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1 0 0 0 OA 歴史家としての吉田裕先生

著者: 原田俊彦
出版者: 早稲田大学法学会
雑誌: 人文論集 (ISSN:04414225)
巻号頁・発行日: vol.58, pp.ix-xiii, 2020-02-20

2021-03-18 01:47:19
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http://hdl.handle.net/2065/00070508

1 0 0 0 OA 藤澤東畡と七絃の琴 -その琴系及び弾琴、琴学、琴事の実像について

著者: 山寺美紀子
出版者: 関西大学東西学術研究所
雑誌: 関西大学東西学術研究所紀要 (ISSN:02878151)
巻号頁・発行日: vol.49, pp.139-165, 2016-04-01

Fujisawa Togai (1794‒1864) -founder of the Chinese studies academy Hakuen Shoin and responsible for the revival of the Confucian school of Ogyu Sorai-loved the music of the seven-stringed Chinese qin, as Sorai had before him, and was also known during his day as a master of playing the instrument. This paper reports the following research and analysis in an effort to clarify the historical facts surrounding Togai’s relationship with the qin. In the first section, there is a brief discussion of the lineage of qin-playing to which Togai belonged, and of Sorai’s study of the qin, which probably inﬂuenced Togai. The second section traces Togai’s connections, through the qin, with contemporaries such as Chokai Setsudo, Abe Kenshu, Sogo Setsudo, Nomura Kosetsu, Kogaku Yushin, and Mega Yusho. The third section uses qin scores and books on the qin in the collection of Hakuen Shoin to specify the pieces that Togai probably studied and played (about thirty in all) and to speculate on what he might have learned from the literature on the qin that he read and consulted (including Ogyu Sorai’s writings on the qin). Finally, in the fourth section, Togai’s essays, “Kogetsu kinki” and “Kinkai ki”, are scrutinized for what they reveal about the events and gatherings related to the qin that Togai engaged in with his teacher and fellow players, giving us a glimpse of Togai’s frame of mind and the nature of his friendships mediated through his musical activity.

2021-03-18 00:11:23
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http://hdl.handle.net/10112/10267

1 0 0 0 OA 脳と藝術 : 「理性」と「感情」の対話 : アールブリュットの視座

著者: 有路憲一
出版者: 信州大学人文社会科学研究会
雑誌: 信州大学人文社会科学研究 (ISSN:18817858)
巻号頁・発行日: vol.7, pp.189-204, 2013-03-30

2021-03-17 22:09:44
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http://hdl.handle.net/10091/17056

1 0 0 0 OA 王弼『論語釈疑』について

著者: 仲畑信
出版者: 京都大学文学部中国哲学史研究会
雑誌: 中国思想史研究 = JOURNAL of HISTORY OF CHINESE THOUGHT (ISSN:03883086)
巻号頁・発行日: vol.19, pp.99-116, 1996-12-25

内山俊彦教授退官記念論集

2021-03-17 20:16:57
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1 0 0 0 OA 「文字と絵」研究序説

著者: 乾善彦
出版者: 関西大学国文学会
雑誌: 國文學 (ISSN:03898628)
巻号頁・発行日: vol.101, pp.428-418, 2017-03-01

2015年度関西大学国内研究費

2021-03-17 20:15:13
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http://hdl.handle.net/10112/11150

1 0 0 0 OA 住居の玄関ドアが建造物損壊罪の客体に当たるとされた事例 : 最高裁第一小法廷平成19年3月20日決定・刑集61巻2号66頁

著者: 内海朋子
出版者: 横浜国際社会科学学会
雑誌: 横浜国際社会科学研究 (ISSN:13460242)
巻号頁・発行日: vol.16, no.4・5, pp.123-129, 2012-01-20

2021-03-17 16:47:42
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http://hdl.handle.net/10131/8062

1 0 0 0 OA オホーツク文化の集団間・対外交流の研究 : 1. 礼文島香深井1遺跡出土陶質土器の蛍光X線分析

著者: 三辻利一小野裕子天野哲也
出版者: 北海道大学総合博物館
雑誌: 北海道大学総合博物館研究報告 (ISSN:1348169X)
巻号頁・発行日: vol.4, pp.139-152, 2008-03-31

The pottery from the Kafukai 1 site on Rebun Island is a grey semi-hard ceramic which was manufactured on turn wheel and fired in a closed kiln at high temperatures. Based on typological analyses, two assumptions have been presented for the origin of the pottery: Sue pottery manufactured in Japan, and ceramic-like pottery made in the far eastern area of the Eurasian continent. In order to confirm these possibilities, the analytical data of the Kafukai-1 pottery were compared to both the Sue and ancient Pohai ceramics. The pottery from Kafukai-1 and the Pohai ceramics had high contents of K and Rb. Although the analytical data were not identical to those of the Pohai ceramics, they were found to be analogous. This, therefore, proves that the pottery could be a Pohai product. At the same time, the possibility of the Kafukai pottery being ancient Japanese Sue-ware was also surveyed. Generally the contents of Ca and Sr in hard ceramics are lower than in Haji ceramics, because in high temperatures above 1000oC, high contents of Ca obstruct the baking of hard ceramics. The date of the Kafukai pottery is inferred to be between the 6th and 7th centuries, and most of the Sue-ware kiln sites in the 6th and 7th centuries were concentrated in the Kinki and Toukai districts. Since the contents of the Kafukai pottery did not correspond to those from the Sue kilnsites, the date of the corresponding kiln was extended to the 9th and 10th centuries. The Mannendani kiln site located in Toyama Prefecture and the Ebisawa kiln site in Akita Prefecture along the Sea of Japan were selected as the corresponding kilns. Discriminatory analyses were carried out between the Mannendani and the Ebisawa kiln sites using the indices of K, Ca, Rb and Sr. Although the Kafukai pottery did not belong to either of these mother groups, the results were analogous to the Mannendani Sue-ware. Whether the pottery is a Mannendani product still remains to be proven. Further analyses of Sue materials produced in the middle and northern areas along the coast of the Sea of Japan indicated that these coastal regions were the most possible areas.