著者
江上 綏
雑誌
美術研究 = The bijutsu kenkiu : the journal of art studies
巻号頁・発行日
no.247, pp.32-41, 1967-03-27

See Résumé, No. 238, the Bijutsu Kenkyu.
著者
江上 綏
雑誌
美術研究 = The bijutsu kenkiu : the journal of art studies
巻号頁・発行日
no.250, pp.22-40, 1967-12-27

See Résumé, No. 238, the Bijustu Kenkyu.
著者
江上 綏
雑誌
美術研究 = The bijutsu kenkiu : the journal of art studies
巻号頁・発行日
no.251, pp.27-28, 1968-02-27

The author discussed in Nos. 238 and 239 of this present journal the Japanese mediaeval book of landscape gardening Senzui narabini Yagyō no Zu Accompanied by Dōji Kudensho in relation to the history of gardens. When he presented this paper, only three manuscripts of this book were known to him, namely the text owned by Prof. Ōta, Shōjirō of the University of Tokyo, the text in the Mudoji Library of the Myōtokuin, Shiga, and the text in the Agriculture Library of the University of Kyoto. After that, another text in the library of Nihon University came to his attention. The present paper is a supplementary study of this book on which this additional text shed further light. It has become much easier to imagine the older form of the text through the acquisition of this new material of Nihon University which, along with the manuscript owned by Prof. Ōta, was perhaps transcribed in the early Edo Period. The newly found text is closer to the texts of Kyoto University and the Myōtokuin than to the one owned by Prof. Ōta. By minutely analyzing the differences between these four texts and another variant in the Sonkeikaku Lidrary of the Maeda Family, it became clear that the Nihon Univesity text is in the same genealogy as the texts of Kyoto University and the Myōtokuin. Nevertheless some portions of it are the same as Prof. Ōta's text, but differ from the other two. These portions are considered to retain the older form. But such portions are not many, indicating that the texts of Kyoto University and of the Myōtokuin, both of which were transcribed around 1740 and are versions very close to each other, keep the form of the earlier text rather well. The shapes of the rocks and trees drawn in the Nihon University manuscript are very close to those of the Kyoto University and Myōtokuin manuscripts. But they have one point in common with Prof. Ōmanuscript which the other two lack: the rocks are shaded in the manuscripts of Prof. Ōta and of Nihon University only. This may well be the way such features were depicted in the oldest text of this book.
著者
江上 綏
雑誌
美術研究 = The bijutsu kenkiu : the journal of art studies
巻号頁・発行日
no.238, pp.26-41, 1966-02-17

The oldest existing Japanese book on methods of gardening is Sakuteiki (originally called Senzai Hishō) which, though written as early as the twelfth century, still remains an authoritative work. And the one which is generally considered to be the next oldest is Senzui narabini Yagyō no Zu (hereafter referred to as SYZ). While the former has many copies (the original is lost), of the latter now in question only one copied manuscript has been known to exist, which is a copy of 1466 in the Muromachi Period of an earlier manuscript and is now in the Sonkeikaku Library of the Maeda Family in Tokyo. But the present writer found another manuscript of the same book, though with considerably different contents, in the Mudōji Library of the Enryakuji Monastery in Shiga Prefecture in the spring of 1964, and then two other copies of the same book with the same context came to his knowledge, one being in the Agriculture Library of the University of Kyoto, and the other owned by Prof. ŌTA shojiro of the Historiographical Institute of the University of Tokyo. Prof. ŌTA's manuscript has a postscript with the date of 1654 but there are evidences which suggest that this is a copy written soon after 1654. The one of the Mudōji Library has a postscript of 1742 and is datable to this year. And the one in the Kyōto University, though having no postscript, is a very close copy to the Mudōji manuscript, having the same collation notes in red ink, the same arrangement of contents, and almost the same calligraphic characteristics. These three manuscripts have the same context as mentioned above. It consists of an abbreviated version of what is written in the Sonkeikaku manuscript, a list of people to whom the descending of this text is attributed, part called “Dōji Kudensho,” some itemized statements of a more superstitious kind, and some abstracts of the Sakuteiki. According to the present writer the part of “Dāji Kudensho” is close to Sakuteiki in its contents and the inference of the use of the words in this part is that this part is a thirteenth century methodological tradition which was most likely written down or rewritten around 1400, and the several more or less superstitious items following it and the list of people also, have no signs that they are later than the early part of the fifteenth century. The first part of the book, which is contained in the Sonkeikaku manuscript as well, is also equipped with linguistic features of the fifteenth-century learned society. Sakuteiki and SYZ have hitherto been considered to be of completely different schools of gardening method, and SYZ was by some scholars regarded as a book of the Kamakura Period (13th or 13th and 14th C.) and by some others, even earlier than Sakuteiki. But as the quotation from diaries of the fifteenth century show, the present writer is persuaded that the gardeners called “niwamono” who worked chiefly for the Shōgun, the head of the Muromachi military government, and for the people related to him in the capital of Kyoto, had a written tradition which covered the items included in this group of newly recovered manuscripts. And not only that but also the fact was found that some features in this context have a very close relationship to the architectural composition of the residences of these highly placed people. The idea of this book is also assorted with the theory of the Ommyōryō, or the Official Bureau for Yin and Yang Cult, of which some people are recorded as having had a leading part in directing the building of the gardens. All these facts lead us to the conclusion that the prototype of these books from which the newly-found text and the text of the Sonkeikaku manuscript were derived respectively, was compiled by someone related to the Ommyōryō, probably at the beginning of the fifteenth century. Thus a completely new viewpoint is given in this paper to the book SYZ and the history of gardening in Mediaeval Japan. The writer has also added some bibliological study of Sakuteiki, using its abstract contained in this group of manuscripts and the collation notes found in two of them. The entire text of this group of manuscripts will be printed in later numbers of this journal and be collated with the Sonkeikaku manuScript.
著者
浅野 俊和 Toshikazu ASANO
雑誌
中部学院大学・中部学院大学短期大学部研究紀要 = Chubu Gakuin University Chubu Gakuin College the Journal (ISSN:1347328X)
巻号頁・発行日
no.5, pp.57-65, 2004-03

