著者
澤野 雅彦
出版者
京都大学
巻号頁・発行日
2003-09-24

新制・論文博士
著者
福井 直人
出版者
北九州市立大学経済学会
雑誌
北九州市立大学商経論集 (ISSN:13472623)
巻号頁・発行日
vol.54, no.1・2・3・4, pp.37-57, 2019-03

本論文の目的は、個人選択型人事制度のひとつである社内公募制度が従業員の技能形成に対してどのような影響を及ぼすのかを明らかにすることである。まず、従来の日本企業における企業主導型異動の特徴について整理し、技能形成の観点からそれを捉えた先行研究についていくつか検討した。企業主導型異動により、生産現場における競争優位を高めるような技能の形成が促進されてきたことが確認された。次いで、社内公募制度について、その定義およびプロセス、およびそれが求められている諸要因について整理した。そのうえで、社内公募制度が技能形成に対してどのような影響を及ぼすのかについて議論を展開した。議論の帰結として、社内公募制度とは従業員がみずから「キャリアの断絶」を作り出す制度であり、結果として従業員の学習力たるメタ・コンピテンシーの形成を高次元で促進しうる制度であることを示した。

1 0 0 0 OA 通俗琵琶史談

著者
荒牧守 著
出版者
元真社
巻号頁・発行日
1918
著者
中村 肇
出版者
一般社団法人 照明学会
雑誌
照明学会誌 (ISSN:00192341)
巻号頁・発行日
vol.85, no.9, pp.793-795, 2001-09-01 (Released:2011-07-19)
参考文献数
6
被引用文献数
4 4
出版者
日経BP社
雑誌
日経コンストラクション (ISSN:09153470)
巻号頁・発行日
no.489, pp.57-59, 2010-02-12

「農林水産省の公共事業費はばっさり削られた」。農水省のある技術系職員は、同省の2010年度予算案をこう表現する。 10年度予算案で農水省の公共事業費は09年度予算に比べ、34.1%減と大幅なものになった。政府全体の公共事業費は09年度比が18.3%減なので、農水省の公共事業費の減少率は2倍近いことになる。
著者
西野 義輔
出版者
関西医科大学
巻号頁・発行日
1978

博士論文
著者
深澤 浩洋
出版者
日本体育・スポーツ哲学会
雑誌
体育・スポーツ哲学研究 (ISSN:09155104)
巻号頁・発行日
vol.18, no.1, pp.9-19, 1996

This paper considers on the rule-following concept which constitutes sport games through the discussion on the others. It is meaningless to inquire why one will abide by the rules in sport. At the same time, it is disregarded to ask the motive which urges one to obey the rules from outside of sport. We consider it to be sufficient to do one's best at any rate. If the aim of rule-following was not asked, however, it would lead to a kind of tautology as follows: rules should be followed because they should be followed. Furthermore, Wittgenstein developed the skepticism about the possibility of the justification for an action by its rule. The necessity arises as to find such a condition that makes the state of rule-following possible, the condition that the necessity and the contingency coexistence in that state. For the rule-following has no sense anymore when an action accords with its rule in any case, nor the rule fill the role of itself when the accordance between an action and its rule is quite contingent. This paper, then, attempted to solve this problem by introducing the notion of the self and the others. The others take on contingency against the self in the sense that the others might do or not do the same act as the self accidentary. In the case that the self and the others coexistenced in the same dimension (e. g. the present tense), the latter were contingent as it were. If the others were in the different dimension (e. g. the past tense) from the self, they appeared as the being that the self could not deal with at one's will (<i>the absolute other</i>). The absolute other in this sense is grasped under the aspect of necessity. Consequently, the state of rule-following depends on whether the self could set these <i>others</i> in oneself.

1 0 0 0 OA 商工信用録

出版者
東京興信所
巻号頁・発行日
vol.46版, 1922

1 0 0 0 OA 官報

著者
大蔵省印刷局 [編]
出版者
日本マイクロ写真
巻号頁・発行日
vol.1930年09月12日, 1930-09-12

1 0 0 0 OA 官報

著者
大蔵省印刷局 [編]
出版者
日本マイクロ写真
巻号頁・発行日
vol.1931年07月24日, 1931-07-24
著者
辻 惟雄
雑誌
美術研究 = The bijutsu kenkiu : the journal of art studies
巻号頁・発行日
no.225, pp.31-39, 1963-10-30

