著者
松尾 尊兌
出版者
京都大學人文科學研究所
雑誌
人文学報 (ISSN:04490274)
巻号頁・発行日
no.98, pp.117-142, 2009

佐々木惣一は憲法学者として大正デモクラシー運動の先頭に立ち,とくに学問の自由,大学自治確立のため奮闘した。一方,近衛文麿は首相として日中戦争を全面化し,日独伊三国同盟を結び,国内の戦争体制を整備した責任者である。権力と反権力を象徴するこの二人は敗戦直後,ともに内大臣府御用掛として明治憲法の改正作業を行った。この関係はどうして生まれたのか。近衛は京大学生時代,佐々木の講義は聞いたが,親しい関係はなかった。二人の接触が証明されるのは,1939年,近衛が首相を平沼騏一郎に譲り,無任所大臣に就任したときである。このとき近衛は枢密院議長を兼任したが,憲法違反の疑いをかけられ,京都の佐々木を訪問して教えを乞うた。その後佐々木は近衛の企てた大政翼賛会は違憲だと非難したが,太平洋戦争末期には近衛を中心とする反東条内閣,早期和平実現計画の一員に加わる。敗戦直後,マッカーサーは近衛に憲法改正を行うよう指示する。近衛が相談相手に佐々木を選んだのは,戦争末期の協力関係によるものである。佐々木は大正天皇の即位のときから憲法改正を念願としていたのでこれに応じた。佐々木はこの作業を東大や同志社大出身者を交えて行う計画であったが実現しなかった。内大臣府廃止により,憲法改正作業は打切られ,近衛は要綱だけを,佐々木は全文を天皇に報告したが,これは二人の問に意見の対立があったからではない。二人はともに,天皇主権という帝国憲法の形式(国体)を維持したままに,内容を民主主義的自由主義的に改めることを意図した。国体を維持するためには,昭和天皇は戦争責任を負って退位すべきだとの暗黙の合意も,二人の間には存在した。近衛が戦争犯罪者に指名されて自殺したあと,その遺志をつぐように佐々木は貴族院議員として主権在民の日本国憲法に反対する一方,皇室典範を天皇退位を可能にするよう改正せよと主張した。ただし新憲法の内容のデモクラシーには賛成し,新憲法が成立すると,国民は新憲法を尊重して,これを守るよう説いた。Sasaki Soichi was a constitutionalist, who stood at the forefront of the "Taisho Democracy" movement. He struggled in particular to establish academic freedom and university autonomy, The fact is not well-know, however, that this leading constitutionalist established some cooperative relationship with Konoe Fumimaro, who led Japan to a full-scale war with China, and entered into the Tripartite Pact with Nazi Germany and Italy. Their relations dated back to 1939, when Konoe visited Sasaki in Kyoto to consult on the issue of unconstitutionality of his nomination as a minister without portfolio, Some frictions notwithstanding, the cooperative relationship between these two figures developed during the war years, In 1944 Sasaki supported Konoe's plans to bring down the Tojo cabinet, and to bring a quick end to World War II. After the war, they worked together in the Office of the Lord Keeper of the Privy Seal (Naidaijin-fu) on revision of the Meiji Constitution. When General MacArthur requested Konoe to revise the Constitution, he chose Sasaki as his consultant. They both agreed on introducing democracy and liberalism to the constitution, while keeping its existing framework of the "national polity" (kokutai), and the imperial sovereignty. They also opted for the Emperor's abdication on the ground of his was responsibility. Their work came to end with the dissolution of Naidaijin-fu.After Konoe's suhcide, Sasaki insisted on a revision of the Imperial Household Law to make the Emperor's abdication possible. While critical of the concept of popular sovereignty in the new Constitution of Japan, he supported its democratic contents and calle on the nation to respect it.
著者
林 謙次郎 佐々木 義明 田頭 昭二 生田 尚子
出版者
公益社団法人日本分析化学会
雑誌
分析化学 (ISSN:05251931)
巻号頁・発行日
vol.29, no.11, pp.785-790, 1980-11-05
被引用文献数
3

