出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.83, no.745, pp.609, 2018 (Released:2018-03-30)

著 者 坪山幸王、佐藤信治 表 題 水族館の観覧空間における展示水槽・展示物に対する入館者の観覧行動に関する研究 掲載誌 日本建築学会計画系論文集、第63巻、第511号、107-114頁、1998年9月 本論文は二重投稿にあたるため取り下げたい旨の申請が著者からあり、これを承認した。
著者
黒野 弘靖 菊地 成朋
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.60, no.477, pp.117-124, 1995-11-30 (Released:2017-01-27)
参考文献数
11
被引用文献数
1

In this study we attempt to explain villages of the Tonami Plain having a pattern of dispersed dwellings. Described in this paper as "dispersed villages" the pattern is not resulting from a cause and effect relationship, but rather as a generative system. We further attempt to make dear the spatial composition of the dispersed villages. First we divided all the villages into five categories, and looked at various areas of distribution and considered the corresponding location characteristics and development periods. Next we chose typical examples of each type, and analyzed their territorial configurations. As a result we realized that each type seemed to have a unique territorial configuration.
著者
冨島 義幸
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.66, no.544, pp.255-262, 2001-06-30 (Released:2017-02-04)

In the history of Japanese architecture, we considered the Amidado and Jyogyodo halls of the Heian period to be "Western Paradise Architecture". But, we find many elements of esoteric Buddhism in this architecture, and the space of the Hokkai-ji Amidado hall was constructed as a three-dimensional Vajradhatu Mandala. Such Amidado hallsappeared in the middle 12th century through the relationship between retired Emperors and Ninnaji-Omuro. The appearance of such Amidado halls was connected with the extension of the influence of Garbadhatu and Vajradhatu Mandalas upon the space of Buddhist architecture in the late Heian period, and this phenomenon was probably based on the devotion towards Amida Buddha in the Shingon Buddhist sect.
著者
片野 博
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.66, no.544, pp.281-288, 2001-06-30 (Released:2017-02-04)
被引用文献数
1 1

In this paper the author defined architects, participating the first head quater office in 1899, Yawata Steel Works. The ducuments which the Works possesses tell the existance of two professionals, one was Hanroku YAMAGUCHI, the other KAMIYA Kuniyoshi. YAMAGUCHI was an architect and learned in France, and had a career in "MONBUSHO", designed many architectures after leaving the ministry. His concept was a correspondence with design and construction. The building is very close to his design concept. KAMIYA was employed as engineer, but his concept was not clear from the survey, so that he might had to be an egineer, because of long career in Navey. It is reasonable to say that the participation of YAMAGUCHI was not as an architect, but a supervisor.
著者
鶴田 佳子 佐藤 圭二
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.60, no.470, pp.149-159, 1995-04-30 (Released:2017-01-27)
参考文献数
25
被引用文献数
1 1

Almost all major cities in Japan applied the land readjustment projects for their urbanization mainly under Article 12 of the City Planning Act of 1919 during the early period of modern city planning. Such cities as Tokyo, Osaka, and Nagoya aimed to provide infrastructure and to practice detailed district plans by "private" land readjustment projects under Article 12, which were approved by the local government to landowners' associations. In Osaka and Nagoya, these projects were effectively executed with city-wide urban planning and positive public support. Contrarily, the projects under Article 12 in Kobe were merely for suburban development.
著者
長澤 優作
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.80, no.708, pp.401-409, 2015-02-28 (Released:2015-03-30)
参考文献数
11

Building pagodas within the precincts of shrines was a common style of construction and the syncretic idea was accepted through the Middle ages down to the Meiji Restoration. Many of those pagodas, however, have been destroyed since then and up to the present day there remain only so pagodas affiliated with shrines. They are regarded as the evidence of the combination of Shintoism and Buddhism. Among them some were relocated from shrines to temples and others of which main idols were changed or even removed under the policy of the separation. There fore, they are now far from their original style of construction in those days. This paper assembles a lot of historical and religious facts and idols written about pagodas. Its aim is to try to frame an explanation about their idiosyncrasies by the comparison with the ones belonging to temples.
著者
池田 聖太 小川 次郎 高桑 広太郎
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.80, no.714, pp.1935-1944, 2015 (Released:2015-09-25)
参考文献数
13
被引用文献数
1

