著者
白水 貴 藤田 彩花 中村 昌幸 高松 進
出版者
日本菌学会
雑誌
日本菌学会会報 (ISSN:00290289)
巻号頁・発行日
vol.61, no.1, pp.33-39, 2020-05-01 (Released:2020-06-10)
参考文献数
9

クマノザクラ葉上に発生したうどんこ病菌を採取し,分子系統解析と形態比較によりPodosphaera prunigenaと同定した.タイプ標本の観察結果に基づき,P. prunigenaの記載文を修正した.また,P. prunigenaの原記載では未報告の分生子と分生子柄の形態的特徴を記載した.クマノザクラを宿主とするうどんこ病菌の報告は初である.
著者
永井 和
出版者
京都大学
雑誌
京都大學文學部研究紀要 (ISSN:04529774)
巻号頁・発行日
vol.41, pp.85-201, 2002-03

この論文は国立情報学研究所の学術雑誌公開支援事業により電子化されました。
著者
酒井 龍一
出版者
奈良大学文学部文化財学科
雑誌
文化財学報 (ISSN:09191518)
巻号頁・発行日
vol.21, pp.7-32, 2003-03

本稿では、フェニキア語の「アヒラム碑文(KAI1・2)と「アジタワッダ碑文」(KAIA26通称「カラテペ碑文」)を検討する。前者は、フェニキア世界の中核たるレバノンのゲブラ(ビブロス)、後者は外縁たるトルコのカラテペで出土した。手順は、先ずワープロによるフェニキア文字文で打ち出し、各単語に目安程度の英単語を付記しながら、簡単な解説を加える。全体の訳文は示さないがGibson(1982)・谷川(2001)を参照のこと。

19 0 0 0 OA 官報

著者
大蔵省印刷局 [編]
出版者
日本マイクロ写真
巻号頁・発行日
vol.1907年09月18日, 1907-09-18

19 0 0 0 OA 官報

著者
大蔵省印刷局 [編]
出版者
日本マイクロ写真
巻号頁・発行日
vol.1925年04月08日, 1925-04-08
著者
神保 宇嗣
出版者
一般社団法人 日本昆虫学会
雑誌
昆蟲.ニューシリーズ (ISSN:13438794)
巻号頁・発行日
vol.20, no.2, pp.73-86, 2017-04-05 (Released:2019-04-05)
参考文献数
18

This is a step-by-step guide for digitizing and publishing insect specimen collection data through the Internet, with a brief review of the current situation of specimen data sharing networks both in Japan and worldwide. Nowadays, web-based database systems are becoming the standard method for publishing specimen collection data. The Global Biodiversity Information Facility (GBIF) is the most important global network, whereas the Science Museum Net (S-Net) is the museum specimen information network in Japan. During the data digitization process, we should focus on the data format adopted by these networks. A set of standard vocabulary, such as Darwin Core and Ecological Metadata Language, is available to describe data item names and metadata, respectively. We should also consider how to specify each record using identifiers in the Internet. A set of three codes, including the institution code, the collection code, and the specimen catalog number, is used as a standard identifier to specify a specimen in a museum collection. Quality control is the most time-consuming task in the digitization process. Functions of spreadsheet software and special tools for data cleansing can streamline the quality control process. Furthermore, we consider the terms of data usage. Recently, data releasing as open data has been recommended in the biodiversity field. The Creative Commons License is used as the standard license in GBIF and S-Net. Insect specimen collection data, written in standard format with proper metadata and published openly, can facilitate and promote data reuse and can be easily shared via networks such as GBIF and S-Net.
著者
芝 世弐
雑誌
ゲームプログラミングワークショップ2018論文集
巻号頁・発行日
vol.2018, pp.60-63, 2018-11-09

本研究はコンピュータ将棋における序盤定跡の自動生成を行おうとするものである.具体的な実装を行いその効果のほどを確認した後,公的な大会である電王トーナメント及び世界コンピュータ将棋選手権において有効性を示した.
著者
小川 功
出版者
滋賀大学経済学会
雑誌
彦根論叢 (ISSN:03875989)
巻号頁・発行日
no.404, pp.64-79, 2015-06

This paper aims to explore fictitiousness intourism and chooses the Nara Dream Landtheme park, which the author describes as a"copy" of the "original" U.S. Disneyland Resort,as the object of study. The author discussessuch matters as the relationship between theoriginal and the copy, whether there were anyconnections between the creator of the originaland the founders of the copy, and the chasm ofunderstanding that existed between the twoparties.Nara Dream Land was founded by KunizoMatsuo. Deeply inspired by what he saw at Disneylandin the United States, Matsuo set out tobuild its copy in Japan with the sheer desire toshare the same exciting experience with Japanesechildren. The park, however, has oftenbeen held in a negative light, with the dominantview being it was an unofficial imitation,one that hindered the efforts years later to openthe official Disneyland in Tokyo. The park wasalso criticized for having ruined the valuablehistorical sites featured in ancient manyo wakapoems.Matsuo's autobiography and statements ofpeople close to him indicate that he met WaltDisney in 1958 and secured Disney's commitmentto provide some kind of assistance inbuilding Nara Dream Land. Their accounts canbe confirmed in several newspaper articles ofthe time, but the facts are elusive. Around thesame time, the Yomiuri Shimbun Corporationwas also vying to win Disney's cooperation fora plan to build a large amusement park by leveragingbusiness contacts with the NipponTelevision Network.Of the 20 founders of original DreamlandCorporation, the company that erected NaraDream Land, the author takes a particular interestin Masaichi Nagata, president of theDaiei Motion Picture Company. Nagata acquiredDisney's film distribution rights duringhis 1949 visit to the United States and subsequentlyhis company launched a foreign filmdivision. He also engaged in Disney characterlicensing and later helped promote Tokyo Disneylandin accordance with the agreement withthe Walt Disney Company headquarters.While recruiting potential investors forDreamland Corporation, Nagata claimed thathe introduced Matsuo to his close friend 'Walt'at the time of Matsuo's trip to America and thatMatsuo acquired Disney's permission to open areproduction in Japan. Given that Nagata wasone of the few businessmen in Japan with astrong connection to Walt Disney, and onewho made regular visits to the U.S. Disneyland,it can be presumed that his name appearing onthe list of founders as well as his active supportfor the proposed park was enough to convincepeople that Nara Dream Land was not a copybut an official reproduction of the U.S. original.In other words, Nagata's role was akin to thatof an "apparent representative."078 THE HIKONE RONSO 2015 summer / No.404The majestic railway station building situatedat the Nara Dream Land entrance is said tohave been designed by a famous architect whenhe accompanied Matsuo on his U.S. trip. Therailroad encircling the park is a standard featurein all Disneyland parks around the world, exceptfor Tokyo Disneyland, and the park inNara also adhered to this style marked by thefounder's love of trains. The author speculatesthat Matsuo, a former boss of a traveling theatertroupe, flew to the U.S. with henchmen ina show of Japanese"Jingi", and perhaps assumedthat giving his park an entrance gateway identicalto the original was sufficient to make it aDisneyland reproduction.Nara Dream Land is a negative legacy and asymbol that Japan, in the years Nara DreamLand was being developed, had not yet reachedthe level of social maturity that ensured theprotection of intellectual property rights. Thepark nevertheless had a significant impact onnumerous aspects of Tokyo Disneyland, fromits planning and establishment to designs, andfor this reason, the author argues that the nowdesolate park, and in particular, the stationbuilding of the park-encircling railroad, nothaving undergone any kind of renovationssince first built, merits recognition as industrialheritage representative of the Japanese themepark industry.