著者

花岡 敬太郎

出版者

明治大学人文科学研究所

雑誌

明治大学人文科学研究所紀要 (ISSN:05433894)

巻号頁・発行日

vol.81, pp.216-241, 2017-03

著者

小池 浩司 星合 昊

出版者

社団法人日本産科婦人科学会

雑誌

日本産科婦人科學會雜誌 (ISSN:03009165)

巻号頁・発行日

vol.52, no.9, pp."N-278"-"N-281", 2000-09-01

著者

片岡 優子

出版者

関西学院大学

雑誌

Human Welfare : HW (ISSN:18832733)

巻号頁・発行日

pp.19-31, 2009-03

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Taneaki Hara was the pioneer of prison reform and rehabilitation of ex-convicts in Japan. The purpose of this study is to clarify his achievements in child abuse prevention, and the significance and the influence of his activities on future generations. Hara was interested about child-rearing since he worked as a prison chaplain. He contributed the article to "KIRISTOKYO SHIMBUN" in 1892 and emphasized the importance of rearing orphans, and equally pointed out the need for adequate child-rearing in mainstream families. The event that led to Hara's engagement in child protection was when he was appointed as the Tokyo District Committee Member of the Okayama Orphanage in 1899. Hara initially got involved in child abuse prevention activities in 1909. The reason why he got started child abuse prevention activities was marked by one day when he was unable to overlook a newspaper article on child abuse. Moreover, he noticed the fact that there were a significant number of prisoners who had been illtreated as children. Hara shared his works on child abuse protection in magazines and through lectures. His work led to the establishment of Child Abuse Prevention Law of 1933 which Hara appealed for necessity of child abuse prevention and the maintenance of the law. Hara's child abuse prevention activities led him to be remembered as the pioneer of the protecting child abuse and neglect in Japan.

著者

松永 伸太朗 永田 大輔

出版者

日本オーラル・ヒストリー学会

雑誌

日本オーラル・ヒストリー研究 = Japan oral history review (ISSN:18823033)

巻号頁・発行日

vol.13, pp.129-150, 2017

著者

山本 浩三

出版者

同志社大学

雑誌

同志社法學 (ISSN:03877612)

巻号頁・発行日

vol.11, no.6, pp.103-112, 1960-03-20

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資料

著者

九内 悠水子

出版者

比治山大学

雑誌

比治山大学紀要

巻号頁・発行日

no.24, pp.1-13, 2018

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Based on the survey of "Mishima Yukio Bunko" of Hijiyama University, the main focus of this paper was placed on the "Minomono-tsuki (moonlight on water surface)" involved in the "Shimizu Fumio old stock".Shimizu left his note onto the novel, "Minomono-tsuki" <document number MAMi0-80>. It is generally pointed out that "Kagerofu-no-nikki (diary of dragonfly)" and "Hototogisu" written by Tatsuo Hori, as well as their original literature, "Kagerofu-Nikki" influenced "Minomono-tsuki". As far as Shimizu's note is concerned, however, it can be concluded that he recognized the influence of "Kokin-Wakashu (Kokin poet collection)" upon this novel.Mishima created characters filled with intelligence and culture, by citing Waka (short poetry) involved in ancient works such as "Kokin-Wakashu" or "Ise-Monogatari" into "Minomono-tsuki". And then, he described the suffering and sorrow for waiting = bearing of dynasty persons, in a multi layered or stereoscopic manner. Moreover, he succeeded to develop the story by relating images from Waka to Waka.There still remain some issues to be considered. For instance, how did Mishima learn the classics in relationship with Zen-mei Hasuda, Fumio Shimizu, or coterie of "Bungei-Bunka (literary culture)"? As a result, what kind of literary view was formed by them? Moreover, how did they reflect in this work?More precise study is necessary to answer these questions. The note of Shimizu is considered to be a very valuable clue for this purpose.

著者

山本 順一

出版者

桃山学院大学

雑誌

桃山学院大学人間科学 (ISSN:09170227)

巻号頁・発行日

no.45, pp.71-88, 2014-03-28

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In recent years, the Japanese academic world has been at a loss to cope with duplicate publications in scholarly journals. This article shows the backgrounds that may tend to produce to duplicate publications, and the present situations that scientific societies in Japan are wrestling with. Second, the author considers the conceptual structure of duplicate publications, and their legal meaning relating to copyright. Third, this paper tells R&D institutions how to prevent the duplication of publications by hired researchers. Finally, the author presents concrete examples relating to duplicate publications, and indicates which cases fall into the category of improper publications.

