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Mes ApPrentissages de Colette est une(Euvre autobiographique dans Ie sens oti Pauteur y raconte sa vie conjugale et litt6raire avec son premier mari Willy. Pourtant ce亡ouvrage 6crit en l935 peut etre consid6r6 comme une chronique de Paris au temps de la Belle Epoque parce qu’il rassemble des faits et des noms historiques de l’6poque qui pr6c邑de la guerre 1914-18. C’est dans les ann6es 1930 que Ies gens d6finissent Ia notion de《Belle Epoque》, et il 6tait d’usage pendant cette P6riode que les journaux publient des chroniques d’6crivains c616bres, parlni lesquellesヱ900, de Paul Morand, et Portraitssouvenir, de Jean Cocteau, ont pris place dans I’histoire litt6raire. Nous remarquons ici que le texte de Colette ne d6peint pas ce temps comme un pass6 historique c’est le style commun de Morand et de Cocteau mais qu’il d6crit les gens de 1’6poque tout en les d6pouillant de leur ancienne image de grand homme, de demimondaine, de jeune fille pure et innocente, etc. Il est possible de dire que Colette a trouv6 une certaine valeur universelle dans 1’esprit de la Belle Epoque:d’oU sa modernit6 qui permet de recevoir son(euvre m色me aujourd’hui.

2020-10-05 22:21:21
1 + 1 Twitter

http://hdl.handle.net/10959/815

1 0 0 0 OA 文革時期の中国木偶戯 : 舟山群島「東昇木偶劇団」を例として

著者: 毛久燕
出版者: 新潟大学大学院現代社会文化研究科
雑誌: 現代社会文化研究 = 現代社会文化研究 (ISSN:13458485)
巻号頁・発行日: vol.59, pp.19-36, 2014-12

This work, an investigation of Dongsheng Puppet Play Troupe in the Zhoushan Archipelago, had an insight into the history of Chinese Puppet Plays during the Great Cultural Revolution period. In terms of the national trends, it was not only Puppet Plays, one kind of folk performing arts, that was targeted for criticism as one of the four olds (old thought, culture, customs, habits) in those days. The presentation of the traditions drama that is a main component of Puppet Plays was prohibited, but also the stage, doll heads and tools were almost all burnt and suffered devastating damage. The influence lasts to the present. However, there are few concrete documents and records about the damage, and until now there was hardly a study about it. In this work, we examined the Dongsheng Puppet Play Troupe in the Zhoushan Archipelago as an example to concretely analyze and investigate the influence of the Great Cultural Revolution on Puppet Plays, from the perspective of replacing the do away with the‵four olds‵ movement and traditional dramas with the revolution model dramas in modern times, as well as the influence on the living of those old performers in the Zhoushan Archipelago.

2020-10-05 20:06:50
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http://hdl.handle.net/10191/31249

1 0 0 0 OA 大学生の Twitter における行動規範に関する分析

著者: 水沼友宏菅原真紀池内淳 MIZUNUMA Yuhiro IKEUCHI Atsushi
出版者: 情報社会学会
雑誌: 情報社会学会誌 = The Journal of the Infosocionomics Society (ISSN:18810101)
巻号頁・発行日: vol.8, no.1, pp.23-37, 2013-05

Social media such as Facebook and Twitter has been rapidly expanding over the past few years and the number of users reached about1 billion in 2012 all over the world. Users can mutually communicate their friends or general public by social media. Unlike otherexisting media on Internet, users easily disclose their personal information for the purpose of connecting with other users on socialmedia. Along with the rapid growth, each user may have various manners or norms on social media. However, the answer to “Whatkind of norm do users have?” or “Do they actually behave according to the norms?” is not given. The aim of this study is to clarifyuniversity students’ norms and actual behavior on Twitter. In November 2012, the authors conducted questionnaire survey for studentsof 13 universities in Japan. The result shows that each user has their own behavioral norms, especially many users are stronglyconscious about privacy and copyright on Twitter. Moreover it was found that the norms are different by gender, although frequency ofuse does not affected users’ norms.