著者

ムカルジー ヒヤ Mukherjee Hiya

出版者

名古屋大学大学院人文学研究科図書・論集委員会

雑誌

名古屋大学人文学フォーラム (ISSN:24332321)

巻号頁・発行日

vol.3, pp.217-225, 2020-03-31

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Childbirth rituals are considered to be one of the important rituals of Rites of passage. In any nation or society, rituals and ceremonies associated with Childbirth have undergone many changes with the passage of time. In Japanese society, traditional Childbirth rituals and its customs have embraced many changes not only in the countryside even in the urban areas with the massive advancement of medical treatment or the transition of an Era. The purpose of this paper is to examine the present practice of Anzankigan ritual (a prayer for safe delivery), which is usually performed during the fifth month of pregnancy for ensuring safe and healthy delivery of a newborn. Particularly, this paper will try to find out the practice of Anzankiganritual in an urban area, by the case study conducted at Shinto Shrines, like Shiogama Shrine and Inu Shrine situated in an urban area of Nagoya, which are believed to be the most sacred places to offer prayer to the Kami, in order to be blessed with safe childbirth. While investigating the present practice of Anzankigan, this paper also aims to emphasis on several important aspects, such as historical origin of these two Shrines, how do these Shrines are closely associated with the concept of safe delivery, why these Shrines are so popular among devotees for offering prayer to ensuring safe childbirth and what is the present practice of Anzankiganin an urban area, where hospital delivery is the most popular choice of pregnant women.Through the case study conducted at Shiogama and Inu Shrines in Nagoya city, this paper will not only investigate the present practice of Anzankigan ritual, it will also make a comparative analysis on similarities and differences in the other practices and customs, such as receiving an auspicious Hara-Obi belt for tying the belly and receiving an amulet or lucky charm for ensuring the safe and healthy delivery. Finally, this paper will help to understand in what way the traditional practice of Anzankigan and other essential customs performed during the fifth month of pregnancy, are still continuing in the present day urban city of Nagoya.

著者

杉山 雅梨華 Sugiyama Marika

出版者

名古屋大学大学院人文学研究科図書・論集委員会

雑誌

名古屋大学人文学フォーラム (ISSN:24332321)

巻号頁・発行日

vol.3, pp.259-272, 2020-03-31

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Takeo Kuwabara "Secondary Art: Modern Haiku"(1946) was known as a genre criticism toward the post-war haiku and tanka. Having criticized the feudalistic mentality for its modernization prevention and allowed militarism to be catered for, Kuwabara’s institution of the problem prompted reflection of not only the world of haiku and tanka, but also the Japanese culture as a whole. However, the immediate illustrated prospect after the war of Japanese literature by western literature researchers, represented by Kuwabara's “Secondary Art”, had never been assessed up to now, in favor of the easiness known as straightforward progression in the western modern literature path. Kuwabara introduced a questionnaire that had been reviewed in a mixture state of ten haiku by eminent people and five haikuby nameless people with the author names erased. This was a method borrowed from "Practical Criticism" (1929) written by I. A. Richards, whopreceded New Criticism in Britain and the United States. Thereafter, in "Introduction to Literature" (1950), Kuwabara investigated the three main points of Richards’s "Principles of Literary Criticism" (1924), 1. the consideration of aesthetic and daily experience as a continuous thing, 2. the analytical perception of the transfer process for readers to receive the work, and 3. the distinction between the usage of poetic language that would arouse emotions and prosaic language based on the post-war society context. Against the past orientation known as privileged authors and passive readers, Kuwabara had thought of the "communication" as an emphasizing concept for universality, and he dealt with the significant problem of general readers that rose along with commercialism. Hisresearch is not theory for creation nor reception theory but theory that considered literature socially and saw readers empirically.

