著者
Kenney E.R
出版者
関西外国語大学
雑誌
基盤研究(C)
巻号頁・発行日
2015-04-01

"針聞書"は大阪地域に住んでいた医師によって作成された1568年の日付の日本の原稿です。 原稿には、それぞれ独自の名前を持つ63個の虫の絵が含まれています。 これらのワームは人体に住んでいて寄生虫のようです。 しかし、ワームの名前は空想的であり、ほとんどの名前は他の医学書には載っていません。 63の虫のそれぞれについて、患者の症状と病気の治療法についての簡単な説明があります。"針聞書"について真剣に研究した外国人研究者は他にいません。 私の研究の第一段階は"針聞書"を翻訳することです。 さらなる研究には、"針聞書"と同様の期間の他の日本の医学書との関係の調査が含まれます。
出版者
工部省
巻号頁・発行日
vol.[本編], 1875
著者
Sumin Lee Ken’ichiro Nakashima
出版者
The Japanese Group Dynamics Association
雑誌
実験社会心理学研究 (ISSN:03877973)
巻号頁・発行日
vol.59, no.2, pp.107-113, 2020 (Released:2020-03-10)
参考文献数
24
被引用文献数
4

The present study sought to examine the effects of the shift-and-persist strategy on the psychological outcomes of individuals with a low socioeconomic status (low-SES). Although previous research has shown that this type of strategy has beneficial effects on the physiological responses and health of individuals with low-SES, its effects on psychological outcomes have not been thoroughly studied. The present study investigated the relationship between shift-and-persist tendencies, childhood SES, and depressive tendencies using two samples. We performed multiple regression analysis of the obtained data. The results of study 1 (N=99 female undergraduates) showed that an individual’s tendency towards depression was negatively related to their persisting tendency, but not their shifting tendency. This relationship was replicated in study 2 (N=662 working adults). Although the results do not correspond with previous research, our finding that persisting is connected to psychological outcomes, such as depressive tendencies, is important.
著者
金山 智子
出版者
日本島嶼学会
雑誌
島嶼研究 (ISSN:18847013)
巻号頁・発行日
vol.19, no.2, pp.151-170, 2018-08-31 (Released:2020-09-29)
参考文献数
19

This study aims to explore the role of FM Uken, a community radio at Uken village of the Amami Ohshima, a subtropical island located between Kagoshima and Okinawa. Uken village, the residents of which was less than two thousand, has opened FM Uken in 2010 as the second community radio in the island. Since then, this small, but the uniquely operated community FM broadcaster has affected to open other two community FMs in the island. Particularly, its unique radio programming became the model for the programming of these two radio. The program is organized with the mix of self-produced programs and various programs produced by other broadcasters including prefectural broadcasters (MBC and Kagoshima broadcasting operated in the mainland) and community FM broadcasters (FM Amami, FM Setouchi, and FM Tastsugo in Amami island, Rainbow FM in Tokyo city). Even though this mixed programming is quite rare compared to the programming of community FM broadcasting in general, it could help for small-scaled community FM broadcaster to program for long period of time. FM Setouchi and FM Tastsugo have kept FM Uken’s style in their programming for broadcasting. Because of this mixed programming, the research questions were raised in this study: 1) how listeners of FM Uken would listen to the mixed program, 2) how listeners of FM Uken would feel FM Uken in everyday life, and 3) what kind of the meaning to the local community FM Uken would be. This study conducted the in-depth interview with key persons and village people and focus group interviews. In addition, the content analysis of the request messages from listeners was conducted. The results revealed that the listeners discerned FM Uken-produced programs from various different programs with their ears. Also, the listeners have been using FM Uken broadcasting for enjoying and utilizing in various situations in their everyday life. It also highlighted not only the habit of listening to the radio but also the creation of a radio culture by themselves. It is understood that the listeners did not expect to gain new information through the program but to participate in the villagers’ talks as a listener for enjoying and sharing that with other villagers. It seems that it was functioning as a place of ritual communication. It is also important that it became routinely in the villagers’ living space. Many listeners were turning on the radio when getting up in the morning, listening to the island songs flowing from the radio and the news and information on the village, and listening to the villager’s talks. This is the participation and confirmation of Uken village. As such, it could be regarded as ritual communication on/through FM Uken. FM Uken has continued broadcasting by adopting a programming method of mixing “gaze of Uken village” and “gaze of other cultures and regions.” Even though various information and culture entered a small village, “the gaze of the villagers” was not become immersed. Rather, it was a new time-space to join and integrate the community of Uken village for the villagers. This is the meaning of the existence of FM Uken for the community. Thus, this study revealed that the FM Uken became a cultural symbol of Uken village, and it is the significance of the study.
著者
安藤 由典
出版者
一般社団法人 日本音響学会
雑誌
日本音響学会誌 (ISSN:03694232)
巻号頁・発行日
vol.26, no.7, pp.297-305, 1970-07-10 (Released:2017-06-02)

