著者
富川 光 森野 浩
出版者
日本動物分類学会
雑誌
タクサ:日本動物分類学会誌 (ISSN:13422367)
巻号頁・発行日
vol.32, pp.39-51, 2012
参考文献数
49

Amphipods (Crustacea) are most diverse in marine environment but not a few species occur in freshwaters. To date, 36 species of freshwater amphipod taxa have been recorded from Japan. However, there are no taxonomical reviews of Japanese freshwater amphipods. In this paper, Japanese name, scientific name, major feature, and distribution for all species of Japanese freshwater amphipods are marshalled. In addition, a key to species is provided for identification of freshwater amphipods in Japan. Figures provided with this key indicate features of taxonomic importance. We proposed the new Japanese names for the following family/genera/species in this paper: families Luciobliviidae and Bogidiellidae, genera Octopupilla, Lucioblivio and Bogidiella, and species Octopupilla felix, Lucioblivio kozaensis and Bogidiella broodbakkeri.
著者
ビンステッド キム 滝澤 修
出版者
社団法人人工知能学会
雑誌
人工知能学会誌 (ISSN:09128085)
巻号頁・発行日
vol.13, no.6, pp.920-927, 1998-11-01
被引用文献数
8

We have implemented a simple model of puns in a program (BOKE) which generates puns in Japanese, using linguistic information from a general-purpose lexicon. Our rough evaluation indicates that the puns generated by the program are of comparable quality to those generated by humans. BOKE differs from an earlier English-language system (JAPE) only in the lexicon and the templates used to generate the surface text-the punning mechanisms are the same. This suggests that our model of puns is language independent.
著者
富山 貴子 桂木 奈巳 酒井 哲也 酒井 豊子
出版者
社団法人日本家政学会
雑誌
日本家政学会誌 (ISSN:09135227)
巻号頁・発行日
vol.54, no.9, pp.749-755, 2003-09-15

Various kinds of periodical phenomena are observed in the natural world and in the social systems. Even in apparel fashion trends, people feel some periodical changes exist. This paper presented a trial to qualitatively characterize such a periodicity which appeared in apparel fashion trends. For this purpose, numerical data for the length of ladies jackets and skirts proposed in a popular fashion magazine published in Japan from 1960 to 1998 were used. Data were treated with some mathematical techniques including Fourier transformation analysis, self-correlation analysis and common statistical methods. Results obtained are as follows; 1) Comparing the distribution of length for clothes proposed in a given year with the length of the clothing selected by a person as being representative of the year, it was clarified that the length of the representative clothing selected by the person coincided with the mode value for the distribution. 2) Three major changes in the length of jackets and skirts were found over the years, the first change after a periodic time of 10 years, the second after 20 years and the third after 40 years. The change which occurred after 10 years periodicity was the most profound one. 3)The 10-year periodicity may be correlated with the period of use of apparel, while 20-year periodicity may be connected to the length of time which takes for women to develop a mature fashion sense. The 40-year periodicity remains unclear, but it covers two generations and, therefore, is long enough for the revival of an old fashion as a new fashion.
著者
木村-黒田 純子 黒田 洋一郎
出版者
日本毒性学会
雑誌
日本毒性学会学術年会
巻号頁・発行日
vol.45, pp.S5-2, 2018

<p>近年、自閉症、注意欠如多動症(ADHD)など発達障害が急増しており、社会問題となっている。従来、発達障害は遺伝要因が大きいと言われてきたが、膨大な遺伝子研究が行われた結果、遺伝要因よりも環境要因が大きいことが明らかとなってきた。環境要因は多様だが、なかでも農薬など環境化学物質の曝露が疑われている。2010年頃から、有機リン系農薬(OP)曝露がADHDなど発達障害のリスクを上げることを示す論文が多数発表された。2012年、米国小児科学会は"農薬曝露は子どもに発達障害,脳腫瘍などの健康被害を起こす"と公的に警告した(Pediatrics, 130)。OECDによれば、日本の農地単位面積当たりの農薬使用量は、世界でも極めて多い。殺虫剤では、世界で規制が強まっているOPの使用がいまだに多く、ネオニコチノイド系農薬(NEO)の使用量が急増している。国内の子ども(223名、2012-3年)の尿中にはOPの代謝物やNEOが極めて高率に検出され(Environ Res, 147, 2016)、日常的な慢性複合曝露影響が危惧されている。OPはアセチルコリン分解酵素を阻害し、NEOはニコチン性アセチルコリン受容体を介したシグナル毒性(J Toxicol Sci, 41, 2016)を示し、共にコリン作動系を障害する。コリン作動系は、中枢及び末梢の脳神経系で重要であり、特に発達期の脳でシナプス・神経回路形成を担っている。NEOはヒトには安全と謳われたが、哺乳類の脳発達に悪影響を及ぼす報告が蓄積してきている。我々のラット発達期小脳培養系では、短期曝露でニコチン様の興奮作用を起こし(Plos One, 7, 2012)、長期曝露で遺伝子発現を攪乱した(IJERPH, 13, 2016)。我々のデータと共に国内外の報告から、NEOの影響を中心に、コリン作動系を介した脳発達について考察する。</p>
著者
綿田 稔
雑誌
美術研究 = The bijutsu kenkiu : the journal of art studies
巻号頁・発行日
no.396, pp.25-44, 2008-11-05

