著者
平 侑子 張 慶在
出版者
北海道大学大学院国際広報メディア・観光学院
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.18, pp.49-68, 2014-03-18

The aim of this paper is to clarify mechanisms of TV programs’ “Cross-border” by classifying patterns of “modification”. Recently, Japanese Comics, games and TV dramas are crossing the border to different countries. When programs are cross-border, various factors are modified because of political, religion and cultural reasons. To understand such changes would be meaningful not only to understand exchanging TV programs but also to understand mechanisms of cross-border culture. This paper focuses on adoption process of Japanese TV series of “Super-sentai series” in Korea. First, significances and limitations of concept around cross-border of TV programs were reviewed. Then, this paper analyzes the characteristics of Super-sentai series to extract significant elements of it. And then, this paper summarizes brief history of adopting “Super-sentai series” in Korea. Finally, the paper clarifies mechanisms of “cross-border” by various model of adoption including “Power ranger Captain Force show”

5 0 0 0 OA 臥遊奇談

著者
一夕 散人
出版者
京都 : 菊屋安兵衛
巻号頁・発行日
1782

江戸時代後期、天明2年刊の読本。5巻5冊。合計7話の怪談奇談集。挿絵入り。巻2「琵琶秘曲泣幽霊」は「耳なし芳一」の原典といわれる。
著者
佐々木 史郎 Shiro Sasaki
出版者
北海道大学出版会
雑誌
菊池俊彦編
巻号頁・発行日
pp.515-536, 2010-12-25

北東アジアの歴史と文化 = A history and cultures of Northeast Asia
著者
齋藤 健一郎
出版者
小樽商科大学
雑誌
商学討究 (ISSN:04748638)
巻号頁・発行日
vol.67, no.1, pp.139-193, 2016-07-25
著者
池田 智恵
出版者
関西大学大学院東アジア文化研究科
雑誌
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)
巻号頁・発行日
vol.16, pp.3-17, 2023-03-31

Lin Shuhua (林淑華) is best known as the author of "Shengsilian (生死恋)" (1948). It is an autobiographical work by Lin and was serialized in the magazine "Kangli Monthly" at the end of the 1940s and was quite popular at that time. This article considers the creative activity of Lin Shuhua in relation to the magazine "Kangli Monthly" and its readers. In "Kangli Monthly", Lin Shuhua first appeared as a contributor, then as the author of "Shengsilian", and then as the host of "Kangli Xinxiang (伉儷信箱)", a column of readers' contributions, in which she sincerely answered the serious problems of life of the readers. This mutual relationship with readers also influenced Lin's creative activities. In the "Shengsilian" and "Zhufu zhi you (主婦之友)" she uses for example a letter style and a "call to someone", which are common in "Kangli Monthly," and this gave them a structure that facilitated the sympathy of readers.