本稿は、東映動画製作による<長編漫画映画>の第1作「白蛇伝」が劇場公開された1958(昭和33)年10月から、興行名称が「東映アニメフェア」へと変更された1990(平成2)年7月までのおよそ30年間に焦点を当て、「東映まんがまつり」という映画興行形態の形成及び変容の過程をたどることで、日本における<長編漫画映画>の誕生と終焉の経緯を跡づけたものである。
著者
加納 靖之
雑誌
研究報告人文科学とコンピュータ(CH) (ISSN:21888957)
巻号頁・発行日
vol.2020-CH-122, no.5, pp.1-3, 2020-01-25

歴史地震研究の成果としての地震史料集や歴史地震のカタログ(年表)がデジタル化されつつある.既にいくつかの研究プロジェクトによってデジタル化が試みられ,また実用的なデータベースとして公開されてきた.既存のデジタル資源の大部分は地震学,歴史学,情報学の協働によって実現したものである.これらを活用した歴史地震研究を紹介するとともに,今後新たに構築すべきデータベースや取り入れるべき技術や仕組みについて議論したい.
著者
遠藤 守人
雑誌
八戸大学紀要
巻号頁・発行日
no.32, pp.13-18, 2006-03
著者
服部 克也
出版者
東京水産大学
巻号頁・発行日
2003

東京水産大学博士学位論文 平成15年度(2003) 論文博士 乙第83号
著者
日下 隆平 Ryuhei Kusaka 桃山学院大学文学部
雑誌
英米評論 = ENGLISH REVIEW (ISSN:09170200)
巻号頁・発行日
no.17, pp.3-28, 2002-12-20

At the fin de siecle, the Celtic Revival was complex and multifaced movement, comprising a variety of approaches to the representation of Irish identity. In this paper, the influence of Matthew Arnold on the Celtic Revival will be mainly explored. He created a stereotyped image of the Celt as a “shy, sensitive and imaginative” race. The Irish people have greatly changed their image from what they used to be in the eighteenth century. The image of Irishman in England can be traced back to the age of Edmund Spenser and Jonathan Swift. Yahoo represents the savage people whom Jonathan Swift described in Gulliver's Travels (1726). The description of the Irishman as Yahoo was found in the cartoons and writings of the eighteenth century. Eiren, on the other hand, was a gloomy and beautiful woman, with long and dark hair. She was often drawn in the cartoons of the magazines at 1890s. The inclination for nostalgic representations of the Celt could be found in the figure of Eiren. In the first section, the discovery of the Celtic motif will be discussed in connection with the rise of Irish nationalism in the middle of the eighteenth century. The traditional Irish symbols such as the Celtic Cross, harp, and Irish wolfhound, will be referred in the poems and paintings. In the second section, I will deal with the image of the Irishman as Yahoo, in Gulliver's Travels and the cartoons of Punch. In the last section, the Celtic Revival and the transformation of the Irish image at the end of century will be discussed. The figure of Erin suggested Irish femininity itself. This figure of Erin cannot be separable from Arnold's opinion. As a critic points out, the Celt is a construct based on oppositions such as wild and tame, savage and civilized, or idealist and utilitarian. In this paper, an ambivalence in English attitude towards the Celt will be also explored.
著者
西川 良子
出版者
梅花女子大学文化表現学部
雑誌
梅花女子大学文化表現学部紀要 = Baika Women's University Faculty of Cultural and Expression Studies Bulletin (ISSN:24320420)
巻号頁・発行日
no.15, pp.81-96, 2019-03-21

