著者
高島 千代
出版者
関西学院大学
雑誌
法と政治 (ISSN:02880709)
巻号頁・発行日
vol.52, no.4, pp.1045-1086, 2001-12

Chichibu-jiken is the uprising of the farmers in debt, which happened at Chichibu District (Saitama Prefecture), the year of 1884. Almost three thousand of these farmers demanded putting off their debt of lenders, reducing taxes and three years' school closing against both local and central government. They formed an army-like organization, destroyed the houses of lenders who had taken high interests from the farmers, and then fought with the army of Meiji government. The studies for Chichibu-jiken, so far, have centered on the points related to the side of participants of the uprising. Therefore, at the present, studies for another side of Chichibu-jiken are required. In this paper, to cover the lacking, I intend to examine the acts to protect communities from the 'revolt' in Chichibu, and explain the meaning and the logic of the acts.
出版者
文部省
巻号頁・発行日
vol.第10(明治15年), 1914
著者
氏岡 真士 伊藤 加奈子
出版者
信州大学
雑誌
基盤研究(C)
巻号頁・発行日
2009

『水滸伝』の版本は一般に(文)繁本と(文)簡本に大別され、多くの研究者は前者を後者より重視している。結果的に百二十四回本や八巻本、十巻本、三十巻本など重要な版本の研究が進んでいなかった。本研究はこれら(文)簡本を中心に調査分析を行ない多くの知見を得たものである。注意すべきは金聖歎による七十回本の独擅場とされる清代にも(文)簡本が版を重ねていたことで、この事実は当時の読者層の二極化を示唆する。
著者
岡塚 章子
雑誌
美術研究 = The bijutsu kenkiu : the journal of art studies
巻号頁・発行日
no.412, pp.71-82, 2014-03-25