著者

綾屋 紗月

出版者

一般社団法人情報処理学会

雑誌

情報処理 (ISSN:04478053)

巻号頁・発行日

vol.56, no.6, pp.555-557, 2015-06

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私たちは当事者研究会の活動を通じ,発達障害,特に自閉スペクトラム症の診断基準がもつ弊害を感じてきた.どこまでが社会問題として考えられるべきで,どこからが個人が持つ変えられない特徴なのかを公平に切り分けるには,少数派が自己を探究する当事者研究と多数派の社会を探究するソーシャル・マジョリティ研究の両方が必要であると考え,当事者が抱える困りごとに注目した質問項目を作成し,その問いに対応する一般人口を対象とした研究紹介を様々な分野の専門家に依頼した.研究会を通して,学術的な研究が当事者研究の進展に寄与するだけでなく,逆に当事者研究の視点が複数の研究領域をつなぐ学際的な役割を果たす可能性が示唆された.

著者

篠田 大基

出版者

美学会

雑誌

美學 (ISSN:05200962)

巻号頁・発行日

vol.60, no.2, pp.56-69, 2009-12-31

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Steve Reich (1936-), in his essay "Music as a Gradual Process" (1968), wrote that "a compositional process and a sounding music […] are one and the same thing." His aesthetic creed of "perceptible processes," indicated in these words, is known as the basic idea of minimal music. Although minimal music has been considered a counterpart of minimal art, this essay first appeared in the exhibition catalogue of "Anti-Illusion: Procedures/Materials" (Whitney Museum of American Art, 1969), an exhibition recognized as a threshold of postminimalism in the plastic arts. In this paper, I would like to clarify a linkage between Reich's music and postminimalist art in view of his involvement in the "Anti-Illusion" show. The theme of the "Anti-Illusion" show was to refocus on the process of making art. By emphasizing the processes and materials of the works, the participating artists tried to deny illusion and expose the reality of art. Among these works, Reich performed his Pendulum Music, in which he made the sounding process visible as microphones' swinging. This piece clearly demonstrates that Reich's claim in "Music as a Gradual Process" was propounded in connection with postminimalist art as an attempt to disclose musical processes and reveal the real.

著者

澤口 哲弥

出版者

初等教育カリキュラム学会

雑誌

初等教育カリキュラム研究 (ISSN:21876800)

巻号頁・発行日

no.6, pp.51-62, 2018-03-31

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近年の国語科における「クリティカルな読み」の指導理論は,社会的・文化的文脈からテクストを読む視座がなく,読むことが社会的実践となり得ていない実態があった。本研究は,このような問題を乗り越え,読むことを社会的実践とするべく新たに国語科クリティカル・リーディング(以下,国語科CR)の指導理論,カリキュラムを提案し,その具体的な適用事例として現行の小学校国語科教科書の検討,および教材・手引きの改編を提案するものである。改編した教材・手引きは小学校の児童を対象に調査をし,その結果をふまえて再修正を図った。調査の結果,読解プロセスの枠組みに関する基本的な理解は得られたものの,「推論」に関して習熟していないことが示唆された。また,国語科CRのフレームワークからの設問については満足いく解答が得られず,国語科の学びを社会的・文化的文脈に乗せていくための指導法の確立が今後の課題として残った。In Japanese language education, the standard method of teaching critical reading lacks the concept of reading texts within a social and cultural context. As a result, reading cannot be a social practice. Under these circumstances, this research newly introduces a teaching method and a curriculum of critical reading in Japanese language education (hereinafter referred to as "Japanese CR" ), discusses Japanese textbooks currently used in primary schools, and proposes the reform of teaching materials and the teaching guide. The reformed materials and guide were piloted in primary schools to develop recommendations for further revision.The results imply that primary school learners fundamentally understood the reading comprehension process, but were not proficient in deduction. Furthermore, learners did not provide satisfactory answers to questions based on the framework of Japanese CR. Further research is still needed to refine the teaching method, allowing learners to learn Japanese language within a social and cultural context.