著者

郭 立欣 GUO LIXIN

出版者

名古屋大学大学院人文学研究科図書・論集委員会

雑誌

名古屋大学人文学フォーラム (ISSN:24332321)

巻号頁・発行日

vol.3, pp.387-402, 2020-03-31

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Ryunosuke Akutagawa, as an overseas journalist of the Osaka Mainichi Shimbun, traveled to China from late March to early July 1921, and wrote down tihe experience in "Travels in China". "China" was a consistent theme of Akutagawa's literature, and his "Sinophilia" laid a solid foundation of his creation in the early period. However, Contrary to the characteristics of the early period, Akutagawa's works after his tour in China showed realism beyond the realm of mere interests. The experience in China brought about an obvious change in the style of his works mentioned above, and after his traveling around the Jiangnan region, besides his consistent word of criticism about China, Akutagawa began to express his disgust of the Jiangnan city as denied by himself that he was a "sinophile". On the other hand, Akutagawa highly valued the city, Soochow, which was recorded in the chapter: "Travels in Jiangnan". Based on the background, in order to furtherly understand the change in Akutagawa's views about China, considering the novelty and greatness of China in the 10th year of t he Republic in the eyes of one Japanese journalist lived in Taisho 10, and as a novelist, Akutagawa's view about the real China, which was the origin of Chinese poetry and Nanga, and the stage of many novels, played a key role in this study, meanwhile, the importance of Soochow should also be considered in priority. It should be noted that the previous research so far has not paid much attention to his travels in Soochow. This paper based on "Travels in China", which Ryunosuke Akutagawa wrote when he visited China, a country at a historical turning point, and focused on the peculiarities of Soochow emerging from his Jiangnan experience to have an insight into the position of Soochow in his views. The experiences during his travel, the description about Soochow and the impressions he made, all that recorded in "Travels in China" were not only a part of his tour in China, but also one aspect about the impression of China that writer himself and Japanese society had. Therefore, the main purpose of this paper was to clarify part of the changes in Akutagawa's impressions of China by deciphering the representation of Soochow, which was regarded as the special one in his Jiangnan experience.

著者

髙畑 早希 TAKABATAKE Saki

出版者

名古屋大学大学院人文学研究科図書・論集委員会

雑誌

名古屋大学人文学フォーラム (ISSN:24332321)

巻号頁・発行日

vol.3, pp.419-434, 2020-03-31

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This paper discusses one of Miyazawa Kenji's folkloric fiction, “Futari no Yakunin,” which, despite the author’s description as folkloric, was not evaluated as a folkloric work in past studies. This paper indicates a bias in previous views of folklore, serving as the premise of the study, and in the direction of academic interest. In addition, by borrowing the concepts of “daily narrative” from the study of oral literature and “contemporary folktale” from the study of folktales, this paper intends to deconstruct the bias that has alienated “Futari no Yakunin,” and reposition the work as a folkloric tale (min-dan).

著者

原田 礼帆 Harada Ayaho

出版者

名古屋大学大学院人文学研究科図書・論集委員会

雑誌

名古屋大学人文学フォーラム (ISSN:24332321)

巻号頁・発行日

vol.3, pp.1-17, 2020-03-31

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The objective of this article is to describe the acceptance of Rimpa by Imamura Shiko (1880-1916). He is one of representative Japanese painters in late Meiji and early Taisho era. And also he is famous for the artist who likes the style of Rimpa. However there are few studies which reveal how Shiko studied Rimpa on the way to search for “New Japanese art”. In peak period of work, he made three paintings which have same theme: “Ise Monogatari”. He rarely made paintings of the same theme. Also, this theme has been taken over by Rimpa. Therefore this article focuses specifically on three “Ise Monogatari” themed paintings by Shiko and indicates the changing among those paintings. The first chapter suggests the subject and surveys the theme of “Ise Monogatari” as paintings. It is popular theme in Japanese art and there are famous works by Rimpa. The second chapter describes details of three paintings by Shiko. First of all, “Narihira Azuma kudari” was painted in 1911. Next, “Utsu no Yamaji” was painted in 1912. Lastly, “Tsuta no hosomichi” was painted in 1913. All paintings set theme in “Azuma kudari” from “Ise Monogatari”. And also this chapter compares characteristic points of three paintings: the expression of figure and the depiction of nature. Shiko followed his master’s way in early period. His master is famous for historical paintings which expresses fine figures. However, he introduced style of Yamato-e for second one. And third one draws near style of Rimpa. The third chapter defines process and importance of acceptance of Rimpa by Shiko in modern Japanese paintings. Ogata Korin has been realized the importance in the middle of the Meiji era. Nevertheless, only few people recognized Tawaraya Sotatsu in that time. Shiko and his patron contributed to revival Sotatsu’s way in modern. The fourth chapter concludes Shiko accepted way of Rimpa for his painting step by step. And his painting was changing by the degree of his understanding of Rimpa’s way. The observations may help to develop the investigation of Shiko’s late paintings in the movement of creating “New Japanese art”. Moreover, it may be useful to those who investigate Japanese paintings in Taisho era.