On October 18, 1910, Kuroda Seiki (1866–1924) and Ogawa Kazumasa (1860–1929) were named teishitsu gigeiin, art experts in service to the Japanese imperial court.While from different fields, Western style painting and photography, a letter dated April 26, 1910 among Ogawa's letters addressed to Kuroda indicates that they were aware of each other prior to being named to their imperial household posts. The letters are about requests or thanks for gifts, and appear monthly, thus indicating that the two men were in regular contact, and this continued even after Ogawa closed his own photography studio and photoengraving company. Ogawa was six years older than Kuroda. Even though he was younger, Kuroda had spent almost a decade, from ages 18 to 27, studying in France, and taught at Tokyo Bijutsu Gakkô after his return to Japan. He was the rising star of the Western painting world in Japan, building a reputation for himself despite his youth. For Ogawa, it was an honor to become close to Kuroda, and Ogawa's respect for Kuroda can be seen in his letters. The points in common between the two men include their overseas study experience, their dauntless pursuit of new expressive methods never before seen in Japan, and their success in that endeavor. Ogawa's overseas study was not as lengthy as Kuroda's, but he set out for America in order to learn photographic techniques. After his return he used his acquired knowledge, taking photographs, and energetically developing his photographic printing and publishing work, breathing new life into the photography industry in Japan. After his return from France, Kuroda led the Japanese Western painting world into new forms of painterly expression, and thus undoubtedly felt a sense of shared closeness with Ogawa through their innovative endeavors. It is unclear when the two men met, but their critiques of photographs in the Hana-no-kage journal published by the Kakô-kai photography group started by members of the Japanese nobility provide historical materials showing their connection prior to the dates on extant letters. Their photography critiques were first published in Hana-nokage in March 1907, and thus it can be presumed that they had actually met by that time. Hana-no-kage itself was first published in 1903, and if like other photography groups of the period, the Kakô-kai held meetings, it is possible that Kuroda or Ogawa may have been invited to such meetings, and thus they may have met at an even earlier date. Ogawa Kazumasa was born in Gyoda, Musashi province (present-day Gyoda city, Saitama prefecture), and after learning the wet collodion process he left Japan for America in July 1882. In Boston he learned the collotype process and dry plate production, returning to Japan in January 1884. In 1885 he opened the Gyokujun-kan photography studio in Iida-machi 4-1, Kojimachi-ku, Tokyo. In 1888 he acted as a record photographer in the treasures survey of the Kinki region conducted by Kuki Ryûichi of the Imperial Household Agency and others, taking large numbers of photographs of ancient art works. Further utilizing the knowledge and techniques learned in America, he experimented with collotype printing, later opening the Ogawa Shashin Seihanjo (literally, Ogawa's photoengraving company) in Hiyoshi-chô, Tokyo. This led to his fullscale production of collotype printed works. This studio produced the collotype plates for the art journal Kokka, founded in October 1889. Ogawa acted as a consultant for the Bankoku-shashinkokai (international photography association) held in conjunction with the 1893 Chicago World's Fair, setting off for America once again. During this visit Ogawa learned about the halftone process, and after buying printing equipment, tools, and materials in America he returned to Japan. He began halftone-printing work in February 1894. Then during the First Sino-Japanese War (July 1894–March 1895), he produced the photographic plates for the Nisshin senso jikki (August 1894–January 1896) published by the Hakubunkan and the Tokyo Asahi Shimbun's supplement. During the Russo-Japanese War (February 1904–September 1905) he printed and published a large number of photographic albums, including the Nichirô sen'eki shashinchô (total 24 volumes, The Ordnance Survey Office, 1904–1905), Nichirô sen'eki shashinchô (Photographs by Imperial Headquarters Photographic Department, The Ordnance Survey Office, 1906), and the Nichirô sen'eki kaigun shashinchô (Ichioka Tajirô, author, 1905). In April 1905 the Great Colored Photographs Exhibition of the Russo-Japan War was held in the Number 5 building of the former exposition buildings in Ueno Park, and thus he played a major role in war journalism. For his Russo-Japanese War achievements overall, on April 1, 1906, Ogawa was awarded the Order of the Rising Sun, Gold and Silver Rays. Thanks to this recognition, he received a variety of honors, and in 1910, he was the first photographer named an art specialist in service to the imperial household. Thus Ogawa brought technologies to Japan from overseas at an early date and put them to use in the development and success of his business endeavors. In the shadows of this success however, was the support of Viscount Okabe Nagamoto (1855–1925). Viscount Okabe understood photography and himself took pictures, serving as the vice-chairman of the Nihon Shashin-kai, Japan's first such group established in 1889 with Ogawa as the organizer. In 1893 Okabe was one of the organizers of the Dai Nihon Shashin Hinpyôkai. The Hinpyôkai welcomed numerous members of the aristocracy, Tokugawa Atsuyoshi was the chairman of the group and the members of the nobility were all named honorary members. Having members of the nobility as the chairman and vice chairman probably lent authority to the group, but it was a fact that many of the nobility of the day were photographic aficionados, and that tendency can be seen amongst many of them with diplomatic or overseas study experience. They are thought to have taken photographs of scenes they witnessed while overseas and as some sort of record of their journeys, and after their return to Japan they joined photography groups that had a salon-like atmosphere and represented gatherings of intellectuals from both Japan and overseas. The Kakô-kai was the highest ranking gathering of upper class members interested in photography, and their journal, Hana-no-kage, became printed photographic compendia that allowed them to publish their photographs as they liked. Unlike ordinary photographic groups, whose membership was too large to allow compendia of works by all members, the Kakô-kai had only a small number of members, and their publications were further realized because all the members were of the same status. Not only did Kuroda Seiki provide photographic critiques for Hana-no-kage, he also acted as a judge for photographic contests held by such organizations as the Tokyo Photographic Materials Association. Kuroda, a professor at Tokyo Bijutsu Gakkô and a leading Westernstyle painter, was probably asked to be a judge in order to add tone to the contest. In the same manner, for the noble members of the Kakô-kai, having Kuroda provide photographic critiques in Hana-no-kage may have made them feel that their works would be more highly valued. This would have also been the case for photographic critiques by Ogawa, a major force in the Japanese photographic world of the day. Inviting the two men to provide critiques, and the publication itself of the Hana-no-kage, can be considered the shining moments of Japanese photography during a time when photography was still new and available to and enjoyed by only a limited number of people.
著者
奥村 真衣子
出版者
信州大学
雑誌
研究活動スタート支援
巻号頁・発行日
2018-08-24

