著者
犬飼 哲男
出版者
札幌博物學會
雑誌
札幌博物学会会報
巻号頁・発行日
vol.9, no.1, pp.77-91, 1924-11-10
著者
佐野 郁夫
出版者
北海道大学公共政策大学院
雑誌
年報 公共政策学
巻号頁・発行日
vol.8, pp.55-80, 2014-05-30

This study examines how and why high energy efficiency of Japanese industries was achieved, and why U.S.A. couldn’t as Japan, taking the steel industry as case examples, to find lessons for newly industrializing countries to construct low carbon industrial structure. The largest factor is the difference of modernization of facilities in 1960’s. In U.S.A., despite the market was growing, steel companies didn’t introduce new facilities and technologies, for fear of discounting battle. As another factor, in U.S.A., domestic natural gas was cheap even through oil crisis, therefore, byproduct gases recovery facilities are not pay in present technology level.
著者
佐藤 知己 北原 モコットゥナシ イヤス シリヤ
出版者
北海道大学アイヌ・先住民研究センター
雑誌
アイヌ・先住民研究 (ISSN:24361763)
巻号頁・発行日
vol.2, pp.75-101, 2022-03-01

本稿は北海道大学が作成・配布する「北大キャンパスマップ」に掲載される学内諸施設の名称をアイヌ語訳する作業の過程および訳案と、作業過程での議論をまとめて記録し、今後に残すものである。既存の語彙にない表現の翻訳としては、ウポポイ(民族共生象徴空間)で行われて来た展示・表示のアイヌ語化と通じるところがある。ただし、ウポポイでは日本語表現もアイヌ民族を主体とする表現を検討する余地があったが、本作業は和人を主体として長年使用されて来た語句を如何にアイヌ語化するかという視点を含んでおり、よりラディカルな形で脱植民地化というテーマに接近したものとなった。そのため、一致点を容易に見いだせず、狭義の言語学的翻訳論における議論のみでは不十分であることが浮き彫りにされた。なお、作成の過程では和人研究者(佐藤)とアイヌ民族に出自を持つ研究者(北原および複数名)が協議し、それぞれの立場からの議論を行ったが、議論は主として、現在用いられている日本語名称をアイヌ語訳する際の言語学的な精緻化、およびアイヌ民族の視点を反映させた訳の検討、そうした視点の必要性の3点について行った。なお、参考のために海外の同様の事例も検討することとし、サーミ語とフィンランド語の事例について、寄稿を受けて紹介することとした。本稿はこれらの議論を踏まえ、1から3は佐藤が、4はイヤスが、5から9は北原が執筆した。
著者
朱 迪
出版者
北海道大学大学院国際広報メディア・観光学院
雑誌
国際広報メディア・観光学ジャーナル
巻号頁・発行日
vol.35, pp.21-38, 2022-11-17

This paper discussed the triangular relationship between mass media, power of authorities, and the audience. After summarizing the concepts of the above three, this paper attempted to analyze these three actors' power structures and build a convincing theoretical framework. This paper mainly adopted Niklas Luhmann's viewpoint of power communication as a theoretical foundation, since it provided a unique perspective to understand the essence of power. Subsequently, this paper divided the power structure into six directions to explain how the power relations work between these three actors. The theoretical results obtained in this paper are expected to contribute to future case studies.
著者
阿部 匡樹 山田 憲政
出版者
日本バイオメカニクス学会
雑誌
バイオメカニクス研究 (ISSN:13431706)
巻号頁・発行日
vol.2, no.2, pp.82-91, 1998

Approximate Entropy (Ap entropy) was developed as a method to quantify regularity of time-series data. The aim of this study was to examine problems in the application of Ap entropy to human movement data and to distinguish movement patterns by quantifying the regularity of experimental human movement data. The following results were obtained: 1) For a relatively periodic time-series function with a small number of periods,difference in both the number of data points and number of periods affected the Ap entropy value. Thus,for the application of Ap entropy,the number of data points and the number of periods should be made the same. 2) Under the experimental conditions of this study,the change in the Ap entropy value was in accordance with subjective judgment of movement patterns. This indicates that Ap entropy is an effective parameter for quantitatively distinguishing movement patterns in data that differ in time-series regularity.
著者
福 寛美 吉成 直樹
出版者
法政大学国際日本学研究所
雑誌
国際日本学 = INTERNATIONAL JAPANESE STUDIES (ISSN:18838596)
巻号頁・発行日
vol.4, pp.1-39, 2007-03-31

