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著者
大蔵省印刷局 [編]
出版者
日本マイクロ写真
巻号頁・発行日
vol.1903年05月30日, 1903-05-30
著者
Amaya García-Fernández Francisco Marín Vanessa Roldán José M Gómez-Sansano Diana Hernández-Romero Mariano Valdés Juan G Martinez-Martinez Francisco Sogorb-Garri Gregory YH Lip
出版者
日本循環器学会
雑誌
Circulation Journal (ISSN:13469843)
巻号頁・発行日
pp.CJ-15-0992, (Released:2016-01-14)
参考文献数
35
被引用文献数
1 5

Background:Patients with nonvalvular atrial fibrillation (AF) who undergo electrical cardioversion (ECV) tend to be younger and have less comorbidity. Long-term anticoagulation after ECV should be based on thromboembolic risk. We sought to study the long-term incidence of thromboembolic events (TE), factors related to TE and compare the predictive value of the CHADS2and CHA2DS2-VASc scores in this particular population.Methods and Results:From January 2008 to June 2012, 571 ECV were performed in 406 consecutive patients with nonvalvular AF. Risk factors for TE and factors related to anticoagulation therapy after ECV were registered. During a follow-up of approximately 2 years, the annual incidence of TE was 1.9%. Factors associated with TE were: poor quality anticoagulation control (hazard ratio [HR]: 2.91; 95% confidence interval [CI]: 1.10–7.80; P=0.03), cessation of anticoagulation after ECV (HR: 8.80; 95% CI: 3.11–25.10; P<0.001), age ≥65 years (HR: 13.65; 95% CI: 1.74–107.16; P=0.01), CHADS2score (HR: 1.59; 95% CI: 1.10–2.29; P=0.01) and CHA2DS2-VASc score (HR: 1.67; 95% CI: 1.30–2.22; P<0.001). Both risk scores predicted TE [c-statistic for CHADS2: 0.68 (95% CI: 0.62–0.74; P=0.005), for CHA2DS2-VASc: 0.75 (95% CI: 0.70–0.80; P<0.001)]. Based on c-statistics, the predictive accuracy of CHA2DS2-VASc was superior (difference between areas: 0.064±0.031; P=0.0403).Conclusions:Important determinants of long-term occurrence of TE after ECV were related to anticoagulant therapy (poor quality anticoagulation and cessation of this therapy over follow-up). The CHA2DS2-VASc score successfully predicts TE after ECV, having better predictive accuracy than the CHADS2score.
著者
國史講習会編
出版者
雄山閣
巻号頁・発行日
1925
著者
加藤 有子
出版者
北海道大学スラブ研究センター
雑誌
スラヴ研究 (ISSN:05626579)
巻号頁・発行日
vol.57, pp.1-25, 2010