選択性緘黙児は社会的状況で発話や行動が抑制されるため、主体的に対人関係を形成することが困難である。そのため、他児と活動を共有する機会に乏しく、孤立、いじめ、不登校等の集団不適応に陥りやすい。このような不適応状態を未然に防ぐには、発話以前に対人関係の支援を行うことが優先的課題である。本研究では、選択性緘黙児が負荷なく他児と交流することを助けるツールとして、教材や玩具に着目した。これらの使用は専門的技術に依存しないため、教師や保護者等でも活用可能なことが期待される。そこで、支援資料が充実している北米や英国における対人関係支援に有効な教材や玩具を調査し、わが国の実態に合わせた援用方法を検討する。
著者
林 直樹
出版者
日本語学会
雑誌
日本語の研究 (ISSN:13495119)
巻号頁・発行日
vol.8, no.2, pp.15-30, 2012-04-01

埼玉特殊アクセントとの連続性が指摘されている東京東北部アクセントの実態を明らかにするため,当該地域生育者87人分のリスト読み上げ式データを用いて分析を行った。当該地域アクセントの1)音調実態,2)年層差,3)地域差の3つの観点から分析を試みたところ,東京東北部全体は共通語化・東京中心部化しつつも,埼玉特殊アクセント的特徴である「型のゆれ」や「IV V類尾高型」が残存する傾向にあった。この残存傾向は,とくに高年層に顕著であった。以上の結果から,次の2点を明らかにした。1) 埼玉特殊アクセント的なあいまいアクセントから東京中心部的な明瞭アクセントへの変化は「同一語ゆれ]「形式ゆれ」の消失プロセスとして説明できると思われる。2) 地理的分布の非連続性は鉄道網の開設時期という都市化の観点から説明できる。
著者
日高 水穂
出版者
日本語学会
雑誌
日本語の研究 (ISSN:13495119)
巻号頁・発行日
vol.1, no.3, pp.77-92, 2005-07

東北方言に広く用いられる文法形式のうち,移動の方向・着点を表す格助詞サ,目的語を表示する格助詞コト・トコ類,退去時制を表すテアッタ・タッタ形を取り上げ,その文法化の方向性と地理的分布の関係を考察した。これらの形式の文法化による変化の方向性を見ると,共通に,東北地方の日本海側の方言では,文法形式の機能を大幅に変質させる文法化が生じているのに対し,東北地方の太平洋側の方言では,本来の意味用法を維持する範囲での文法化が生じている。こうした文法化の方向性に見られる地域差を,言語地図による伝統方言の分布調査,若年層を対象とした多人数調査,方言による語りを文字化した昔話資料の用例調査などによって検証した。
著者
Wataru SHIGEYAMA(繁山航) Naoko NAGATSUKA(永塚尚子) Tomoyuki HOMMA(本間智之) Morimasa TAKATA(高田守昌) Kumiko GOTO-AZUMA(東久美子) Ilka WEIKUSAT Martyn R. DRURY Ernst-Jan N. KUIPER Ramona V. MATEIU Nobuhiko AZUMA(東信彦) Dorthe DAHL-JENSEN Sepp KIPFSTUHL
出版者
公益社団法人 日本雪氷学会
雑誌
Bulletin of Glaciological Research (ISSN:13453807)
巻号頁・発行日
vol.37, pp.31-45, 2019 (Released:2019-12-17)
参考文献数
64
被引用文献数
4