The earliest written source material of the Ryūkyū kingdom, the collection of songs Omoro sōshi of 1623, includes a song text that cannot be interpreted in any other way than as describing the king and his noble companions committing thievery while sailing around the seas. Other omoro songs describe powerful male local rulers raking up tribute from harbor villages ruled by others. These are clearly songs of plunder and looting.There are other songs in which a sword named Tsukushi Chiyara (‘The Powerful One of Tsukushi’) appears. Tsukushi was a name for Kyushu, where the sword was purchased, and the name is known as another designation for the treasure-sword Teganemaru, owned by the rulers of the second Shō dynasty. Another song can be interpreted as saying that the great ruler of the southern Okinawan area (shimo no yo no nushi) prospered because of the rights he gained by possessing the sword Tsukushi Chiyara.Among songs associated with ruling dynasty, there are songs about gems, ‘Gems with Power of Tsukushi,’ which describe the gems surrounding the islands they rule. It seems reasonable to identify these gems with the three comma-shaped beads of the hidari-mitsudomoe used as the crest of the ruling dynasty, the sacred crest of Hachiman Daibosatsu, and the crest on the banner flown by Wakō Hachimansen pirate ships. This interpretation is supported by another song which describes the mitsudome pattern as three magatama (comma-shaped beads) in a circle. In short, it was thought that swords and beads deriving from Tsukushi (Kyushu) validated the rule of the Ryūkyū kingdom.Another omoro song sings of drinking alcohol in winter and summer, that is, all year round. Men’s liking for alcohol is a common theme in these songs, which imply that powerful men are especially fond of it. It is only natural that alcohol should have been appreciated in the world of the Wakō.In the omoro songs, several words appear with the prefix oni (‘devil’). This implies the possession of an unusually strong spiritual power. The founder of the second Shō dynasty, Kanamaru, is referred to as Onisanko, while a priestess who exhibited spiritual power in battle is called Oni no Kimihae. The places where high-ranking priestesses undertook rituals with swords are called Oni-gusuku, while the strong male ruler of Kumejima was “stronger than an oni.” Another omoro song describes an oniwashi (‘devil eagle’), powerful enough to rule the world, as extending its wings over Sashiki, the base of the earlier first Shō dynasty in the south of the island of Okinawa. The symbolic capture of this ‘devil eagle’ is what made the foundation of the dynasty possible. We believe that this oni is a symbol for the power of the Wakō pirates.The songs of Omoro sōshi are contemporaneous with medieval songs of mainland Japan, but do not fit into any of the frameworks of Japanese literature. This paper illustrates that research on the omoro songs from a new perspective may give us hints about the cultural distance between Yamato (mainland Japan) and Okinawa after the founding of the Ryūkyū kingdom.
著者
鈴木 中正
出版者
東洋史研究會
雑誌
東洋史研究 (ISSN:03869059)
巻号頁・発行日
vol.36, no.4, pp.606-629, 1978-03-31

The Ta-ch'eng sect which spread from Yunnan 雲南 to Szechwan 四川, Kweichow 貴州, the Yangtze 揚子 valley provinces, Chih-li 直隷, and to the capital of Peking北京 in the mid-Ch'ing period, was founded by Chang Pao-t'ai, a kung-sheng 貢生 from Ta-li 大理 prefecture of Yunnan. Like other founders of sects in the late Ming 明 and early Ch'ing periods, he held lower gentry status which one can identify with the "popular literati" 大衆的讀書人 as categorized by Tadao Sakai 酒井忠夫. The contents of his teachings are difficultto know, but the records of his attaining enlightenment and founding a sect at Mount Chi-tsu 鶏足山 give us a clue. Situated to the northeast of Ta-li, this mountain had become famous all over China as a sacred place of the Maitreya Buddha who would descend there and hold the Three Dragon Flower Meeting 龍華三會. Chang's enlightenment may have been based on Zen practices, but when he preached to a congregation of commoners, he seems to have included the Maitreya cult in his soteriological system. When the sect was suppressed in 1746, it had been divided into three sub-sects. One of them had a clearly anti-Ch'ing political color, but the others were presumably non-political. It seems the politically colored sub-sects had begun to cooperate with the kuo-fei bandits 嘓匪 and with mine-workers in Szechwan, a group of discontented, anti-regime fighters. Soon after their foundation, popular sects in China fell in to organizational and doctrinal disunity, a feature which corresponds to the characteristics of Chinese society observed by Mark Elvin as "the most fluid society in the world, " haunted by constant competition rather than harmony.
著者
呉人 惠
出版者
新潟大学人文学部
雑誌
北方言語研究 (ISSN:21857121)
巻号頁・発行日
vol.8, pp.1-21, 2018-03-10

Koryak copula sentences are formed by either personal copulas, which are derived from independent personal pronouns, or the copula verbs it'be'or tva'exist'with the predicate nominal marked in the essive case. The present paper examines the conditionality of the switch between the two types of copulas. According to Stassen (2003), this is a type of nominal and locational switching and can be interpreted as a case of'Permanency Parameter', which induces an opposition between'essence'and contingence. However, in Koryak, even the personal copula, which is not expected to co-occur with temporal adverbs such as'now','temporarily','yet','for three years', and'in this year', can co-occur with such adverbs. Furthermore, predicate nominals that refer to the subject of inherent and unchangeable character can coexist with the copula verb, in some contrastive context such as'not A but B'. The present examination reveals that, judging from these facts, the switch is conditioned by how the subject is perceived by the speaker rather than by the physical duration of the subject. Through this examination, this paper also demonstrates that Koryak shows idiosyncrasy in that it exhibits switching in all semantic classes, including'Event', 'Property','Class', and'Locational'. Clarification of the factors behind this idiosyncrasy remains to be sought through future research.