This paper attempts to demonstrate Bruno Schulz (1892-1942)'s, a Polish writer and artist, specific view of a book as the topos integrating image and text, by discussing Schulz's illustrations in Sanatorium under the Sign of the Hourglass (1937) and the cliché-verre series titled The Idolatrous Book (1920-22, 1924). The discussions of Schulz's works have generally centered on his prose and developed separately in the fields of art and literary criticism. By focusing on the forgotten fact that he felt great interest in illustrating books, this paper reconsiders Schulz's two books in the triangular relationship between image, text, and book. The first chapter examines Schulz's 33 illustrations in his Sanatorium as elements of the book pages. Most of Schulz's illustrations are realistic visualizations of the characters' described actions and settings, with the exception of three illustrations in the stories "Edzio" and "Father's Last Escape." These three illustrations that have no literal relationships to the text depict the plots or action symbolically or structurally. Examples of the latter are the two illustrations in "Edzio." As a pair, they visually represent a metaphysical view on the "story/history [historia]" described in the text. These two integrate with the text more deeply than the others. The next chapter reconsiders The Idolatrous Book as a book consisting of only images. Particular attention is paid to the technique of cliché-verre, which is a combination of photography and engraving. If we consider that the ancient books were "engraved" on wax, clay, or stone plates, Schulz's act of creating the cliché-verre images is, in effect, an act of simultaneous writing and drawing. Schulz's two books -- Sanatorium and The Idolatrous Book -- are therefore not mere verbal or visual arts; they transcend the traditional dichotomy of words versus images. This chapter also points out reproducibility as another distinctive aspect of the cliché-verre. Schulz, as if defying this characteristic, made every set of The Idolatrous Book different. He gave each set different title pages with different images and set numbers. Moreover, each set is unbound, which makes it possible to change the order of pictures or even change the very pictures included. By accumulating only variations, Schulz erases the difference between the concepts of "original" and "copy." Each set stands alone as a unique work of art. The third chapter demonstrates that "book," as an integration of image and text, is presented in Schulz's short stories as "The Book," which is in fact fragments of illustrated journals and a stamp album. Furthermore, the narrator and his Father Jakub always drew images on paper with words -- on books or journals -- supporting the view that Schulz deemed words and images equal elements of works of art. This chapter also notes that Schulz's books -- Sanatorium, illustrated by him, and The Idolatrous Book, "The Book" in his short stories -- exhibit the characteristics of the literary concept of "liberature" proposed by Fajfer (1999) for books integrating text and all the physical elements of the book as an organically complete literary work. Overall, the discussion explains why "book" is a recurring subject of Schulz's works. A book is a space where Schulz can realize his artistic visions as an author-cum-artist, blurring the boundary between the verbal and the visual in his works.
著者
岩谷 道夫
出版者
法政大学キャリアデザイン学部
雑誌
法政大学キャリアデザイン学部紀要 (ISSN:13493043)
巻号頁・発行日
vol.3, pp.219-236, 2006-03

The Saxons are among the Germanic tribes who moved from the European continent to the island of Britain in the age of the Germanic migration. After their movement to Britain,the Saxons,together with the Angles and Jutes,estabilshed the so-called Anglo-Saxon Heptarchy. Alfred the Great,who finally united all the other English nations,was the king of a West-Saxon kingdom created by the Saxons. In contrast with the Angles and Jutes,however,the Saxons did not migrate from their homeland totally. The Sachsen,their German kindred,stayed in their continental homeland and they subsequently played an important role in German history. This paper searches for the original entity of the Saxons and for its relation to the continental Sachsen. The formation of the Saxons is not clearly understood and there are several views on the matter. Two Germanic tribes,the Chauci and Reudigni,seem to have contributed much to the tribal formation of the Saxons. But it is still an open issue which tribe or tribes formed the Saxons. It is also unclear how the Saxons came to occupy the vast dominion of the Chauci. Those matters are to be sought entirely through the investigation into the references made by Roman writers and modern scholars. The historical relationship between Saxons and Sachsen is also purued in order to illuminate the mutual influences in religion and culture in the early middle ages.
著者
岩谷 道夫
出版者
法政大学キャリアデザイン学部
雑誌
法政大学キャリアデザイン学部紀要 (ISSN:13493043)
巻号頁・発行日
vol.4, pp.171-190, 2007-03

Among the Germanic tribes who migrated from the continent to Britain, the Angles formed the two important kingdoms of Northumbria and Mercia, which were quite prosperous in the early history of England. In Northumbria, for example, Beda and Alcuin were outstanding in learning and religion, and their works influenced the cultures and thought of later Anglo-Saxon kingdoms. The cultural influence of the Angles eventually led to the name -for that part of the British Ilses: England. This paper aims to search for the homeland of the Angles before their migration to Britain. They were said to have lived in the northern part of today's Germany. But it is also said that they had been staying farther south. Which was their true homeland and from which direction did the Angles migrate to Britain? On the other hand, there is a possibility that the Angles had a strong relationship with the Thuringians, especially in the formation of their kingdom. How then did the Angles establish the Thuringian kingdom and when was it? The views of modern scholars on those questions are divided and are not entirely argued on the same grounds. This paper tries to deal with those questions on the same basis, referring mainly to the works of the Roman historians. It also tries to seek for the probable homeland of the Angles and their traces of migration with regard to the Thuringian kingdom.
著者
Mami ADACHI Yuki HOSHINO Yusuke IZUMI Satoshi TAKAGI
出版者
公益社団法人 日本獣医学会
雑誌
Journal of Veterinary Medical Science (ISSN:09167250)
巻号頁・発行日
pp.15-0625, (Released:2015-12-21)
被引用文献数
1 8