Mass loss from ice sheets contributes to global sea level rise, and accelerated ice flow to the oceans is one of the major causes of rapid ice sheet mass loss. To understand flow dynamics of polar ice sheets, we need to understand deformation mechanisms of the polycrystalline ice in ice sheets. Laboratory experiments have shown that deformation of polycrystalline ice occurs largely by dislocation glide, which mainly depends on crystal orientation distribution. Grain size and impurities are also important factors that determine ice deformation mechanisms. Compared with ice formed during interglacial periods, ice formed during glacial periods, especially ice that forms cloudy bands, exhibits finer grain sizes and higher impurity concentrations. A previous report suggests the deformation rate of ice containing cloudy bands is higher than that of ice without cloudy bands. To examine the microstructures and deformation histories of ice in cloudy bands, we applied the electron backscatter diffraction (EBSD) technique to samples from the Greenland Ice Sheet using an environmental scanning electron microscope (ESEM) equipped with cold stages. Prior to the EBSD analysis, we optimised our ESEM/EBSD system and performed angular error assessment using artificial ice. In terms of c- and a-axis orientation distributions and grain orientation spread, we found little difference between samples taken from a cloudy band and those taken from an adjacent layer of clear ice. However, subgrain boundary density and orientation gradients were higher in the cloudy band, suggesting that there are more dislocations in the cloudy band than in the clear ice layer.

7 0 0 0 OA 昇華の動因論

著者
堀川 聡司
出版者
京都大学大学院教育学研究科
雑誌
京都大学大学院教育学研究科紀要 (ISSN:13452142)
巻号頁・発行日
vol.59, pp.527-539, 2013-03-28

This article aims to elaborate the psychoanalytic concept of sublimation. Sublimation is a vague concept, especially in relation to its meta-psychological development and value. This paper considers the psychological mechanisms that allow for sublimation. Concepts derived from ego psychology are used to explore this topic, but the understanding they provide is limited. The works of Sigmund Freud, Juan-David Nasio, Melanie Klein, Jean Laplanche, and Françoise Dolto are then considered. From this research, four theses on the development of sublimation are presented: 1) the Ego is the agent that sublimates drives, 2) the Ego Ideal is the starting point of sublimation and gives its direction, 3) reparation becomes a model of sublimation, 4) sublimation is driven by the castration under the law of prohibitions. In addition to these four theses, it is proposed that sublimation is a secondary process phenomenon. This formulation should be useful both for a theory of the value of sublimation and for clinical techniques that aim to promote clients' use of secondary process thinking. It is suggested that further research is needed on sublimation to arrive at better clinical practice.
著者
永野 伸郎 伊藤 恭子 本多 雅代 須永 悟 田ヶ原 綾香 野原 ともい 野原 惇 星 綾子 溜井 紀子 安藤 哲郎 筒井 貴朗 新田 孝作 佐倉 宏 小川 哲也
出版者
一般社団法人 日本透析医学会
雑誌
日本透析医学会雑誌 (ISSN:13403451)
巻号頁・発行日
vol.49, no.9, pp.571-580, 2016 (Released:2016-09-29)
参考文献数
20
被引用文献数
2 5

【目的】透析患者に処方される経口薬剤錠数に占めるリン吸着薬の割合を把握し, 錠剤に含まれるマグネシウム (Mg) の影響を検討する. 【方法】血液透析患者520名に処方中の経口薬剤を薬効別に分類後, 総処方錠数に占める割合を算出した. また, 血清Mg値をリン吸着薬の処方有無別, 錠数別に解析するとともに, リン吸着薬のMg含量をICP-MSにより実測した. 【結果】1日に17.8錠/人の経口薬剤が処方されており, このうちリン吸着薬の割合は35% (6.2錠) であった. リン吸着薬処方患者の血清Mg値は非処方患者よりも高値であった. 処方錠数が最多である沈降炭酸カルシウム錠500mg「三和」の単剤処方患者169名において, 血清Mg値は処方錠数と正相関し, 処方錠数五分位は独立した有意な説明変数であった. また, 本剤のMg含量は1.8mg/gであり, 他剤よりも高値であった. 【結語】リン吸着薬は服用錠数が多いため, 一部の製剤に含まれるMgが血清Mg値に影響する可能性が示された.