酸性溶液中でビスマス(III)イオンはチオ尿素と反応して黄色の可溶性錯体を形成する.この錯体は過塩素酸イオンとイオン対を作り,メチルイソブチルケトン(MIBK)あるいは酢酸エチルに抽出される.ビスマスの分配比に及ぼす各種因子の影響を調べ,抽出化学種は[Bi(thiourea)_2](ClO_4)_3であることが分かった.25℃,イオン強度3.60mol dm^<-3>における条件生成定数,イオン会合定数及び分配定数の値としてMIBK抽出系でそれぞれ3.0×10mol^<-2>dm^6,0.085 mol^<-3>dm^3及び6.0,又,酢酸エチル抽出系でそれぞれ5.2×10mol^<-2>dm^6,0.028mol^<-3>dm^9及び7.9が得られた.一方,水溶液中におけるビスマス,チオ尿素及び過塩素酸イオン相互間の反応を吸光光度法により調べた.その結果,錯体中のビスマスとチオ尿素のモル比は1:2であり,過塩素酸イオンが共存するとイオン会合体[Bi(thiourea)_2](ClO_4)_3が形成されることが分かった.この会合体の組成は先に求めた抽出化学種のそれと同一である.これらの反応に対応する条件生成定数及びイオン会合定数は24.2℃,イオン強度3.60 mol dm^<-3>でそれぞれ3.2×10 mol^<-2>dm^6及び0.14mol^<-3>dm^9であり,MIBK抽出系で求めた値とよく一致する.又,これら反応のΔH及びΔSの値も求めた.
著者
松浦 章
出版者
関西大学
雑誌
東アジア文化交渉研究 (ISSN:18827748)
巻号頁・発行日
vol.5, pp.327-342, 2012-02-01

In the mid-19th century, many European and American ships began to appear in Southeast Asia. Some of these ships belonged to the Peninsular and Oriental and Steam Navigation Company – a company founded in London during the early 19th century and commonly known as P.&O. – as part of the company's development of the shipping industry in Asia. Soon after the European establishment of trade with Japan, the P.&O. Company founded the Shanghai, Hong Kong and Japan route, which began operating in 1864. The shipping company's activities in East Asia also contributed greatly to population movement. This thesis describes the late 19th-century East Asian Seas, the P.&O. Shipping Company's activities and the resulting regional cooperation.
著者
石埼 学
出版者
亜細亜大学
雑誌
亜細亜法學 (ISSN:03886611)
巻号頁・発行日
vol.42, no.2, pp.15-33, 2008-01
著者
栗林 千聡 佐藤 寛
出版者
Japanese Society of Sport Psychology
雑誌
スポーツ心理学研究 (ISSN:03887014)
巻号頁・発行日
vol.42, no.2, pp.93-102, 2015
被引用文献数
1

The purpose of this study was to develop pilot evaluation of psychometric property of the Coach-Athlete Relationship Maintenance Questionnaire (CARM-Q) in Japanese junior tennis players and to examine its reliability and validity. The athlete version of CARM-Q was administered to 240 Japanese junior tennis players with a mean age of 15.7±1.3 years. Results of a confirmatory factor analysis replicated the factor structure found in the original version of the CARM-Q (Rhind and Jowett, 2012). Furthermore, it was suggested that the athlete version of CARM-Q had sufficient reliability and validity. The effects of the combination pattern of the coach-athlete dyad (athlete male/coach male, athlete male/coach female, athlete female/coach male, and athlete female/coach female) were tested via MANOVA using 7 subscales from the CARM-Q. Results revealed that the athlete male/coach female group was higher in Conflict management, Openness, and Motivational than the athlete male/coach male group. Additionally, the athlete female/coach male group revealed higher Motivational than the athlete male/coach male group. Future applications were also discussed regarding the CARM-Q as an assessment of the quality of the coach-athlete relationship in Japanese junior sport settings.
著者
服部 洋一
出版者
東京芸術大学
雑誌
東京藝術大学音楽学部紀要 (ISSN:09148787)
巻号頁・発行日
vol.21, pp.63-91, 1995

