著者
佐伯 有清
出版者
北海道大学総合博物館
雑誌
北海道大学総合博物館研究報告 (ISSN:1348169X)
巻号頁・発行日
vol.1, pp.81-99, 2003-03-31

Twenty years have passed since the pottery with the written character "□" was unearthed at the Sakushu-Kotoni-Gawa Site on the campus of Hokkaido University. At that time, as regards the broken piece of pottery excavated, the author has endeavored to investigate that character "□" made on pottery in the ninth century, as being identical with the letter "夷", called the Emishi (蝦夷) in ancient Japan. After that, with the increase of similar materials mainly unearthed in many sites of the north eastern provinces and the eastern districts, several opinions have been published by investigators of ancient Japanese history and archaeology. As opposed to the written character "□" as being the very same as the letter "夷" (Emishi 蝦夷), some hold a different view, stating that the character "□" is a kind of mark, or a simpler form for the letter "奉", that inhabitants made when offering to their Gods. On the other side, some scholars offer an opinion that the incised or written character "□" on roofing tiles of the ancient temple and palace is the simplified letter "夷" of the Ubai (優婆夷), namely the Upasika of Sanskrit term. As regard these varying, the author indicates some doubtful points and arrives at the conclusion that the written or incised "□" on potteries and roofing tiles is same letter "夷" (Emishi) as postulated in the original research.
著者
川手 翔生
出版者
早稲田大学
巻号頁・発行日
pp.1-205, 2017

早大学位記番号:新7680
著者
小橋 眞理子 井田 政則
出版者
立正大学心理学部
雑誌
立正大学心理学研究年報 (ISSN:21851069)
巻号頁・発行日
no.3, pp.65-70, 2012-03-31

Impulsiveness and self-control are considered as a personality and behavioral traits. The BIS-11(Patton et al., 1995), a measure of impulsiveness and the RSS(Sugiwaka, 1995), a measure of self-control, are the most common and well-known scales. Precedence research on these measures showed no gender differences. In an attempt to design the revised version for the Japanese people of BIS-11 by Kobashi & Ida(2011), gender differences were not considered. Hence this study, the researchers investigated the gender differences of impulsiveness using the Japanese version of BIS-11. We would like to incorporate the gender differences of self-control using RSS as well as this topic. 305 participants(117 males and 188 females)replied to these measures. The result showed no significant gender differences. In other words, with these two scales no gender differences were apparent.
著者
江口 重幸 Shigeyuki Eguchi
出版者
国立民族学博物館
雑誌
国立民族学博物館研究報告 = Bulletin of the National Museum of Ethnology (ISSN:0385180X)
巻号頁・発行日
vol.12, no.4, pp.1113-1179, 1988-03-26

This paper examines two cases of fox possession (kitsunetsuki)in a mountain village in eastern Shiga Prefecture. The studyfocuses on the socio-religious and clinical context of the expressionof possession.In Japan, kitsunetsuki has long been one of the most familiarexpressions of indigenous "madness". Nevertheless, psychiatricresearch on the phenomenon, including those from folkloristicand religious perspectives, have been conducted only since the1960s. Hitherto, kitsunetsuki had been regarded as a vestige ofsuperstition.The first part of the paper deals with some methodologicalproblems encountered when spirit possession is defined as a"culture-bound syndrome". The features of this phenomenonchange according to various approaches used to understand it.In the second part, two cases are examined from psychiatricrecords. In the first a 18-year-old male became psychoticallyexcited after fatigue and a traffic accident. During his severeconfusion he manifested fox-like jumping actions. His familyregarded him as being possessed by local gods, and so left himunattended for a month. He was hospitalized and was incomplete remission after three months of treatment. Hisillness is diagnosed as "atypical psychosis" [MITSUDA 1979:121-124].In the second case a 34-year-old housewife (an aunt of themale in the first case), entered a psychiatric hospital as a resultof illness induced by conjugal discord. After undergoing a seriesof religious rituals to evict the fox that possessed her, she came tohear the voices of three foxes. Her illness is diagnosed as typical"invocations psychosis" [MORITA (森田) 1915: 286-287].These two cases reveal a discrepancy between traditionaltherapeutic ritual and modern psychiatric treatment.In the third part of this paper, Kitsunetsuki is re-examinedfrom the socio-religious viewpoint, based on interviews withvillagers. The reasons for the occurrence in this village ofsymptoms of fox possession are considered in their cultural andreligious contexts. Kitsunetsuki of this district can be traced backto folkloristic and religious lines. Among other phenomena thisis attested to by many folktales of foxes, public religious ritualspracticed by the folkpriest, occasional visits of a man of the"mountain religion" and his furious performances under godpossession,and the famous kyogen play, which contains themetamorphosis of fox, derived from the family temple of thevillagers. A major factor was acute social change in 1950s (e.g.,in the marriage system, in traditional forestry, etc.). Onetherapeutic religious cult which came to exert considerableinfluence over the traditional religious order of this village wasfinally absorbed into a large sect of Buddhism. Typically,spirit possession in this village seemed to be formed in accordancewith the god-possessing seances of this cult. From this standpointthe two cases examined expressed themselves through the symbolicrepresentation of "fox", when they reached psychologicalcrises. The other curious disease, "K village disease", is avariant product of this process. These acts of performance aremolded upon the complicated socio-cultural background;"possession complex" .The last part of this paper presents some complementaldiscussions on the expression of fox-possession. The folkloristicand "symptomatic" peculiarity of this mountainous district, andits tendency to combine with spirit possession, is analysed andcompared with that in the plain district. Two different types ofshamanism, spirit possession and ecstacy, are reconsidered,based on the analogy of schizophrenic symptoms and othermystical thoughts. The body in a state of possession and theassociated healing process are reviewed from theatrical andpolitical points of view.After examining kitsunetsuki as a performed expression, it ispointed out that the Westernized psychiatric nomenclature only
著者
小島 廣光
出版者
北海道大学經濟學部
雑誌
經濟學研究 (ISSN:04516265)
巻号頁・発行日
vol.51, no.4, pp.1-95, 2002-03
著者
池島 徳大 松山 康成
出版者
奈良教育大学大学院教育学研究科専門職課程教職開発専攻
雑誌
奈良教育大学教職大学院研究紀要「学校教育実践研究」 (ISSN:18836585)
巻号頁・発行日
vol.6, pp.21-29, 2014-03-28