Jukô-in was built as the family temple in memory of Miyoshi Nagayoshi (1522-64, posthumous name Jukô-indono, or Lord of Jukô-in) and is one of the sub temples of Daitoku-ji in Kyoto. The main hall of Jukô-in, built in the typical architectural style of the late Muromachi period, is extant. The paintings on the walls of the hall are thought to be essentially contemporaneous with the building and they too remain in good condition. Indeed, these paintings are considered one of the benchmark works of Kano Eitoku (1543-90), a painter who defined his age. In the past there has been an ongoing debate amongst painting historians as to the date of the construction of the Jukô-in main hall, with one faction backing a date of 1566 and another 1583. However, the restoration report that set off this dating debate states that construction of the hall lasted from the end of the Eiroku period (1558-69) through the beginning of the Tenshô era (1573-1591), and thus does nothing more than indicate that the foundation date is not limited to 1566. Watanabe Yûji, the proposer of the 1583 theory, considers that there is still ample room for a reconsideration of the 1566 theory, and thus his argument is nothing more than a statement that in the extreme, 1583 could be possible. In spite of these arguments, the Jukô-in clearly existed within Daitoku-ji as an organization in 1572, as Ogawa Hiromitsu has indicated. Further, if the extant main hall dates to 1583, then it must be imagined that its state indicates that it was moved from another site or was rebuilt. However, at this point in time there has been no report of the existence of any proof or documentary support for such a state of affairs. Further, judging from the state of the inscription, 1583 might be the date in which the previous cypress-bark roof of the main hall was changed to a tile roof. Thus it is important to note that there is no evidence to confirm either hypothesis, and further, that in the Eiroku era there is no trace of the residence of either Shôrei Sôkin (1505-83), founding priest of Jukô-in, or his teacher Dairin Sôtô (1480-1568) at Jukô-in. It may be that 1566 marked the founding not of Jukôô-in, but rather that of its predecessor. Another possibility is that the founding of such a temple was conceived of in 1566 and later this date was taken as its honorary foundation date. Up until now there has been no definitive historical document directly linked to the creation of the Jukô-in main hall, and in the end, both the 1566 and the 1583 arguments remain without solid documentary evidence or circumstantial proof. At this stage, no matter what date is proposed as a production date for the Jukô-in wall panel paintings, given that there are no definitive dated inscriptions on the paintings itself, there is nothing that can extract us from a state of "nothing can be said." This author took a critical stance against the 1583 hypothesis in the exhibition review included below, and in this forum seeks a sense of direction in argument from the previously introduced information on the subject. The conclusion of this search finds that the date of 1571 can be proposed as the actual completion date of the Jukô-in main hall, based on the situation surrounding the commissioner of the Jukô-in, Miyoshi Yoshitsugu (1551-73), and the date of the portrait of Shorei Sôkin with self-colophon written in the Jukô-in main hall. It is similarly highly likely that the wall panel paintings can also be attributed to that year.
著者
一ノ瀬 俊也
出版者
公益財団法人 史学会
雑誌
史学雑誌 (ISSN:00182478)
巻号頁・発行日
vol.112, no.8, pp.1370-1385, 2003

The intent of the present article is to analyze "histories" compiled by each regiment in the Japanese army from the Russo through the Sino-Japanese wars, concluding that such works were nothing the Sino-Japanese wars, concluding that such works were nothing but attempts to praise "the heroic past" and provide a means to instill such a consciousness in both the troops and society in general.The historical remembrances of the Russo-Japanese conflict were more and more emphasized with the outbreak of the First World War and the anti-war and anti-militarization movement that accompanied it.The descriptions of those who had died in past conflict were intended to stir the emotions of the troops and provide a route by which to legitimized "dying forons's country".Even on the local level during that time, "memorials to veterans" of both wars were compiled with the similar intention of establishing a forum upon which to instill a common sentiment about the viewpoints and logic of the military within local society.After the outbreak of the Manchurian Incident, "regimental histories" took on two distinct forms.The first consisted of memoirs concerning the victorious history of the Russo-and Sino-Japanese Wars, which in addition to insisting upon Japan's legitimate claim to Manchuria, tried to prove that even the Japanese people, who had not really experienced a genuine war since the Russo-Japanese conflict and had become used to peace, could indeed win another full-scale war, thus playing a role in attempts to instill"definite behavior patterns" and encourage the country's fighting spirit.The second contained contemporary regiment-by-regiment accounts of the Manchurina Incident told from the personal views of individual combatants with the intention of verifying the regiment's consciousness concerning the Incident, encouraging further sacrifices for the cause, and appsaling to society at large.The veteran memorial literature published on the local level at that time were compiled with a similar intent in mind, attempting like during World War I to instill military ideals and persuasive logic into society at large.
著者
矢部 信成 村井 信二 横瀬 崇寛 尾戸 一平 吉川 貴久 北里 憲司郎 清水 裕智 小島 健司 水野 達人 大久保 恒希 味生 洋志 池谷 仁美 林 量司 中村 雄二 浅野 朗
出版者
Japan Gastroenterological Endoscopy Society Kanto Chapter
雑誌
Progress of Digestive Endoscopy (ISSN:13489844)
巻号頁・発行日
vol.87, no.1, pp.184-185, 2015
被引用文献数
3

