著者
香取 智宜
出版者
学校法人松商学園松本大学
雑誌
教育総合研究 = Research and Studies in Education (ISSN:24336114)
巻号頁・発行日
vol.3, pp.139-154, 2019-11-30

「税務会計」という学問が、如何なる形で大学・短期大学で教授されているかを考察するために本稿を執筆した。この学問は、現在の学問領域において複雑な位置付けにあり、つまり、法律的分野の学問なのか、それとも会計的学問に属するものなのかが、研究者の中で意見が分かれるものである。したがって、教授する大学教員がどちらのスタンスを重視して授業に臨まれているかを、使用されている教科書に基づいて検討するものである。
著者
池野 健一
出版者
日本国際観光学会
雑誌
日本国際観光学会論文集 (ISSN:24332976)
巻号頁・発行日
vol.26, pp.137-142, 2019 (Released:2020-02-04)
参考文献数
13

The obligation to consider security is enshrined in Japanese law since the 1975 ruling. The obligation applies to Japanese universities when they organise study abroad programmes. Thus, if there is a fatality or injury sustained during the programme the university must show that they have not neglected their duty of care. Otherwise they are liable to pay compensation. There has been a study to show how universities should cater for the security of students abroad and the different responsibilities of the university and the travel agency. Actual cases were used to show how travel agencies could collaborate with universities to provide effective security for the students.
著者
中谷 至宏
出版者
美学会
雑誌
美学 (ISSN:05200962)
巻号頁・発行日
vol.53, no.3, pp.14-27, 2002

Traditional Japanese painting had its own format as a hanging scroll or a folded screen. These formats had functions to be used in daily life or ritual space. Painting had been categorized in Kogei (fine and applied arts), parallel to ceramics or textile. Presentation of artistic virtuosity and sales had been the important functions of public show. After the bringing the category, fine arts into Japan in Meiji-era, artists, especially painters tended to exclude those functions from exhibitions. We can recognize this transition in a series of exhibitions held in Kyoto in late Meiji-era, such as Shinko-bijutsuhinten. Gradually painting drifted away from the category, Kogei. As a result, Kogei became a word just as applied arts. In this process, titles of painting were transformed to more metaphorical or poetical ones from description of depicted objects, and paradoxically, painters rediscovered the traditional widely rectangular format, namely, a pair of six-folded screen as effective form for competition or realistic representation of landscape, not as a valuable form for practical functions. In several world expositions, painters in Japanese style enforced to transform their painting to be framed, nevertheless, in Japan, they chose the traditional format in exhibitions that was the very system from the West.
著者
北沢 憲昭
出版者
至文堂
雑誌
日本の美術 (ISSN:0549401X)
巻号頁・発行日
no.353, pp.p92-98, 1995-10
著者
Atsushi Miyawaki Yasuki Kobayashi Ichiro Kawachi
出版者
Japan Epidemiological Association
雑誌
Journal of Epidemiology (ISSN:09175040)
巻号頁・発行日
vol.30, no.2, pp.67-73, 2020-02-05 (Released:2020-02-05)
参考文献数
49
被引用文献数
12

Background: The association of sensory loss with mortality remains unclear. We aimed to explore the associations of hearing loss (HL), visual loss (VL), and dual sensory loss (DSL) with survival.Methods: Data came from the Komo-Ise study cohort in Gunma Prefecture, Japan, where the community-dwelling residents aged 40–69 years were followed up from 1993 to 2010. We analyzed 9,522 individuals who answered the follow-up questionnaires in 2000 (average age 64 [range, 47 to 77] years in 2000). The primary exposures were “HL only,” “VL only,” or “DSL”, with “no HL/VL” as the reference. These sensory loss statuses were assessed by asking the difficulty in hearing conversation or reading newspaper even with aids in the follow-up questionnaires in 2000. All-cause and cause-specific mortality were ascertained from linkage to death certificate data. Cox proportional hazards models adjusting for confounders, including demographic factors, socioeconomic status, and health status, were used. Potential mediators (depression, walking disability, and social participation) were additionally adjusted for.Results: There were 1,105 deaths over the 10-year follow-up. After adjustment for the potential confounders, HL and DSL were associated with increased all-cause mortality (hazard ratios of 1.74 [95% CI, 1.18–2.57] and 1.63 [95% CI, 1.09–2.42], respectively). Potential mediators explained a modest portion of the association. As for cause-specific mortality, HL was associated with increased cancer mortality, while VL and DSL were associated with increased cardiovascular disease mortality.Conclusions: Self-reported HL and DSL may be risk factors of mortality among middle-aged or elderly Japanese populations.
著者
古株 靖久 加藤 伸彦 佐藤 文彦
出版者
日本植物生理学会
雑誌
日本植物生理学会年会およびシンポジウム 講演要旨集 第47回日本植物生理学会年会講演要旨集
巻号頁・発行日
pp.443, 2006 (Released:2006-12-27)