Using a mechanical blowing apparatus, flute playing was simulated, and acoustical properties of generated tone were investigated. Five sorts of parameters were chosen for description of harmonic structure, and their variations with nine sorts of drive conditions, which were found in a previous work of the author (reported in the last issue of J. A. S. J. ), were measured on a typical instrument (H. Hammig). (Tab. 1). The parameters of harmonic structure (Fig. 1) were 1. The number of harmonics (N): The number of harmonics, of which relative levels are not less than -35dB as compared with the level of the fundamental. 2. Average level of harmonics (M_kdB): M_k=1/(k_1)��^^k__2L_i, where L_i is the relative level in dB of the i-th harmonics. In the low, middle and high registers, k=7, 5 and 3 respectively. 3. Attenuating degree of harmonics level with its order (ZdB/oct): This parameter is expressed by N and M as the following equation. Z=(M+35)log2/(log(N+2)-1/(k_1)log(k!)). 4. Level difference between even and odd harmonics (L_e-L_0): For low register tones, L_e-L_0=1/3(L_2+L_4+L_6)-1/3(L_3+L_5+L_7). For middle and high register tones, L_e-L_0=L_2-L_3. 5. Formant: The term is used in the same meaning as used in phonetic acoustics. The results obtained are as follows: In the low register, M_7 is proportional to the air beam velocity u. Its increasing rate as well as its value at equal velocity are in proportion to the pitch of the tone (Fig. 3, Equation 5. 3). In the middle or the high register, M_5 or M_3 depends on the pitch only (Fig. 4, Equation 5. 4). A fixed correlation was found between N and M_k regardless of drive conditions (Fig. 2, Equation 5. 1 and 5. 2). Therefore the attenuating degree Z is also constant in each of three registers, (15-16dB/oct in the low register, 13dB/oct and 8dB/oct in the middle and high register respectively). L_e-L_0 varies critically with air beam bias e in all three registers (Fig. 6). Anti-formant is observed in low register tones, when u is large(u≧9m/sec) and e is near the soundable limit (about -2. 0mm or 0mm) (Fig. 7). The probable ranges of M_k and L_e-L_0 in the actual flute playing were discussed, based on the above data and those derived in the previous work, and the resultant models of harmonic structure were shown (Fig. 8 and 9).

1 0 0 0 東津野村史

出版者
東津野村教育委員会
巻号頁・発行日
vol.上巻, 1964
著者
伊達 聖伸
出版者
日本宗教学会
雑誌
宗教研究 (ISSN:03873293)
巻号頁・発行日
vol.81, no.3, pp.531-554, 2007-12-30 (Released:2017-07-14)

フランスの政教関係を定めた「ライシテ」の原理は、いわゆる近代社会の基本的原則たる政教分離を最も徹底させたものだとしばしば見なされている。それを裏づけるように、フランスのライシテは、「アメリカの市民宗教」-教会から切り離されたユダヤ=キリスト教の文化的要素が政治の領域に明白に見て取れる-とは構造を異にすると分析されている。だが、この差異から、フランスでは政治の領域に宗教的次元が存在しないという結論が導けるわけではない。事実、研究者のあいだでは、ライシテ(およびこの原理に即した近代的な価値観)を市民宗教などのタームでとらえることの妥当性が問われている。本稿では、彼らの議論の一部を紹介しながら、市民宗教の五類型を提示し、ライシテがいかなる条件において、どのような意味での「市民宗教」に近づきうるのかを、ライシテの歴史の三つの重要な節目-フランス革命期、第三共和政初期、現代-におけるいくつかの具体例を通して検討する。
著者
横井 鎮男
出版者
Japan Association for Fire Science and Engineering
雑誌
日本火災学会論文集 (ISSN:05460794)
巻号頁・発行日
vol.15, no.2, pp.38-51, 1966 (Released:2013-08-21)
参考文献数
4

If the fire spreads from one floor to upstairs in a building, both floors will be enveloped in the flame. Suppose that the space of both floors are communicated with stairs opening. The author has had a question whether, in this case, one common neutral layer appears to both floors or neutral layers appear in each floor respectively. After the big fire broke out in Tōkyū Kaikan in Tokyo, 10th April 1965, the author inspected the state after the fire. This fire broke out in the 7th floor and soon it spread to the 8th floor. Judging from the track of the smoke, attached on the wall of the building, the author found out that neutral layers existed in both floors respectively.After that, the author attempted to calculate the positions of the neutral layers with a brief model building expressed in Fig. 1 and Fig. 2. This building has a window in each floor. and both floors are communicated with a stair case, whose horizontal opening area is S.The results of calculation gave the following conclusions :(1) The positions of the neutral layers depend on the position and size of the window, the room temperature, the ratio of the area of the horizontal opening of the stair to that of the floor.(2) As the value of this ratio increases, the position of the upstairs’ neutral layer drops down and that of the downstairs’ rises. If this value of ratio exceeds a certain value, the neutral layer does not exist in upper floor but it looks as if it existed in the lower floor.(3) As the value of this ratio approaches 1, this virtual neutral layer nearly coincides with the neutral layer of the lower floor. In this case, it looks that a common neutral layer exists to both floors.