著者

別府 節子

出版者

出光美術館

雑誌

出光美術館研究紀要

巻号頁・発行日

no.20, pp.185-205,12, 2014

著者

川角 博

出版者

東京学芸大学

雑誌

東京学芸大学附属学校研究紀要 : 音楽科・英語科 (ISSN:02854309)

巻号頁・発行日

vol.37, pp.137-145, 2010-06

被引用文献数

1

著者

Imanishi Tadashi Itoh Takeshi Suzuki Yutaka O'Donovan Claire Fukuchi Satoshi Koyanagi Kanako O. Barrero Roberto A. Tamura Takuro Yamaguchi-Kabata Yumi Tanino Motohiko Yura Kei Miyazaki Satoru Ikeo Kazuho Homma Keiichi Kasprzyk Arek Nishikawa Tetsuo Hirakawa Mika Thierry-Mieg Jean Thierry-Mieg Danielle Ashurst Jennifer Jia Libin Nakao Mitsuteru Thomas Michael A. Mulder Nicola Karavidopoulou Youla Jin Lihua Kim Sangsoo Yasuda Tomohiro Lenhard Boris Eveno Eric Suzuki Yoshiyuki Yamasaki Chisato Takeda Jun-ichi Gough Craig Hilton Phillip Fujii Yasuyuki Sakai Hiroaki Tanaka Susumu Amid Clara Bellgard Matthew Bonaldo Maria de Fatima Bono Hidemasa Bromberg Susan K. Brookes Anthony J. Bruford Elspeth Carninci Piero Chelala Claude Couillault Christine Souza Sandro J. de Debily Marie-Anne Devignes Marie-Dominique Dubchak Inna Endo Toshinori Estreicher Anne Eyras Eduardo Fukami-Kobayashi Kaoru R. Gopinath Gopal Graudens Esther Hahn Yoonsoo Han Michael Han Ze-Guang Hanada Kousuke Hanaoka Hideki Harada Erimi Hashimoto Katsuyuki Hinz Ursula Hirai Momoki Hishiki Teruyoshi Hopkinson Ian Imbeaud Sandrine Inoko Hidetoshi Kanapin Alexander Kaneko Yayoi Kasukawa Takeya Kelso Janet Kersey Paul Kikuno Reiko Kimura Kouichi Korn Bernhard Kuryshev Vladimir Makalowska Izabela Makino Takashi Mano Shuhei Mariage-Samson Regine Mashima Jun Matsuda Hideo Mewes Hans-Werner Minoshima Shinsei Nagai Keiichi Nagasaki Hideki Nagata Naoki Nigam Rajni Ogasawara Osamu Ohara Osamu Ohtsubo Masafumi Okada Norihiro Okido Toshihisa Oota Satoshi Ota Motonori Ota Toshio Otsuki Tetsuji Piatier-Tonneau Dominique Poustka Annemarie Ren Shuang-Xi Saitou Naruya Sakai Katsunaga Sakamoto Shigetaka Sakate Ryuichi Schupp Ingo Servant Florence Sherry Stephen Shiba Rie Shimizu Nobuyoshi Shimoyama Mary Simpson Andrew J. Soares Bento Steward Charles Suwa Makiko Suzuki Mami Takahashi Aiko Tamiya Gen Tanaka Hiroshi Taylor Todd Terwilliger Joseph D. Unneberg Per Veeramachaneni Vamsi Watanabe Shinya Wilming Laurens Yasuda Norikazu Yoo Hyang-Sook Stodolsky Marvin Makalowski Wojciech Go Mitiko Nakai Kenta Takagi Toshihisa Kanehisa Minoru Sakaki Yoshiyuki Quackenbush John Okazaki Yasushi Hayashizaki Yoshihide Hide Winston Chakraborty Ranajit Nishikawa Ken Sugawara Hideaki Tateno Yoshio Chen Zhu Oishi Michio Tonellato Peter Apweiler Rolf Okubo Kousaku Wagner Lukas Wiemann Stefan Strausberg Robert L. Isogai Takao Auffray Charles Nomura Nobuo Gojobori Takashi Sugano Sumio

出版者

Public Library of Science

雑誌

PLoS Biology (ISSN:15449173)