Canine hemangiosarcoma (HSA) is a progressive malignant neoplasm of dogs for which there is currently no effective treatment. A recent study suggested that receptor tyrosine kinases (RTKs), the PI3K/Akt/m-TOR and MAPK pathways are all activated in canine and human HSA. The aim of the present study was to investigate the overexpression of these proteins by immunohistochemistry in canine splenic HSA to identify potential molecular therapeutic targets. A total of 10 splenic HSAs and two normal splenic samples surgically resected from dogs were sectioned and stained with hematoxylin and eosin for histological diagnosis or analyzed using immunohistochemistry. The expression of RTKs, c-kit, VEGFR-2 and PDGFR-2, as well as PI3K/Akt/m-TOR and MEK was higher in canine splenic HSAs compared to normal spleens. These proteins may therefore be potential therapeutic targets in canine splenic HSA.
著者
田中 貴拓 新谷 幹夫 白石 路雄
出版者
一般社団法人映像情報メディア学会
雑誌
映像情報メディア学会技術報告 (ISSN:13426893)
巻号頁・発行日
vol.39, no.14, pp.187-190, 2015-03-07

近年,立体パズルの開発が盛んに行われ,ゲーム・携帯アプリの1分野として定着している.数独の立体化も試みが見られるが,成功しているとは言えない.本研究では,従来の立体数独アプリケーションの問題点である操作性と見づらさを改善するため,立体数独を解く上で必要な情報を平面的に表示するインターフェースを提案する.提案手法では解きたいマスをクリックするだけで必要な情報が提示される.これによりプレイヤーは煩雑な3次元操作から解放される.比較実験を行なったところ,解答速度が従来手法に対して有意に速いことが示された.余計な操作を省略し,立体数独の魅力の向上に寄与することができると期待する.
著者
瀧澤 仁唱
出版者
桃山学院大学
雑誌
桃山法学 (ISSN:13481312)
巻号頁・発行日
no.19, pp.29-49, 2012-03-26
著者
前野 深 新堀 賢志 金子 隆之 藤井 敏嗣 中田 節也 鎌田 桂子 安田 敦 青柳 正規
出版者
東京大学
雑誌
東京大學地震研究所彙報 (ISSN:00408972)
巻号頁・発行日
vol.84, no.4, pp.271-289, 2010-03-29

Burial process of Roman Villa on the northern flank of Mt. Vesuvius, Italy, was reconstructed based on sedimentation processes of laharic deposits newly discovered during 2006-2008 for the extended excavation site in NE to E parts of the Roman Villa. The laharic deposits are distributed on the lower level of the excavation site. The deposits are divided into four subunits, G1-MfL1, G1-DfL1, G1-MfL2, G1-DfL2, based on their sedimentary facies (Mf and Df facies). Mf is characterized by massive and matrix-supported facies, indicating en masse deposition from a laminar flow process, and Df is characterized by stratified and clast supported facies, indicating grain-by-grain aggradation from suspension or traction process. These different types of facies are partially transitional and attributed to variations of sediment/water ratio and internal stress condition inside flows, and may be resulted from an evolutional process, like a flow transformation, of a single debris flow. These laharic deposits directly overlie pyroclastic fallout deposits (G1-Af) in the initial phase of the AD 472 eruption, but are eroded and covered by epiclastic deposits (G1-Mf1, 2, 3, 4 and G1-Df) derived from later- and larger-scale laharic events related to the same eruption. The later laharic deposits include more amounts of basement lava of Mt. Somma, compared with the newly discovered deposits. Characteristics and interpretation of the deposits suggest that lahars just after the 472 eruption came from the north to bury the lower level of buildings and have experienced various types of sedimentation processes. An erosion of the edifice of Mt. Somma may have mainly acted in the later laharic events.