7 0 0 0 IR 徒然草・序段

著者
竹村 信治
出版者
広島大学教育学部国語教育会
雑誌
国語教育研究 (ISSN:02873354)
巻号頁・発行日
no.58, pp.215-219, 2017-03-31
著者
平子 達也
出版者
日本語学会
雑誌
日本語の研究 (ISSN:13495119)
巻号頁・発行日
vol.11, no.1, pp.18-35, 2015-01

金田一(1954[1975])は,石川県能登島諸方言のアクセントが京阪式アクセントから東京式アクセントへの変化の中間段階を反映しているとした。確かに,能登島別所方言における動詞活用形のアクセント交替現象などから,この方言の先史において金田一の想定する「語頭隆起」が起こったと考えられる。また,別所方言と近隣の向田方言との比較からは,向田方言において「語頭隆起」の後,隆起した語頭拍がアクセント核を担うようになる変化と,もとあったアクセント核の有無および位置を保持しつつ,語声調の対立を失うという変化が起こりつつあるものと考えられる。特に後者の変化は,現代東京方言と京都方言における複合語アクセントの対応関係とも符合するものである。「語頭隆起」の後の変化についても能登島諸方言のアクセントは東京式と京阪式とを結ぶ変化モデルとなるのである。
著者
TAKUMI TSUTAYA MINORU YONEDA MIKIKO ABE TOMOHITO NAGAOKA
出版者
日本人類学会
雑誌
Anthropological Science (ISSN:09187960)
巻号頁・発行日
pp.190403, (Released:2019-06-21)
被引用文献数
3

The reconstruction of everyday diets in villages is important for understanding the diversity of diets and commerce networks of food items in premodern Japan. However, premodern diets in villages have not been well studied compared with those in cities. In this study, stable isotope analyses were performed on 23 adult human skeletons excavated from Sendaiji, a mountainous woodland village of underground Christians in Osaka in premodern Japan. No significant isotopic differences was found between individuals identified as Buddhists and those identified as Christians or between females and males. The total mean carbon, nitrogen, and sulfur isotope ratios were –21.1 ± 0.4‰, 11.6 ± 1.0‰, and 8.9 ± 1.3‰, respectively. The carbon isotope ratios in Sendaiji were the lowest among the studied premodern populations probably because these individuals consumed woodland foods that are affected by the canopy effect. No significant correlation between sulfur and nitrogen isotope ratios was apparent, suggesting that there was little contribution from marine foods or marine fertilizers to the diet of individuals in premodern Sendaiji. The relatively high nitrogen isotope ratios in Sendaiji were possibly because of the denitrification in paddy rice fields, ammonium uptake by paddy rice, use of animal fertilizers, and/or consumption of freshwater fish. To our knowledge, this is the first detailed bioarchaeological study of the premodern diet in a mountainous village in western Japan.
著者
堀川 宗一郎
出版者
日本語学会
雑誌
日本語の研究 (ISSN:13495119)
巻号頁・発行日
vol.11, no.4, pp.34-18, 2015-10-01

これまで、芸術的要素を含む写本資料においては、多くの表記研究が為されてきた。その一方で、消息・文書といった実用的な資料を対象とした表記研究は、あまり蓄積されてこなかったように思われる。そこで、鎌倉遺文所収の仮名文書を採り上げ、「とん」の表記に着目し、実用的な書記実態の一端を明らかにする。鎌倉遺文における「ん」は、撥音・促音の表記の他、モの異体字としても使用される。「ん」がモの異体字として使用されるのは、「とん」という文字連続に限定され、必ず連綿で表記されることで、「ん」がモの異体字だと判読できる。また、連綿で表記された「とん」という文字連続は、必ずしも語や文節など意味とは対応しない。これを「固定的連綿」と呼ぶ。「固定的連綿」は「とん」以外の文字連続にも認められ、書記者の居住地域や性別・身分に左右されない、鎌倉時代における書記法の一つと捉えられる。