著者

岩城 見一

出版者

京都市立芸術大学美術学部

雑誌

京都市立芸術大学美術学部研究紀要 (ISSN:02886057)

巻号頁・発行日

no.24, pp.p8-25, 1979

著者

岩城 見一

出版者

京都市立芸術大学美術学部

雑誌

京都市立芸術大学美術学部研究紀要 (ISSN:02886057)

巻号頁・発行日

no.23, pp.p29-44, 1978

出版者

京都美学美術史学研究会

雑誌

京都美学美術史学 (ISSN:13471627)

巻号頁・発行日

no.5, pp.119-134, 2006

著者

岩城 見一

出版者

日本ヘーゲル学会

雑誌

ヘーゲル哲学研究 (ISSN:13423703)

巻号頁・発行日

vol.1998, no.4, pp.23-33, 1998

著者

岩城 見一

出版者

京都大学

雑誌

研究紀要 (ISSN:03897508)

巻号頁・発行日

vol.12, pp.31-59, 1991-03-29

著者

岩城 見一

出版者

美学会

雑誌

美学 (ISSN:05200962)

巻号頁・発行日

vol.45, no.3, 1994

著者

岩城 見一

出版者

京都大学

雑誌

研究紀要 (ISSN:03897508)

巻号頁・発行日

vol.14, pp.1-22, 1993-06-30

著者

岩城 見一

出版者

美学会

雑誌

美学 (ISSN:05200962)

巻号頁・発行日

vol.32, no.3, pp.14-25, 1981

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Nach Hegel ist die Kunst in der modernen Welt 'tabula rasa' geworden, weil sie nicht mehr auf die bestimmte Weltanschauung und deren Gehalt und Darstellungsweise beschrankt worden ist. Ob dieser Satz von der 'tabula rasa' eine positive Bedingung fur die moderne Kunst bezeichnet oder umgekehrt, das scheint mir eine diskutierbare Frage bei der Interpretation der Asthetik Hegels zu sein. Aber wenn wir von der Kunst unserer eigenen Zeit sprechen wollen, mussen wir die positiven Bedeutungen dieses Satzes klarmachen. Auch Fr. Th. Vischer versucht die Kunst nach Hegelszeit zu begrunden, trotzdem er seine Asthetik auf Grund des Hegelschen Systems konstruiert hat. So findet man in seiner Asthetik zwei einander widersprechende Richtungen, namlich die hegelsche und die nachhegelsche. Deshalb durfen wir seine Asthetik nicht fur eine der blossen Hegel-Epigonen ansprechen. In seiner Asthetik spiegelt sich vielmehr die Schlacht zwischen den zwei Zeiten. Ubrigens konnen wir aus seiner Asthetik grosse Schwierigkeiten herauslesen, auf die die Gehaltasthetik nach Hegel gestossen haben muss und, die wesentlich aus der 'Grundlosigkeit' (Oelmuller) der modernen Welt entspringen. Nun konnen wir die Wesenszuge seiner Asthetik von den folgenden drei Gesichts-punkten aus beleuchten ; 1) seinem negativen Verhaltnis zur Religion, 2) seiner Auffassung der neueren Idee als 'Personlichkeit' und 3) seinem Versuch, das moderne Ideal auf Grund dieser Idee zu begrunden.

著者

中村 俊春

出版者

京都大学

雑誌

京都美学美術史学 (ISSN:13471627)

巻号頁・発行日

vol.5, pp.i-ii, 2006

著者

福田 博

出版者

日本古書通信社

雑誌

日本古書通信 (ISSN:03875938)

巻号頁・発行日

vol.84, no.4, pp.22-23, 2019-04

著者

姚 琼 Yao Qiong

出版者

神奈川大学日本常民文化研究所 非文字資料研究センター

雑誌

年報 非文字資料研究 (ISSN:18839169)

巻号頁・発行日

no.11, pp.337-357, 2015-03-20

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As local communities have become modernized and urbanized, rituals have undergone significant changes. Traditionally, academics have valued historical traditions and consistency in rituals and criticized changes in line with the modernization of society. However, do organizers and performers of rituals have the same view on such changes ? A great majority of studies on rituals have examined changes and their causes. Researchers claim that many aspects of rituals, from content to organization, have changed, and offer advice on continuing rituals by analyzing the social and local causes of those changes. Surely, they do not consider the perspective of those involved in rituals. Not many studies are conducted from their viewpoint, even though they are the ones who organize and perform local rituals. Such a study would offer significant insight on local folk beliefs in the domain of folklore. The author of this paper participated in and closely observed the Yabuneri Shinto ritual in Shiratsuka Town, Mie Prefecture, to find out the perspective of ritual organizers and performers. Yabuneri is a traditional ritual with a 350-year history. This ceremony to drive away diseases presumably originates from the myth of Susanoo, in which the deity slays a giant serpent with eight heads and eight tails. Tsu City in the prefecture started to move toward modernization and urbanization in the mid-1950s. During this process, the organization and structure of rites and rituals have drastically changed. This paper will reveal how recent changes in Shinto rituals are viewed by those involved based on interviews with shrine parishioners in the Shiratsuka area who organize and carry out the Yabuneri ritual.

