著者
前田 朗
出版者
社団法人情報科学技術協会
雑誌
情報の科学と技術 (ISSN:09133801)
巻号頁・発行日
vol.58, no.12, pp.615-620, 2008-12-01

東京大学情報基盤センターが主催する「図書系職員のためのアプリケーション開発講習会」は,各受講生が企画・開発した図書館関連アプリケーションをWeb上で試行公開している。っまり,職員の学習の場に留まらず,新しい利用者向けサービスや業務効率化のツールを内製によりローコストで提供する場としても機能している。講習会成果のうち,情報のファインダビリティ向上を実現するサービスには「東大版LibX」「東京大学OPACウィジェット」「My UT Article Search」「東京大学OPAC Plus"言選Web"」などがある。大学図書館において,ローコストでも実現可能なファインダビリティ向上の機会は多く,取り組みの意義がある。
著者
森 杲
出版者
札幌大学
雑誌
経済と経営 (ISSN:03891119)
巻号頁・発行日
vol.21, no.3, pp.515-600, 1991-01-30
著者
土方 嘉徳
出版者
一般社団法人情報処理学会
雑誌
情報処理 (ISSN:04478053)
巻号頁・発行日
vol.48, no.9, pp.957-965, 2007-09-15
参考文献数
19
被引用文献数
34

本稿では,嗜好抽出技術および情報推薦技術に関して,研究の歴史的な発展の経緯,基本方式,評価指標,代表的な課題について紹介する.また,今後の方向性として,人間を中心とした推薦系の構築を提案し.そのような研究の一事例を紹介する.
著者
石田 晴久
出版者
一般社団法人情報処理学会
雑誌
情報処理 (ISSN:04478053)
巻号頁・発行日
vol.18, no.9, pp.p942-949, 1977-09-15
被引用文献数
1
著者
石川 なつ美
出版者
東京女子大学言語文化研究会
雑誌
言語文化研究 = Studies in language and culture (ISSN:09187766)
巻号頁・発行日
no.24, pp.21-35, 2016-03

It is thought that the Japanese adjective kawaii is a very popular word among young women in Japan. However, its clear definition remains to be seen. The purpose of this study is a discussion about what kawaii represents these days. Kawaii is related to the user's values, and analyzing this adjective can reveal evidence that helps us to know changes in people's values, surroundings, and culture.In the second section of this review, I set three points of view based on previous studies: about the exterior and the interior of an object, about the function to reduce the friction in conversations, and about an expression of Japanese culture. In the third section, I explain my research which used the following approach. I analyzed contextual search results in which kawaii is used in the Shonagon corpus. These contents included: a sample of young women's conversations, search results of pictures about kawaii for people in other countries, and contents of Japan Expo―a Japanese culture expo in France. In the fourth section, I collated data of the research, and in the fifth section, examined the results.The results of my analysis clearly shows that kawaii has more uses than before. In addition to the function of conveying the sense of lovely, kawaii is used: 1) to express adoration of what the user is pleased with, 2) to provide topics and give responses in conversation, and 3) to describe Japanese culture, especially, colorful and ostentacious fashion and goods. The word kawaii was used in ancient times by those who were in the higher social position rather than those of lower social standing. However, today, it has come to be a word which everyone uses easily regardless of age or gender, and in foreign countries, it is recognized as a word which expresses a characteristic part of Japanese popular culture. The result of this study hopefully will give an insight into the change in meaning and usage of kawaii in the future.
著者
浦辻 宗一郎 今村 弘樹 黒木 聖司
出版者
一般社団法人映像情報メディア学会
雑誌
映像情報メディア学会技術報告 (ISSN:13426893)
巻号頁・発行日
vol.35, no.9, pp.209-214, 2011-02-14
参考文献数
4

創価大学黒木研究室では,超小型衛星Negai☆"の研究・開発を行い,2010年5月21日の打上げ・運用に成功した.高度300kmの軌道を周回し,打上げ後35日で大気圏に突入し,流れ星のように燃え尽きた.Negai☆"衛星のミッションの1つとして,地球画像の取得がある.周辺環境の混信等により,地球画像の取得には,多くのパケットロスが生じ,かつ短期間での再取得は難しい.そこで本研究では,パケットロスした欠損画像を補間する2つの方式を提案する.(1)画像データのランダム配列による欠損周囲ピクセルからの補間.(2)欠損領域と類似性の高い領域からの補間.これらの実験と評価により,提案した手法が地球画像データ補間のために有効であることを示す.
著者
光畑 裕正
出版者
順天堂医学会
雑誌
順天堂医学 (ISSN:00226769)
巻号頁・発行日
vol.58, no.5, pp.403-408, 2012
被引用文献数
4