本研究では、現在米国で取り組まれている生徒指導システム(PBIS: Positive Behavioral Interventions and Supports)を参考に、日本の学級で規範意識を高めることのできる開発的生徒指導プログラムを試行的に策定し、そのプログラムの効果等について検討した。実践では、学級児童が相互に認め合うことのできる支援ツールとして、ユニバーサルスタジオジャパンが従業員のホスピタリティ(親切なおもてなし)の向上を図る独自の試みとして開発した "HAND IN HAND" を導入し、居心地のよい学級にしていくためのルールづくりを、 "PBIS プログラム" を参考に子どもたちに作成させた。効果測定には、学級集団の特質を測定する「Q-U(河村,2000)」と、質問紙調査を実施した。その結果、学級の「承認」「被侵害」の改善が確認された。また質問紙調査からは、学級児童相互の関わりの増加と、規範意識の向上が見出された。
著者
西沢 昭男
出版者
横浜国立大学
雑誌
横浜国立大学教育紀要 (ISSN:05135656)
巻号頁・発行日
vol.12, pp.110-123, 1972-10-02

The purpose of this article is to treat, from different points of view, the revolutionary style of Debussy, and to show what place he occupies in the history of modern music. The writer of this aritcle wishes, firstly, to classify the characteristic aspects of Debussy's method of harmony and through his method of harmony, to reveal one of the techniques which enabled him to produce such sensitive and colorful musical effects. Secondly, the writer tries to explain how the classical, traditional theory of cadence had found a way of servival despite the great upheavals which had taken place in the world of modern music. Also how in the modern mothod of harmony, the control of the tune has become of secondary importance, while the principle of the overtone has still functioned. Lastly, the witer wishes, through an examination of the way in which Debussy solves the tune problem in his composition, to define the position of Debussy in the transitional stage between classical and modern music.
著者
津城 寛文 TSUSHIRO Hirofumi
雑誌
<公共宗教>の光と影
巻号頁・発行日
pp.1-342, 2005-06-15

はじめに主題と構成Ⅰ部 公共宗教と深窓文化の回路――基礎的考察 1章 公共宗教の帯域 2章 トライアングル・スキームの射程 3章 トライアングル・スキームの展開 4章 宗教ナショナリズムに動員されないものⅡ部 近代日本の話題――解釈的事例 5章 近代日本の公共宗教と深層文化――主題のスケッチ 6章 天皇の銅像――物質化のためらい 7章 日猶同祖論――世界史の中心をめざす起源神話 8章 大本霊学と日蓮主義――二つの「公共宗教をめざすもの」 終章 現代的課題のための補論注あとがき初出一覧英文目次書誌データ筑波大学附属図書館リポジトリ版へのあとがき