著者
Michal PTASZYNSKI Pawel DYBALA Wenhan SHI Rafal RZEPKA Kenji ARAKI
出版者
Japan Society for Fuzzy Theory and Intelligent Informatics
雑誌
知能と情報 (ISSN:13477986)
巻号頁・発行日
vol.21, no.2, pp.194-213, 2009-04-15 (Released:2009-06-30)
参考文献数
63
被引用文献数
7 19

We propose a method for affect analysis of textual input in Japanese supported with Web mining. The method is based on a pragmatic reasoning that emotional states of a speaker are conveyed by emotional expressions used in emotive utterances. It means that if an emotive expression is used in a sentence in a context described as emotive, the emotion conveyed in the text is revealed by the used emotive expression. The system ML-Ask (Emotive Elements / Expressions Analysis System) is constructed on the basis of this idea. An evaluation of the system is performed in which two evaluation methods are compared. To choose the most objective evaluation method we compare the most popular method in the field and a method proposed by us. The proposed evaluation method was shown to be more objective and revealed the strong and weak points of the system in detail. In the evaluation experiment ML-Ask reached human level in recognizing the general emotiveness of an utterance (0.83 balanced F-score) and 63% of human level in recognizing the specific types of emotions. We support the system with a Web mining technique to improve the performance of emotional state types extraction. In the Web mining technique emotive associations are extracted from the Web using co-occurrences of emotive expressions with morphemes of causality. The Web mining technique improved the performance of the emotional states types extraction to 85% of human performance.
著者
赤瀬 雅子
出版者
桃山学院大学
雑誌
桃山学院大学人間科学 (ISSN:09170227)
巻号頁・発行日
vol.20, pp.29-53, 2000-12-20

When taking a generel survey of the history of modern Japanese literature, we often find some works which discuss the differences between European and Asian culture. Educated people are especially ardent about comparative studies of French and Japanese culture. A prominent literary critic, Miyoko Nakano, stated that though Riichi Yokomitsu's Ryoshu (Loneliness on a Journey) won a favorable reputation, it was a mediocre work. However, she appraised Hisao Juran's Jujigal (Cross Street) as far more outstanding. Juran Hisao, born in 1902 in Hakodate, Hokkaido, grew up in an affluent family. Juran loved freedom so much that he abandoned schoolwork at the age of 15. When he was 20, he became a journalist and started writing plays. In 1920, he went to Tokyo to study French playwriting theory under Takashi Kashida, whose work shows the ubiquitous influence of his own teacher, Jacques Copor. In December 1929, Juran arrived in Paris, after a long journey via the Trans-Siberian Railroad, where he spent three years under the tutelage of Charles Duran. (In fact, his penname, Juran, was taken from Duran). Specific information about his activities during this period is unknown. In 1933, 33-year-old Juran returned to Japan at last. In Jujigai, his masterpiece, Juran describes metropolitan Paris in detail and links two French and Japanese political scandal: the Stavisky Incident in French and the so-called High Treason Incident in Japan. The main character, Takayoshi, and the female protagonist, Yukiko, are taunted by the some fate. In the High Treason Incident, the Japanese government accuses both characters fathers, innocent civilians, of being criminals and tries to put them to death. Twenty years later, while Takayoshi and Yukiko are studying in Paris, they become victims of the Stavisky Incident. They are both killed by the authorities, although neither of them has anything to do with the incident. Throughout this fictional work, Juran describes the hopelessness of politics in French and Japan, recognized especially by people living in the countries capitals. Juran's unique, refined writing is reminiscent of the works of Restif de la Bretonne, Eugene Shue, and Francis Carco. In Jujigai, Juran successfully draws a clear picture of Paris as an abyss.
著者
伊東 泰治
出版者
中部大学
雑誌
国際研究 (ISSN:09100156)
巻号頁・発行日
vol.11, pp.73-102, 1995-01-31
著者
ZION Mark N.
出版者
中央大学総合政策学部
雑誌
総合政策研究 (ISSN:13417827)
巻号頁・発行日
no.20, pp.137-165, 2012-03

ユダヤ教,キリスト教,イスラム教と,どの宗教を見ても明らかなように,私たちは今,新たな宗教復興の時代に生きていると言える.ジャンバッティスタ・ヴィーコ(1668 ― 1744) によれば,文明は神権政治に始まり貴族政治と民主主義を経て再び神権政治の順で循環しているという.彼が正しければ,私達が生きているのは単に宗教的熱狂の時代ではなく,神権政治への回帰過程であるとも言える.そして,もしそうであれば,聖書の持つ意味合いはかつてないほどに重要な色合いを帯びてくることになる.しかし,この時代がヴィーコの仮説通りの過程ではないとしても,私たちが聖書への理解を深めることは極めて重要である.何故なら,いくつもの時代を経てなお人々を魅了し続けて止まない聖書を理解することは,国々の文化や人々の価値観の基盤を理解することにも繋がる大切な作業だからである.ここでは,私が日本の各大学の教壇で聖書を取り上げてきた経験を踏まえて,聖書を学ぶことの原点に立ち返り,モーゼの書が世に送り出されるに至った経緯即ち聖書誕生の原点について考えてみたいと思う.
著者
佐藤 達生
出版者
Architectural Institute of Japan
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.78, no.689, pp.1651-1657, 2013

Compound piers with nook shafts in Lombard Romanesque churches receive transverse arches always by pilasters and not by round shafts. The composition differs essentially from that of compound piers with nook shafts in Ile-de-France. Detailed measurements of the supports in eleven Lombard churches indicate the following.<br>1) Nook shafts in Lombard compound piers penetrate the re-entrant corner of <i>ressauts</i> to the extent that about half of the circular profile is hidden. This feature means that Lombard compound piers have low linearity compared to that of Ile-de-France compound piers in which nook shafts touch both the surfaces of the re-entrant corner tangentially.<br>2) However, the nook shaft in Lombardy has "diagonality" because it penetrates each of the two surfaces of the re-entrant corner to the same extent. Accordingly, the theory of "diagonality," by which Paul Frankl asserts this to be a key characteristic of Gothic architecture, fails as far as Lombard architecture is concerned.