2005年に神戸市で発足した「神戸ウエディング会議」は神戸市やその周辺地域のウエディングに関わる施設や事業関係者が中心となり、神戸の街の魅力を最大限に活かすべく活動している任意団体であり、神戸をウエディングの街として、認知度アップに努めている。全国的にウエディング産業活性のために取り組む団体は数多く存在するが、その中でも「神戸ウエディング会議」はその活動歴の長さや、会員数、活動事例の多さが顕著で、注目を集める存在となっている。本論では、まず明治以降のわが国におけるウエディング産業の変遷を紐解いて、近年の傾向を探る。神戸に都市型リゾートウエディングという場所イメージが定着したことにより、神戸はたちまちウエディングの激戦区となったが、近代のわが国の結婚式の変遷が少なからず関係していることが解明できた。続いて、神戸ウエディング会議の活動を辿り、結婚式から派生するマーケットや今後の神戸におけるウエディング産業の展望について考察した。
著者
島内 景二
出版者
電気通信大学
雑誌
電気通信大学紀要 (ISSN:09150935)
巻号頁・発行日
vol.18, no.1-2, pp.127-175, 2006-01-31

Mishima Yukio’s Silk and Enlightenment (Kinu to Meisatsu, 1964) is a long and a ratherunfortunate novel in that it received uncertain reviews of both approvals and disapprovals by thecritics. Where did Mishima’s true intention lie in writing this full-length novel?Fuefukigawa Art Library, where Mr. Hatano Takeo acts as the President, holds many of thebooks owned by Mishima himself. I was so fortunate to be given the opportunity to examine thefour books that provided sources for Silk and Enlightenment. Indeed, I was the first scholar to begiven access to these items, which are all concerned with the industrial actions that took place inthe rapidly growing silk factory, Omi Kenshi.In these four books, many underlines are drawn and marginalias scribbled in by Mishimahimself. Also, whenever he found useful accounts for his novel, he folded the top corner of pages.In fact, there are applications of such relevant parts in Silk and Enlightenment. The pages,stained with Mishima’s greasy hands, have now turned into almost black over forty years and hisfinger prints are clearly retained in some of them. By tracing the pages he referred to, we caninvestigate minutely into the process through which the novelist constructed the plot, created thecharacters, and rendered the novel as close as possible to the real historical incident.Silk and Enlightenment compares the two contrasting spheres: the enlightened world ofthe West, which is represented by Heidegger and Hlderlin, and the chaotic reality of Japan asexposed through the industrial actions over the silk factory. Mishima’s own thought on Japanduring the industrialising period is made clearer by the above four books discovered in his library.It also elucidates his researches on the subject of the hitherto uncertain relationships between theworld of West and that of Japan. Mishima had an eye for the uniqueness of Japanese society as wellas an eye to observe the cultural universality.Besides, this research becomes the key to understanding the root of Mishima’s ‘motivationsas a novelist’ which drove him in the first place to select out these four reference items on theindustrial actions at Omi Kenshi. It sheds a new light upon his fundamental views on humanity andthe world.I am confident that this paper will present a model case for future studies on Mishima Yukioby making a close and detailed analysis of Silk and Enlightenment (Kinu to Meisatsu), for thefirst time, by actually basing research on Mishima’s marginalias on his own books.
著者
源 証香 小谷 宜路
出版者
埼玉大学教育学部
雑誌
埼玉大学教育学部附属教育実践総合センター紀要 = Journal of Integrated Center for Clinical and Educational Practice (ISSN:13477420)
巻号頁・発行日
vol.13, pp.9-15, 2014

保育士及び幼稚園教諭養成校である短期大学・大学を対象に、保育内容5領域の各論(健康、人間関係、環境、言葉、表現)と、保育内容総論の授業を担当する教員が、どのような研究の専門分野をもっているのか、その実態を調査した。調査の結果、それぞれの授業科目ごとに、担当教員の専門分野の傾向に違いが見られた。また、全体にかかる傾向として、複数の専門分野をもつ研究者が増えていること、教科教育学を専門分野とする研究者や、保育実践者から養成校教員となった者が、保育内容の授業科目を担当することが増えていることがわかった。調査結果を基に、今後必要とされる「保育内容」に関する研究の方法や内容を展望し、考察した。
著者
鳥居 正人 松下 知世 松田 陽介 伊藤 進一郎 Masato Torii Tomoyo Matsushita Yosuke Matsuda Shin-ichiro Ito 三重大学大学院生物資源学研究科 三重大学生物資源学部 三重大学大学院生物資源学研究科 三重大学大学院生物資源学研究科 Graduate School of Bioresources Mie University Faculty of Bioresources Mie University Graduate School of Bioresources Mie University Graduate School of Bioresources Mie University
雑誌
樹木医学研究 (ISSN:13440268)
巻号頁・発行日
vol.16, no.3, pp.119-122, 2012-07-31

ブナ科樹木の萎凋病菌Raffaelea quercivoraに対する外国産コナラ属樹種の感受性を明らかにするため,Quercus palustris, Q. robur, Q. rubra,日本産アラカシの各種苗木に対して,多点・1点接種を行った.その結果,多点接種における対照,無処理木では枯死が確認されなかったが,接種木ではQ. rubraのみで枯死が確認され,その枯死率は42%であった.また,枯死率は樹種間で有意に異なった.1点接種の接種木においてQ. rubraの接種部横断面における変色域の割合は,アラカシのものに比べ,有意に高かった.以上の結果から,R. quercivoraは外国産のQ. rubraに対して病原性を有することが明らかとなった.