Transanal rectal foreign bodies are foreign items retained in the rectum following direct insertion through the anus. In general, the treatment strategy is to attempt endoscopic removal of the foreign body through the anus. At our hospital, there were 4 cases of rectal foreign bodies during the 4-year period from April 2010 to March 2014, and the foreign bodies were removed endoscopically in all the cases. All the patients were male, with a median age of 22.5 years (16 to 87 years) . Their motives for the foreign body insertion were sexual preference in 2 cases, amusement in 1 case, and habitual practice to induce defecation in 1 case. The foreign bodies found were vibrators in 2 cases, the plastic cap of an nasal spray in 1 case, and a toothbrush in 1 case. In all the cases, the removal was carried out under intravenous conscious sedation. The instruments to be used for the removal procedure were determined according to the case. Non-invasive procedures for the removal of transanal rectal foreign bodies are greatly beneficial for the patients.
著者
森田 登代子
出版者
国際日本文化研究センター
雑誌
日本研究 (ISSN:09150900)
巻号頁・発行日
vol.29, pp.247-276, 2004-12

大雑書は平安時代以降の陰陽道や宿曜道の系統をひき、八卦・方位・干支・納音・十二直・星宿・七曜などによる日の吉凶、さまざまな禁忌やまじない、男女の相性運などを内容とした書物のことである。近世後期には庶民の関心をひく生活情報を加え内容を肥大化させ百科全書の体裁を帯びるようになった。これが大雑書である。『簠簋内傳』『東方朔秘傳置文"などの歴註書』や、公家武家階層が利用した百科全書『拾芥抄』をもとに大雑書が刊行された経緯から、天保年間に出版された代表的な大雑書の一つ『永代大雑書萬歴大成』をもとに考察する。大雑書に組み込まれた内容は各板元が所有する版権に大きく左右されたことを、大阪本屋仲間の記録をもとに検証し、自己株の書籍に新しい情報をつけくわえ手直し編集して出版したものが大雑書であったことを明らかにする。また各大雑書の特徴をあげ、大雑書が近世の社会・文化・風俗・生活を知る手がかりになることを強調し、ひいては絵の文化のシンクレティズムを象徴するものであったことを追究する。
著者
足立 広明
出版者
奈良大学史学会
雑誌
奈良史学 (ISSN:02894874)
巻号頁・発行日
no.30, pp.163-194, 2012

アレクサンドリアにヒュパティアという名の女性がいた。彼女は哲学者テオンの娘であった。彼女は高い教養を修め、とくにプロティノスによって引き出されたプラトンの研究を成功裏に継承し、意欲を持って集まった人々にあらゆる哲学的学芸を開示した。
著者
石田 百合子
出版者
上智大学
雑誌
上智大学国文学科紀要 (ISSN:02895552)
巻号頁・発行日
vol.10, pp.21-34, 1993-01-16

土田・剣持両教授定年送別記念号
著者
木下 覚 小山 博滋 小川 誠 太田 道人
出版者
日本植物分類学会
雑誌
植物分類・地理 (ISSN:00016799)
巻号頁・発行日
vol.50, no.2, pp.243-246, 2000-02-28
参考文献数
3
著者
安松 みゆき
出版者
別府大学会
雑誌
別府大学紀要 (ISSN:02864983)
巻号頁・発行日
no.58, pp.17-26, 2017-02

本稿では、1939年の「伯林日本古美術展」における日本美術受容のひとつの特異な事例として、同展覧会を熱心に鑑賞する姿が写真に残されたナチスの親衛隊長ハインリヒ・ヒムラーに注目して、かれの東洋および日本美術への意識とその背景を探った。その結果、ヒムラーの日本美術受容は、日独関係強化を目指す政治・外交的な意図とも、また浮世絵・工芸に偏った日本美術受容を改めようとする学術的な意図とも異なり、ナチスのイデオロギーが、自らの都合に合わせて日本や東洋の文化に焦点を当てたものと総括し得た。