慢性疼痛は複雑な病態を呈し, 治療に難渋することがしばしば見受けられる. 西洋医学的治療で鎮痛が得られない症例で漢方薬が有効なことがある. 抑肝散は抗アロディニア作用があり, 神経障害性疼痛を含む慢性痛に効果がある. 抑肝散は絞扼性神経損傷ラットモデルで抗アロディニア作用を示し, その機序の一つはグルタミン酸トランスポーター活性化によりグルタミン酸濃度を低下させることを筆者らは明らかにした. また慢性痛は冷えを伴うことが多く, 当帰芍薬散, 苓姜朮甘湯, 当帰四逆加呉茱萸生姜湯, 真武湯, 八味地黄丸など冷えを改善する方剤が効果を示す. また慢性痛では気の異常 (気鬱, 気逆, 気虚) を伴うことが多く, 半夏厚朴湯や四逆散, 柴胡疏肝湯など気剤が著効することがある. 慢性疼痛治療の一つの選択肢として漢方は有用である.
著者
丸山 千歌 小澤 伊久美
出版者
横浜国立大学留学生センター
雑誌
横浜国立大学留学生センター教育研究論集 (ISSN:18810632)
巻号頁・発行日
no.18, pp.33-52, 2011

Japanese language textbooks include information about Japanese society and Japanese culture as Japanese learners tend to be interested in such topics (Kondoh and Maruyama, 2001:101) and one of the most important purposes for Japanese learners is to get knowledge of Japanese habitual customs and culture (Byram, 1997:45; Kumagaya, 2008:213). On the other hand, Japanese language education has been criticized from other fields of research, as in the case of a sociologist who saw Japanese teachers as reproducing Nihonjinron (Theories of Japanese uniqueness) enthusiastically discussed between the 1970's and the beginning of the 1980's (Yoshino, 1997), and a comment from a intercultural education scholar who criticized Japanese teachers for their inadequate sensitivity towards cultural stereotypes (Kurachi, 2003). An important point of our research is the analysis of the influence of stereotypical information in Japanese textbooks to Japanese learners. In addition because of the indication that the Japanese teachers who lie between the textbook and Japanese learners reinforces the cultural stereotypes on the textbooks, we are going to investigate how the Japanese teachers recognize the stereotypical information in Japanese textbooks. This paper reports the result of the pilot investigation towards 11 Japanese teachers with full teaching experience. It points out the existence of the Japanese teachers who have awareness of the stereotypes on the Japanese text, the inclination of the points they point out as stereotypical information differing from Kurachi(2003), and the individual differences of judgment based on their individual experiences.
著者
井上 智洋
出版者
早稲田大学
巻号頁・発行日
2011

制度:新 ; 報告番号:甲3425号 ; 学位の種類:博士(経済学) ; 授与年月日:2011/6/22 ; 早大学位記番号:新5749
著者
藤原 麻優子
出版者
西洋比較演劇研究会
雑誌
西洋比較演劇研究 (ISSN:13472720)
巻号頁・発行日
vol.17, no.1, pp.19-34, 2018

Since the debut of <i>Musical The Prince of Tennis</i> in 2003, stage musicals adapted from two-dimensional media such as manga and anime have gained remarkable popularity in Japan. These "2.5 dimensional musicals" are unique in many ways: they require a comparatively low budget, inexperienced actors, a remarkably simple stage set and demonstrate loyalty to the original material. In these ways, they are distinct from the more conventional and imported musical productions performed at major Japanese commercial theaters.Among the unique characteristics of 2.5 dimensional musicals, one of the most distinct is its principle of the adaptation. To adapt the original material from page to stage, musicals can either remain faithful to or deviate from the original material. In conventional musicals, faithfulness to the original material is not their main purpose. Writers cut, change and adapt the original material to serve their purpose and create "original" shows. Conversely, in 2.5 dimensional musicals, faithfulness to the original material is of great importance. The name of the genre itself suggests the importance and uniqueness of the ideals of the adaptation; 2.5 dimensional musicals strive to remain faithful to the original manga/anime image and create an effect that allows the audience to perceive what they see as two-dimensional even though the performance itself is undeniably happening in three-dimensional theater space. The latter characteristic prompted the emergence of the name "2.5 dimensional" musicals.Although its two-dimensionality has attracted notice, the fact that the performances have also been set to music and dance has been overlooked - in some cases, both musical and non-musical shows have been classified as "2.5 dimensional musicals." To analyze the characteristics of the 2.5 dimensional musical, this study will compare <i>Musical The Prince of Tennis</i> with mainstream musicals such as <i>Beauty and the Beast</i> (1994) More than ten productions have been made of <i>Musical The Prince of Tennis</i> series; this paper focuses on the opening numbers of those productions. In conventional musicals, opening numbers are expected to function as an important part of the show. Opening numbers set the context, introduce characters, direct the story, present the theme, and essentially, open the show. This study aims to reveal the characteristics of <i>Musical The Prince of Tennis</i> and investigate how musical numbers work in those shows through comparison of the elements that characterize opening numbers.