巻号頁・発行日

vol.2, no.6, pp.856-875, 2004-06

被引用文献数

3 226

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The human genome sequence defines our inherent biological potential; the realization of the biology encoded therein requires knowledge of the function of each gene. Currently, our knowledge in this area is still limited. Several lines of investigation have been used to elucidate the structure and function of the genes in the human genome. Even so, geneprediction remains a difficult task, as the varieties of transcripts of a gene may vary to a great extent. We thus performed an exhaustive integrative characterization of 41,118 full-length cDNAs that capture the gene transcripts as complete functional cassettes, providing an unequivocal report of structural and functional diversity at the gene level.Our international collaboration has validated 21,037 human gene candidates by analysis of high-quality full-length cDNA clones through curation using unified criteria. This led to the identification of 5,155 new gene candidates. It also manifested the most reliable way to control the quality of the cDNA clones. We have developed a human gene database, called the H-Invitational Database (H-InvDB; http://www.h-invitational.jp/). It provides the following:integrative annotation of human genes, description of gene structures, details of novel alternative splicing isoforms, non-protein-coding RNAs, functional domains, subcellular localizations, metabolic pathways, predictions of protein three-dimensional structure, mapping of known single nucleotide polymorphisms (SNPs), identification of polymorphic microsatellite repeats within human genes, and comparative results with mouse full-length cDNAs. The H-InvDB analysis has shown that up to 4% of the human genome sequence (National Center for Biotechnology Information build 34 assembly) may contain misassembled or missing regions. We found that 6.5% of the human gene candidates(1,377 loci) did not have a good protein-coding open reading frame, of which 296 loci are strong candidates for nonprotein-coding RNA genes. In addition, among 72,027 uniquely mapped SNPs and insertions/deletions localized within human genes, 13,215 nonsynonymous SNPs, 315 nonsense SNPs, and 452 indels occurred in coding regions. Together with 25 polymorphic microsatellite repeats present in coding regions, they may alter protein structure, causingphenotypic effects or resulting in disease. The H-InvDB platform represents a substantial contribution to resources needed for the exploration of human biology and pathology.

著者

飯島 良子

雑誌

国際基督教大学学報、3-A, アジア文化研究 = International Christian University Publications, 3-A, Asian Cultural Studies

巻号頁・発行日

vol.38, pp.125-135, 0000

著者

小田中 直樹

出版者

公益財団法人史学会

雑誌

史學雜誌 (ISSN:00182478)

巻号頁・発行日

vol.109, no.9, pp.1686-1706, 2000-09-20

著者

西村 一之

出版者

日本女子大学

雑誌

日本女子大学紀要. 人間社会学部 (ISSN:09172076)

巻号頁・発行日

vol.21, pp.1-16, 2010

著者

田村 治美

出版者

国際基督教大学キリスト教と文化研究所

雑誌

人文科学研究(キリスト教と文化) = Humanities: Christianity and Culture (ISSN:00733938)

巻号頁・発行日

no.49, pp.77-121, 2017-12-15

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18世紀において、「科学」をめぐる諸状況は変化し、宇宙や自然現象、そして身体に対する眼差しが大きく変わってきた。それと共に健康や疾病の観念も変化し、音楽と身体の関わりもまた変化してきた。 これまで自然科学と音楽の関わりについては、主に、音響学理論が直接反映している調律法や和声理論について研究が積み重ねられてきた。近年では生理学や医学、精神医学、電磁気学などもまた音楽観や音楽現象に影響していることが指摘されている。 本稿では、18世紀後半に人々を魅了し大流行したにもかかわらず、健康をそこね死に至らしめるとまで噂されて音楽界から姿を消し、今もなお不思議な伝説の謎から解き放たれていない楽器「アルモニカ」について論述した。 アルモニカは、大きさの異なる複数のガラスの椀の縁をこすって音を発生させ、音楽を奏でる楽器である。この楽器の特異な点の一つは、18世紀、「科学」の転換期に、近代科学に重要な成果を残した二人の人物が、パリの社交界を舞台にそれぞれ独自の科学理論を掲げてその楽器に関わったことである。一人はアルモニカの発明者であり、雷の正体が電気であることを証明したベンジャミン・フランクリン、もう一人は近代力動精神医学の祖とされ、治療プロセスでアルモニカを用いたフランツ・アントン・メスメルである。ところが、二人はメスメルの理論体系をめぐって科学的対立軸に位置することとなり、メスメルの失脚によってアルモニカもその運命を共有することになった。 これらのいきさつについて、本稿では18世紀の神経学や電気の理論の進歩による生命観のパラダイムシフトを主軸に、音楽の心身への影響、フランクリンの電気理論、メスメルの動物磁気理論との関わりを調査し、それらがアルモニカの興亡にどのように影響したのかを分析した。その結果、アルモニカの流行と不名誉な噂の中での凋落が、18世紀の「生命科学」と音楽観との関係の中でうまれた必然的な帰結であることが指摘された。 18世紀以降、科学と音楽は専門分化の道をたどってきたが、共に自然や人間を対象にし、時代思想や社会の産物として照応関係にあると思われる。アルモニカの運命は、音楽が、生命をめぐる諸科学、すなわち医学、生理学、心理学、そして電気・磁気学とも深い相互関係をもっていることを教えてくれる。