Much is left unknown about the life and career of IWASA Matabei (1578—1650), the artist famous for the popular belief that he was the originator of Ukiyo-e. Information about his life at Fukui, more especially, where he spent more than twenty years, is almost entirely absent. In this respect the document discussed here, preserved at the Hōunji in Fukui Prefecture, is very inspiring. This manuscript is a duplicate of a written statement presented in 1633 from the Hōun-ji to MATSUDAIRA Tadamasa, ruler of the Fukui Fief, describing a dispute between the Hōun-ji and the Senshū-ji, a temple at Ishinden in Mie Prefecture with which it competed for position as the head temple of the Takata School of Shingon Buddhism. The sentence at the end proves that this statement was hand-written by Matabei on behalf of the temple authorities. Comparison of the calligraphic style of this manuscript with that of other existing examples of Matabei's calligraphy ―― the inscriptions on his portraits of Hitomaro and Tsurayuki, and a letter written by him in his late years, both being in the collection of the Atami Art Museum ―― reveals many distinctive characteristics in common between them. Another evidence of his calligraphic style is the Kaikoku Michi no Ki, an itinerary in Matabei's own handwriting describing his travel in 1639 from Fukui to Edo (Tokyo). Unfortunately this itinerary is now somewhere in America and its present location is unknown (according to one theory, it was formerly in the collection of Mr. Charles J. Morse), but comparison between a small photogravure reproduction of a part of it and the manuscript under discussion shows obvious identity of calligraphic style. These materials establish with fair accuracy that the newly discovered manuscript is by Matabei's hand. Though its contents do not have direct connection with Matabei's biography, this manuscript is a material evidence proving that he was staying at Fukui in about 1633 and that he had certain relation with the Fukui Fief. It is valuable as one of the few authentic specimens of his calligraphy, and is an interesting source of information proving that he was esteemed by local people not only as a mere artist but as an intelligent man from the metropolis, Kyoto.
著者
片渕 美穂子
出版者
日本体育・スポーツ哲学会
雑誌
体育・スポーツ哲学研究 (ISSN:09155104)
巻号頁・発行日
vol.22, no.2, pp.1-13, 2000
被引用文献数
1

The purpose of this paper was to clarify the ideal of a human being in the discourse of &ldquo;Yojo&rdquo; and &ldquo;Eisei&rdquo;, examining the acceptance of the anatomy and the role of &ldquo;Kaika&rdquo;, the view of cultural and social development.<br>The main results were summarized as follows;<br>i) &ldquo;Yojo&rdquo;, &ldquo;Eisei&rdquo; and &ldquo;health&rdquo; made peoples approach the ideal of a human being in &ldquo;Bunmei Kaika&rdquo;, the spirit of the time in early Meiji era. So they gave good reasons for the new westernized customs in those days. The &ldquo;strongly-built&rdquo; body and &ldquo;incisive brain&rdquo;, which based on the anatomy, were the characteristics of the ideal of a human being in the custom of &ldquo;Kaika&rdquo;.<br>ii) &ldquo;Yojo&rdquo; in the Edo era had no idea of &ldquo;strongly-built&rdquo; body. The &ldquo;strongly-built&rdquo; body proceeded from the acceptance of modern medical science on &ldquo;Yojo&rdquo; and the combination of physical activity and production of things.<br>iii &ldquo;Yojo&rdquo; in the Edo era had no relation to the incisiveness. The ideal of the &ldquo;incisive brain&rdquo; which was able to bring to &ldquo;Kaika&rdquo;, proceeded from the understanding that a brain had been the center of mental function.<br>iv) The idea of &ldquo;Kaika&rdquo; in the discourses of &ldquo;Yojo&rdquo; and &ldquo;Eisei&rdquo; caused the anatomically explained body to be combined with the social value and the national interests.
著者
土田 了輔 直原 幹 阪元 容昌 相河 美花
出版者
日本体育・スポーツ哲学会
雑誌
体育・スポーツ哲学研究 (ISSN:09155104)
巻号頁・発行日
vol.23, no.2, pp.17-25, 2001
被引用文献数
1

Recently people enjoy playing street basketball in a playground. Such a &ldquo;playground style&rdquo; game (let me call the game style local game hereafter) is also played in Japan.<br>In general, local games have flexibility to change rules depending on the participants' situations and their interests. These local games have a tendency to omit some elements from the official rules due to participants' pleasure. For example, a free throw is one of the rules, which is frequently omitted in local games. Actually, in many cases, a throw-in from out of bounds instead of free throw was approved when a player committed a foul on a shot. Why was the free throw rule omitted in local games? The reason for that seemed to depend on participants' pleasure. Their pleasure, however, is difficult to treat in scientific studies, because someone's pleasure is not always other's pleasure.<br>In this paper, to resolve this problem, the concept of &ldquo;game complex&rdquo; was highlighted as a jargon apparatus which could serve as a tool of analysis. Furthermore, game was defined as a group of acts which had three elements; 1) a number of participants, 2) performances for a point, and 3) an interest of participants.<br>With the definition of game, the free throw was considered to be a sub-game of the basketball main-game, and a basketball game is seen as a &ldquo;game complex&rdquo;. When participants approved this sub-game and found pleasure in the elements of the game or regarded sub-game as a metaphor of a situation that was lost in main-game, a game complex would be divided into some parts. This was a reason why the free throw was omitted in local games. Moreover, local games had a possibility to become a new official game. In the present paper, correlations between a local game and the official game are discussed.