The aim of this study is to clarify how contemporary Japanese architects describe the appearance of their housing works in the composition of the text. Initially, terms about the design of houses are categorized into three groups; condition of the project, spatial operation by the architect, and the efficiency as a result of the operation. Secondly, relation of each category is analyzed. Finally, "description form of architectural appearance" and characteristic types of description are extracted.; “responding to condition”, “placing a high premium on spatial operation”, “clarifying rationality of the relation between condition, operation and efficiency”, “clarifying efficiency to condition”.
著者
栗原 伸治
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.72, no.614, pp.137-143, 2007
参考文献数
36

Chinese movies came to attract attention all over the world after middle of 1980's. Many of those works draw the living environment of modern China. Therefore, the living environment drawn there is impressed with as reality as well as an image for the people who watched these Chinese movies. This paper aims to interpret the family relations as such living environment in the Chinese movie "Postmen in the mountains" by Huo Jianqi who is the sixth generation director, from the viewpoint of constitution analysis based on cinematography, As a result, 12 chapters, 28 scenes, 637 cuts can be extracted from this movie. And based on these functions and relations, the following relations of a family can be interpreted: I. There exists gender in a family. II. Second son is placed in merge null of a family, and he has the role to connect a family to the outside. III. However, he also has family's center position that ties a family dynamically. IV. Second son is a metaphor of "a thing" succeeded to in a family. In other words, it was able to interpret second son's ambiguity in a family, and his position as mediation of the family succession.
著者
鈴木 光 吉田 倬郎 三原 斉
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.77, no.675, pp.1163-1168, 2012-05-30 (Released:2012-07-02)
参考文献数
21

The result of the survey of the research material becomes it the plasterer in the future.The content of the plasterer construction of the Meiji era period is considered.It makes comparative study of the Meiji era period and the plasterer finish of the present age.The plasterer term of the Meiji era period is converted.
著者
西 英子
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.69, no.575, pp.109-115, 2004-01-30 (Released:2017-02-09)
参考文献数
24
被引用文献数
3 2

The purpose of this paper is to clarify urban growth in the greater Copenhagen metropolitan region by analyzing the planning theory, changing process of urban development and strategies, and social background. Having "Finger Plan (1947) as its foundation, the process of urban growth in the greater Copenhagen metropolitan region has established strong connection between people and cities with a sound use of green spaces and decentralization of local facilities, workplaces, and transportation hubs. This decentralization process has significance in creating the self-municipality and sustainable cities.
著者
齋藤 隆司 古阪 秀三 平野 吉信
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.80, no.709, pp.689-696, 2015-03-30 (Released:2015-03-30)
参考文献数
35
被引用文献数
1

This paper analyses the influence of postal architecture's quality assurance from the view point of client side. Postal architecture is very unique tradition, having both clients and architects function in the organization. Postal architecture was born in 1885, with over 130 years' historical accomplishment. The era of postal architecture has been divided into 4 phases; 1) the era of in-house designers who lead building projects, 2) era of specialists, 3) era of project management, 4) era of externalities and privatization. This paper analyses the changing role of clients and how the environment society has been influenced these changes.
著者
佐藤 考一 朝吹 香菜子 角倉 英明 角田 誠 森田 芳朗
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.82, no.733, pp.827-835, 2017 (Released:2017-03-30)
参考文献数
6

The scope of education on building technology is not limited to construction supervision for architects and construction work management for constructors. In fact, when the 2008's reform of the Architect Act introduced the eight categories of designated lectures in accreditation of architect license in Japan, one of them was Building production, not Construction work. However, architectural courses of technical colleges and universities do not necessarily have the common understanding on education of building production. This paper is the third report of educational report series to facilitate richer education of building production in technical colleges and universities. By a review to nine textbooks of building production and a questionnaire survey to two hundred forty two departments of architecture, which the former two reports showed in detail, we made out the reference material for syllabus on lectures of building production. That contains a list of ninety-three educational headings of building production, two tables of three lecture types related to educational headings or construction business fields, variations of each lecture type on procedure, and instances of typical lecture procedure. This paper aims to evaluate the reference material for syllabus, and to discuss the future lectures and texts of building production. A new questionnaire survey to ninety-six departments of architecture has made the followings clear. Firstly, the reference material for syllabus is useful for revising syllabi on lectures of building production. Especially by the list of educational headings of building production, almost lecturers of all lecture types will check whether their lectures have enough educational contents or not. Moreover, the lecturers of lecture type II are able to add educational issues to their lectures based on the table of construction business fields, and the lecturers of type III are able to build up a new lecture scenario by referring to the variations on lecture procedure. Secondary, educational issues how to use existing buildings will become more important in future lectures of building production. Since two thirds of lecturers intend to add these issues in their lectures, that includes thirty percent of lecturers of type I although they scarcely give a lecture on the use of existing buildings. There is another approach to enrich the education on the use of existing buildings. That is to start a new series of lectures. In this case, lectures are necessary to have educational issues on renovation, facility management and real estate at least. Finally, future texts of building production should contain figures and tables that are suitable for projection in lectures. According to our questionnaire survey, lecturers of building production in technical colleges and universities point out luck of such educational materials. On the other hand, researches on building production have shown their results by various diagrams, which represent relations of construction subjects or processes of construction site works. In order to increase educational effectiveness, future texts are necessary to develop much simpler diagrams than the originals made by researches of building production, and to collect them in themselves.
著者
森山 学
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.70, no.593, pp.225-229, 2005-07-30 (Released:2017-02-11)

