著者

小島 浩之 安形 麻理 佐野 千絵 矢野 正隆

出版者

東京大学経済学部資料室

巻号頁・発行日

2019-04-18

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「図書館資料保存論」に関する基礎的研究班

著者

白幡 公勝

巻号頁・発行日

no.190, 1969

雑誌

世界遺産学研究 = Journal of world heritage studies

巻号頁・発行日

no.特別, 2017

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Proceedings of the First Capacity. Building Workshop on Nature-Culture Linkages in Heritage Conservation in Asia and the Pacific (CBWNCL. 2016). Agricultural Landscapes : 農業景観September 18-30,2016University pf Tuskuba,Japan

著者

上村 盛人

出版者

奈良教育大学

雑誌

奈良教育大学紀要. 人文・社会科学 (ISSN:05472393)

巻号頁・発行日

vol.28, no.1, pp.35-53, 1979-11-15

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Tennyson had been greatly interested in the legends of King Arthur since his boyhood, because he had always felt the "passion of the past" even from a boy. However, when he wrote "Sir Launcelot and Queen Guinevere," the first treating of Arthurian theme, he had probably no intention of enlarging it into a longer poem. The germ of Idylls of the King was "Morte d'Arthur" started in 1833. and the final complete edition of the Idylls was published in 1888. Thus for more than fifty years Tennyson had been engaged in completing the work. Yet, his version of the Arthurian legends is quite uniquely his own since he seems to have inserted his own ambiguous and rather pessimistic vision towards the Victorian society into the framework of the Arthurian story. In 1872 Swinburne harshly attacked Tennyson's Idylls in his critical pamphlet, "Under the Microscope." According to Swinburne, "the moral tone of the Arthurian story has been lowered and degraded by Mr.Tennyson's mode of treatment." Swinburne had found in the legends of King Arthur "something almost of Hellenic dignity and significance" just like Aeschylus' Oresteian tragedy. Tennyson degraded the original noble story, Swinburne said, by making Arthur into a "wittol", Guenevere into a "woman of intrigue", Launcelot into a "co-espondent", and Vivien into "the most base and repulsive person". Swinburne regarded Tennyson's representation of Tristram and Iseult as an outrageous fiction which was "perilously akin to lying." Tennyson and Swinburne are seemingly contrastive and antagonistic. In the skilful management of poetical technique, however, both poets were equally excellent as "word-musician." And the two poets had almost the same view of the "changing world of changeless law." Living in such a world of changeless change, both poets sought for something changeless and everlasting. Tennyson found it in the "principle of immortal Love" as is embodied by King Arthur himself in the Idylls. However, as the last book of the Idylls implies, Tennyson's faith in "immortal Love" was rather precarious, living as he was in the transitional Victorian era. On the other hand, Swinburne who was one of the leading advocates of "art for art's sake" thought that only the great work done by the great artist was immortal. Strongly opposed to Tennyson's degradation of the legendary story, Swinburne, true to "the dear old story," produced his own version and published it as Tristram of Lyonesse in 1882, though in Swinburne's poem Wagnerian 'Liebestod'and the existence of Fate were idiosyncratically emphasized. It was somewhat ironical that Tennyson, a conservative poet as a spokesman of the Victorian society, was rather radical in his interpretation of the Arthurian story and that Swinburne, a radical aesthete, was rather conservative in his treatment of the story of King Arthur. Tennyson stressed the Christian element of the legends, implying his own ambiguous sentiment towards his own society at the same time, while Swinburne emphasized the tragic element with characteristically Swinburnian touch.

著者

胡 雲紅

出版者

横浜国際社会科学学会

雑誌

横浜国際社会科学研究 = Yokohama journal of social sciences (ISSN:13460242)

巻号頁・発行日

vol.13, no.6, pp.35-53, 2009-02-20

著者

山本 泰生

雑誌

横浜国立大学教育人間科学部紀要. II, 人文科学 (ISSN:1344462X)

巻号頁・発行日

vol.9, pp.19-44, 2007-02

著者

花輪 光

出版者

筑波大学文藝・言語学系

雑誌

文藝言語研究. 文藝篇 (ISSN:03877523)

巻号頁・発行日

vol.6, pp.1-25, 1981-12

著者

澤井 真

出版者

Tohoku University

巻号頁・発行日

2015-03-25

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要約のみ

著者

佐貫 浩

出版者

法政大学キャリアデザイン学会

雑誌

生涯学習とキャリアデザイン = 生涯学習とキャリアデザイン (ISSN:13493051)

巻号頁・発行日

vol.14, no.2, pp.59-79, 2017-03

著者

日比 嘉高 HIBI Yoshitaka

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 文学 (ISSN:04694716)