Composer Frederic (Federico) Mompou (1893-1987) searched throughout his life for ways to express his own musical ideals and sensibilities. This paper examines his attitude toward this search, and also analyzes changes in his means of musical expression as shown in his songs. From 1914 to 1915, Mompou was greatly concerned with the problem of finding his own means of musical expression. He wrote a report entitled "Estudi del sentiment per a l'interpretacio al piano," in which he reconsidered and reanalyzed traditional musical terms. From this, we can see that his search for his own musical language began while he was still young; this search continued throughout Mompou's career, not only in his piano works, but also in his vocal works. In order to analyze the changes in musical language in Mompou's vocal works, the following songs were selected: L'hora grisa (1915) from his early period; Cortina de fullatge (1925) and Canconeta incerta (1926) from his middle period; Damunt de tu nemes les flors and Aquesta nit un mateix vent (from the suite Combat del Somni; 1942-51) for his mature period; and finally La fausse morte (from the suite Cine chansons sur les poemes de Paul Valery; 1973) for his later years. Through this analysis the following characteristics have been shown: In his early and middle periods: (1) Mompou avoided conventional stability by using an "ambiguous tonality" which although diatonic is neither major nor minor (even when a mode is used, cadences do not have traditional chords); (2) he tended to avoid definiteness through using parallel dominant chord progressions; (3) he used the major second interval as a standard device to express anguish or pain in the song text. In his middle and mature periods, in addition to the above techniques: (4) Mompou used "two-storied chords" (an invented term meaning a kind of compound chord made from two adjoining chords) with increasing frequency and effectiveness; (5) his work came to show a characteristic sense of cadence through the use of 3rd inversion chords. All of these characteristics give a particular color to Mompou's songs, distinguishing him from other Spanish composers in the 20th century. In his later years, Mompou adopted Messiaen's "2nd mode" in his vocal work La fausse morte. But this fact is closely related to his use of parallel dominant chord progressions in his earlier works. Mompou's adoption of this mode for his own expressive purposes should be seen to reflect his interest in the use of diminished chords for their dominant function, and the fact that the combination of tones in Messiaen's 2nd mode give a richness in melody which satisfied Mompou's sense of sound in his later years.
著者
戸田 聡
出版者
日本西洋古典学会
雑誌
西洋古典學研究 (ISSN:04479114)
巻号頁・発行日
vol.59, pp.118-130, 2011-03-23

Bardaisan, the first Christian author in Syriac, whose thought is known mainly from the Book of the Laws of Countries, is often considered as a philosopher, and his thought is very frequently understood in the light of Greek philosophy (e.g. Stoicism). However, scholars who argue for Greek influence on Bardaisan seldom ask whether or to what extent Bardaisan really knew Greek; and curiously enough, some rare evaluations of his knowledge of Greek are rather negative. This problem needs to be solved. The present article addresses the problem by examining the Greek loan words used by Bardaisan in the Book of the Laws of Countries, and also by comparing his knowledge of astrology with that of the astrology as presented in Greco-Roman astrological literature, and argues that his knowledge of Greek was far from extensive and that he should be considered as one of the first thinkers who thought not in Greek but in Syriac.
著者
溝田 武人 山本 和幸 大屋 裕二 岡島 厚
出版者
日本流体力学会
雑誌
日本流体力学会年会講演論文集 (ISSN:13428004)
巻号頁・発行日
vol.2007, 2007-08-06

Less spinning soccer ball aerodynamics is studied by wind tunnel experiments. Aerodynamic forces as unsteady lift and side force acting on the ball at rest are measured and estimated flight trajectory. Well agreements of flight shift magnitude in lateral direction between observed and calculated ones are obtained. As a result, in this stage the cause of this strange behavior of less spinning soccer ball is clarified by phenomenon of irregular behaviors of horseshoe-shaped vortex and longitudinal twin one, which already discovered with supper critical Re number region of smooth sphere by Taneda (1976).
著者
山越 英嗣
出版者
日本生活学会
雑誌
生活學論叢
巻号頁・発行日
no.25, pp.13-22, 2014-09-30

Nowadays, media frequently focuses on the expansion of poverty among youth in Japan. Usually the conclusion is that this happens because of the collapse of conventional bonds like with the family, local communities, etc. One of the solutions for this problem is to create an informal support association to substitute for conventional systems. This article's main focus is the practice of young people who are managing a "hip hop and street wear" shop at a provincial city. These persons create informal associations called "crew" based on their knowledge of the hip hop culture and by doing that they help each other. The members of the crews are united strongly in specific ways like tattoos. Besides crews, they create another community. Inside of this community, they visit their friend's shop and spend a lot of money. They usually do this practice mutually to circulate money. In previous studies like Hebdige (1979), they described youth subculture as resistance to the dominant culture. However, this paper will argue how some young people manage their life within society with using their subculture skill set.