school due to facilities and catching area of schools.  The targets of this research are twenty-four closed high schools in Kanagawa prefecture. Kanagawa was chosen as a subject because the prefecture is a forefront prefecture of using closed prefectural high schools. This paper analyzed use of closed high schools by the following three steps. First, the authors collected both transitions of policy regarding prefectural high schools and the number of closed public schools within the prefecture by bibliographic research and inquiries to municipalities. Second, the authors investigated use of twenty-four closed prefectural high schools and their surrounding communities by research in literatures which are school’s summary booklets of the prefectural archives, Density Inhabited District (DID) data by the Geospatial Information Authority of Japan, web site of local newspapers, and the proceedings of prefectural and municipalities’ assemblies. Finally, the authors interviewed with Kanagawa prefectural educational board and eight presidents of surrounding residents' associations to consider their opinions about the utilization of closed high schools.  The analysis revealed following main results.(1) The integration of public high schools is determined by the prefecture with consideration to broader perspective on the prefecture. Therefore, local municipalities do not have opportunities to discuss with the prefecture about integration of high schools although they are most influenced by the school integration. The authors propose that it is important for local municipalities to participate the discussion.(2) There are differences between high schools and both elementary and junior high schools, which are sizes of schools and local residents’ attachments toward schools. Local communities do not have particular attachment to closed high schools regardless distance from central urban area. However, as land prices are different depending on the locations, schools in rural area have fewer potentials to be used by private sectors. It leads to create an issue that closed high schools tends to be kept to be unused in rural areas. In the case that private sectors use the land, there are three ways of securing publicness of the lands; splitting lands into private and public sectors, making private sectors to develop public facilities and lending lands to private sectors. It is appreciated by local residents that enabling access for local communities to parts of new facilities developed by private sectors. Based on the results, the authors consider that it is important that prefecture keep publicness of closed prefectural high schools in using it.

著者

中迫 由実 瀬渡 章子 渡邊 まりこ 中尾 明日香

出版者

日本建築学会

雑誌

都市計画 (ISSN:18839363)

巻号頁・発行日

no.2013, pp.1139-1140, 2013-08-30

著者

吉野 博 長友 宗重 石川 善美 松本 真一 内海 修明 長谷川 兼一

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.60, no.471, pp.19-28, 1995-05-30 (Released:2017-01-27)

参考文献数

19

被引用文献数

8 8

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A Super-insulated house was constructed near Sendai City in accordance with the Canadian R-2000 manyual. Shelter performance, thermal environment, air quality and energy consumption of this house were investigated for two and a half years. This super-insulated house was very airtight compared with the other houses. The two-and-a-half-year measurement of room temperature and humidity showed that the daily mean temperature for the dining-living room and the master bedroom were 16℃〜20℃ during the winter and 22℃〜32℃ during the summer. Humidity ratio for these rooms was less than 5g/kg during the winter. The indoor environment of this super-insulated house during the heating season was more thermally comfortable, compared with that of ordinary houses in Japan. During the summer, the indoor temperature in this house was stable during the day and did not decrease at night time even if the outdoor air temperature dropped. The CO_2 concentration in this house was lower than that of the other airtight houses due to continuous mechanical ventilation. The space hiating energy consumption for this suoer-insulated house was less than that of ordinary houses in Tohoku District in which only the living-dining room was heated.

著者

堀 賀貴

出版者

日本建築学会

雑誌

日本建築学会計画系論文集

巻号頁・発行日

no.671, 2012-01

著者

牧野 稔 阿部 久雄 永井 雄一

出版者

日本建築学会

雑誌

大会学術講演梗概集. 構造系

巻号頁・発行日

no.43, pp.313-314, 1968-09-05

著者

楠川 充敏 鈴木 賢一 中井 孝幸

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.85, no.776, pp.2107-2117, 2020 (Released:2020-10-30)

参考文献数

9

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1. Objectives In Japanese universities, the realization of a new type of group learning environment, based on the use of analogic and digital media, has been promoted: Learning Commons (hereinafter, "LC"). Recently, examples of LC built separately from university library have increased. In the previous report, we conducted surveys in libraries where the reading area and the LCs are integrated, aiming to clarify the seat choice behavior of individual and group users. However, it was still to define if all the users actually choose only one of those two types, or if some of them rather choose both types. For this reason, we tried to clarify the differentiated use behavior of reading areaff and LCs, aiming to acquire a useful knowledge for future learning space planning. 2. Research method We conducted a questionnaire survey and a behavior observation survey regarding the use status (addressed to users), and a questionnaire survey regarding the facility conditions (addressed to library staff). The surveys were conducted in four Japanese universities: Sugiyama Jogakuen University, Ritsumeikan University, Chubu University, and Kyoto Sangyo University, which have different LC installation types. All of those institutions have more than 6,000 students and multiple departments. The different LC installation types have been identified as “integrated open type” (Sugiyama Jogakuen Univ.), “integrated separate type” (Ritsumeikan Univ.), “distributed combined type” (Chubu Univ.), “distributed independent type” (Kyoto Sangyo Univ.). 3. Results We noted that, as for the actual conditions, LC facilities have been built outside the library building in those universities where the number of students is larger. Our hypothesis was that most of the single users tend to chose reading areas, and that most of the group users tend to chose LC; however, the results showed that around the 50% of the plural places users tend to choose both facilities, regardless of single or group use. The analysis of this portion of users’ behavior made clear that, between the reasons of their place choice, there are the possibility of using learning tools as PCs and copy machines, and the factor of nearness (LC facilities situated near the faculty building were largely used). In the “distributed type”, a large number of users chose both reading areas and LC because of the quiet environment. From this, it can be thought that by separating LC from the library building, it becomes possible to create various acoustic environments inside the vast surface obtained. Also in the “integrated open type”, where there are no partitions between reading areas and LC, and where, within the same floor, there is a differentiation of quiet and lively spaces, many users’ purpose was “to find a quiet environment”. This behavior could only mean that the concept of “quietness” is not only linked to the absence of sound. 4. Conclusions From those considerations, it seems necessary to provide a differentiation in the sound environment of the learning spaces. Even by planning spaces where there is a sort of “noisy” acoustic condition, it becomes possible to increase the place choice factors of the users.

著者

奥冨 利幸

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.74, no.637, pp.675-680, 2009-03-30 (Released:2009-11-24)

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In Meiji period, the placement relations of auditorium and Noh stage, was changing from contraposition style to surrounding style. But when the end of Meiji era, the Noh theater space was beginning changed to new style. That is the traditional Noh stage located at indoor of theater and still being an individual building. I called it as Ireko style. This paper picked up two cases, one is Kongo Noh Theater, another is the theater of Hosho Noh Society. Though these two case study, I clarify the construction process of new style. In addition, I inspected the outbreak of Ireko style Noh theater how related with the Noh improvement movement for the same period.