The purpose of this study is to clarify the theories of body culture for Le Corbusier and Pierre Winter, his collaborator, and the relation between them and their architectural theories. This paper analyzes housing works of Le Corbusier in the 1920's from the view point of body culture. Body culture for him was a way obeying hygiene for health in the first expression. But at once a room for sports was created. In his works after 1925, a room for sports was placed outside below the sun. This room is suitable for Pierre Winter's concept'le Corps Nouveau'.
著者
松田 雄二
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.76, no.662, pp.735-740, 2011-04-30 (Released:2011-07-29)
参考文献数
10
被引用文献数
5

In this paper, 8 group homes for seriously handicapped people in Tokyo are researched. Facility operators' attitudes toward facility management and residents' behavior are researched, in 2006 and 2008. The results are as follows: 1) Group homes for seriously handicapped people needs more space than group homes for mentally handicapped people. 2) In these group homes, many of residents are with mental handicap. 3) Preferences of spaces differ according to physical and mental situations of residents. 4) For people with serious physical handicaps, it would be very difficult to live in conventional group homes for mentally handicapped people.
著者
齋藤 隆司 古阪 秀三 平野 吉信
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.81, no.721, pp.723-731, 2016 (Released:2016-03-30)
参考文献数
44

The organization of the Postal Architecture changes its style from public to private since 1886 as the starting point of the ministry of Posts and Telecommunications. The Postal Architecture has also the history that they have designed post offices, training facility for employee, employee's accommodation, hospitals, etc., and supervised their construction projects for 140 years over. This Study makes clear why Postal architects' project management has been established as architect's leading organization in the former ministry of Posts and Telecommunications (1886-1949) in the Meiji, Taisho, and early Showa era by study of related research books and thesis.
著者
角田 暁治 福原 和則 竹内 次男
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.73, no.627, pp.1147-1154, 2008-05-30 (Released:2009-02-25)
被引用文献数
1 3

Tohgo Murano is one of the most important architects in modernization of Japan. Nishiyama Memorial Hall is his masterpiece by the expression with a free architectural style in the later years of him. The characteristic of his works is the expression that a free curve was used for. The beginning is seen in this work. In addition, it has clear construction of three cores and Vierendeel truss. Murano produced oil clay models and examined the design of this architecture continuously. By analysis of his architectural drawings, this research checks his design process along a progress chart, and clarifies that accrual situation. It is a part of research which clarifies his design intension by verifying design process of Murano.
著者
中村 航 古谷 誠章
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.75, no.649, pp.595-602, 2010-03-30 (Released:2010-06-09)
被引用文献数
1 1

There is an “Illegality” on people's activity like hawkers on street. In that case, the law lose effect and people's unspoken agreement regulate their activity instead of the law. It can be considered coexistence of the spontaneous order as “Local code” and free behavior without restriction from the law. With that background, Hawker's “Illegality” and their behavior In Bangkok's Chinatown were analyzed on following 3 aims.1. To show the effective utilization through a classification of eating activities on the street as an urban public space.2. To consider the “Illegality” for urban design as a new aspect of architectural planning.3. To discover the “Local code” developed from hawker's relations between themselves as a making spontaneous rules with their unspoken agreement.
著者
山口 潔子 布野 修司 安藤 正雄 脇田 祥尚 柳沢 究
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.67, no.553, pp.209-215, 2002-03-30 (Released:2017-02-04)
参考文献数
16
被引用文献数
1 1