著者

浅子 逸男

出版者

花園大学文学部

雑誌

花園大学文学部研究紀要 = Annual Journal Faculty of Letters Hanazono University (ISSN:1342467X)

巻号頁・発行日

vol.52, pp.67-76, 2020-03-17

著者

新間 水緒

出版者

花園大学文学部

雑誌

花園大学文学部研究紀要 = Annual Journal Faculty of Letters Hanazono University (ISSN:1342467X)

巻号頁・発行日

vol.52, pp.37-66, 2020-03-17

著者

曽根 誠一

出版者

花園大学文学部

雑誌

花園大学文学部研究紀要 = Annual Journal Faculty of Letters Hanazono University (ISSN:1342467X)

巻号頁・発行日

vol.52, pp.21-35, 2020-03-17

著者

中尾 光一

出版者

花園大学文学部

雑誌

花園大学文学部研究紀要 = Annual Journal Faculty of Letters Hanazono University (ISSN:1342467X)

巻号頁・発行日

vol.52, pp.1-19, 2020-03-17

著者

吉岡 卓 東条 敏

出版者

一般社団法人 人工知能学会

雑誌

人工知能学会論文誌 (ISSN:13460714)

巻号頁・発行日

vol.21, no.3, pp.257-265, 2006 (Released:2006-03-09)

参考文献数

31

被引用文献数

1

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Linear tense logics are widely accepted for structural temporal representation, where the basic KT has two modal operators G and H, each of which represents the future and the past, respectively. On the other hand, the temporal interval relations arranged by Allen have long been the standard of natural language semantics, though it still lacks the modal-logical foundation. Van Benthem proposed ∉up and ∉down in regard to the accessibility to overlapping intervals and subintervals, respectively; however, the logical feature of the modality has not well studied. In this study, we propose a many-dimensional logic including the conventional tense logic, together with such interval accessibility. And, we show that our logic provide a formal apparatus for a precise aspectual classification. Lastly, we introduce the sequent system for our logic. We show the subformula property holds in our system, and thus would be able to show the decidability.

著者

和田 裕一

出版者

公益社団法人 日本心理学会

雑誌

心理学研究 (ISSN:00215236)

巻号頁・発行日

vol.90, no.4, pp.368-377, 2019 (Released:2019-10-25)

参考文献数

23

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When reading narrative stories, readers monitor discontinuity of characters, space, time, goals, and causality of events and update their situation models. This study examined how illustrations of narratives influence readers’ ability to monitor story events using a verb-clustering task in which readers were asked to group verbs from a narrative into related pairings. Results showed that readers who read a text-only narrative paired verbs that were continuous in both the character and time dimensions. In contrast, readers who read a narrative with illustrations paired verbs that were continuous not only in the character and time dimensions but also in the causality dimension. These findings suggest that illustrations of narratives function to enrich the contents of situation models. Furthermore, an additional experiment showed that positioning of illustrations within the text impacted the situation model construction. Therefore, the utility of illustrations for promoting the construction of situation models and efficient comprehension of a narrative story are discussed.