オウレン(Coptis japonica)が生合成するベルベリンは抗菌活性等をもつ有用イソキノリンアルカロイドである。当研究室で確立されたオウレン培養細胞はベルベリン生合成活性が高く、かつその生合成酵素遺伝子のほとんどが単離されていることからアルカロイド生合成系のよい研究モデルである。本研究では同細胞を用いてベルベリン生合成系の転写制御因子の単離と機能解析を試みたので報告する。まず同生合成系に関与する転写因子の単離を目的に高生産選抜株のEST約5000クローンを配列決定し、これらの配列からBLASTx検索により約50の転写因子相同配列を見出した。相同性等をもとに27クローンを選抜し、その転写調節活性を一過的RNAi法(BBB 69:63,2005)により解析した。候補遺伝子配列特異的に作製した二本鎖RNAをオウレンプロトプラストへ導入し、3日間培養後に生合成酵素6OMTの転写産物量を定量することにより解析した。その結果、clone#48の発現抑制に伴って6OMTのmRNAが劇的に低下するという結果を得た。他の生合成遺伝子の発現量を測定した結果、測定した8の遺伝子全てで低下を認めた。一方actinや一次代謝系GAPDH、Chorismate mutaseへの影響は認められなかった。clone#48にはbHLHの保存配列が存在し、CjbHLH1と名付けた。CjbHLH1によりベルベリン生合成系が特異的かつ包括的に制御されていることが示唆されたことより、現在、安定形質転換体を作成し、その機能の解析を進めている。
著者
福田 啓子
出版者
日本武道学会
雑誌
武道学研究 (ISSN:02879700)
巻号頁・発行日
vol.46, no.1, pp.31-40, 2013-09-30 (Released:2014-09-30)
参考文献数
30

Naginata made a fresh start as a sport after World War II and in its new form, “Rhythm Naginata”, in which practitioners perform to rhythm such as music, was created. This study examines the process in which Rhythm Naginata was created and developed and the main instigators, and explores possibilities in the future development of Naginata as a field which demonstrates the diversity of budo arts. The budo arts were originally developed for combat. In post-war Naginata, however, Rhythm Naginata came to be utilised in the training and acquisition of basic moves and techniques such as forms of etiquette through the traditional process of learning Kata. This is because modern budo arts aim for character building, and are practiced by people as popular forms of traditional physical exercise. In tracing the origins of Rhythm Naginata, we find that “Naginata-Mai” (dance) was performed in Shinto rituals throughout Japan for invoking rain or abundant crops. Naginata-Mai, which was an elegant system of exercise considered suitable for girls, was created by Ozawa Unosuke. He was an educator who invented bujutsu-taisō (martial art calisthenics) in the latter years of the Meiji era when Naginata had yet to be approved as an authorized field of study in the education system. In the post-war era, Rhythm Naginata was initiated by Sonobe Shigehachi, headmaster of Jikishinkage-ryū. It is clearly stated in a bulletin published in 1966 that he coined the term “Rhythm Naginata”. Sonobe’s successors, Yamamoto Misao and Kajiyama Takeko, demonstrated Rhythm Naginata accompanied by piano for the first time as a public display at the 10th National Athletic Meet. In 1961, Mori Kiyoko, a teacher at Asaka Junior High School in Saitama Prefecture, created Rhythm Naginata for junior high school students, and demonstrated it at a Naginata meet. Yano Tsune, who studied the Tendō-ryū Naginata as one of the first generation of students in the Butokukai’s Naginata course, led the performance of Rhythm Naginata by students from Osaka University of Health and Sport Sciences at the Kobe Universiade in 1985. It was accompanied by traditional Japanese music and mainly displayed techniques from classical Naginata. Rhythm Naginata successfully achieved two outcomes: 1) it could be utilised as an effective educational medium; and 2) as a representation of Naginata’s cultural value it contributed to the spread and development of Naginata by showcasing its aesthetically pleasing movements and skills required in using a long weapon. Further study is needed to ascertain the connection between Naginata Mai and Rhythm Naginata.
著者
守本 昭彦 臼井 豊和
出版者
公益社団法人 日本化学会
雑誌
化学と教育 (ISSN:03862151)
巻号頁・発行日
vol.43, no.12, pp.762-763, 1995-12-20 (Released:2017-07-11)
被引用文献数
1

