著者
中村 芳久
出版者
金沢大学文学部
雑誌
金沢大学文学部論集. 言語・文学篇 (ISSN:13424289)
巻号頁・発行日
vol.21, pp.1-23, 2001-03-18

金沢大学文学部
著者
吉田 俊秀
出版者
札幌博物學會
雑誌
札幌博物学会会報
巻号頁・発行日
vol.18, no.1-2, pp.43-48, 1949-07-31
著者
岩淵 慶一
出版者
立正大学文学部
雑誌
立正大学文学部論叢 (ISSN:0485215X)
巻号頁・発行日
no.114, pp.1A-20A, 2001-09-20
著者
深見 聡
出版者
鹿児島県地学会
雑誌
鹿児島県地学会誌 (ISSN:13417223)
巻号頁・発行日
vol.81, pp.25-38, 2000-06

鹿児島県地学会からの許諾を得て登録しています。
著者
高橋 律子 TAKAHASHI Ritsuko
出版者
金沢大学大学院人間社会環境研究科
雑誌
人間社会環境研究 = Human and socio-environmental studies (ISSN:24360627)
巻号頁・発行日
no.41, pp.33-47, 2021-03-31

This cultural sociological study analyzes the meaning of "sewing" as a technique of expression in contemporary art from a gendered perspective. Sewing has been regarded as a technique mainly used by women. This study explored the relationship between gender bias and femininity, rather than looking at sewing. There are three types of techniques: three-dimensional soft sculpture, two-dimensional embroidery, and collage, which is a patchwork-like technique of sewing cloth to cloth. As a result of its incorporation into the context of sculpture, soft sculpture was often created by male artists, while embroidery tended to be a female habitus and was often created by female artists or with gender considerations in mind. The analysis of cloth as a "collage" is an issue for future work in terms of its relevance to clothing and the affinity of the collage technique with women, which is not limited to cloth. In addition, as the concept represented by sewing, this study highlighted four important themes as art that confronts contemporary society: gender, community/communication, time and memory, and life and death. By examining contemporary art with the sewing along the vertical axis, I was able to see the sawing as a technique that women were able to acquire as a predominantly women's work or hobby as well as from the perspective of the socially vulnerable. Sewing is highly flexible and has both two- and three-dimensional qualities. It is a primitive technique that is close to our daily life, and the technique itself contains various messages. It seems to me that the failure to look at sewing as a handicraft objectively has been a matter of criticism, not for the creator. While accepting the fact that it was a woman's handicraft and hobby, I feel the need to explore more of its potential as an art technique.
著者
Bando Yuji
出版者
Tohoku University
雑誌
The science reports of the Tohoku University. Second series, Geology = 東北大学理科報告. 地質学 (ISSN:0082464X)
巻号頁・発行日
vol.36, no.1, pp.1-A30, 1964-11-05

The Triassic ammonites of Japan are known from the southern Kitakami Massif, the Kwanto Massif, the Maizuru Zone, and the Islands of Shikoku and Kyushu. Based upon them a biostratigraphical correlation of the Japanese Triassic is attempted. The four ammonite zones recognized in the Lower Triassic and the Middle Triassic are correlative with the standard ammonite zones of the world, whereas the Upper Triassic ammonite fauna is in-sufficiently known for such purpose. Besides descriptions and discussions on the Triassic stratigraphy and paleontology, remarks are given on the sedimentary environment and tectonic history of the Japanese Triassic Epoch.
著者
越智 みや子
出版者
関西大学史学・地理学会
雑誌
史泉 (ISSN:03869407)
巻号頁・発行日
vol.127, pp.14-30, 2018-01-31