著者

西村 眞人

出版者

北陸循環器核医学研究会 = Hokuriku Nuclear Medicine Circulation Conference

雑誌

北陸循環器核医学研究会記録集

巻号頁・発行日

vol.60, pp.1-80, 2013-07-27

著者

中島 聡志 青島 朋裕 倉信 達臣 本橋 伊織 片山 順平 上田 剛士 神谷 亨

出版者

一般社団法人 日本内科学会

雑誌

日本内科学会雑誌 (ISSN:00215384)

巻号頁・発行日

vol.105, no.5, pp.887-893, 2016-05-10 (Released:2017-05-10)

参考文献数

10

被引用文献数

1

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25年来の統合失調症の既往があり,入退院を繰り返している54歳男性が,常用薬の自己中断により異常行動を引き起こし,その後に昏迷・発熱を来たした.悪性症候群と悪性カタトニアの鑑別に苦慮したが,悪性カタトニアの治療的診断として少量ベンゾジアゼピンの投与を行い,症状の改善を認め,悪性カタトニアと診断した.

著者

嶋本 譲 岡 実 田中 豊

出版者

一般社団法人 日本機械学会

雑誌

日本機械学會論文集 (ISSN:00290270)

巻号頁・発行日

vol.43, no.371, pp.2726-2737, 1977-07-25 (Released:2008-03-28)

参考文献数

8

被引用文献数

2

著者

松本壮吉 尾関百合子

出版者

医薬ジャーナル社

巻号頁・発行日

pp.127-134, 2014-05-25

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結核はAIDSやマラリアと並ぶ世界三大感染症であり,2013年には860万人の発症と130万人の死亡をもたらしている。WHOは2050年までに結核の根絶を目指しているが,それには新薬に加え,効果的な新ワクチンが必要であろう。我々は結核の病原体の源泉である潜在性結核について,その機構を解析してきたが,潜在性結核の90%が終生結核を発症しないという事実は,ワクチン開発のよりどころになると考える。現行の結核ワクチンBCG(Mycobacterium bovis bacille Calmette-Guérin)は小児の粟粒結核や結核性髄膜炎に対して顕著な効果をもつ一方,結核発症の多くを占める,内因性再燃に起因する成人型肺結核に対する効果は低調である。BCGは生ワクチンで,投与後も長期にわたって宿主内で生存することから,効果は持続すると考えられてきたが,実際には投与後,時間経過とともに減衰する。我々はマウスモデルにおいてもBCGの防御効果が経時的に低下することを見出している。本稿では,結核ワクチン開発に関する現状と潜在期の抗原を利用した新しい結核ワクチンの開発に向けた私たちの取り組みについて紹介する。

著者

神場 知成

雑誌

全国大会講演論文集

巻号頁・発行日

vol.第44回, no.データ処理, pp.343-344, 1992-02-24

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筆者らは,グラフィカルユーザインタフェース(GUI)よりもさらに直感的に理解しやすいユーザインタフェースをめざし,マルメチディアを利用したインタフェースであるリアリティユーザインタフェース(RUI)の開発を行っている.本稿では,RUIにおける入力手段としての音声(スピーチ)の利用,および出力手段としての音(サウンド)フィードバックの利用について述べる.

著者

服部 嘉香

出版者

早稲田大学国文学会

雑誌

国文学研究 (ISSN:03898636)

巻号頁・発行日

no.43, pp.517-520, 1971-01

著者

服部 嘉香

出版者

早稲田大学国文学会

雑誌

国文学研究 (ISSN:03898636)

巻号頁・発行日

no.37, pp.122-126, 1968-03

著者

服部 嘉香

出版者

早稻田大學國文學會

雑誌

國文學研究 (ISSN:03898636)

巻号頁・発行日

no.9, pp.55-70, 1954-03-31

著者

服部 嘉香

出版者

早稻田大學國文學會

雑誌

國文學研究 (ISSN:03898636)

巻号頁・発行日

no.3, pp.110-122, 1950-11-25