巻号頁・発行日

vol.61, pp.181-202, 2015-03-31

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In this paper I discuss how literary studies could contribute to a legal argument concerning the artistic quality of literary works. To this end, I will revisit points of discussions in a series of legal trials regarding invasions of privacy found in literary texts, namely MISHIMA Yukio's "After the Banquet," TAKAHASHI Osamu's "Namonaki Michi wo (Down a Nameless Road)", and YÛ Miri's "Ishi ni Oyogu Sakana (A Fish Swimming in Stone)." The problems surrounding artistic quality - how to judge it, and whether or not to take it into account at all - have continued to trouble lawyers since it first became a crucial point in the judgment of "After the Banquet" in 1960. I suggest that 'artistic quality' refers to the possibilities of art. In particular, I argue that it can function to provide a comprehensive framework for understanding humanness in the public sphere.

著者

佐藤 知菜

出版者

筑波大学社会学研究室

雑誌

社会学ジャーナル = Tsukuba journal of sociology (ISSN:03865983)

巻号頁・発行日

vol.44, pp.39-51, 2019-03-31

著者

斉藤 美香 齋藤 暢一朗

出版者

札幌学院大学総合研究所 = Research Institute of Sapporo Gakuin University

雑誌

札幌学院大学心理学紀要 = Sapporo Gakuin University Bulletin of Faculty of Psychology

巻号頁・発行日

vol.1, no.2, pp.1-12, 2019-02-15

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本研究は援助要請行動を促進する目的で作成されたメンタルヘルス教育プログラム(講習)の受講後に援助要請行動が促進された学生と促進されない回避型の学生の個人要因の違いを検討した。調査方法は大学生250名に受講前後の援助要請行動と自己肯定感,自己隠蔽,レジリエンス,コーピング尺度からなる質問紙を実施した。分析の結果,従来の情報提供中心の心理教育プログラムでは,自己肯定感の高い人,社交性の高い人,意味づけや課題解決型ストレスコーピングスタイルを持っている人には一定の効果が得られた。しかし,自己肯定感および社交性の低い人,他者の目を気にする恥意識の強い人に対しては,これらの個人要因に影響を与えるような効果的なプログラム構成の検討が必要であると考えられた。

著者

大井田 晴彦 Oida Haruhiko

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

vol.1, pp.459-471, 2018-03-31

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Lady Aoi (Aoi-no-ue) was the daughter of the Prime Minister (Sadaijin), and the first legal wife of Hikaru Genji. But, the couple were not well-matched. It was a political marriage, and this was not a love-match. There were no waka between this couple. The adjective uruhashi was often used for her. Genji feld her coldness and angularity dissatisfiedly. It was only his prejudice. She had a character warm kindly essentially. She was a domestic, and reliable wife. In the chapter of Aoi, in the marriage ninth year, she became pregnant, conjugal relations have begun to improve. She gave birth to a boy (Yugiri) and has been murdered by Rokujo no Miyasudokoro’s spirit. Genji began her who suffered and felt love her very much. Aoi died in the middle of August as if The Moon Princess (Kaguyahime of Taketorimonogatari) returned to the moon. Her death was mourned for, and it was beautified by many words. They were unhappy, but she was an irreplaceable wife. She lived in the recollection of the people.

著者

杉山 洋子 Yoko Sugiyama

雑誌

人文論究 (ISSN:02866773)

巻号頁・発行日

vol.38, no.4, pp.1-16, 1989-02-25

著者

井上 勝雄 Katsuo Inoue

雑誌

経済学論究 (ISSN:02868032)

巻号頁・発行日

vol.63, no.3, pp.135-146, 2009-12-15

著者

後藤 和也

雑誌

日本文學誌要 (ISSN:02877872)

巻号頁・発行日

vol.63, pp.12-25, 2001-03-24

著者

野崎 剛毅

出版者

北大教育学研究院教育社会学研究室

雑誌

「調査と社会理論」研究報告書

巻号頁・発行日

vol.29, pp.81-86, 2013-03-31

著者

伊藤 了子 Ryoko Ito

雑誌

人文論究 (ISSN:02866773)

巻号頁・発行日

vol.61, no.3, pp.11-29, 2011-12-10

著者

難波 功士 Koji Namba

雑誌

関西学院大学社会学部紀要 (ISSN:04529456)

巻号頁・発行日

no.95, pp.107-121, 2003-10-28

著者

関根 達人

出版者

弘前大学國史研究会

雑誌

弘前大学國史研究 (ISSN:02874318)

巻号頁・発行日

vol.140, pp.87-90, 2016-03-30