著者
CHIE TSUTSUMI TOMOHISA YUKAWA MASAHIRO KATO
出版者
The Japanese Society for Plant Systematics
雑誌
Acta Phytotaxonomica et Geobotanica (ISSN:13467565)
巻号頁・発行日
vol.59, no.1, pp.73-77, 2008-03-25 (Released:2017-03-21)
参考文献数
8

A new species, Liparis purpureovittata (Orchidaceae), is described from central and northern Japan on the basis of both morphological and molecular characters. This species is distinguishable from the closely related Liparis kumokiri in the abruptly dilated labellum (vs. the gradually dilated labellum in L. kumokiri), the labellum recurved strongly in the middle (vs. the labellum strongly recurved in both the middle and distal part), and the column with rounded marginal wings (vs. angular marginal column wings).
著者
新田 真理 芝木 智美 水内 豊和
出版者
富山大学人間発達科学部発達教育学科発達福祉コース
雑誌
とやま発達福祉学年報 (ISSN:21850801)
巻号頁・発行日
vol.3, pp.31-34, 2012-05-31

私立大学における障害者雇用の現状を明らかにするため、中部地方のすべての4年制大学に対しアンケート調査を行った。その結果、回答のあった私立大学のうち約4割が法定雇用率を達成しているものの、障害のある職員を「計画的雇用」している大学は皆無に等しい状況であった。私立大学における障害者雇用の今後の課題としては、現時点で法定雇用率を達成している大学にあっては障害のある教職員が退職しても雇用率を維持していけるように計画的雇用を推進していくことや、法定雇用率を達成していない大学にあっては小規模校であるための雇用の難しさなどがあげられていた。今回のアンケート調査の回答からは、私立大学において障害者雇用の課題はあるものの、国立大学とは異なり私立大学という特徴を活かした障害者雇用のあり方についていくつかの示唆を得ることができた。
著者
勝亦 志織
出版者
物語研究会
雑誌
物語研究 (ISSN:13481622)
巻号頁・発行日
vol.11, pp.1-13, 2011

What on earth do you think being invisible on stage is like? In this thesis, writer is going to discuss a theatrical work titled "Takarazuka Revue Company Moon Troup Performance "The Floating Bride of Dreams", from two view points such as issues incurred by putting a work of classic literature on stage and how the dramatized work was accepted and appreciated. Dramatization of the Tale of Genji has particularly been enjoying a longer history than so many other works of classic literature and is with variety of facets. "The Floating Bridge of Dreams" picked up here is a piece of work based on the Ten Uji chapters of the Tale of Genji and has Niou no Miya as the leading actress. Needless to say, this particular play was caught up under the restriction given by the "Takarazuka Revue". This thesis employed the first princess of the fourth Emperor who plays an important role both in the story and in the play, with a view to discuss significance of invisibility on the stage, in the light of characteristic features of the "Takarazuka Revue". Thus, the writer discussed the matter of putting the work of classic literature on the stage and proceeded to cover the issue of imaging, having been developed from dramatization.
著者
小林 弘憲
出版者
Brewing Society of Japan
雑誌
日本醸造協会誌 (ISSN:09147314)
巻号頁・発行日
vol.111, no.6, pp.381-387, 2016 (Released:2018-07-13)
参考文献数
33

ワインの香りは,その品質を決定する重要な要素である。ワインの香りは,ブドウに由来する香り,酵母による発酵香,MLFによる香り,熟成で生じる香りが渾然一体となったものであるが,なかでもブドウの品種に特徴的な香りがよく表れていることが重視される。一方,未熟な香りなど,ブドウに起因する好ましくない香りも知られている。本稿では,甲州,マスカット・ベーリーA,シラーと各品種に特徴的な香りの研究に取り組んでいる著者に,ブドウに由来するポジティブな香,ネガティブな香について,わかりやすく解説していただいた。
著者
高田 恵利子
出版者
清泉女子大学
雑誌
清泉女子大学紀要 (ISSN:05824435)
巻号頁・発行日
no.47, pp.33-49, 1999-12

This article is chiefly concerned with an examination of the delicate and unique lyricism as revealed in the narrative verse 'The Prince's Progress' (1866) written by Christina Georgina Rossetti (1830-94). She is one of the main representative lyrical poets of the English literature, owing to the prolific creation of her superb religious verses and poetic works. We will focus our attention on the poet's poetic depiction of the princess who plays the role of a heroine as we can find "in a daydream or in a fairy tale". She is described in terms of "lilies and rosebuds" (1.25) which are symbolical of her life of innocence, purity and virginity as well as of the final misfortune of her own death before the arrival of the handsome prince. Rossetti has presented the prince as representing a man's lust for conquest. He is easily dissuaded by some kinds of temptation and delays his journey towards the palace, although he is determined to rescue his spell-bound bride. This princess seems quite different to such a female figure as the heroine of Jane Eyre (1847) who claims herself to be "a free human being with an independent will" as to be equal to a man in the sight of God. What Christina Rossetti is trying to convey to us is that the Victorian society has been totally centered on men, where women tend to be vastly marginalized. As a matter of fact, Christina has experienced being wholly excluded from any active entry into society, both social and academic. With regard to this narrative verse, the princess is depicted with an image of "the entranced passivity" which is redolent of our poet's attitude towards her own life. As Frances Thomas, the author of the biographical and literary accounts of Christina Rossetti (1963) has pointed out, Christina has depicted "all nineteenth century women, powerless before men." However, the sorrowful, tragic life of the princess has been highly elevated into the blissful and serene realm of Heaven, the New Jerusalem as sung in the form of the final dirge which is turned somehow into a bridal song sung with a tune of elegic rhapsody. We can, therefore, maintain that our poet knew very well how to express her own predicament in terms of her poetc and religious creativity.
著者
山下洋輔著
出版者
新潮社
巻号頁・発行日
2018
著者
末延芳晴著
出版者
集英社
巻号頁・発行日
2018