著者

押村 高

出版者

日本政治学会

雑誌

日本政治學會年報政治學 (ISSN:05494192)

巻号頁・発行日

vol.58, no.1, pp.1_57-1_77, 2007

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&nbsp;&nbsp;Whereas there is growing recognition that democracies are less likely to be engaged in military conflict than any other regime type, the United States and Britain, or some other democracies, have finally decided, despite domestic opposition and protest, that they should commit their forces to change Iraq&rsquo;s regime. The democratic pacifism assuming that a state&rsquo;s domestic political system is the primary determinant of international behavior and that the spread of democracy is an important factor of world peace has been called into question by the Iraq War. <br>&nbsp;&nbsp;In fact, Western democracies have more frequently used, in recent years, military force in the cases of Kosovo, Bosnia, Somalia, Afghanistan and Iraq. This chapter then reconsiders the old and new dialectics between democracy and use of force in a changing environment. What difficulties do democracies face in using force in the pursuit of higher values than national interest? In what manner can democracies reconcile the use of force with the moral and political value of democracy? These are the pivotal questions around which we evolve arguments in this chapter.

著者

新潮社 [編]

出版者

新潮社

巻号頁・発行日

vol.25(37), no.1271, 1980-09

著者

栗原 聡 鳥海 不二夫 平 博和 須川 賢洋 長倉 克枝 江間 有沙

雑誌

情報処理

巻号頁・発行日

vol.61, no.7, pp.700-705, 2020-06-15

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アルゴリズムやフェイクニュースが"兵器"として使われる事例が相次ぐ中,技術者は何に気をつけ,どうしていけばよいのか.情報系研究者,メディア研究者,法学者といったさまざまな立場の専門家に語っていただいた.

著者

小川 勇二郎 芦 寿一郎 中島 滋

出版者

The Sedimentological Society of Japan

雑誌

堆積学研究会報 (ISSN:18844715)

巻号頁・発行日

vol.34, no.34, pp.1-4, 1991-05-01 (Released:2010-05-27)

参考文献数

11

著者

中村 治

出版者

大阪府立大学 高等教育推進機構、大阪府立大学( 人文・社会科学) 紀要編集委員会

雑誌

大阪府立大学紀要(人文・社会科学) (ISSN:04734645)

巻号頁・発行日

vol.67, pp.67-83, 2019-03-31

著者

近藤 静乃

雑誌

芸能の科学 = Geinō no kagaku

巻号頁・発行日

no.32, pp.1-39, 2005-03-31

著者

高田 みちよ 小倉 直彦

出版者

関西自然保護機構

雑誌

地域自然史と保全 = Bulletin of Kansai Organization for Nature Conservation (ISSN:21872910)

巻号頁・発行日

vol.41, no.1, pp.61-68, 2019-06

著者

今橋 理子

出版者

東海大学文学部

雑誌

東海大学紀要 文学部 (ISSN:05636760)

巻号頁・発行日

no.64, pp.25-46,図10p, 1995

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Sakura paintings-paintings whose exclusive theme is cherry blossoms (sakura)-were first created in Kyoto by the Edo-period painter Mikuma Shiko (1730-94) and continued to be painted by Shiko's sister Roko (d.1801), his disciple Hirose Kain (dates unknown), and the female painter Oda Shitsushitsu(1789-1831), Roko's disciple. These works, which were already known by the term "sakura painting" at this early time, appear at first glance to be highly realistic, but also have a clean, well-rounded, lyrical quality. They seem to have been very well received by many people of the period. Unfortunately, however, Kain and Shitsushitsu left no disciples, so the brief genealogy of sakura paintings came to an end with the death of Shitsushitsu. Probably because this school of painting was so short-lived, no trace of any research on it exists, nor has a collection of the paintings been assembled. Indeed, the school itself has not been given a name. I would like to call the sakura-painting artists, from Mikuma Shiko to Oda Shitsushitsu, the Mikuma School. In my essay I will open with an analysis of the works of Mikuma Shiko and will consider how it came about that he began painting the unique type of flower-and-bird picture known as sakura paintings.The essay will also look at the reasons why, in the light of contemporary trends in natural history and Japanese classical studies, the Mikuma School painted cherry blossoms-this very traditional Japanese motif-to the exclusion of all other subject matter.Finally, the essay will consider chronologically the works of Oda Shitsushitsu, whose works are the most refined among those of the Mikuma school, and discuss the historical position of these works within the school.

著者

岸本 卓巳 藤岡 英樹 山鳥 一郎 小崎 晋司 大家 政志 河端 美則

雑誌

日本呼吸器学会雑誌 = The journal of the Japanese Respiratory Society (ISSN:13433490)

巻号頁・発行日

vol.36, no.4, pp.347-352, 1998-04-25

参考文献数

14

被引用文献数

1