As a documentary filmmaker specialized in themes such as transformation and habilitation of violent criminals, the author has recognized that in mainstream correction and medical models the most crucial problem is the fixed roles of inmate/officer or patient/doctor based on their hierarchical nature. Supporting the basic principle of "TOJISYASYUKEN" (person-with-needs centered and empowerment approach) by Chizuko Ueno and Masashi Nakanishi, this paper examines an Australian alternative model for incarcerated women which takes an artistic form. Somebody's Daughter Theater Company (SDT) is a professional drama and arts group which works with women while in prison and after release in Victoria, Australia. Among criminal population, women inmates are often found most marginalized and victimized, yet their voices are hardly heard in correctional settings. SDT, on the other hand, has been serving effectively over 25 years to spotlight and mirror these women's suppressed voices inside the walls by having inmate-centered workshops and performances both inside and outside of the prisons. What makes SDT extraordinary and dynamic is its philosophy and approach based on a humanistic and artistic principle- "art is the true equal meeting ground for all-transcending difference of class, money and power" and this is clearly different from mainstream correction and medical approaches. Here, incarcerated women are treated as professional artists rather than "prisoners" and the process of creating arts and drama itself is an empowement of these women. By the author's close observation over the performance and art exhibition in July 2005 at Dame Phyllis Frost Center, one of the women's prisons in Victoria, along with interviews of several SDT members, this paper demonstrates the significance and possibility of non-correctional and non-medical approach.
1 0 0 0 新羅文化の考古学的研究
- 著者
- 石原 凌河 松村 暢彦
- 出版者
- Japan Society of Civil Engineers
- 雑誌
- 土木学会論文集D3(土木計画学) (ISSN:21856540)
- 巻号頁・発行日
- vol.69, no.5, pp.I_101-I_114, 2013
- 被引用文献数
- 3
東日本大震災の教訓として,過去の自然災害の教訓や知恵を後世に伝え,それを地域での防災まちづくりや防災教育に活かすことが重要であると言われている.そこで,本研究では,地域で受け継がれている災害伝承の実態を把握するとともに,災害伝承と生活防災行動,防災意識,地域への態度,避難行動,防災対策との関係性について明らかにするとともに,地域単位で災害伝承を行う意義について考察した.その結果,年月が経つにつれて,地域で脈々と受け継がれてきた過去の災害伝承が途切れる可能性が示唆された.また,災害伝承は防災意識や避難行動,地域への態度に直接的な影響はなく,生活防災行動を通じて防災意識や避難行動,地域への態度の醸成につながることが明らかになった.
1 0 0 0 IR 学校統合紛争の研究--栃木県田沼町の事例
- 著者
- 対馬 達雄 TSUSHIMA Tatsuo 対馬 達雄
- 出版者
- 秋田大学教育学部
- 雑誌
- 秋田大学教育学部研究紀要 教育科学 (ISSN:03870111)
- 巻号頁・発行日
- no.31, pp.p1-15, 1981-03
1 0 0 0 鎌倉時代より南北朝時代に至る守護制度の研究
1 0 0 0 佐世保事件「少女A」の歪んだ承認欲求
1 0 0 0 今日のソ連邦
1 0 0 0 <顕彰文>今成元昭先生をお送りする
- 著者
- 近藤 信義
- 出版者
- 立正大学
- 雑誌
- 立正大学文学部論叢 (ISSN:0485215X)
- 巻号頁・発行日
- vol.103, pp.5-15, 1996-03-20
- 著者
- 今成 元昭
- 出版者
- 駒澤大学
- 雑誌
- 駒澤國文 (ISSN:04523652)
- 巻号頁・発行日
- vol.9, pp.90-92, 1972-05
1 0 0 0 黒澤良彦先生を偲んで : 大きくて綺麗な昆虫が大好きだった
- 著者
- 大和田 守
- 出版者
- 日本鱗翅学会
- 雑誌
- やどりが (ISSN:0513417X)
- 巻号頁・発行日
- vol.2001, no.190, pp.11-13, 2001
1 0 0 0 近代日本最初の「建築評論家」黒田鵬心の建築観
- 著者
- 藤岡 洋保 黒岩 卓
- 出版者
- 一般社団法人日本建築学会
- 雑誌
- 日本建築学会計画系論文報告集 (ISSN:09108017)
- 巻号頁・発行日
- no.409, pp.161-168, 1990-03-30
Hosin Kuroda (1885-1967) offered a few criticisms on various kinds of buildings in downtown Tokyo in the Tokyo Asahi Newspaper from November 25th through December 4th, 1910. On December 5th two architects wrote in the same newspaper that he was the first to try to openly review new buildings. Since the authors can find several architectural criticisms in other papers and magazines which were ahead of Kuroda's, what the architects said was not true. But if we define the word on 'an architectural critic' as the one who has been offering criticisms on newly-built buildings and on architectural trends for some time, we can say Kuroda was the first architectural critic in modern Japan ; he had written many articles to review new buildings in the 1910s and the 1920s. He studied esthetics at the Tokyo Imperial University where he found an interest in architecture. He had been asserting that in architecture 'truth', 'good' and 'beauty' should have come together. In his theory, 'truth' meant that real structure and material should not have been covered by others, and 'good' did that function should have been made much of. These two suggest that he was influenced by the European Medeavalists in the late 19th century. And in his thoughts 'beauty' should have come from several esthetic theories at that time. Among them 'unity in multiplicity' was the most important to him. In his criticisms on buildings, the authors can see some coincidence with his architectural idea, but he was apt to review buildings chiefly through the point of 'unity in multiplicity,' which means that 'beauty' was the most important to him, although he had kept declaring for a happy coincidence of 'truth', 'good' and 'beauty.'
1 0 0 0 彫刻と寸法 : 高崎市浜川運動公園記念彫刻制作報告
- 著者
- 黒田 能勝
- 出版者
- 群馬大学
- 雑誌
- 群馬大学教育学部紀要. 芸術・技術・体育・生活科学編 (ISSN:05336627)
- 巻号頁・発行日
- vol.21, pp.1-16, 1985