著者

岩木 勇作

出版者

創価大学大学院

雑誌

創価大学大学院紀要 (ISSN:03883035)

巻号頁・発行日

vol.31, pp.161-184, 2009

著者

早川 泰弘 城野 誠治

雑誌

保存科学 = Science for conservation

巻号頁・発行日

no.57, pp.91-100, 2018-03-23

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The Illustrated Scrolls of the Legends of Shigisan (Shigisan engi emaki) held at Shigisan Chôgosonshiji temple is a major extant example of Heian period painting that presents pictorializations of many of the legends related to Myôren, a saintly monk credited with later having revived the temple. The set consists of three handscrolls, with the first scroll known as The Scroll of the Rich Man of Yamazaki (Yamazaki chôja no maki) or The Flying Granary Scroll, the second scroll known as The Scroll of the Rite of Spiritual Empowerment for the Engi-Era Emperor (Engi kaji no maki), and the third scroll known as The Scroll of the Nun (Amagimi no maki). The Tokyo National Research Institute for Cultural Properties conducted an analysis of the colorants used in all three scrolls by X-ray fluorescence spectrometry (XRF) during 2011-2012. Measurements (dia. 2mm) were taken at 707 places over the three handscrolls by using a portable device. Both Ca and Fe were detected in the XRF analysis of the Shigisan engi emaki at almost all of the sites measured. Cu, Zn, Ag, Au, Hg and Pb were detected in the areas with pigment, depending on the colors used and the thickness of their application. Ca and Fe were discerned in areas that had almost no pigment usage. It was determined that these elements come from the paper ground itself. In one section of the Engi scroll, Fe-based yellow ochre pigment was used. Although Cu is a principal element in the green color of malachite and the blue color of azurite, Cu-based pigments containing small amounts of Zn were found in the blue areas of the Yamazaki scroll only. Au was particularly conspicuous on the bowl in the Yamazaki scroll, the Buddhist wheel (rimpô) in the Engi scroll, and the great Buddha (Daibutsu) in the Nun scroll, where the gleam of gold color is almost invisible to the naked eye today. Numerous instances of orange pigment appearing as an underlayer for gold-colored pigments could also be discerned, and thus it was determined that a Pb-based orange color pigment was used to heighten the gold color effect. Conversely, the sites where Ag was detected on the Engi scroll were further characterized by the concurrent discernment of small amounts of Hg, although it is not possible at present to identify the source of this Hg. Hg, which is a principal ingredient in red-colored pigment cinnabar, was detected at almost all of the sites where red color was confirmed on the Shigisan engi emaki. While there are many instances where only line drawing was used to depict the figures in the Shigisan engi emaki,there are numerous instances of sites where traces of Pb could be detected on faces, hands and other places. This portable XRF device has been previously used in pigment analysis on the National Treasure Tale of Genji scrolls (Tokugawa Art Museum and Gotoh Museum), and the National Treasure Ban Dainagon scrolls (Idemitsu Museum of Arts). The use of the same device and the same parameters means that the analysis results for the different artworks can be compared directly.

著者

川床 靖子

出版者

日本教育心理学会

雑誌

日本教育心理学会総会発表論文集

巻号頁・発行日

no.42, 2000-07-25

被引用文献数

1