Vigan is one of the most preserved Spanish colonial towns in the Philippines. With numerous historical buildings and houses, UNESCO registered Vigan as the World Heritage in December 1999. As an entrepot flourished by Chinese mestizo residents, Vigan forms an amalgam of native, Chinese and Spanish cultural landscape. The public spaces such as the poblacion (city center) strongly reflects Leyes de Indias (Laws of Indies): plaza surrounded by cathedral, convent, city hall, and relatively grid street pattern. Yet, deviation from the Spanish colonial city planning concept is visible, in comprising two main plazas, and in the indistinct racial residential separation. The paper is composed of : administration history of Vigan and the Philippines ;reference to the Leves de Indias colonial law and other Hispanized towns ; and considerations on block formation, road width, and lot division in Vigan. In conclusion, this paper proposes 3×3 block subdivision style and the modified use of Spanish module svstem in Vigan.
著者
長谷川 香
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.82, no.738, pp.2081-2087, 2017 (Released:2017-08-30)

The purpose of this study is to clarify the characteristics of the ceremonial space associated with the nation and the Imperial Court in modern Tokyo. Focusing on the temporary use of parade grounds and imperial estates in the western part of Tokyo, I derived the possible factors for the site selection and the characteristics of the ceremonial spaces of modern imperial funerals in Tokyo. The subjects of investigation are the imperial funerals of Empress Eisho in 1897, Emperor Meiji in 1911, Empress Shoken in 1914 and Emperor Taisho in 1927. In the second chapter, I digested the history of the western part of Tokyo, as a condition of the thesis. Extending from the center part to the periphery, parade grounds and imperial estates were located in modern Tokyo to be concentrated on the north side of the Oyama Road (Current Aoyama St.). On the other hand, during the expansion of the urban area of Tokyo, the Nihon Railway Shinagawa line and the Kobu Railway were built to connect the western part of Tokyo to the center of Tokyo and also to the western Japan, then the western part of Tokyo became the hub for travel and transportation, especially for the military purpose. In the third chapter, I examined the process of site selection, the plan, the scale and the route of each imperial funeral by researching the government documents, then I clarified the fact that the site had sifted from Aoyama Parade Ground to Yoyogi Parade ground and to Shinjuku Gyoen, influenced by the environmental changes of the western part of Tokyo. Then I also revealed that the site of the modern era was larger than that of the early modern era and all sites had the same layout plan of temporary buildings in funerals. As for the route, I pointed that all of them were 4-7 km, containing the Oyama Road and that the whole route served as the urban scale ceremonial space. From the above analysis, I derived the four possible conditions of the site for imperial funerals; 1 possession, 2 history, 3 size and figure, and 4 location. Ueno Park and the Imperial Palace Plaza also met the condition 1, 2 and 3, but as for the condition 4, the parade grounds and imperial estates in the western part of Tokyo were favorable because they were close to the Oyama Road, the Nihon Railway Shinagawa line and the Kobu Railway. It can be argued that the site selection was much influenced by the limited use of the parade grounds and imperial estates and also the existence of the military installations and the development of the traffic networks. The candidate sites were almost limited to the parade grounds and the imperial estates in the western part of Tokyo by the conditions, and the site for each funeral was selected according to the situation at the time. Then, in adapting to the different site, the ceremonial space in modern Tokyo had become universal, not defined by any specific site or institution. The site in the early modern era, Sennyu-ji temple has been strongly connected to the Imperial Court from the medieval era, while those in the modern era had been connected to the Imperial Court since the Meiji era and become commemorative places by being used as the site for imperial funeral, and then it led to the development of the surrounding area after that.
著者
林 要次
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.80, no.709, pp.709-715, 2015-03-30 (Released:2015-03-30)

This paper is a part of the study on the acceptance of the French Architecture theories and the educational methods in Modern Japan. It focuses on Abel Jean-Louis Guérineau (1841-1929), French architect who received architectural education at the Ecole des Beaux-Arts in Paris and was employed by the Imperial Japanese Army academy (Riku-gun-shikan- gakkou) as professor of architecture design and drawing between April 11, 1874 and June 30, 1880. Firstly, the role of Guérineau is examined in the context of "military architecture" in Japan. Secondly, the role of Guérineau is examined as leading person of Japanese architectural culture in France.