[工夫した点]電気分解によって鉛(II)化合物から酸化鉛(IV)が合成でき, 鉛蓄電池が作れる。また, 鉛(II)化合物に塩基性で過酸化水素水を作用させると酸化鉛(IV)が生じる。鉛化合物に関する一連の実験から, 酸化還元反応を電子の授受によって統一的にとらえさせた。
著者
金城 隆展
出版者
公益社団法人 日本薬学会
雑誌
ファルマシア (ISSN:00148601)
巻号頁・発行日
vol.56, no.2, pp.114-118, 2020

物語る医療・物語る医療従事者はそうでない医療・医療従事者よりもより有能である。なぜなら物語る医療従事者は、患者のユニークで多様性に富んだ物語を一方的に語り譲ることなく、患者と医療者の丁度中間(中庸)で共に一つの物語を紡ぐことで、患者の医療的最善を探求すると同時に患者の思いや価値観を尊重することを両立させることが可能になり、最大限の倫理である「患者の幸福」を達成する可能性がより高くなるからである
著者
中田 幸造 山川 哲雄 JAVADI Pasha NOORI Mohammad Zahid 金田 一男
出版者
日本建築学会
雑誌
日本建築学会構造系論文集 (ISSN:13404202)
巻号頁・発行日
vol.85, no.767, pp.97-104, 2020
被引用文献数
2

<p> A strength–ductility–type seismic retrofit technique for soft first-story reinforced concrete (RC) buildings via addition of wing walls or panel walls was proposed by Yamakawa<sup>4)</sup>. This method is called the thick hybrid wall (THW) technique and is performed by jacketing an RC column and an additional wing wall using channel-shaped steel plates connected together by high-strength steel bars (PC bars). The steel plates and PC bars make steel formworks inside the RC frames during the additional concrete casting. Furthermore, they can serve for shear strengthening and confinement of RC columns after hardening of additional concrete. No longitudinal and transverse reinforcements or anchorage systems are provided in the additional wing wall; therefore, the construction is easy and cost-effective. The previous investigation<sup>6)</sup> of the one-bay one-story RC frame retrofitted by the THW technique verified that both lateral strength and ductility are considerably improved compared to those of the non-retrofitted RC frame. This study aims to propose equations that can be used to estimate the ultimate moment resistance and the minimum wing-wall length of RC columns retrofitted by the THW technique.</p><p> The ultimate moment resistance of the RC column with a wing wall (THW technique) is calculated by considering the whole section as a united section. In the proposed method, the strain distribution of the THW column section is divided into three fields, such as field A, B, and C, based on the location of the neutral axis changes according to the axial force levels. The unified THW column section is asymmetric about the centerline of the square column section; hence, the wall side is considered in compression only. The moment capacity equation is derived by considering the equilibrium of internal tension and compression forces with the external vertical axial load. Assuming the location of the neutral axis depth, a generalized equation is obtained based on the equivalent rectangular stress block parameters for concrete in compression that is adopted by the American Concrete Institution (ACI). Practically, the THW technique is applied in the field A, where all the rebars in the tension and compression sides of the existing RC column yield in tension, and the limit axial force ratio of the field A is represented as <i>η</i><sub>1</sub>.</p><p> The ultimate moment resistance of the THW column section is more accurately calculated by the fiber model method. The stress-strain model of concrete in the fiber model analysis is considered as Monder's model<sup>11)</sup>. In Section 4, the calculated results of the proposed equation, fiber model analysis, and simplified equations<sup>8)</sup> are in good agreement with the previous test results of both-sided (R03WC-P200S)<sup>4)</sup> and one-sided wing-wall (R03WO-S)<sup>5)</sup> specimens retrofitted by the THW technique.</p><p> The equation used to calculate the minimum wing-wall length of the THW technique is proposed in Section 5 based on the limit axial force ratio (<i>η</i><sub>1</sub>) in the field A. The calculated results based on the minimum wing-wall length equation show that the additional wing-wall length ratio <i>β</i> increases with increasing the axial force ratio <i>η</i>. Furthermore, <i>β</i> decreases with increasing the ratio of the compressive strength of concrete <i>κ</i> and depends on the tensile rebar ratio <i>q</i>.</p>